The Superwoman and Other Writings by Miriam Michelson is the first collection of newspaper articles and fiction written by Miriam Michelson (1870-1942), best-selling novelist, revolutionary journalist, and early feminist activist. Editor Lori Harrison-Kahan introduces readers to a writer who broke gender barriers in journalism, covering crime and politics for San Francisco's top dailies throughout the 1890s, an era that consigned most female reporters to writing about fashion and society events. In the book's foreword, Joan Michelson-Miriam Michelson's great-great niece, herself a reporter and advocate for women's equality and advancement-explains that in these trying political times, we need the reminder of how a ""girl reporter"" leveraged her fame and notoriety to keep the suffrage movement on the front page of the news. In her introduction, Harrison-Kahan draws on a variety of archival sources to tell the remarkable story of a brazen, single woman who grew up as the daughter of Jewish immigrants in a Nevada mining town during the Gold Rush. The Superwoman and Other Writings by Miriam Michelson offers a cross-section of Michelson's eclectic career as a reporter by showcasing a variety of topics she covered, including the treatment of Native Americans, profiles of suffrage leaders such as Susan B. Anthony and Charlotte Perkins Gilman, and police corruption. The book also traces Michelson's evolution from reporter to fiction writer, reprinting stories such as ""In the Bishop's Carriage"" (1904), a scandalous picaresque about a female pickpocket; excerpts from the Saturday Evening Post series, ""A Yellow Journalist"" (1905), based on Michelson's own experiences as a reporter in the era of Hearst and Pulitzer; and the title novella, The Superwoman, a trailblazing work of feminist utopian fiction that has been unavailable since its publication in The Smart Set in 1912. Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.

Hara Hotel chronicles everyday life in a makeshift refugee camp on the forecourt of a petrol station in northern Greece. In the first two months of 2016, more than 100,000 refugees arrived in Greece. Half of them were fleeing war-torn Syria, seeking a safe haven in Europe. As the numbers seeking refuge soared, many were stranded in temporary camps, staffed by volunteers. Hara Hotel tells some of their stories. Teresa Thornhill arrived in Greece in April 2016 as a volunteer. She met one refugee, a young Syrian Kurd called Juwan, who left his home and family in November 2011 to avoid being summoned for military service by the Assad regime. Interweaving memoir with Juwan's story, and with the recent history of the failed revolution in Syria, and the horror of the ensuing civil war, Hara Hotel paints a vivid picture of the lives of the people trapped between civil war and Europe's borders.

Winner of the 2018 PEN Translates Award for Non-Fiction Features illustrations by the Honduran artist German Andino Welcome to a country that has a higher casualty rate than Iraq. Wander streets considered the deadliest in the world. Wake up each morning to another batch of corpses - sometimes bound, often mutilated - lining the roads; to the screeching blue light of police sirens and the huddles of 'red journalists' who make a living chasing after the bloodshed. But Honduras is no warzone. Not officially, anyway. Ignored by the outside world, this Central American country is ravaged by ultra-violent drug cartels and an equally ruthless, militarised law force. Corruption is rife and the justice system is woefully ineffective. Prisons are full to bursting and barrios are flooded with drugs from South America en route to the US. Cursed by geography, the people are trapped here, caught in a system of poverty and cruelty with no means of escape. For many years, award-winning journalist Alberto Arce was the only foreign correspondent in Tegucigalpa, Honduras's beleaguered capital, and he witnessed first-hand the country's descent into anarchy. Here, he shares his experiences in a series of gripping and atmospheric dispatches: from earnest conversations with narcos, taxi drivers and soldiers, to exposes of state corruption and harrowing accounts of the aftermath of violence. Provocative, revelatory and at time heart-rending, Blood Barrios shines a light on the suffering and stoicism of the Honduran people, and asks the international community if there is more that they can do.

