Der Band setzt sich mit den unterschiedlichen Erwartungshaltungen an Autoren und Regisseure historischer Dokumentation auseinander und entwickelt daraus einen Leitfaden fur die Praxis. Welche dramaturgischen Grundmuster bieten sich fur historische Dokumentationen an? Was ist ein angemessener Umgang mit Zeitzeugen im Spannungsfeld von subjektiver Wahrnehmung und historischer Wahrheit? Welche wissenschaftlichen Kriterien sind eher hinderlich, welche historischen Forschungsansatze koennen dagegen hilfreich sein? Anhand zahlreicher Beispiele erlautert der Autor, wie es gelingt, den unterschiedlichen Erwartungshaltungen zu entsprechen und dennoch den eigenen Gestaltungswillen nicht aus den Augen zu verlieren.

'It was a farewell to all my pleasant life, a farewell to the enjoyment of summer. My theme was that we were all about to undergo a change. The hills and the streams would remain, the sun would set as redly on the western sea, but they would not ever be quite the same for us again.' In the 1930s, Norris Davidson was based in London, where he was involved in pioneering work on film, radio and documentaries. By the start of the 1940s, he was working in the wartime Marine Service. Davidson's informative account of his experience in the Irish Marine Service during the Second World War gives a refreshing insight into many aspects of the defence forces preparing to defend the state to the best of its ability. Often humorous and sometimes moving, it is an engaging account that will appeal to all who are interested in Irish maritime and military history, as well as day-to-day life in 1940s Ireland. Before his death, Norris entrusted the manuscript to ex-naval officer Daire Brunicardi, who has added to the manuscript with a foreword to set the scene, as well as providing some fascinating photos and wartime ephemera.

The year's best writing on tech: a collection as imaginative and compelling as its dynamic subject. Together these essays capture the versatility and verve of technology writing today. Solicited through an open online nominating process, ""The Best of Technology 2007"" explores a wide range of intriguing topics - from ""crowdsourcing"" to the online habits of urban moms to the digital future of movie production. It will appeal to anyone who enjoys stellar writing.

Wahlen werden in Deutschland mittlerweile massgeblich von Personen entschieden, die sich erst kurz vor der Wahl auf eine Partei festlegen. Wer aber sind diese Spatentscheider und wie treffen sie ihre Wahl? Sind ihre Entscheidungen irrational und impulsiv oder im Gegenteil besonders gewissenhaft und daher verzoegert? Welche Informationen ziehen sie heran und sind sie besonders anfallig fur Medieneinflusse? Um diese und weitere Fragen zu beantworten, haben die Autoren im Bundestagswahlkampf 2009 eine Mehr-Methoden-Studie durchgefuhrt. Darin verknupfen sie eine reprasentative Panel-Befragung mit einer Inhaltsanalyse der Wahlkampfberichterstattung sowie einer Realtime-Response-Studie zum TV-Duell.

Journalismus und Journalismusforschung: Meistens stehen beide Bereiche unverbunden nebeneinander. Hier setzt das Autorenteam dieses Bandes an: Es greift zentrale Fragen und Probleme der journalistischen Praxis auf, die mit Beispielen illustriert werden, und analysiert sie mit Hilfe von Theorien und empirischen Ergebnissen der Kommunikationswissenschaft. Was ist Qualitat im Journalismus, wie lasst sie sich messen und sicherstellen? Welche Erwartungen hat das Publikum, und uber welche Kanale haben die Redaktionen Zugang zu ihrem Publikum? Ausserdem geht der Band auf die drangenden Zukunftsfragen des Journalismus ein

This first major collection of former Los Angeles Times reporter and columnist Ruben Salazar's writings, is a testament to his pioneering role in the Mexican American community, in journalism, and in the evolution of race relations in the U.S. Taken together, the articles serve as a documentary history of the Chicano Movement of the 1960s and of the changing perspective of the nation as a whole. Since his tragic death while covering the massive Chicano antiwar moratorium in Los Angeles on August 29, 1970, Ruben Salazar has become a legend in the Chicano community. As a reporter and later as a columnist for the Los Angeles Times, Salazar was the first journalist of Mexican American background to cross over into the mainstream English-language press. He wrote extensively on the Mexican American community and served as a foreign correspondent in Latin America and Vietnam. This first major collection of Salazar's writing is a testament to his pioneering role in the Mexican American community, in journalism, and in the evolution of race relations in the United States. Taken together, the articles serve as a documentary history of the Chicano Movement of the 1960s and of the changing perspective of the nation as a whole. Border Correspondent presents selections from each period of Salazar's career. The stories and columns document a growing frustration with the Kennedy administration, a young Cesar Chavez beginning to organize farm workers, the Vietnam War, and conflict between police and community in East Los Angeles. One of the first to take investigative journalism into the streets and jails, Salazar's first-hand accounts of his experiences with drug users and police, ordinary people and criminals, make compelling reading. Mario Garcia's introduction provides a biographical sketch of Salazar and situates him in the context of American journalism and Chicano history. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

