Ausgehend von der Idee des Glasperlenspiels, die Hermann Hesse in seinem gleichnamigen Roman entwirft, haben die Autoren in diesem Band die Moglichkeiten und Grenzen eines solchen Spiels im Umgang mit Wissen ausgelotet. Sie zeigen neue Methoden fur das Wissensmanagement auf und verbinden dafur Erkenntnisse verschiedener Wissenschaftsgebiete wie Logik, System- und Erkenntnistheorie sowie Semiotik, Kognition und Kommunikation. Das begleitende Computerprogramm unterstutzt Leser beim Experimentieren mit Wissen."

Travelling from Madrid to The Valley of the Fallen, through Castile and Leon and across the fiercely contested region of Catalonia, Christopher Finnigan meets a remarkable cast of characters behind some of the biggest political events Spain has witnessed in decades. Whether it is the Indignados left-wing activists rethinking society, the everyday citizens sitting in parliament, or the Catalan separatists fighting for a new nation, The New Spanish Revolutions meets those struggling at the heart of historic change. Spain today finds itself in the grip of immense social upheaval, still shaken by the financial crash of 2008 and still struggling with its fascist past. Against a fragmented and polarised backdrop, Christopher Finnigan discovers how individuals and ideas that were once outside the mainstream are now shaping the nation's future.

News organizations have always sought to deliver information faster and to larger audiences. But when clicks drive journalism, the result is often simplistic, sensational, and error-ridden reporting. In this book, Seong Jae Min argues in favor of "slow journalism," a growing movement that aims to produce more considered, deliberate reporting that better serves the interests of democracy. Min explores the role of technology in journalism from the printing press to artificial intelligence, documenting the hype and hope associated with each new breakthrough as well as the sometimes disappointing-and even damaging-unintended consequences. His analysis cuts through the discussion of clickbait headlines and social-media clout chasing to identify technological bells and whistles as the core problem with journalism today. At its heart, Min maintains, traditional shoe-leather reporting-knocking on doors, talking to people, careful observation and analysis-is still the best way for journalism to serve its civic purpose. Thoughtful and engaging, Rethinking the New Technology of Journalism is a compelling call for news gathering to return to its roots. Reporters, those studying and teaching journalism, and avid consumers of the media will be interested in this book.

This short book calls to account the government misrulers and corporate criminals who made suffering from the global coronavirus pandemic more acute. Modeled on a famous 1940 bestseller--a pamphlet exposing appeasers of Nazi Germany--Guilty Men shows how the crisis has been stoked by the callous and opportunistic decisions of powerful men. The rogues gallery begins with Donald Trump, who deliberately downplayed the crisis despite knowing its dangers, as well as his international political allies, above all Boris Johnson. Billionaire politicians like Georgia senator Kelly Loeffler moved stocks at the same time they were telling Americans all was well . Political charlatans like Education Secretary Betsy DeVos undermined public safety in order to advance their agenda, Trump-controlled agencies, led by the ever-crooked Federal Reserve, bailed out Wall Street while failing to provide basic relief for workers. Libertarian "think tanks" like the Ayn Rand Institute decried public expenditures but were first in line to get bailout checks. Pharmaceutical companies gamed the vaccine race, and the most rapacious global corporations like Facebook, Visa, and Pfizer have found the pandemic to be very profitable indeed, vastly enriching the already grotesquely bloated fortunes of trillionaires like Jeff Bezos, Mark Zuckerberg, and Charles Koch. Guilty Men closes with a call for a version of the Pecora Commission, initiated by newly elected Franklin Roosevelt, that took aim at what FDR called "speculation, reckless banking, class antagonism, and profiteering" that stoked the Depression. The commission led to some of the most far-reaching reforms in US history, as well as sensational hearings that led to the fall of the leading bankers and financiers of that era.

This first-ever anthology of the war reporting and commentary of Pulitzer Prize winning journalist Sydney Schanberg is drawn from more than four decades of reporting at home and abroad for the "New York Times, Newsday," the "Village Voice," and various magazines. The centerpiece of the collection is his signature work, The Death and Life of Dith Pran, which appeared in the "New York Times Magazine." This became the foundation of Roland Joffe s acclaimed film "The Killing Fields" (1984), which explored the Khmer Rouge genocide in Cambodia during the late 1970s.Although Schanberg may be best known for his work on Cambodia, he also reported on the India-Pakistan war that ended Pakistan s brutal attempt to crush the Bangladesh freedom movement in the 1970s. His striking coverage of the Vietnam conflict recounts Hanoi s fierce offensive in 1972 that almost succeeded. Years later, citing official documents and other hard evidence that a large number of American POWs were never returned by Hanoi, Schanberg criticized the national press for ignoring these facts and called for Washington to release documents that had been covered up since 1973.As the media critic for the "Village Voice," Schanberg offered a unique and searing viewpoint on Iraq, which he called America s strangest war. His criticism of the Bush administration s secrecy brings his war reportage into the present and presents a vigorous critique of what he considers a devious and destructive presidency. "Beyond the Killing Fields" is an important work by one of America s foremost journalists.