The Superwoman and Other Writings by Miriam Michelson is the first collection of newspaper articles and fiction written by Miriam Michelson (1870-1942), best-selling novelist, revolutionary journalist, and early feminist activist. Editor Lori Harrison-Kahan introduces readers to a writer who broke gender barriers in journalism, covering crime and politics for San Francisco's top dailies throughout the 1890s, an era that consigned most female reporters to writing about fashion and society events. In the book's foreword, Joan Michelson-Miriam Michelson's great-great niece, herself a reporter and advocate for women's equality and advancement-explains that in these trying political times, we need the reminder of how a ""girl reporter"" leveraged her fame and notoriety to keep the suffrage movement on the front page of the news. In her introduction, Harrison-Kahan draws on a variety of archival sources to tell the remarkable story of a brazen, single woman who grew up as the daughter of Jewish immigrants in a Nevada mining town during the Gold Rush. The Superwoman and Other Writings by Miriam Michelson offers a cross-section of Michelson's eclectic career as a reporter by showcasing a variety of topics she covered, including the treatment of Native Americans, profiles of suffrage leaders such as Susan B. Anthony and Charlotte Perkins Gilman, and police corruption. The book also traces Michelson's evolution from reporter to fiction writer, reprinting stories such as ""In the Bishop's Carriage"" (1904), a scandalous picaresque about a female pickpocket; excerpts from the Saturday Evening Post series, ""A Yellow Journalist"" (1905), based on Michelson's own experiences as a reporter in the era of Hearst and Pulitzer; and the title novella, The Superwoman, a trailblazing work of feminist utopian fiction that has been unavailable since its publication in The Smart Set in 1912. Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.

When you fill up your car, install your furniture or choose a wedding ring, do you ever consider the human cost of your consumables? There is a war raging in the heartlands of Peru, waged on the land by the global industries plundering the Amazon and the Andes. In Saweto, charismatic activist Edwin Chota returns to his ashaninka roots, only to find that his people can't hunt for food because the animals have fled the rainforest to escape the chainsaw cacophony of illegal logging. Farmer Maxima Acuna is trying to grow potatoes and catch fish on the land she bought from her uncle - but she's sitting on top of a gold mine, and the miners will do anything to prove she's occupying her home illegally. The awajun community of the northern Amazon drink water contaminated with oil; child labourer Osman Cunachi's becomes internationally famous when a photo of him drenched in petrol as part of the clean-up efforts makes it way around the world. Joseph Zarate's stunning work of documentary takes three of Peru's most precious resources - gold, wood and oil - and exposes the tragedy, violence and corruption tangled up in their extraction. But he also draws us in to the rich, surprising world of Peru's indigenous communities, of local heroes and singular activists, of ancient customs and passionate young environmentalists. Wars of the Interior is a deep insight into the cultures alive in the vanishing Amazon, and a forceful, shocking expose of the industries destroying this land.

An award-winning author reveals the real-life Da Vinci Code fraud that rocked the establishment. An ancient manuscript is discovered claiming that Jesus was married to Mary Magdalene. The religious world is thrown into turmoil. It sounds like the plot of a conspiracy thriller, and is one of the biggest scandals of modern scholarship. In 2012, Dr Karen King, a star professor at Harvard Divinity School, announced a blockbuster discovery at a scholarly conference just steps from the Vatican: she had found an ancient fragment of papyrus in which Jesus called Mary Magdalene 'my wife'. The tattered manuscript made international headlines. Biblical scholars were in an uproar, but King had impeccable credentials as a world-renowned authority on female figures in the lost Christian texts from Egypt known as the Gnostic gospels. As Ariel Sabar began to investigate the mysteries surrounding the papyrus, he embarked on an indefatigable globe-spanning hunt that ultimately uncovered the forgery and the identity of the forger, reckoning with fundamental questions about the nature of truth and the line between faith and reason.

