News organizations have always sought to deliver information faster and to larger audiences. But when clicks drive journalism, the result is often simplistic, sensational, and error-ridden reporting. In this book, Seong Jae Min argues in favor of "slow journalism," a growing movement that aims to produce more considered, deliberate reporting that better serves the interests of democracy. Min explores the role of technology in journalism from the printing press to artificial intelligence, documenting the hype and hope associated with each new breakthrough as well as the sometimes disappointing-and even damaging-unintended consequences. His analysis cuts through the discussion of clickbait headlines and social-media clout chasing to identify technological bells and whistles as the core problem with journalism today. At its heart, Min maintains, traditional shoe-leather reporting-knocking on doors, talking to people, careful observation and analysis-is still the best way for journalism to serve its civic purpose. Thoughtful and engaging, Rethinking the New Technology of Journalism is a compelling call for news gathering to return to its roots. Reporters, those studying and teaching journalism, and avid consumers of the media will be interested in this book.

'Like rotting stakes in a forest clearing' The great journalist of conflict in the Third World finds an even stranger and more exotic society in his own home of post-War Poland Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

The first collection of food writing by Britain's funniest and most feared critic A.A. Gill knows food, and loves food. A meal is never just a meal. It has a past, a history, connotations. It is a metaphor for life. A.A. Gill delights in decoding what lies behind the food on our plates: famously, his reviews are as much ruminations on society at large as they are about the restaurants themselves. So alongside the concepts, customers and cuisines, ten years of writing about restaurants has yielded insights on everything from yaks to cowboys, picnics to politics. TABLE TALK is an idiosyncratic selection of A.A. Gill's writing about food, taken from his Sunday Times and Tatler columns. Sometimes inspired by the traditions of a whole country, sometimes by a single ingredient, it is a celebration of what great eating can be, an excoriation of those who get it wrong, and an education about our own appetites. Because it spans a decade, the book focuses on A.A. Gill's general dining experiences rather than individual restaurants - food fads, tipping, chefs, ingredients, eating in town and country and abroad, and the best and worst dining experiences. Fizzing with wit, it is a treat for gourmands, gourmets and anyone who relishes good writing.

American Modernism and Depression Documentary surveys the uneven terrain of American modernity through the lens of the documentary book. Jeff Allred argues that photo-texts of the 1930s stage a set of mediations between rural hinterlands and metropolitan areas, between elite producers of culture and the "forgotten man" of Depression-era culture, between a myth of consensual national unity and various competing ethnic and regional collectivities. In light of the complexity this entails, this study takes issue with a critical tradition that has painted the documentary expression" of the 1930s as a simplistic and propagandistic divergence from literary modernism. Allred situates these texts, and the "documentary modernism" they represent, as a central part of American modernism and response to American modernity, as he looks at the impoverished sharecroppers depcited in the groundbreaking Let Us Now Praise Famous Men, the disenfranchised African Americans in Richard Wright's polemical 12 Million Black Voices, and the experiments in Depression-era photography found in Life magazine.

Das Buch beinhaltet die Beitrage einer internationalen Tagung in Peking im September 2011. Aus chinesischer und deutscher Sicht werden Aspekte von Deutsch als Fremdsprache, chinesisch-deutschen Kulturbeziehungen und interkultureller Kommunikation diskutiert. Dabei zeigt sich ein breites Spektrum von inhaltlichen und methodischen Herangehensweisen, durch die die Vielfalt, aber auch die Heterogenitat des wissenschaftlichen Diskurses zum gleichen Thema in den beiden Landern deutlich wird: tagesaktuelle Themen, theoretisch grundlegende und systematische Abhandlungen, pragmatische Fragestellungen bis hin zu kommunikationsphilosophischen Reflexionen. Der Band selbst ist so ein Beispiel interkultureller Kommunikation.

William Gilmore Simms (1806-1870) was a novelist, poet, and essayist and was considered the South's premier literary figure at the height of his popularity. No less an authority than Edgar Allen Poe remarked of Simms that "he has surpassed, we think, any of his countrymen" as a novelist. Simms's literary achievements include more than twenty major novels, several volumes of poetry, and biographies of important figures in American history. Perhaps the least considered parts of Simms's overall body of writings are those he did for newspapers, the most interesting of which are from the era of the Civil War and Reconstruction. Writing War and Reunion offers a selection of the best of those so that we can track Simms's thoughts about, and reactions to, the conflict, from its beginnings through to its conclusion and into the early years of Reconstruction. These works provide a valuable insight into how a prominent southern intellectual interpreted and participated in these momentous events in U.S. history. In the decades following the Civil War, Simms's reputation suffered a steady decline. Because of his associations with the antebellum South, slavery, and Confederate defeat, as well as changes in literary tastes, Simms came to be regarded as a talented but failed Southern author of a bygone era. Today a robust scholarly literature exists that has reexamined Simms, his literary works, and previous scholarly judgments and finds him to have been an important figure in the development of nineteenth-century American literature and worthy of serious study.