For decades, Colombia was the 'narcostate'. Now it's seen as one of the rising stars of the global economy. Where does the truth lie? How did a land likened to paradise by the first conquistadores become a byword for hell on earth? And how is it rebuilding itself after decades of violence? Writer and journalist Tom Feiling has journeyed throughout Colombia, down roads that were until recently too dangerous to travel, talking to people from former guerrilla fighters to nomadic tribesmen and millionaires. Vital, shocking, wry and never simplistic, Short Walks from Bogota unpicks the tangled fabric of Colombia to create a stunning work of reportage, history and travel writing. Books of the Year 2012 Boyd Tonkin, The Independent 'Creates a portrait of Colombia that is perceptive, unsensational, and full of humanity ... Feiling is a brilliant reporter, lucid, unflinching, morally engaged, and with an occasional deadpan sense of humour .. one of the most consistently intelligent and compelling books to have appeared on any South American country in recent years' Michael Jacobs, Independent 'Tom Feiling takes us on an enlightening journey through a changing country that few understand' Rachel Aspden, Observer 'A deeply political account of one man's journey to the violent heart of modern, rural, Colombia ... a must read' Kevin Howlett, Colombia Politics 'Feiling... venture[s] into areas that have been off limits for decades ... the sense of a vibrant nation worth discovering peeks out' Siobhan Murphy, Metro 'The best British travel writers like Norman Lewis or Bruce Chatwin give the reader more than simple travellers' tales. Feiling is of their company ... a brilliant, penetrating and highly readable account' Robert Carver, Spectator Some of the best insights in the book come from the people Feiling meets, and memorably portrays ... a well-written, thoughtful book David Gallagher, Times Literary Supplement Dramatic and captivating Wanderlust 'Elegantly written and knowledgeable. Feiling writes with the eye of a seasoned journalist and the style of a travel writer' Carl Wilkinson, Financial Times Tom Feiling spent a year living and working in Colombia before making Resistencia: Hip-Hop in Colombia, which won numerous awards at film festivals around the world, and was broadcast in four countries. In 2003 he became Campaigns Director for the TUC's Justice for Colombia campaign, which organizes for human rights in Colombia. His first book was The Candy Machine: How Cocaine Took Over The World, which was based on over sixty interviews with people involved in all aspects of the cocaine business and the 'war on drugs,' and was published by Penguin in 2009.

Event structures are central in Linguistics and Artificial Intelligence research: people can easily refer to changes in the world, identify their participants, distinguish relevant information, and have expectations of what can happen next. Part of this process is based on mechanisms similar to narratives, which are at the heart of information sharing. But it remains difficult to automatically detect events or automatically construct stories from such event representations. This book explores how to handle today's massive news streams and provides multidimensional, multimodal, and distributed approaches, like automated deep learning, to capture events and narrative structures involved in a 'story'. This overview of the current state-of-the-art on event extraction, temporal and casual relations, and storyline extraction aims to establish a new multidisciplinary research community with a common terminology and research agenda. Graduate students and researchers in natural language processing, computational linguistics, and media studies will benefit from this book.

'Maeve's Times is funny and clever and kind, which are excellent qualities in both books and people' Irish Times 'As someone who fell off a chair not long ago trying to hear what they were saying at the next table in a restaurant, I suppose I am obsessively interested in what some might consider the trivia of other people's lives.' Maeve Binchy is well known for her bestselling novels, but for many years Maeve was a journalist. From 'The Student Train' to 'Plane Bores' and 'Bathroom Joggers' to 'When Beckett met Binchy', these articles have all the warmth, wit and humanity of her fiction. Arranged in decades, from the 1960s to the 2000s, and including Maeve's first and last ever piece of writing for the Irish Times, the columns also give a fascinating insight into the author herself. With an introduction written by her husband, the writer Gordon Snell, this collection of timeless writing reminds us of why the leading Irish writer was so universally loved.

The study sets out (a) to give an in-depth account of the discursive implications of the complex terms 'Judaism', 'modern' and feuilleton (arts pages) against the background of present-day theories of modernity, alterity and the history of aesthetics, and (b) to demonstrate the interdependency of discourses on politics and literary aesthetics with reference to concrete texts. The analysis of selected Viennese feuilletons (the corpus comprises texts by Moritz Gottlieb Saphir, Ferdinand KA1/4rnberger, Sigmund Schlesinger, Friedrich SchlAgl, Karl Landsteiner, Betty Paoli, Daniel Spitzer, Ludwig Speidel and Theodor Herzl) concentrates on the strategies of literarization employed by bourgeois-liberal journalism in its persistently conservative phase to bolster the concepts of identity informing it.