In some ways, I didn't - don't - want to remember any of it. Which is not to say that one ever forgets. I don't know any journalist who worked through the Troubles, with its relentless cycle of murders and doorstepping the homes of the dead and funerals and yet more murders, who isn't haunted from time to time by being an eyewitness to evil, to heartache and, yes, to courage too. GAIL WALKER, editor, Belfast Telegraph In Reporting the Troubles sixty-eight renowned journalists tell their stories of working in Northern Ireland during the Troubles - the victims that they have never forgotten, the events that have never left them, and the lasting impact of the experience of working through those years. The result is a compelling account of one of the most turbulent periods in recent history, told by the journalists who reported on it. Beginning in 1968 with an eyewitness report of the day that civil rights protestors clashed with the police in Derry, the journalists give candid accounts of the years that followed - arriving on the scene of major atrocities; knocking on the doors of bereaved relatives; maintaining objectivity in the face of threats from paramilitaries and pressure from the state; and always the absolute commitment to telling the truth. This is a landmark book - a history of the Troubles told by the journalists who were on the ground from the beginning and including many of the biggest names in journalism from the last fifty years. Reporting the Troubles is a remarkable act of remembrance that is raw, thought provoking and profoundly moving. Contributors: Kate Adie, Martin Bell, Nicholas Denis, Sean O'Neill, David Armstrong, Wendy Austin, Trevor Birney, Suzanne Breen, Gordon Burns, Anne Cadwallader, Michael Cairns, Jim Campbell, Paul Clark, John Coghlan, Martin Cowley, Ed Curran, David Davin-Power, Deaglan de Breadun, John Devine, Noel Doran, Noreen Erskine, Paul Faith, Robert Fisk, Derval Fitzsimons, Tommie Gorman, Katie Hannon, Deric Henderson, Eamonn Holmes, Gloria Hunniford, John Irvine, Jeanie Johnston, Alan Jones, Hugh Jordan, Richard Kay, Martin Lindsay, Ivan Little, Jane Loughrey, Eamonn Mallie, Ray Managh, Steven McCaffery, Justine McCarthy, Alf McCreary, Denzil McDaniel, Henry McDonald, Jim McDowell, Eddie McIlwaine, Susan McKay, David McKittrick, Ivan McMichael, Gerry Moriarty, John Mullin, Bill Neely, Miriam O'Callaghan, Conor O'Clery, Sister Martina Purdy, Ken Reid, Brian Rowan, Chris Ryder, Gerald Seymour, Sam Smyth, Peter Taylor, Alex Thomson, Chris Moore, Gail Walker, David Walmsley, Ian Woods, Robin Walsh.

A thorough work of contemporary history and a distillation of the complex web of the Iranian Kurdish political world, this biography of Kurdish leader Abdul Rahman Ghassemlou depicts the character and passionate action of one of the twentieth century's most exceptional and democratic leaders of a national movement. Carol Prunhuber, who knew Ghassemlou from the early 1980s, shows us the many facets of a humanist leader of magnitude and worldwide scope. From revolution that toppled the Shah to the dark and treacherous alleys of the Cold War, Dreaming Kurdistan revives the Kurdish leader's fated path to assassination in Vienna. We know how, why, and who murdered Ghassemlou-and we stand witness to Austria's raison d'etat, the business interests that put a lid on the investigation, and the response of silent indifference from the international community. Professor of economics in Prague, bon vivant in Paris, clandestine freedom fighter in the Kurdish mountains, stalked by the Shah's secret police, Ghassemlou is ultimately assassinated by the hit men of Ayatollah Khomeini's Islamic Republic. Prunhuber takes us, through a murky world of equivocal liaisons, complicities, treachery, and undisguised threats, from Tehran to Vienna. While the Islamic Republic of Iran continues to perturb and defy the West, Dreaming Kurdistan is essential for an understanding of Iran and the Kurds' longing for freedom and democracy.