Disaffected examines the effects of antisedition law on the overlapping public spheres of India and Britain under empire. After 1857, the British government began censoring the press in India, culminating in 1870 with the passage of Section 124a, a law that used the term "disaffection" to target the emotional tenor of writing deemed threatening to imperial rule. As a result, Tanya Agathocleous shows, Indian journalists adopted modes of writing that appeared to mimic properly British styles of prose even as they wrote against empire. Agathocleous argues that Section 124a, which is still used to quell political dissent in present-day India, both irrevocably shaped conversations and critiques in the colonial public sphere and continues to influence anticolonialism and postcolonial relationships between the state and the public. Disaffected draws out the coercive and emotional subtexts of law, literature, and cultural relationships, demonstrating how the criminalization of political alienation and dissent has shaped literary form and the political imagination.

Come and walk the offbeat world of Mike Strobels popular column in the Toronto Sun. Meet the legendary panhandler Shaky Lady; the Weasel, who knows where Jimmy Hoffa is buried; the secretive swinger Sexy Boots; the notorious Bicycle Bandit, who quit robbing banks, got a loan, and opened a bar; and Dr. Hook, the top doc whose professional fate rested on the cut of his jib. Youll also get a look at a fake orgasm champ, a practising witch turned beauty pageant queen, a boss cannonballer, and assorted other heroes, rogues, athletes, finks, politicos, celebrities, bureaucrats, sons, and lovers.

Each column in this collection is a mini-world, tight and bright.

Youll smile at Strobels take on the fads, fashions, morals, and hot topics of the day. Even the most serious issues are dissected and dispatched with often biting wit and cheek.

(Warning: If youre a Montreal Canadiens fan, do not read this book.)

Thoburn H. "Toby" Wiant was a fig h t e r from an early age, and words were his weapons of choice. During World War II, he fought to scoop stories from rival reporters on the front lines as an Associated Press war correspondent. In chronicling the war from the China-Burma-India and European theaters of operation, he skillfully reported the battles of an all-too-real war while often in personal peril. In letters to his parents he revealed his personal reactions to the war. In this remarkable book, his daughter brings together Wiantas printed articles and his private letters. With her aid, we view the war through his eyes as we watch a scrappy boy grow into manhood and an
eager cub reporter develop into a seasoned war correspondent.

The next instalment in the acclaimed New Yorker 'decades' series featuring an all-star line-up of historical pieces from the 1960s alongside new pieces by current New Yorker staffers. The 1960s, the most tumultuous decade of the twentieth century, were a time of tectonic shifts in all aspects of society - from the March on Washington and the Second Vatican Council to the Summer of Love and Woodstock. No magazine chronicled the immense changes of the period better than The New Yorker. This capacious volume includes historic pieces from the magazine's pages that brilliantly capture the sixties, set alongside new assessments by some of today's finest writers. Here are real-time accounts of these years of turmoil: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination and Jonathan Schell travels with American troops into the jungles of Vietnam. The murder of Martin Luther King, Jr., the fallout of the 1968 Democratic Convention, the Soviet invasion of Czechoslovakia, the Six-Day War: all are brought to immediate and profound life in these pages. The New Yorker of the 1960s was also the wellspring of some of the truly timeless works of American journalism. Truman Capote's In Cold Blood, Rachel Carson's Silent Spring, Hannah Arendt's Eichmann in Jerusalem and James Baldwin's The Fire Next Time all first appeared in The New Yorker and are featured here. The magazine also published such indelible short story masterpieces as John Cheever's 'The Swimmer' and John Updike's 'A & P', alongside poems by Sylvia Plath and Anne Sexton. The arts underwent an extraordinary transformation during the decade, one mirrored by the emergence in The New Yorker of critical voices as arresting as Pauline Kael and Kenneth Tynan. Among the crucial cultural figures profiled here are Simon & Garfunkel, Tom Stoppard, Bob Dylan, Allen Ginsberg, Cassius Clay (before he was Muhammad Ali), and Mike Nichols and Elaine May. The assembled pieces are given fascinating contemporary context by current New Yorker writers, including Jill Lepore, Malcolm Gladwell and David Remnick. The result is an incomparable collective portrait of a truly galvanising era. With contributions from: Truman Capote, John Updike, E.B. White, Rachel Carson, James Baldwin, Jonathan Schell, Dwight Macdonald, Renata Adler, Hannah Arendt, Pauline Kael, AJ Liebling, Nat Hentoff, Calvin Trillin, Xavuer Rynne, John McPhee, Anthony Hiss and more.