The model for this volume is the enormously successful Vintage Original DISTANT VOICES (93,000 copies sold to date). It will gather together essays on a range of subjects including Burma,Fleet Street, East Timor,Vietnam today,the media and UK politics. 'Pilger is the closest we have to the great correspondents of the 1930s...The Truth in his hands is a weapon,to be picked up and brandished and used in the struggle against evil and injustice' GUARDIAN

Winner of the 2018 PEN Translates Award for Non-Fiction Features illustrations by the Honduran artist German Andino Welcome to a country that has a higher casualty rate than Iraq. Wander streets considered the deadliest in the world. Wake up each morning to another batch of corpses - sometimes bound, often mutilated - lining the roads; to the screeching blue light of police sirens and the huddles of 'red journalists' who make a living chasing after the bloodshed. But Honduras is no warzone. Not officially, anyway. Ignored by the outside world, this Central American country is ravaged by ultra-violent drug cartels and an equally ruthless, militarised law force. Corruption is rife and the justice system is woefully ineffective. Prisons are full to bursting and barrios are flooded with drugs from South America en route to the US. Cursed by geography, the people are trapped here, caught in a system of poverty and cruelty with no means of escape. For many years, award-winning journalist Alberto Arce was the only foreign correspondent in Tegucigalpa, Honduras's beleaguered capital, and he witnessed first-hand the country's descent into anarchy. Here, he shares his experiences in a series of gripping and atmospheric dispatches: from earnest conversations with narcos, taxi drivers and soldiers, to exposes of state corruption and harrowing accounts of the aftermath of violence. Provocative, revelatory and at time heart-rending, Blood Barrios shines a light on the suffering and stoicism of the Honduran people, and asks the international community if there is more that they can do.

The Superwoman and Other Writings by Miriam Michelson is the first collection of newspaper articles and fiction written by Miriam Michelson (1870-1942), best-selling novelist, revolutionary journalist, and early feminist activist. Editor Lori Harrison-Kahan introduces readers to a writer who broke gender barriers in journalism, covering crime and politics for San Francisco's top dailies throughout the 1890s, an era that consigned most female reporters to writing about fashion and society events. In the book's foreword, Joan Michelson-Miriam Michelson's great-great niece, herself a reporter and advocate for women's equality and advancement-explains that in these trying political times, we need the reminder of how a ""girl reporter"" leveraged her fame and notoriety to keep the suffrage movement on the front page of the news. In her introduction, Harrison-Kahan draws on a variety of archival sources to tell the remarkable story of a brazen, single woman who grew up as the daughter of Jewish immigrants in a Nevada mining town during the Gold Rush. The Superwoman and Other Writings by Miriam Michelson offers a cross-section of Michelson's eclectic career as a reporter by showcasing a variety of topics she covered, including the treatment of Native Americans, profiles of suffrage leaders such as Susan B. Anthony and Charlotte Perkins Gilman, and police corruption. The book also traces Michelson's evolution from reporter to fiction writer, reprinting stories such as ""In the Bishop's Carriage"" (1904), a scandalous picaresque about a female pickpocket; excerpts from the Saturday Evening Post series, ""A Yellow Journalist"" (1905), based on Michelson's own experiences as a reporter in the era of Hearst and Pulitzer; and the title novella, The Superwoman, a trailblazing work of feminist utopian fiction that has been unavailable since its publication in The Smart Set in 1912. Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.

