During the fast-paced and fascinating years that Bill McIlwain spent as editor of some of North America's most prestigious newspapers, he met and worked with the great, the petty, the famous, the eccentric. He also confronted his problem with alcoholism. In Dancing Naked with the Rolling Stones, McIlwain tells both sides of the story-and how he learned to cope, finding peace and happiness in radical ways. His humble, humorous, thought-provoking account gives readers an intimate glimpse into American newspapering and, at the same time, into his own soul. From the heyday of Harry Guggenheim and Alicia Patterson's groundbreaking Newsday to Boston and Washington insider politics, from the world-changing events of the 1960s and '70s to the Sun Belt suburbs of the 1980s and '90s, Bill McIlwain's tales entertain and inspire.

Journalismus soll mundige Burger informieren und doch sein Publikum unterhalten, soll schonungslos recherchieren und gleichzeitig Profite erwirtschaften. Journalismus soll die Auflage und die Einschaltquote steigern - und trotz vielfaltiger Abhangigkeiten und Zwange stets unabhangig sein, den Idealen der Aufklarung und dem Ethos der Wahrheit verpflichtet. Journalismus lebt von der Distanz - und von der Nahe, von der Zuspitzung und von der Einordnung, von der Schnelligkeit und der Genauigkeit, von der Kreativitat und der Routine. Es sind die Paradoxien, die unvermeidlichen Konflikte und die heimlichen Schizophrenien der Profession, die von fuhrenden Fachleuten aus dem In- und Ausland beschrieben werden. Entstanden ist eine theoretisch herausfordernde, empirisch fundierte und die Praxis reflektierende Analyse jener Widerspruche, die bestimmen, was Journalismus und Journalistik leisten sollen - und was sie tatsachlich leisten koennen.

Victorian culture was dominated by an ever expanding world of print. A tremendous increase in the volume of books, newspapers, and periodicals, was matched by the corresponding development of the first mass reading public. It has long been acknowledged that the growth of the popular publishing industry played an instrumental role in the success of most major Victorian novelists. Traditional critical positions have, nevertheless, recently expanded into a much broader field concerned with media history, book studies, modes of textual production and consumption, and concepts of 'popular literature'. One of most notable current critical trends is a renewed interest in the importance of all aspects of nineteenth-century print culture. Victorian Print Media: A Reader collects primary sources from nineteenth century journals, newspapers, and periodicals into an anthology that can be used for teaching purposes, but is also intended to complement and encourage ongoing research. The extracts are organised into ten themed sections. Each section addresses a specific conceptual or historical issue, such as the impact of serial publication upon practices of reading and authorship. The themed sections demonstrate the multiple factors upon which the aesthetics of print media depended, making this anthology of use to all researchers, teachers, and students of the period.

Thirty-two years ago Mrs Li and Mr Wu from Zhejiang abandoned their second baby daughter at a marketplace. Mrs Wang Maochen from Beijing has seven children, but six of them are illegal so they could not go to university, could not take a job, go to the doctor, or marry, or even buy a train ticket. Zhao Min from Guangzhou first learned about the concept of a sibling at university, in her town there were no sisters or brothers. With the Chinese government now adapting to a two child policy, Secrets and Siblings outlines the scale of its tragic consequences, showing how Chinese family and society has been forever changed. In doing so it also challenges many of our misconceptions about family life in China, arguing that it is the state, rather than popular prejudice, that has hindered the adoption of girls within China. At once brutal and beautifully hopeful, Secrets and Siblings asks what the state and its children will do now that they are becoming adults.

As National Public Radio's much loved and respected senior foreign correspondent Anne Garrels has covered conflicts in Chechnya, Bosnia, Kosovo, Afghanistan, and Iraq. In "Naked in Baghdad" she reveals how as one of only sixteen non-embedded journalists who stayed in the now legendary Palestine Hotel throughout the American invasion she managed to deliver the most immediate, insightful and independent reports with unparalleled vividness and immediacy.
Her evolving relationship with her Iraqi driver/minder Amer, and the wonderful e-mail bulletins sent to friends by her husband, Vint Lawrence, counterpoint the daily events of her life in Baghdad, and result in a deeply moving, and intimate portrait by one of bravest and most enlightening news reporters.