A collection of essays by top international correspondants in print, broadcasting, and photojournalism, International News Reporting offers an introduction to journalism written by the people who have made the profession what it is today. * Contributors identify the major areas of professional practice which students and young journalists need to know in order to work safely in, and understand fully, the field of international news gathering* Looks at events from conflicts to humanitarian disasters* Covers crucial topics such as how to report stories about the developing world, how to avoid stereotyping, the uses and abuses of blogging, and risk assessment for journalists in conflict zones

Writing as a newspaper reporter for nearly forty years, Curtis Wilkie covered eight presidential campaigns, spent years in the Middle East, and traveled to a number of conflicts abroad. However, his memory keeps turning home and many of his most treasured stories transpire in the Deep South. He called his native Mississippi, ""the gift that keeps on giving."" For Wilkie, it represented a trove of rogues and racists, colorful personalities and outlandish politicians who managed to thrive among people otherwise kind and generous. Assassins, Eccentrics, Politicians, and Other Persons of Interest collects news dispatches and feature stories from the author during a journalism career that began in 1963 and lasted until 2000. As a young reporter for the Clarksdale Press Register, he wrote many articles that dealt with the civil rights movement, which dominated the news in the Mississippi Delta during the 1960s.Wilkie spent twenty-six years as a national and foreign correspondent for the Boston Globe. One of the original ""Boys on the Bus"" (the title of a best-selling book about journalists covering the 1972 presidential campaign), he later wrote extensively about the winning races of two southern Presidents, Jimmy Carter and Bill Clinton. Wilkie is known for stories reported deeply, rife with anecdotes, physical descriptions, and important background details. He writes about the notorious, such as the late Hunter S. Thompson, as well as more anonymous subjects whose stories, in his hands, have enduring interest. The anthology collects pieces about several notable southerners: Ross Barnett; Byron De La Beckwith and Sam Bowers; Billy Carter; Edwin Edwards and David Duke; Trent Lott; and Charles Evers. Wilkie brings a perceptive eye to people and events, and his eloquent storytelling represents some of the best journalistic writing.

"Much madness is divinest sense," wrote Emily Dickinson, "And much sense the starkest madness." The idea that poetry and madness are deeply intertwined, and that madness sometimes leads to the most divine poetry, has been with us since antiquity. In his critical and clinical introduction to this splendid anthology--the first of its kind--psychiatrist and poet Mark S. Bauer considers mental disorders from multiple perspectives and challenges us to broaden our outlook. He has selected more than 200 poems from across seven centuries that reflect a wide range mental states--from despondency and despair to melancholy, mania, and complete submersion into a world of heightened, original perception. Featuring such poets as George Herbert, John Clare, Samuel Taylor Coleridge, John Berryman, Sylvia Plath, Ann Sexton, Weldon Kees, Lucille Clifton, Jane Kenyon, and many others, A Mind Apart has much to offer those who suffer from mental illness, those who work to understand it, and all those who value the poetry that has come to us from the heights and depths of human experience.

An award-winning writer and a candidate for the Nobel Prize for Literature, Ryszard Kapuscinski (1932-2007) was a celebrated Polish journalist and author. Praised for the lengths to which he would go to get a story, Kapuscinski gained an extraordinary knowledge of the major global events of the second half of the twentieth century and shared it with his diverse audience. The first posthumous monograph on the writer's life and work, Ryszard Kapuscinski confronts the mixed reception of Kapuscinski's tendency to merge the conventions of reportage with the artistry of literature. Beata Nowacka and Zygmunt Ziatek discuss the writer's accounts of the decolonization of Africa and his work in Asia and South America between 1956 and 1981, a period during which Kapuscinski reported on twenty-seven revolutions and coups. They argue that the journalistic tradition is not in conflict with Kapuscinski's meditations on the deep meanings of these events, and that his first-person involvement in his text was not an indulgence detracting from his journalistic adventures but a well-thought-out conception of eyewitness testimony, developing the moral and philosophical message of the stories. Exploring the whole of Kapuscinski's achievements, Nowacka and Ziatek identify a constant tension between a strictly journalistic position and what in Poland is called literary reportage, located on the border between journalism and artistic prose. Kapuscinski's desire and dedication to make more of journalistic writing is the driving force behind the excellence and readability that have made his legendary books so controversial - and so widely celebrated.