This anthology collects the eleven winners of the 2018 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference, an event hosted by the Frank W. Mayborn Graduate Institute of Journalism at the University of North Texas. First place winner: Kale Williams, ""The Loneliest Polar Bear"" (The Oregonian), relates the tale of Nora, a baby polar bear raised by humans in a zoo after being abandoned by her mother. Second place: Patricia Callahan, ""Doomed by Delay"" (Chicago Tribune), reveals the experiences of Illinois families with children diagnosed with Krabbe-a deadly disease that healthcare professionals could have screened for at birth, and ultimately treated, if it weren't for government bureaucracy. Third place: Christopher Goffard, ""Dirty John"" (Los Angeles Times), is an investigative story that explores the dynamics of domestic violence with a nuanced, psychologically complex narrative of family and survival. Runners-up include John Woodrow Cox, ""Twelve Seconds of Gunfire"" (The Washington Post); Tom Hallman Jr., ""His Heart, Her Hands"" (The Oregonian); Jenna Russell, ""The Last Refugee"" (The Boston Globe); Lisa Gartner and Zachary T. Sampson, ""Wrong Way"" (Tampa Bay Times); Casey Parks, ""About a Boy"" (The Oregonian); Jennifer Emily, ""Hope for the Rest of Us"" (The Dallas Morning News); Kent Babb, ""There's Nowhere to Run"" (The Washington Post); and Lane DeGregory, ""The House on the Corner"" (Tampa Bay Times).

Turkey is a land torn between East and West, and between its glorious past and a dangerous, unpredictable future. After the violence of an attempted military coup against President Erdogan in 2016, an event which shocked the world, journalist and novelist Kaya Genc travelled around his country on a quest to find the places and people in whom the contrasts of Turkey's rich past meet. As suicide bombers attack Istanbul, and journalists and teachers are imprisoned, he walks the streets of the famous Ottoman neighborhoods, and tells the stories of the ordinary Turks who live among the contradictions and conflicts of one of the world's great cities. The Lion and the Nightingale tells the spellbinding story of a country whose history has been split between East and West, between violence and beauty - between the roar of the lion and the song of the nightingale. Weaving together a mixture of memoir, interview and his own autobiography, Genc takes the reader on a contemporary journey through the contradictory soul of the Turkish nation.

Fear and loathing on the 2020 campaign trail... '26 February, White House Briefing Room The coronavirus feels like it is changing everything. Suddenly it's not just a public health emergency; it has the potential to upend this whole election...' In UnPresidented: Politics, pandemics and the race that Trumped all others, BBC North America Editor Jon Sopel presents a diary of an election like we've never quite seen before. Experience life as a reporter on the campaign trail, as the election heats up and a global pandemic slowly sweeps in. As American lives are lost at a devastating rate, the presidential race becomes a battle for the very soul of the nation - challenging not just the Trump presidency, but the very institutions of American democracy itself. In this highly personal account of reporting on America in 2020, Jon Sopel takes you behind the scenes of a White House in crisis and an election in turmoil, expertly laying bare the real story of the presidential campaign in a panoramic account of an election and a year like no other.

Reclaiming Kalakaua: Nineteenth-Century Perspectives on a Hawaiian Sovereign examines the American, international, and Hawaiian representations of David La'amea Kamanakapu Mahinulani Nalaiaehuokalani Lumialani Kalakaua in English- and Hawaiian-language newspapers, books, travelogues, and other materials published during his reign as Hawai'i's mo'i (sovereign) from 1874 to 1891. Beginning with an overview of Kalakaua's literary genealogy of misrepresentation, author Tiffany Lani Ing surveys the negative, even slanderous, portraits of him that have been inherited from his enemies who first sought to curtail his authority as mo'i through such acts as the 1887 Bayonet Constitution and who later tried to justify their parts in overthrowing the Hawaiian kingdom in 1893 and annexing it to the United States in 1898. A close study of contemporary international and American newspaper accounts and other narratives about Kalakaua, many highly favorable, results in a more nuanced and wide-ranging characterization of the mo'i as a public figure. Most importantly, virtually none of the existing nineteenth-, twentieth-, and twenty-first-century texts about Kalakaua consults contemporary Kanaka Maoli (Native Hawaiian) sentiment for him. Offering examples drawn from hundreds of nineteenth-century Hawaiian-language newspaper articles, mele (songs), and mo'olelo (histories, stories) about the mo'i, Reclaiming Kalakaua restores balance to our understanding of how he was viewed at the time by his own people and the world. This important work shows that for those who did not have reasons for injuring or trivializing Kalakaua's reputation as mo'i, he often appeared to be the antithesis of our inherited understanding. The mo'i struck many, and above all his own people, as an intelligent, eloquent, compassionate, and effective Hawaiian leader.

From Dan Jenkins--one of America's most respected and acclaimed sportswriters and author of the bestselling novels "Semi-Tough" and "Dead Solid Perfect"--comes a colorful, sentimental, hilarious, and cantankerous memoir about his lifelong journey through the world of sports.