This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence. This first volume of Evelyn Waugh's Articles, Essays, and Reviews contains every traceable piece of journalism that research could uncover written by Waugh between January 1922, when he first went up to Oxford, and December 1934, when he had recently returned from British Guiana and was enjoying the runaway success of A Handful of Dust. Long interred in fashion magazines, popular newspapers, sober journals, undergraduate reviews, and BBC archives, 110 of the 170 pieces in the volume have never before been reprinted. Several typescripts of articles and reviews are published here for the first time, as are a larger number of unsigned pieces never before identified as Waugh's. Original texts, so easily distorted in the production process, have been established as far as possible using manuscript and other controls. The origins of the works are explored, and annotations to each piece seek to assist the modern reader. The volume embraces university journalism; essays from Waugh's years of drift after Oxford; forcefully emphatic articles and contrasting sophisticated reviews written for the metropolitan press from 1928 to 1930 (the most active and enterprising years of Waugh's career); reports for three newspapers of a coronation in Abyssinia and essays for The Times on the condition of Ethiopia and on British policy in Arabia. Finally, in early 1934 Waugh travelled for three months in remote British Guiana, resulting in nine travel articles and A Handful of Dust, acclaimed as one of the most distinguished novels of the century. Waugh was 19 when his first Oxford review appeared, 31 when the Spectator printed his last review of 1934. This is a young writer's book, and the always lucid articles and reviews it presents read as fresh and lively, as challenging and opinionated, as the day they first appeared.

In 2004, it was widely reported in the British and Zambian press that Roy Clarke, columnist and satirist known as 'Kalaki', on the The Post, Zambia's major independent daily, faced deportation. Following a column entitled 'Mfuwe', the government had announced he was 'a threat to peace and good order'. Clarke refused to succumb however, or indeed apologise. Instead, supported by his editor, he continued to champion the freedom of the press in Zambia, freedom of expression in general and the cause of Zambian journalism. This book brings together a collection of Clarke's writings, published over a period of five years. His writings are characterised by irony, satire and caustic wit, exposing folly, vice and hypocrisy. They are accompanied by the political cartoons of Trevor Ford, popularly know as 'Yuss'. Fred M'Membe, editor of The Post, provides the introduction to the book, in which he comments: 'Nowadays we find ourselves stuck in a culture of zealous worship of leaders, a culture that would look primitive in the eyes of our ancestors. Our modern African societies have established a reputation for intolerance that is difficult to match....I see Roy's work as attempting to confront this situation, to help us return to our more tolerant Zambian culture; a culture of liberating, life-giving and enjoyable laughter '

Smuggling has been a way of life in Galicia for millennia. The Romans considered its windswept coast the edge of the world. To the Greeks it was from where Charon ferried souls to the Underworld. Since the Middle Ages, its shoreline has scuppered thousands of pirate ships. But the history of Cape Finisterre is no fiction and by the late twentieth century a new and exotic cargo flooded the cape's ports and fishing villages. In Snow on the Atlantic, the book the Spanish national court tried to ban, intrepid investigative journalist Nacho Carretero tells the incredible story of how a sleepy, unassuming corner of Spain became the cocaine gateway into Europe, exposing a new generation of criminals, cartels and corrupt officials, more efficient and ruthless than any who came before.

With each news day, history unfolds as steadfast journalists uncover facts and public opinion. Drawn from the "New York Times"'s archive of an unparalleled eighty-one Pulitzer Prizes, "Written into History" offers a fascinating record of the twentieth century.
"The Times"'s award-winning reports range from Antarctic dispatches on the Byrd expedition to the eyewitness account of the atomic bomb, from the First Amendment battle to publish the Pentagon Papers to the personal narrative of an interracial friendship. Pulitzer Prize winner Anthony Lewis culled the newspaper's most acclaimed writing to chronicle life and history as it was happening, with such highlights as David Halberstam on Vietnam, J. Anthony Lukas on hippies, Anna Quindlen on AIDS, and John F. Burns on the Taliban.
Lewis tells the stories behind the stories, describing journalism's changing role in the world. For armchair historians and aspiring reporters, this is a rich and memorable portrait of a century by the men and women who most artfully observed it.

For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.

As journalist Sam Quinones convincingly demonstrates, much of Mexico was already changing before the July 2000 presidential elections which ousted the PRI and presented the world with President-elect Vincente Fox. Fox's victory marked the triumph of another Mexico, a vital, energetic, and creative Mexico tracked by Quinones for over six years.

"This side of Mexico gets very little press. . . . yet it is the best of the country. . . . people who have the spunk to imagine something else and instinctively flee the enfeebling embrace of PRI paternalism. . . . newly realistic telenovellas show the gray government censor that the country is too lively to abide his boss's dictates. . . . Some twelve million Mexicans reside year-round in the United States. . . . [so] the United States is now part of the Mexican reality and is where this other side of Mexico is often found, reinventing itself."--from the introduction.