Sind Journalisten Totengraber der deutschen Sprache, weil sie englische Woerter verwenden und diese erst popular machen? Oder gibt es erste Zeichen, dass der Hoehepunkt der Verwendung englischen Wortgutes im Deutschen erreicht ist? Sonja Sagmeister-Brandner, Fernsehjournalistin des ORF, analysiert Vorurteile gegenuber Anglizismen wissenschaftlich und lasst gleichzeitig in die Welt hinter dem "Newsroom" blicken. Ein Buch fur alle, die sich fur Sprachgeschichte und Sprachtrends interessieren. Der empirische Teil untersucht Anglizismen in der ORF-Sprache und stellt Zeit im Bild-Nachrichten und Radio-Nachrichten von OE3 gegenuber. Einblicke in die Geschichte der Anglizismen-Verwendung gibt die diachrone Studie zu Anglizismen in den Radio-Nachrichten der Jahre 1967 bis 2004.

Diese Arbeit beschaftigt sich mit dem Verhaltnis zweier demokratischer Grundwerte zueinander, namlich der Medienfreiheit einerseits und dem Interesse an einer effektiven Strafverfolgung andererseits. Anhand der 53 I Nr. 5 und 97 V StPO beleuchtet die Autorin die Erfordernisse einer Abwagung zwischen der Gewahrleistung einer freien Medienberichterstattung und der Ahndung schwerer Straftaten. Die Studie analysiert die derzeitige Gesetzeslage und arbeitet unter Berucksichtigung der Entscheidungen des Bundesverfassungsgerichts notwendige AEnderungen heraus. Die Ergebnisse werden zu einem praktikablen Gesetzesvorschlag zusammengefuhrt, welcher die Konflikte zwischen dem Interesse an einer effektiven Strafverfolgung und dem Schutz der Medienfreiheit durch ausgewogene Regelungen aufloest.

Erholungsangebote fur den harten Alltag im Nationalsozialismus? Fluchtfahrzeuge fur Eskapisten? Oder doch erfolgreiche Instrumente der Integration und Propaganda? Produkte einer modernen Popularkultur waren bis 1945 zentraler Bestandteil des Alltags im 'Dritten Reich'. Auch wenn die Nationalsozialisten diese Kultur zumindest in Teilen von ideologischer Warte aus scharf kritisierten, forcierten sie den Ausbau einer auf Massenkonsum orientierten Kulturindustrie; zugleich versuchten sie freilich, deren Produkte zu beeinflussen und zu bestimmen. Literatur- und Medienwissenschaftler sowie Historiker verorten in diesem Band u. a. Tierfilme, Science-Fiction, Arztromane und popularwissenschaftliche Zeitschriften im Kultur- und Propagandabetrieb des 'Dritten Reiches'. Sie analysieren die Versuche zur Formierung der Unterhaltungsliteratur, beleuchten Phanomene wie die Inszenierung von Volksgemeinschaft im Fussballfilm, Theatertourneen fur die Arbeiter der Reichsautobahn sowie die Prasenz von Blondinen und anderen Popularmythen in Propagandaflugblattern. Biographische Fallstudien beschaftigen sich mit der Stellung von Autoren wie Hans Dominik, Ernst Kreuder, Hans Fallada und Erich Kastner in der NS-Kulturindustrie. Die Beitrage zeigen, wie weit sich Nationalsozialismus und gute Unterhaltung miteinander kombinieren lassen. Sie zeigen aber auch, wo diese Verbindung an die Grenzen der Logik einer kapitalistisch organisierten Kulturproduktion stoesst bzw. mit den ideologischen Anspruchen einer Diktatur kollidiert.

This book focuses on musical writings in the daily and periodical press in France during the nineteenth century. It covers the criticism of a wide range of Western music, from c. 1580 to 1880, explaining how composers such as Bach and Beethoven secured a permanent place in the repertory. In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements. Dr Ellis analyses the process of canon formation, the development of French musicology and the increasing sensitivity of critics to questions of performance practice. Chapters on new music examine the conflict, inevitable in publishers' journals, between commercial interest and aesthetic integrity.