"Sometimes, I envy my own childhood," says Dan Jenkins. Many can say that about Dan's whole life. In "His Ownself," we follow him from his youth in Texas, where being a sports fan meant understanding a lot about religion, heroes, and drinking; to his first job at the "Fort Worth Press" working alongside all-time journalistic greats like Blackie Sherrod and Bud Shrake; to the glory days of "Sports Illustrated." One of a handful of writers to establish "SI" as the most important sports magazine ever, Dan refocused the magazine's college football coverage and covered the game's greatest players and coaches. Beyond football, Dan is in the conversation about the best golf writers of all time. Having covered every Masters, U.S. Open, PGA, and British Open for the past fifty years, he takes us behind the scenes to capture the drama--as well as the humor--of these tournaments as he brings us up close and personal with the likes of Ben Hogan, Arnold Palmer, Jack Nicklaus, and Tiger Woods.
From his friendship and the rounds played with Ben Hogan, to the stories swapped with New York's elite, to the corporate expense accounts abused, Dan lets loose on his experiences in journalism, sports, and showbiz. An honest, one-of-a-kind look at politics, hypocrites, political correctness, the past, the present, Hollywood, money, and athletes, this is a sports fan's dream book. It's a touching, laugh-out-loud tribute to the romanticism of sportswriting and the glory days of sports, told straight from the mouth of the man who saw it all his ownself.

"From the Hardcover edition."

Central Asia has long stood at the crossroads of history. It was the staging ground for the armies of the Mongol Empire, for the nineteenth-century struggle between the Russian and British empires, and for the NATO campaign in Afghanistan. Today, multinationals and nations compete for the oil and gas reserves of the Caspian Sea and for control of the pipelines. Yet "Stanland" is still, to many, a terra incognita, a geographical blank. Beginning in the mid-1990s, academic and journalist David Mould's career took him to the region on Fulbright Fellowships and contracts as a media trainer and consultant for UNESCO and USAID, among others. In Postcards from Stanland, he takes readers along with him on his encounters with the people, landscapes, and customs of the diverse countries-Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan-he came to love. He talks with teachers, students, politicians, environmental activists, bloggers, cab drivers, merchants, Peace Corps volunteers, and more. Until now, few books for a nonspecialist readership have been written on the region, and while Mould brings his own considerable expertise to bear on his account-for example, he is one of the few scholars to have conducted research on post-Soviet media in the region-the book is above all a tapestry of place and a valuable contribution to our understanding of the post-Soviet world.

For decades, Colombia was the 'narcostate'. Now it's seen as one of the rising stars of the global economy. Where does the truth lie? How did a land likened to paradise by the first conquistadores become a byword for hell on earth? And how is it rebuilding itself after decades of violence? Writer and journalist Tom Feiling has journeyed throughout Colombia, down roads that were until recently too dangerous to travel, talking to people from former guerrilla fighters to nomadic tribesmen and millionaires. Vital, shocking, wry and never simplistic, Short Walks from Bogota unpicks the tangled fabric of Colombia to create a stunning work of reportage, history and travel writing. Books of the Year 2012 Boyd Tonkin, The Independent 'Creates a portrait of Colombia that is perceptive, unsensational, and full of humanity ... Feiling is a brilliant reporter, lucid, unflinching, morally engaged, and with an occasional deadpan sense of humour .. one of the most consistently intelligent and compelling books to have appeared on any South American country in recent years' Michael Jacobs, Independent 'Tom Feiling takes us on an enlightening journey through a changing country that few understand' Rachel Aspden, Observer 'A deeply political account of one man's journey to the violent heart of modern, rural, Colombia ... a must read' Kevin Howlett, Colombia Politics 'Feiling... venture[s] into areas that have been off limits for decades ... the sense of a vibrant nation worth discovering peeks out' Siobhan Murphy, Metro 'The best British travel writers like Norman Lewis or Bruce Chatwin give the reader more than simple travellers' tales. Feiling is of their company ... a brilliant, penetrating and highly readable account' Robert Carver, Spectator Some of the best insights in the book come from the people Feiling meets, and memorably portrays ... a well-written, thoughtful book David Gallagher, Times Literary Supplement Dramatic and captivating Wanderlust 'Elegantly written and knowledgeable. Feiling writes with the eye of a seasoned journalist and the style of a travel writer' Carl Wilkinson, Financial Times Tom Feiling spent a year living and working in Colombia before making Resistencia: Hip-Hop in Colombia, which won numerous awards at film festivals around the world, and was broadcast in four countries. In 2003 he became Campaigns Director for the TUC's Justice for Colombia campaign, which organizes for human rights in Colombia. His first book was The Candy Machine: How Cocaine Took Over The World, which was based on over sixty interviews with people involved in all aspects of the cocaine business and the 'war on drugs,' and was published by Penguin in 2009.