From the earliest FA Cup finals in the 1870s played between teams of former public schoolboys, to twenty-first-century Champions League matches contested by teams of billionaires - with stops along the way for Leicester City's extraordinary Premier League triumph, the Hand of God, and the 1966 World Cup - this is football history as it happened, straight from the pages of The Times. 'The players came off arm in arm. They knew they had finally fashioned something of which to be proud.'

In War-Path and Bivouac, published in 1890, John Finerty (1846-1908) recalled the summer he spent following George Crook's infamous campaign against the Sioux in 1876. Historians have long surmised that Finerty's correspondence covering the campaign for the Chicago Times reappeared in its entirety in Finerty's celebrated book. But that turns out not to be the case, as readers will discover in this remarkable volume. In print at last, this collection of Finerty's letters and telegrams to his hometown newspaper, written from the field during Crook's campaign, conveys the full extent of the reporter's experience and observations during this time of great excitement and upheaval in the West. An introduction and annotations by Paul L. Hedren, a lifelong historian of the period, provide ample biographical and historical background for Finerty's account. Four times under fire, giving as well as he got, Finerty reported on the action with the immediacy of an unfolding wartime story. To his riveting dispatches on the Rosebud and Slim Buttes battles, this collection adds accounts of the lesser-known Sibley scout and the tortures of the campaign trail, penned by a keen-eyed newsman who rode at the front through virtually all of the action. Here, too, is an intimate look at the Black Hills gold rush and at principal towns like Deadwood and Custer City, captured in the earliest moments of their colorful history. Hedren's introduction places Finerty not only on the scene in Wyoming, Montana, and Dakota during the Indian campaign, but also in the context of battlefield journalism at a critical time in its evolution. Publication of this volume confirms John Finerty's outsize role in that historical moment.

In 2012, the joyful hopes of the democratic Egyptian Revolution were tempered by revelations of mass sexual assault in Tahrir Square in Cairo, the revolution's symbolic birthplace. This is the story of the women and men who formed Opantish - Operation Anti-Sexual Harassment - who deployed hundreds of volunteers, scouts rescue teams, and getaway drivers to intervene in the spiraling cases of sexual violence against women protesters in the square. Organized and led by women during 2012-2013 - the final, chaotic months of Egypt's revolution - teams of volunteers fought their way into circles of men to pull the woman at the center to safety. Often, they risked assault themselves. Journalist Yasmin El-Rifae was one of Opantish's organizers, and this is her evocative, aching account of their work, as they raced to develop new tactics, struggled with a revolution bleeding into counter-revolution, and dealt with the long aftermath of assault and devastation. Told in a daring, hybrid narrative style drawn from years of interviews and her own, intimate experience, it is a story of overlapping circles: the circles of male attackers activists had to break through, the ways sexual violence can be circled off as "irrelevant" to political struggle, and the endless repetitive loops of living with trauma. Introducing a powerful new voice, a writer whose searchingly beautiful, spare prose cuts to the core of a story ever more urgent and relevant: of women's resistance when all else has failed.

The yearly volumes of Censored, in continuous publication since 1976 and since 1995 available through Seven Stories Press, is dedicated to the stories that ought to be top features on the nightly news, but that are missing because of media bias and self-censorship. The top stories are listed democratically in order of importance according to students, faculty, and a national panel of judges. Each of the top stories is presented at length, alongside updates from the investigative reporters who broke the stories.

Most famous for his classic work The Boys of Summer, Roger Kahn is widely regarded as one of the greatest sportswriters of our time. The Roger Kahn Reader is a rich collection of his stories and articles that originally appeared in publications such as Sports Illustrated, the New York Times, Esquire, and the Nation. Kahn's pieces, published between 1952 and today, present a vivid, turbulent, and intimate picture of more than half a century in American sport. His standout writings bring us close to entrepreneurs and hustlers (Walter O'Malley and Don King), athletes of Olympian gifts (Ted Williams, Stan Musial, "Le Demon Blond" Guy Lefleur), and sundry compelling issues of money, muscle, and myth. We witness Roger Maris's ordeal by fame; Bob Gibson's blazing competitive fire; and Red Smith, now white-haired and renowned, contemplating his beginnings and his future. Also included is a new and original chapter, "Clem," about the author's compelling lifelong friendship with former Brooklyn Dodgers pitcher Clem Labine. Written across six decades, this volume shows Kahn's ability to describe the athletes he profiled as they truly were in a manner neither compromised nor cruel but always authentic and up close.