Quinones merges keen observation with astute interviews and storytelling in his search for an authentic modern Mexico. He finds it in part in emigrants, people who use wits and imagination to strike out on their own. In poignant stories from north of the border--about Oaxacan basketball leagues in southern California and the late singing legend Chalino SAAA1/2nchez whose songs of drug smugglers spurred the popularity of the narcocorrido--Quinones shows how another Mexico is reinventing itself in America today. But most of his stories are from deep inside Mexico itself. There a dynamic sector exists. It is made up of those who instinctively shunned the enfeebling embrace of the PRI's paternalism, including scrappy entrepreneurs such as the Popsicle Kings of Tocumbo and Indianmigrant farmworkers who found a future in the desert of Baja California. Here, too, are true tales from ignored margins of society, including accounts of drag queens and lynchings. From the fringes of the country, Quinones suggests, emerge some of the most telling and central truths about modern Mexico and how it is changing.

"This book expands our knowledge of modern Mexico many times over. Quinones unearths a wealth of material that has in fact gone unnoticed or been hidden."--Professor Francisco Lomeli, University of California, Santa Barbara

'This powerful study looks behind the statistics and political slogans to reveal the human face of the refugee crisis.' Guardian

A mother who puts her children into a refrigerated lorry and asks ‘what else could I do?’ A runaway teenager who comes of age on the streets and in abandoned buildings. A student who leaves his war-ravaged country behind because he doesn’t want to kill. Each of the thousands of people who come to Europe in search of asylum every year brings a unique story with them. But their stories don’t end there.

In Lights in the Distance, acclaimed journalist Daniel Trilling draws on years of reporting to build a portrait of the refugee crisis, seen through the eyes of the people who experienced it first-hand. As the European Union has grown, so has a tangled and often violent system designed to filter out unwanted migrants – one that extends from the border into cities. Most of us became aware of the crisis when it apparently reached its peak in 2015, but the roots go much deeper. Visiting camps and hostels, sneaking into detention centres and delving into his own family’s history of displacement, Trilling weaves together the stories of people he met and followed from country to country. In doing so, he shows that the terms commonly used to define them – refugee or economic migrant, legal or illegal, deserving or undeserving – fall woefully short of capturing the complex realities.

The founding myth of the EU is that it exists to ensure the horrors of the twentieth century are never repeated. Now, as it comes to terms with its worst refugee crisis since the Second World War, the 'European values' of freedom, tolerance and respect for human rights are being put to the test. Lights in the Distance is a uniquely powerful and illuminating exploration of the nature and human dimensions of the crisis.

Everything Must Change! brings together prominent commentators from around the world to present a rich and nuanced weighing of progressive possibilities in the wake of the COVID-19 pandemic. In these pages you'll encounter influential voices across the left, ranging from Roger Waters to Noam Chomsky, Slavoj Zizek to Saskia Sassen. Gael Garcia Bernal, Brian Eno, and Larry Charles examine the pandemic's more cultural and artistic consequences, touching on topics of love, play, comedy, dreaming, and time. Their words sit alongside analyses of the paradoxes and possibilities of debt, internationalism, and solidarity by Astra Taylor, David Graeber, Vijay Prashad, and Stephanie Kelton. Burgeoning surveillance and control measures in the name of public health are a concern for many of the contributors here, including Shoshana Zuboff and Evgeny Morozov, as are the opportunities presented by the crisis for exploitation by financiers, technocrats, and the far right. Against a return to the normal and, indeed, the notion that there ever was such a thing, these conversations insist that urgent, systemic change is needed to tackle not only the pandemics arising from the human destruction of nature, but also the ceaseless debilitations of contemporary global capitalism. Contributors: Tariq Ali, David Adler, Gael Garcia Bernal, Larry Charles, Noam Chomsky, Brian Eno, Daniel Ellsberg, Kenneth Goldsmith, David Graeber, Johann Hari, Maja Kantar, Stephanie Kelton, Stefania Maurizi, Evgeny Morozov, Maja Pelevic, Vijay Prashad , Angela Richter, Saskia Sassen, Sasa Savanovic, Jeremy Scahill, Richard Sennett, John Shipton, Astra Taylor, Ece Temelkuran, Yanis Varoufakis, Roger Waters, Slavoj Zizek, and Shoshana Zuboff.