Take a trip down memory lane with the memoir from national TV treasure John Craven, as he recounts both the highs and lows of one of the longest entertaining careers in history, and the people and animals that have helped to shape it. 'Magical memoirs. A BBC legend. A broadcasting icon. The best bits from cub reporter to Countryfile' Daily Mail He began by reading the front page of the evening newspaper in the kitchen to his mother and aunt. Since then, he's spoken to the nation on the BBC almost every week for more than half a century and is one of the most-beloved broadcasters of our time. Presenter of treasured programmes Newsround, Countryfile and Swap Shop, John brought us the headlines and breaking news of our childhood and later helped us discover the magic and wonder of the British countryside. Now, in his first ever autobiography, he recounts a life in news, his childhood, the great impact that the absence of his father - held prisoner for three and a half years while fighting for his country - had on him. He writes too about the people, the major events - and, of course, the animals - that have shaped his life. This is John Craven. And this is the story behind the man so many of us grew up watching on our television screens. 'A cracking read' Chris Evans

'Do you sometimes think that you might wish that you were a national treasure, like Alan Bennett?' 'I'm rather glad I'm not. I'm quite pleased to be what I think I am, which is a sort of national liability.' Over the course of seven decades, Jonathan Miller has been at the forefront of developments in theatre, opera, comedy, philosophy and scientific debate. This new collection brings together the very best of his acerbic writing. In keeping with Miller's grasshopper mind, One Thing and Another leaps from discussions of human behaviour, atheism, satire, cinema and television, to analysis of the work of M. R. James, Lewis Carroll, Charles Dickens and Truman Capote, by way of reflections on directing Shakespeare, Chekhov, Olivier and opera. A celebrated conversationalist, the book also features a selection of key interviews focusing on his working method. Jonathan Miller is internationally celebrated as one of the last great public intellectuals. Read One Thing and Another to find out why.

A group of strangers risk death along the New York State Thruway to save a soldier from a burning truck. The true story, as told by football legend Jim Brown, of how the number 44 rose to prominence at Syracuse University. The beautiful yet tragic connection between Vice President Joseph Biden and Syracuse. The impossible account of how Eric Carle, one of the world's great children's authors, found his way to a childhood friend through a photograph taken in Syracuse more than eighty years ago. All these tales can be found in The Soul of Central New York, a collection of columns by Sean Kirst that spans almost a quarter-century. During his long career as a writer for the Syracuse Post-Standard, Kirst won some of the most prestigious honors in journalism, including the Ernie Pyle Award, given annually to one American writer who best captures the hopes and dreams of everyday Americans. For Kirst, his canvas is Syracuse, an upstate city of staggering beauty and profound struggle. In this book, readers will find a nuanced explanation of how Syracuse is intertwined with the spiritual roots of the Six Nations, as well as a soliloquy from a grieving father whose son was lost to violence on the streets. In these emotional contradictions-in the resilience, love, and heartbreak of its people-Kirst offers a vivid portrait of his city and, in the end, gives readers hope.

Media reform plays an increasingly important role in the struggle for social justice. As battles are fought over the future of investigative journalism, media ownership, spectrum management, speech rights, broadband access, network neutrality, the surveillance apparatus, and digital literacy, what effective strategies can be used in the pursuit of effective media reform? Prepared by thirty-three scholars and activists from more than twenty-five countries, Strategies for Media Reform focuses on theorizing media democratization and evaluating specific projects for media reform. This edited collection of articles offers readers the opportunity to reflect on the prospects for and challenges facing campaigns for media reform and gathers significant examples of theory, advocacy, and activism from multinational perspectives.

The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women's Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban's seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker's "Beyond Britney" examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory-and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker). The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA's James Webb Space Telescope (Quanta). It features celebrated writers, including Harper's magazine pieces by Ann Patchett, whose "These Precious Days" is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers "notes on humiliation." Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam's story of queer first love across religious boundaries, "Come with Me" (Georgia Review).