Get comfortable, sink under the covers and dip into the hilarious Under the Duvet: Deluxe Edition for a behind-the-scenes glimpse into bestselling author Marian Keyes' life . . . 'A must-read for all. Keyes' funny and poignant tales will have you chuckling' Heat ________ 'Let's get one thing straight: I'm not an outdoorsy type. If I was offered the choice between white-water rafting and being savaged by a rabid dog, I'd be likely to tick the box marked "dog"' Under the Duvet brings together Marian Keyes' unputdownable and utterly irresistible journalism and musings on life. Whether it's shopping, travel, feminism or fashion, Marian takes us on a riotous anecdote-packed journey into her weird and wonderful world. There are adventures with fake tan, love affairs with shoes and nail varnish, and, as a special treat, she includes seven of her hard-to-find (and, she tells us, harder to write) short stories. Essential for every Marian Keyes fan, Under the Duvet is the essential companion for bedtime reading and - let's face it - our lives as a whole. AS HEARD ON THE BBC RADIO 4 SERIES 'BETWEEN OURSELVES WITH MARIAN KEYES' ________ 'Warm, witty Keyes is unfailingly good company' Radio Times 'Bright, funny and clever' Daily Mail 'I laughed like a drain' Observer 'Light and extremely agreeable' Guardian 'Hilarious' Stylist 'Everything this woman touches turns into comic gold' Cosmopolitan 'A poet of the everyday . . . noticing everything about everything, rendering situations instantly recognisable and funny' Daily Mail This edition includes both Under the Duvet and Further Under the Duvet

'A vaulting triumph of a book' Isabella Tree, author of Wilding 'A master storyteller, Weidensaul communicates so much joy in the sheer act of witnessing and such exhilaration in the advances of the science behind what he sees that we are slow to grasp the extent of the ecological crisis that he outlines.' Observer Bird migration remains perhaps the most singularly compelling natural phenomenon in the world. Nothing else combines its global sweep with its inherent ability to engender wonder and excitement. The past two decades have seen an explosion in our understanding of the almost unfathomable feats of endurance and complexity involved in bird migration - yet the science that informs these majestic journeys is still in its infancy. Pulitzer Prize-shortlisted writer-ornithologist Scott Weidensaul is at the forefront of this research, and A World on the Wing sees him track some of the most remarkable flights undertaken by birds. His own voyage of discovery sees him sail through the storm-wracked waters of the Bering Sea; encounter gunners and trappers in the Mediterranean; and visit a forgotten corner of north-east India, where former headhunters have turned one of the grimmest stories of migratory crisis into an unprecedented conservation success. As our world comes increasingly under threat from the effects of climate change, these ecological miracles may provide an invaluable guide to a more sustainable future for all species, including us. This is the rousing and reverent story of the billions of birds that, despite the numerous obstacles we have placed in their path, continue to head with hope to the far horizon.

An enlightening anthology of George Orwell's journalism and non-fiction writing, showing his genius across a wide variety of genres. Selected by leading expert Peter Davison. Famous for his novels and essays, Orwell remains one of our very best journalists and commentators. Confronting social, political and moral dilemmas head-on, he was fearless in his writing: a champion of free speech, a defender against social injustice and a sharp-eyed chronicler of the age. But his work is also timeless, as pieces on immigration, Scottish independence and a Royal Commission on the Press attest. Seeing Things As They Are, compiled by renowned Orwell scholar Peter Davison, brings together in one volume many of Orwell's articles and essays for journals and newspapers, his broadcasts for the BBC, and his book, theatre and film reviews. Little escaped Orwell's attention: he writes about the Spanish Civil War, public schools and poltergeists, and reviews books from Brave New World to Mein Kampf. Almost half of his popular 'As I Please' weekly columns, written while literary editor of the Tribune during the 1940s, are collected here, ranging over topics as diverse as the purchase of rose bushes from Woolworth's to the Warsaw Uprising. Whether political, poetic, polemic or personal, this is surprising, witty and intelligent writing to delight in. A mix of well-known and intriguing, less familiar pieces, this engaging collection illuminates our understanding of Orwell's work as a whole.