Dark Shadows is a compelling portrait of Kazakhstan, a country that is little known in the West. Strategically located in the heart of Central Asia, sandwiched between Vladimir Putin's Russia, its former colonial ruler, and Xi Jinping's China, this vast oil-rich state is carving out its place in the world as it contends with its own complex past and present. Journalist Joanna Lillis paints a vibrant picture of this emerging nation through vivid reportage based on 13 years of on-the-ground coverage, and travels across the length and breadth of this enigmatic country that lies along the ancient Silk Road and at the geopolitical and cultural crossroads where East meets West. Featuring tales of murder and abduction, intrigue and betrayal, extortion and corruption, this book explores how a president, Nursultan Nazarbayev, transformed himself into a potentate and the economically-struggling state he inherited at the fall of the USSR into a swaggering 21st-century monocracy. A colourful cast of characters brings the politics to life: from strutting oligarch to sleeping villagers, from principled politicians to striking oilmen, from crusading journalists to courageous campaigners. Traversing dust-blown deserts and majestic mountains, taking in glitzy cities and dystopian landscapes, Dark Shadows conjures up Kazakhstan as a living, breathing place, full of extraordinary people living extraordinary lives.

Read the definitive essay collection from the Sunday Times bestselling author of The Adversary, dubbed 'France's greatest writer of non-fiction' (New York Times) 'The most exciting living writer' Karl Ove Knausgaard Over the course of his career, Emmanuel Carrere has reinvented non-fiction writing. In a search for truth in all its guises, he dispenses with the rules of genre. For him, no form is out of reach: theology, historiography, reportage and memoir - among many others - are fused under the pressure of an inimitable combination of passion, curiosity and intellect that has made Carrere one of our most distinctive and important literary voices today. 97,196 Words introduces Carrere's shorter work to an English-language audience. Featuring more than thirty extraordinary texts written over an illustrious twenty-five-year period of Carrere's creative life, the book shows a remarkable mind at work. Spanning continents, histories, and personal relationships, 97,196 Words considers the divides between truth, reality and our shared humanity, exploring remarkable events and eccentric lives, including Carrere's own. * A New York Times Notable Book *

This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence. This first volume of Evelyn Waugh's Articles, Essays, and Reviews contains every traceable piece of journalism that research could uncover written by Waugh between January 1922, when he first went up to Oxford, and December 1934, when he had recently returned from British Guiana and was enjoying the runaway success of A Handful of Dust. Long interred in fashion magazines, popular newspapers, sober journals, undergraduate reviews, and BBC archives, 110 of the 170 pieces in the volume have never before been reprinted. Several typescripts of articles and reviews are published here for the first time, as are a larger number of unsigned pieces never before identified as Waugh's. Original texts, so easily distorted in the production process, have been established as far as possible using manuscript and other controls. The origins of the works are explored, and annotations to each piece seek to assist the modern reader. The volume embraces university journalism; essays from Waugh's years of drift after Oxford; forcefully emphatic articles and contrasting sophisticated reviews written for the metropolitan press from 1928 to 1930 (the most active and enterprising years of Waugh's career); reports for three newspapers of a coronation in Abyssinia and essays for The Times on the condition of Ethiopia and on British policy in Arabia. Finally, in early 1934 Waugh travelled for three months in remote British Guiana, resulting in nine travel articles and A Handful of Dust, acclaimed as one of the most distinguished novels of the century. Waugh was 19 when his first Oxford review appeared, 31 when the Spectator printed his last review of 1934. This is a young writer's book, and the always lucid articles and reviews it presents read as fresh and lively, as challenging and opinionated, as the day they first appeared.

This book rethinks the history of decolonisation and new nationhood in the Ghana-Togo borderlands, and speaks to an increasingly urgent debate on the production of knowledge about Africa. It does this through the close reading, translation and analysis of a unique primary source - a newspaper entitled Ablode(meaning 'the Key to Freedom'). Ablode was initiated and sustained by a shoemaker named Holiday V. K. Komedja, and written almost entirely in his mother-tongue, Eve. Whilst many studies of nationalism have highlighted the importance of anti-colonial newspapers, this volume is unique - in its intensive focus on a single African-language newspaper, in providing translations of entire issues, and in following the story of decolonisation into the era of new nationhood. The manner in which Komedja recounted and explained political events challenges existing scholarly accounts of the rise and fall of Togo's first independent government, and of ethnic nationalisms and local loyalties within new nation-states. In re-reading the history of the Ghana-Togo borderlands through the pages of Ablode, this volume demonstrates that intensive inter-disciplinary engagement with specific African-language texts is indispensable to the meaningful study of Africa and Africans in global history.