This is the first time these essays have been collected and identified as De Quincey's. Each essay or article is reprinted with full annotation and the author's reasons for attributing it to De Quincey. The essays vary in length and in subject matter: some are addressed to "The Editor"; some are critical reviews of contemporary magazines; some are week-to-week political commentaries on issues facing the second Tory party. Together they show De Quincey, the journalist, working on a variety of subjects that occur in his writing before and after this time, from the financing of empires to an attack on Macaulay or an analysis of Burke's mind and style. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This is the first time these essays have been collected and identified as De Quincey's. Each essay or article is reprinted with full annotation and the author's reasons for attributing it to De Quincey. The essays vary in length and in subject matter: some are addressed to "The Editor"; some are critical reviews of contemporary magazines; some are week-to-week political commentaries on issues facing the second Tory party. Together they show De Quincey, the journalist, working on a variety of subjects that occur in his writing before and after this time, from the financing of empires to an attack on Macaulay or an analysis of Burke's mind and style. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

'No one else can make me laugh and cry quite like Jilly Cooper.' Gill Sims 'Jilly Cooper's non-fiction is just as entertaining as her novels.' Pandora Sykes ____________________ 'One truth I have learnt, as middle age enmeshes me like Virginia creeper, is that I shall never change-because my capacity for self-improvement is absolutely nil.' Jilly Cooper's observations from her days as a much-loved newspaper columnist cover everything to do with sex, socialising and survival - from marriage, friendship and the minutiae of family life, to the tedium of going to visit people for the weekend, the stress of hosting dinner parties and the descent of middle age. Entertaining and full of heart, this classic collection of journalism from the legendary author explores the highs and lows of everyday life with wit, wisdom and warmth. Praise for Jilly Cooper: 'Joyful and mischievous' Jojo Moyes 'Fun, sexy and unputdownable' Marian Keyes 'Flawlessly entertaining' Helen Fielding

'2021's most important book about sex.' Stylist 'You need to read this.' Mashable A bad sexual experience. A grey area. Not rape but... A violation - these are the terms we use to describe the experiences we don't have words for. The way we talk about topics such as sex, consent, assault aren't fit for purpose. Rough is a revolutionary non-fiction work exploring the narratives of sexual violence that we don't talk about. Through powerful testimony from 50 women and non-binary people, this book shines a light on the sexual violence that takes place in our bedrooms and beyond, sometimes at the hands of people we know, trust, or even love. Rough investigates violations such as 'stealthing,' non-consensual choking, and non-consensual rough sex acts that our culture is only starting to recognise as sexual violence. The book explores the ways in which systems of oppression manifest in our sexual culture - from racist microaggressions, to fatphobic acts of aggression, and ableist dehumanising behaviour. An intersectional, sex-positive, kink-positive work, the book also examines how white supremacy, transphobia, biphobia, homophobia, and misogyny are driving forces behind sexual violence. Rough is an urgent, timely call for change to the systems that oppress us all. It's time for a societal shift. As individuals with agency within our sexual culture we have the power to remodel our behaviour and this book shows us how. Praise for Rough 'An incredible investigation into a frighteningly common part of our sexual experience; determined to give ownership back to those who have had their agency stolen from them.' Dr Fern Riddell 'Unflinching. Important, thought-provoking read.' Nataliya Deleva 'Rough speaks to how many women often feel after sexual encounters - violated but unsure of exactly why, and whether our feelings are valid. This book is excellent and demonstrating just how valid those feelings are, and how the cultures of violence within sex that have been normalised intersect with wider systems of patriarchy, racism and misogyny.' Adele Walton, founder of Humanitarian Hotgirl

From Dan Jenkins--one of America's most respected and acclaimed sportswriters and author of the bestselling novels "Semi-Tough" and "Dead Solid Perfect"--comes a colorful, sentimental, hilarious, and cantankerous memoir about his lifelong journey through the world of sports.

