'This powerful study looks behind the statistics and political slogans to reveal the human face of the refugee crisis.' Guardian

A mother who puts her children into a refrigerated lorry and asks ‘what else could I do?’ A runaway teenager who comes of age on the streets and in abandoned buildings. A student who leaves his war-ravaged country behind because he doesn’t want to kill. Each of the thousands of people who come to Europe in search of asylum every year brings a unique story with them. But their stories don’t end there.

In Lights in the Distance, acclaimed journalist Daniel Trilling draws on years of reporting to build a portrait of the refugee crisis, seen through the eyes of the people who experienced it first-hand. As the European Union has grown, so has a tangled and often violent system designed to filter out unwanted migrants – one that extends from the border into cities. Most of us became aware of the crisis when it apparently reached its peak in 2015, but the roots go much deeper. Visiting camps and hostels, sneaking into detention centres and delving into his own family’s history of displacement, Trilling weaves together the stories of people he met and followed from country to country. In doing so, he shows that the terms commonly used to define them – refugee or economic migrant, legal or illegal, deserving or undeserving – fall woefully short of capturing the complex realities.

The founding myth of the EU is that it exists to ensure the horrors of the twentieth century are never repeated. Now, as it comes to terms with its worst refugee crisis since the Second World War, the 'European values' of freedom, tolerance and respect for human rights are being put to the test. Lights in the Distance is a uniquely powerful and illuminating exploration of the nature and human dimensions of the crisis.

News organizations have always sought to deliver information faster and to larger audiences. But when clicks drive journalism, the result is often simplistic, sensational, and error-ridden reporting. In this book, Seong Jae Min argues in favor of "slow journalism," a growing movement that aims to produce more considered, deliberate reporting that better serves the interests of democracy. Min explores the role of technology in journalism from the printing press to artificial intelligence, documenting the hype and hope associated with each new breakthrough as well as the sometimes disappointing-and even damaging-unintended consequences. His analysis cuts through the discussion of clickbait headlines and social-media clout chasing to identify technological bells and whistles as the core problem with journalism today. At its heart, Min maintains, traditional shoe-leather reporting-knocking on doors, talking to people, careful observation and analysis-is still the best way for journalism to serve its civic purpose. Thoughtful and engaging, Rethinking the New Technology of Journalism is a compelling call for news gathering to return to its roots. Reporters, those studying and teaching journalism, and avid consumers of the media will be interested in this book.

These sometimes harrowing, frequently funny, and always riveting stories about food and eating under extreme conditions feature the diverse voices of journalists who have reported from dangerous conflict zones around the world. A profile of the former chef to Kim Jong Il of North Korea describes Kim's exacting standards for gourmet fare, which he gorges himself on while his country starves. A journalist becomes part of the inner circle of an IRA cell thanks to his drinking buddies. And a young, inexperienced female journalist shares mud crab in a foxhole with an equally young Hamid Karzai. Along with tales of deprivation and repression are stories of generosity and pleasure, sometimes overlapping. This memorable collection, introduced and edited by Matt McAllester, is seasoned by tragedy and violence, spiced with humor and good will, and fortified, in McAllester's words, with "a little more humanity than we can usually slip into our newspapers and magazine stories."

Disaffected examines the effects of antisedition law on the overlapping public spheres of India and Britain under empire. After 1857, the British government began censoring the press in India, culminating in 1870 with the passage of Section 124a, a law that used the term "disaffection" to target the emotional tenor of writing deemed threatening to imperial rule. As a result, Tanya Agathocleous shows, Indian journalists adopted modes of writing that appeared to mimic properly British styles of prose even as they wrote against empire. Agathocleous argues that Section 124a, which is still used to quell political dissent in present-day India, both irrevocably shaped conversations and critiques in the colonial public sphere and continues to influence anticolonialism and postcolonial relationships between the state and the public. Disaffected draws out the coercive and emotional subtexts of law, literature, and cultural relationships, demonstrating how the criminalization of political alienation and dissent has shaped literary form and the political imagination.

This anthology collects the eleven winners of the 2018 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference, an event hosted by the Frank W. Mayborn Graduate Institute of Journalism at the University of North Texas. First place winner: Kale Williams, ""The Loneliest Polar Bear"" (The Oregonian), relates the tale of Nora, a baby polar bear raised by humans in a zoo after being abandoned by her mother. Second place: Patricia Callahan, ""Doomed by Delay"" (Chicago Tribune), reveals the experiences of Illinois families with children diagnosed with Krabbe-a deadly disease that healthcare professionals could have screened for at birth, and ultimately treated, if it weren't for government bureaucracy. Third place: Christopher Goffard, ""Dirty John"" (Los Angeles Times), is an investigative story that explores the dynamics of domestic violence with a nuanced, psychologically complex narrative of family and survival. Runners-up include John Woodrow Cox, ""Twelve Seconds of Gunfire"" (The Washington Post); Tom Hallman Jr., ""His Heart, Her Hands"" (The Oregonian); Jenna Russell, ""The Last Refugee"" (The Boston Globe); Lisa Gartner and Zachary T. Sampson, ""Wrong Way"" (Tampa Bay Times); Casey Parks, ""About a Boy"" (The Oregonian); Jennifer Emily, ""Hope for the Rest of Us"" (The Dallas Morning News); Kent Babb, ""There's Nowhere to Run"" (The Washington Post); and Lane DeGregory, ""The House on the Corner"" (Tampa Bay Times).