Herman Bang (1857-1912) was a sharp-witted observer of the society and manners of his age; with an eye for telling details, he could at one moment mercilessly puncture hypocrisy and arrogance, at the next invoke indignant sympathy for the outcasts and failures of a ruthlessly competitive world. In his novels and especially in his short stories he often takes as his protagonist an unremarkable character who might be dismissed by a casual observer as uninteresting: a failed ballet dancer who scrapes a living as a peripatetic dance teacher in outlying villages ('Irene Holm'), or a lodging-house-keeper's daughter who toils from dawn to dusk to make ends meet ('Froken Caja'). He can also make wicked fun of pretensions and plots, as in 'The Ravens', where the family of the aging Froken Sejer are scheming to have her declared incapable, whilst she is selling off her valuables behind their backs to cheat them of their inheritance. His wide-ranging journalism has many targets, alerting readers to the wretched poverty hidden just a few steps from the thriving city shops or the ineptitude of Europe's ruling houses - as well as celebrating the innovations of the modern age, such as the automobile or the department store. Bang was well known throughout Europe in his lifetime, especially in Germany, where his works were translated early. In the English-speaking world he has had little impact, partly no doubt because of his homosexuality. Even now, only a couple of his novels have been translated. This volume is an attempt to remedy this lack by introducing a broad selection of his short stories and journalism to a new public.

SHORTLISTED FOR THE IRISH BOOK AWARDS 2021 The riveting story of a nation at a crucial crossroads From the start of his stint as RTE's Washington Correspondent Brian O'Donovan's lively and authoritative reporting of a tumultuous period in American life has been must-watch TV. Four Years in the Cauldron is his account of four busy years working in the US. He draws a compelling picture, full of telling colour and detail, of covering its fractured politics, particularly the extraordinary presidency of Donald Trump and the knife-edge election of Joe Biden. And he gives his unique perspective on big stories such as the Covid emergency, the Capitol riot, the murder of George Floyd and trial and conviction of his police killer. He also provides a visceral sense of what it's like living in a country shaped by guns, God, far-fetched conspiracy theories and the running sore of racism. Yet, drawing on his network of contacts, neighbours, friends and family connections outside the white-hot heat of Washington politics, he writes about the lives of ordinary American people with nuance and understanding. Four Years in the Cauldron is a must-read for getting to grips with the US at a moment of profound reckoning. ______ 'An intriguing look at an extraordinary time . . . the book brings us to some fascinating places' Ryan Tubridy 'A great read' The Last Word With Matt Cooper

As Fenella Wilson points out in her Introduction to this collection of Neil Munro's writings on war, the theme is represented in each aspect of his career as a writer - in his fiction, journalism and poetry. A number of the short stories here, including two Para Handy tales, were published Munro's lifetime, as was his introduction to Fred Farrell's 1920 The 51st Division War Sketches, and some of the Poems. What has not previously 'seen the light of day' since The Great War are the reports which Munro wrote as a war correspondent, as a civilian and later in uniform, in 1914, 1917 and 1918. They are vivid, personal, accounts from the Western Front, widely published in a range of newspapers of the time. Stories of Scottish regiments - in kilts, with their Pipers - abound. They cushion, but don't diminish, the reality of everyday life both for soldiers on all sides in the conflict, and for the local population, amid the 'havoc' of the battlefields; 'the filthy job of human slaughter'.

The Believer, a twelve-time National Magazine Award finalist, is a literature, arts, and culture magazine published by the Beverly Rogers, Carol C. Harter Black Mountain Institute, and based in the College of Liberal Arts at the University of Nevada, Las Vegas. In each issue, readers will find journalism, essays, intimate interviews, an expansive comics section, poetry, timely and untimely reviews, and on occasion, delightful and unexpected bonus items. The magazine is edited by a group of novelists, poets, artists, critics, regular readers of the Chicago Manual of Style, and aficionados of print and digital literature. Our regular columnists are Nick Hornby and Peter Orner. All editions of The Believer are perfect-bound and printed by friendly Canadians on recycled, acid-free, heavy-stock paper and suitable for archiving, framing, or reading in the tub. We publish five issues a year, including one double issue. Questions? Please give us a call: (866) 930-0264 or reach us by email: [email protected].

Vir 45 jaar het Freek Robinson die grootste nuusgebeure in die ou én nuwe Suid-Afrika eerstehands beleef. As TV-joernalis en nuusanker was hy ’n gereelde besoeker in miljoene Suid-Afrikaners se huise.

In sy memoires deel Freek dit wat hy agter die skerms beleef het.

Dié boek verweef die lewe en loopbaan van een van ons land se mees gerespekteerde en geliefde joernaliste en gee ’n besonderse blik op die ingrypende nuusomwentelinge in ons onlangse geskiedenis.