"Sometimes, I envy my own childhood," says Dan Jenkins. Many can say that about Dan's whole life. In "His Ownself," we follow him from his youth in Texas, where being a sports fan meant understanding a lot about religion, heroes, and drinking; to his first job at the "Fort Worth Press" working alongside all-time journalistic greats like Blackie Sherrod and Bud Shrake; to the glory days of "Sports Illustrated." One of a handful of writers to establish "SI" as the most important sports magazine ever, Dan refocused the magazine's college football coverage and covered the game's greatest players and coaches. Beyond football, Dan is in the conversation about the best golf writers of all time. Having covered every Masters, U.S. Open, PGA, and British Open for the past fifty years, he takes us behind the scenes to capture the drama--as well as the humor--of these tournaments as he brings us up close and personal with the likes of Ben Hogan, Arnold Palmer, Jack Nicklaus, and Tiger Woods.
From his friendship and the rounds played with Ben Hogan, to the stories swapped with New York's elite, to the corporate expense accounts abused, Dan lets loose on his experiences in journalism, sports, and showbiz. An honest, one-of-a-kind look at politics, hypocrites, political correctness, the past, the present, Hollywood, money, and athletes, this is a sports fan's dream book. It's a touching, laugh-out-loud tribute to the romanticism of sportswriting and the glory days of sports, told straight from the mouth of the man who saw it all his ownself.

"From the Hardcover edition."

From a certain perspective, the biggest political story of 2016 was how the candidate who bought three-quarters of the political ads lost to the one whose every provocative Tweet set the agenda for the day's news coverage. With the arrival of bot farms, microtargeted Facebook ads, and Cambridge Analytica, isn't the age of political ads on local TV coming to a close? You might think. But you'd be wrong to the tune of $4.4 billion just in 2016. In U.S. elections, there's a lot more at stake than the presidency. TV spending has gone up dramatically since 2006, for both presidential and down-ballot races for congressional seats, governorships, and state legislatures-and the 2020 campaign shows no signs of bucking this trend. When candidates don't enjoy the name recognition and celebrity of the presidential contenders, it's very much business as usual. They rely on the local TV newscasts, watched by 30 million people every day-not Tweets-to convey their messages to an audience more fragmented than ever. At the same time, the nationalization of news and consolidation of local stations under juggernauts like Nexstar Media and Sinclair Broadcasting mean a decreasing share of time devoted to down-ballot politics-almost 90 percent of 2016's local political stories focused on the presidential race. Without coverage of local issues and races, ad buys are the only chance most candidates have to get their messages in front of a broadcast audience. On local TV news, political ads create the reality of local races-a reality that is not meant to inform voters but to persuade them. Voters are left to their own devices to fill in the space between what the ads say-the bought reality-and what political stories used to cover.

Joel Sartore has spent twenty years taking pictures for "National Geographic" magazine and has been a contributor to "CBS News Sunday Morning" since 2005, harmonizing words and images on topics ranging from mud to money, holiday trash to cancer. His fresh insights and engaging warmth and wit--accompanied by extraordinary photographs--provide a sensory experience that draws readers into one fascinatingly different world after another. "Let's Be Reasonable" collects Sartore's pieces--some aired on "Sunday Morning," some never before published--pairing each story with the award-winning photography for which he is known. Assignments from the Amazon to Alaska, from wildlife refuges to state fairs have given Sartore a remarkable breadth of experience that is captured for the first time in this irresistible book.

This collection marks the return to print of John Lardner, one of America's press box giants, a classic stylist whose wry humor and tireless reporting helped elevate sportswriting to art. The brilliant W. C. Heinz called Lardner "the best of us." This book shows why. Lardner applied his singular touch not only to his era's icons-Joe Louis, Ted Williams, Satchel Paige-but to the scamps, eccentrics, hustlers, and con men in the shadow of sports. Whether in snappy columns or leisurely magazine pieces, Lardner held sport of every description up to the light, forever changing the way people wrote, read, and thought about their heroes, from superstars to scrappers. These forty-nine pieces represent sportswriting at the top of its game. Purchase the audio edition.