Juliet Jacques was one of the first trans writers in the UK to contribute broadly to both British and foreign media, writing widely about the trans experience. Spanning over a decade, Jacques' ground-breaking journalism about selfhood, society, art, politics, freedom, and gender identity, tracks the backlash against emerging trans rights and the rise of a new and more explicit form of media transphobia. Front Lines is a seminal collection of writings on trans and queer art, politics, and media, from a period in which the relationship between trans and non-binary people and the British media was exceptionally turbulent. Jacques navigates the tension between wanting to simply write about art and culture and needing to counter the dishonest, damaging rhetoric being published about trans people in virtually every national newspaper in the UK. 'I never believed any journalism was objective, nor that there was any point in even trying to be,' writes Jacques in her introduction. 'Above all, activism is needed to fight this, with journalism to support it: there is no point in pretending to be objective in our work, as the stakes remain just as high as they were back in 2010, perhaps even higher... We're entering a new phase of collective struggle, with new fronts and new tactics needed: I hope this book can help to inform that.' This crucial collection asks what we can learn from the last decade and, importantly, what we can do now. How can new writers take up the struggle for trans liberation? And what will the future of trans writing look like?

TOO FAMOUS collects pieces Michael Wolff has written as a columnist for New York, Vanity Fair, The Guardian, GQ and The Hollywood Reporter, and adds several new ones. Written over a 20-year period, the book spans that moment in popular culture when personal attention became one of the world's most valuable commodities, and ending with Donald Trump, fame's most hyperbolic exponent. Some of these pieces exist in the amber of a particular news moment, some as character portraits - as colourful now as when they were written - and some as lasting observations about human nature and folly. The common ground all of these thrilling stories share is that everyone in this book is a creature of, or creation of, the media. They don't exist as who we see them as, and who they want to be, without the media.

In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won't convert to Islam. These women have lost their families and loved ones, along with everything they've ever known. Dunya Mikhail weaves together the women's tales of endurance and near-impossible escape with the story of her own exile and her dreams for the future of Iraq.

In the midst of ISIS's reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey.

This powerful work of literary nonfiction offers a counterpoint to ISIS's genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

African Muckraking is the first collection of investigative and campaigning journalism written by Africans about Africa. The editors delved into the history of modern Africa to find the most important and compelling pieces of journalism on the stories that matter.

This collection of 41 pieces of African journalism includes passionate and committed writing on labor abuses, police brutality, women’s rights, the struggle for democracy and independence on the continent and other subjects. Each piece of writing is introduced by a noted scholar or journalist who explains the context and why the journalism mattered. Some of the highlights include: Feminist writing from Tunisia into the 1930s, exposés of the secret tactics planned by the South African government during apartheid, Richard Mgamba’s searing description of the albino brothers in Tanzania who fear for their lives, and the reporting by Liberian journalist Mae Azango on genital cutting, which forced her to go into hiding.

Many African Muckrakers have been imprisoned and even killed for their work. African Muckraking is a must-read for anyone who cares about journalism and Africa.

In the summer of 1923 Virginia Woolf's nephews, Quentin and Julian Bell, started a family newspaper, The Charleston Bulletin. Quentin decided to ask his aunt Virginia for a contribution: 'it seemed stupid to have a real author so close at hand and not have her contribute.' Woolf joined forces with Quentin, and from 1923 until 1927 they created fully-fledged booklets of stories and drawings that were announced as Supplements. Written or dictated by Woolf and illustrated by Quentin, these Supplements present a unique collaboration between the novelist during her most prolific years and the child-painter. In Virginia Woolf, Quentin Bell not only found a professional author and an experienced journalist, but, above all, a close companion and conspirator who shared his irreverence and mischievous sense of humour. The Supplements are transcribed in full here for the first time alongside around 40 of Bell's original illustrations. Designed to tease the adults, they portray Bloomsbury eccentricities along with the foibles and mishaps of the residents and visitors at Charleston. This is the first time the Supplements have been published since they were first written and will therefore be welcomed by fans of Woolf and her circle.

A classic 1967 memoir by one of the great journalists of the 20th century, Point of Departure collects James Cameron's eyewitness accounts of the atom bomb tests at Bikini atoll, the Chinese invasion of Tibet and the war in Korea, and vivid evocations of Mao Tse-Tung, Winston Churchill, and many others. Cameron, who was born in London in 1911, began his career in newspapers as a foreign correspondent; later, his television documentaries for the BBC and his column in The Guardian gave him a new audience in Britain and abroad. In the 1960s, Cameron was presented with the Granada Award for Foreign Correspondent of the Decade. He died in 1985.