Victorian culture was dominated by an ever expanding world of print. A tremendous increase in the volume of books, newspapers, and periodicals, was matched by the corresponding development of the first mass reading public. It has long been acknowledged that the growth of the popular publishing industry played an instrumental role in the success of most major Victorian novelists. Traditional critical positions have, nevertheless, recently expanded into a much broader field concerned with media history, book studies, modes of textual production and consumption, and concepts of "popular literature." One of most notable current critical trends is a renewed interest in the importance of all aspects of nineteenth-century print culture.
Victorian Print Media: A Reader collects primary sources from nineteenth century journals, newspapers, and periodicals into an anthology that can be used for teaching purposes, but is also intended to complement and encourage ongoing research. The extracts are organized into ten thematically arranged sections. Each section addresses a specific conceptual or historical issue, such as the impact of serial publication upon practices of reading and authorship. The sections demonstrate the multiple factors upon which the aesthetics of print media depended, making this anthology of use to all researchers, teachers, and students of the period.

The first comprehensive collection of the words and works of a movement-defining artist. Jean-Michel Basquiat (1960-1988) burst onto the art scene in the summer of 1980 as one of approximately one hundred artists exhibiting at the 1980 Times Square Show in New York City. By 1982, at the age of twenty-one, Basquiat had solo exhibitions in galleries in Italy, New York, and Los Angeles. Basquiat's artistic career followed the rapid trajectory of Wall Street, which boomed from 1983 to 1987. In the span of just a few years, this Black boy from Brooklyn had become one of the most famous American artists of the 1980s. The Jean-Michel Basquiat Reader is the first comprehensive sourcebook on the artist, closing gaps that have until now limited the sustained study and definitive archiving of his work and its impact. Eight years after his first exhibition, Basquiat was dead, but his popularity has only grown. Through a combination of interviews with the artist, criticism from the artist's lifetime and immediately after, previously unpublished research by the author, and a selection of the most important critical essays on the artist's work, this collection provides a full picture of the artist's views on art and culture, his working process, and the critical significance of his work both then and now.

'Naomi Klein's work has always moved and guided me. She is the great chronicler of our age of climate emergency, an inspirer of generations' - Greta Thunberg For more than twenty years Naomi Klein's books have defined our era, chronicling the exploitation of people and the planet and demanding justice. On Fire gathers for the first time more than a decade of her impassioned writing from the frontline of climate breakdown, and pairs it with new material on the staggeringly high stakes of what we choose to do next. Here is Klein at her most prophetic and philosophical, investigating the climate crisis not only as a profound political challenge but also as a spiritual and imaginative one. Delving into topics ranging from the clash between ecological time and our culture of 'perpetual now,' to rising white supremacy and fortressed borders as a form of 'climate barbarism,' this is a rousing call to action for a planet on the brink. With dispatches from the ghostly Great Barrier Reef, the smoke-choked skies of the Pacific Northwest, post-hurricane Puerto Rico and a Vatican attempting an unprecedented 'ecological conversion,' Klein makes the case that we will rise to the existential challenge of climate change only if we are willing to transform the systems that produced this crisis. This is the fight for our lives. On Fire captures the burning urgency of the climate crisis, as well as the energy of a rising political movement demanding change now.

Daily Maverick, the country’s leading online news service, has been making sense of the madness that is South African reality for the past five years. Brain Porn offers the best of their irreverent writing. These superbly written essays offer insight into not only the wheeling and dealing that goes on in politics, but also into our societal dynamics and why we get up to the crazy things we sometimes do as a nation. Whether you’re a news junkie or just want to hold your own over lunchtime conversation, you can’t afford not to read this book.

A fascinating look at the United States' conflicted relationship with news and the media, through the lens of the newsreel When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized "indisputable evidence" of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel's methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel's place in the history of twentieth-century American culture and film history. Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel's coverage of Charles Lindbergh's transatlantic flight and the Sino-Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship. In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public's relationship with the news in the 1930s-a history that can help us to better understand the transformations happening today.

Ausgehend von allgemeinen stilistischen Regeln werden die verschiedenen journalistischen Gattungen (Meldung, Bericht, Reportage, Portrait, Kommentar, Feature, Glosse) in diesem Buch kritisch gepruft und die Charakteristika ausfuhrlich dargestellt. Ein weiterer Schwerpunkt liegt auf den Online-Medien und neuen journalistischen Formen wie Blogs. Mithilfe von praktischen Ubungen erlernen die LeserInnen die Grundregeln professioneller Textproduktion."