Long before journalist George Plimpton donned shoulder pads for Paper Lion, sportswriters were stepping onto the field, arena, track and ring. This first-of-its-kind anthology of participatory sports writing collects 38 essays from the Gilded and Golden Age greats. Charles Dickens, Robert Louis Stevenson, Theodore Roosevelt, Mark Twain, Walt Whitman, Frances Elizabeth Willard, John Muir, Jack London, Zane Grey, Ernest Hemingway, Ring Lardner, Bill Tilden, Bobby Jones, Helen Mills, Paul Gallico, and many more prowled America's sporting grounds with pen in hand in a time when, as Grantland Rice put it, 'a flame...lit up the sporting skies and covered the world'.

Dr Maung Maung (1925-94) was a man of many parts: scholar, soldier, nationalist, internationalist, parliamentarian, and public servant. His life spanned seven decades of political, economic and social turbulence in the country he loved and served, Myanmar. A pioneer amongst post-colonial journalists in Southeast Asia, he was equally at home in the libraries and seminars of universities in the United States, Europe and Australia during the Cold War. As a jurist, Dr Maung Maung knew the law must remain relevant to changing societal requirements. As an author, he wrote weighty scholarly tomes and light-hearted accounts spiced with his wry observations on human foibles. He was a keen observer of human strengths and weaknesses. A loyal friend, he never maligned his critics or denied their merits. As a man of affairs, he was capable of understanding the weaknesses of the institutions that he served and that ultimately failed to live up to their ideals. This book collects together a number of his now obscure but important historical and journalistic essays with a full bibliography of his works.

Winner of the Victor Villasenor Best Latino Focused Nonfiction Book Award - English, from the 2022 International Latino Book Awards What defines the boundary between fact and fabrication, fiction and nonfiction, literature and journalism? Latin American Documentary Narratives unpacks the precarious testimonial relationship between author and subject, where the literary journalist, rather than the subject being interviewed, can become the hero of a narrative in its recording and retelling. Latin American Documentary Narratives covers a variety of nonfiction genres from the 1950s to the 2000s that address topics such as social protests, dictatorships, natural disasters, crime and migration in Latin America. This book analyzes - and includes an appendix of interviews with - authors who have not previously been critically read together, from the early and emblematic works of Gabriel Garcia Marquez and Elena Poniatowska to more recent authors, like Leila Guerriero and Juan Villoro, who are currently reshaping media and audiences in Latin America. In a world overwhelmed by data production and marked by violent acts against those considered 'others', Liliana Chavez Diaz argues that storytelling plays an essential role in communication among individuals, classes and cultures.

An enlightening anthology of George Orwell's journalism and non-fiction writing, showing his genius across a wide variety of genres. Selected by leading expert Peter Davison. Famous for his novels and essays, Orwell remains one of our very best journalists and commentators. Confronting social, political and moral dilemmas head-on, he was fearless in his writing: a champion of free speech, a defender against social injustice and a sharp-eyed chronicler of the age. But his work is also timeless, as pieces on immigration, Scottish independence and a Royal Commission on the Press attest. Seeing Things As They Are, compiled by renowned Orwell scholar Peter Davison, brings together in one volume many of Orwell's articles and essays for journals and newspapers, his broadcasts for the BBC, and his book, theatre and film reviews. Little escaped Orwell's attention: he writes about the Spanish Civil War, public schools and poltergeists, and reviews books from Brave New World to Mein Kampf. Almost half of his popular 'As I Please' weekly columns, written while literary editor of the Tribune during the 1940s, are collected here, ranging over topics as diverse as the purchase of rose bushes from Woolworth's to the Warsaw Uprising. Whether political, poetic, polemic or personal, this is surprising, witty and intelligent writing to delight in. A mix of well-known and intriguing, less familiar pieces, this engaging collection illuminates our understanding of Orwell's work as a whole.