Of all the great novelists writing today, none shows the same gift as Martin Amis for writing non-fiction - his essays, literary criticism and journalism are justly acclaimed. The Rub of Time comprises superb critical pieces on Amis's heroes Nabokov, Bellow and Larkin to brilliantly funny ruminations on sport, Las Vegas, John Travolta and the pornography industry. The collection includes his essay on Princess Diana and a tribute to his great friend Christopher Hitchens, but at the centre of the book, perhaps inevitably, are essays on politics, and in particular the American election campaigns of 2012 and 2016. One of the very few consolations of Donald Trump's rise to power is that Martin Amis is there to write about him.

In 1981 a young semi-professional footballer - known as `Imam Beckenbauer' for his piety and his dominant style of play - has his career cut short after a confrontation with Turkey's military junta. His name was Recep Tayyip Erdogan, and three decades later he is Turkey's most powerful ruler since Ataturk....' Turkey is a nation obsessed with football. From the flares which cover the stadium with multi-coloured smoke and often bring play to a halt, to the `conductors' - ultras who lead the `walls of sound' at matches, Turkish football has always been an awesome spectacle. And yet, in this politically fraught country, caught between the Middle East and the West, football has also always been so much more. From the fan groups resisting the government in the streets and stands, to ambitious politicians embroiling clubs in Machiavellian shenanigans, football in Turkey is a site of power, anger, and resistance. Journalist and football obsessive Patrick Keddie takes us on a wild journey through Turkey's role in the world's most popular game. He travels from the streets of Istanbul, where fans dodge tear gas and water cannons, to the plains of Anatolia, where women are fighting for their rights to wear shorts and play sports. He meets a gay referee facing death threats, Syrian footballers trying to piece together their shattered dreams, and Kurdish teams struggling to play football amid war. `The Passion' also tells the story of the biggest match-fixing scandal in European football, and sketches its murky connections to the country's leadership. In doing so he lifts the lid on a rarely glimpsed side of modern Turkey. Funny, touching and beautifully observed, this is the story of Turkey as we have never seen it before.

The sixth and final instalment in our series of small, inspirational books from the editors of O, the Oprah Magazine, O's Little Guide to the Big Questions is a collection of thought-provoking stories and essays on the wisdom to be gleaned from asking (and answering) life’s biggest questions.

What matters most?

What is my purpose?

When is the right time to make a change?

Who is most important to me?

Asking (and answering) the big questions can be terrifying – but it is the only way to put yourself on the path towards living your best life. Big questions can be forces of empowerment, motivation and clarification. The editors at O, The Oprah Magazine have combed through the magazine’s extensive archives to assemble O’s Little Guide to the Big Questions, a collection of stirring, motivating, thought-provoking pieces from great writers and celebrated thinkers, that offers wise guidance and inspiration to anyone feeling lost or in need of a reset.

What does it feel like to be featured, quoted, or just named in a news story? A refugee family, the survivor of a shooting, a primary voter in Iowa-the views and experiences of ordinary people are an important component of journalism. While much has been written about how journalists work and gather stories, what do we discover about the practice of journalism and attitudes about the media by focusing on the experiences of the subjects themselves? In Becoming the News, Ruth Palmer argues that understanding the motivations and experiences of those who have been featured in news stories-voluntarily or not-sheds new light on the practice of journalism and the importance many continue to place on the role of the mainstream media. Based on dozens of interviews with news subjects, Becoming the News studies how ordinary people make sense of their experience as media subjects. Palmer charts the arc of the experience of "making" the news, from the events that brought an ordinary person to journalists' attention through the decision to cooperate with reporters, interactions with journalists, and reactions to the news coverage and its aftermath. She explores what motivates someone to talk to the press; whether they consider the potential risks; the power dynamics between a journalist and their subject; their expectations about the motivations of journalists; and the influence of social media on their decisions and reception. Pointing to the ways traditional news organizations both continue to hold on to and are losing their authority, Becoming the News has important implications for how we think about the production and consumption of news at a time when Americans distrust the news media more than ever.