The Punjab region of India sent more than 600,000 combatants to assist the British war effort during World War I. Their families back home, thousands of miles from the major scenes of battle, were desperate for war news, and newspapers provided daily reports to keep the local population up-to-date with developments on the Western Front. This book presents the first English-language translations of hundreds of articles published during World War I in the newsapers of the Punjab region. They offer a lens into the anxieties and aspirations of Punjabis, a population that committed resources, food, labour as well as combatants to the British war effort. Amidst a steadily growing field of studies on World War I that examine the effects of the war on colonial populations, War News in India makes a unique and timely contribution.

Veteran journalist Pete Hamill has never covered just politics. Or just sports. Or just the entertainment business, the mob, foreign affairs, social issues, the art world, or New York City. He has in fact written about all these subjects, and many more, in his years as a contributor to such national magazines as Esquire, Vanity Fair, and New York, and as a columnist at the New York Post, the New York Daily News, the Village Voice, and other newspapers. Seasoned by more than thirty years as a New York newspaperman, Hamill writes on an extraordinarily wide variety of topics in powerful language that is personal, tough-minded, clearheaded, always provocative. Piecework is a rich and varied collection of Hamill's best writing since 1970, on such diverse subjects as what television and crack have in common, why winning isn't everything, stickball, Nicaragua, Donald Trump, why American immigration policy toward Mexico is all wrong, Brooklyn's Seventh Avenue, and Frank Sinatra, not to mention Octavio Paz, what it's like to realize you're middle-aged, Northern Ireland, New York City then and now, how Mike Tyson spent his time in prison, and much more. This collection proves him once again to be among the last of a dying breed: the old-school generalist, who writes about anything and everything, guided only by passionate and boundless curiosity. Piecework is Hamill at his very best.

One of our most trenchant columnists takes the measure of America in the last four years.

Will Ashon spent the day of Tuesday May 21st 2019 hitching around the motorways and 'A' roads of England, chatting to whoever picked him up about their lives, dreams, aspirations, fears and favourite foods. The resulting transcripts, presented here edited and cross-cut through one another into a collage of voices, form a work in which generosity plays a far greater role than hate, reminding us of our nation's better self. Sitting somewhere between Svetlana Alexievich and Rachel Cusk, NOT FAR FROM THE JUNCTION is a fresh, funny, moving and quietly radical work of non-fiction, exploring who we are and how we see the world.

THE SUNDAY TIMES BESTSELLER Relive the delusional fever-dream of the modern era. 'Thank f*ck for Marina Hyde: the most lethal, vital, screamingly funny truth-teller of our time.' PHOEBE WALLER-BRIDGE 'The most brilliantly funny columnist of our time.' GARY LINEKER 'It's a scientific FACT: Marina Hyde is Britain's funniest writer.' CAITLIN MORAN No other writer is more suited to chronicling the absurd times in which we live. In What Just Happened?! Marina Hyde slashes her way through the hellscape of post-referendum politics, where the chaos never stops. Clamber aboard as we relive every inspirational moment of magic, from David Cameron to Theresa May to Boris Johnson. Marvel at the sights, from Trumpian WTF-ery to celebrity twattery. And boggle at the cast of characters: Hollywood sex offenders, populists, sporting heroes (and villains), dastardly dukes, media barons, movie stars, reality TV monsters, billionaires, police officers, various princes and princesses, wicked advisers, philanthropists, fauxlanthropists, telly chefs, and (naturally) Gwyneth Paltrow. It's the full state banquet of crazy - and you're most cordially invited. Drawn from her spectacularly funny Guardian columns, What Just Happened?! is a welcome blast of humour and sanity in a world where reality has become stranger than fiction. 'A joyous rallying voice in British journalism.' GRAYSON PERRY 'An infinite number of gag-writers, working all day in a gag factory, couldn't come up with any of the perfectly-formed one-liners that populate Marina Hyde's hilarious writing . . . But behind the wit lurks real anger, argument, exasperation and intelligence. Her writing is more than a gentle poke in the ribs: it's a well-wrought and deftly aimed smash in the teeth.' ARMANDO IANNUCCI

A brilliantly wide-ranging essay collection from the author of My Struggle, spanning literature, philosophy, art and how our daily and creative lives intertwine. In the Land of the Cyclops is Karl Ove Knausgaard's first collection of essays to be published in English, and these brilliant and wide-ranging pieces meditate on themes familiar from his groundbreaking fiction. Here, Knausgaard discusses Madame Bovary, the Northern Lights, Ingmar Bergman, and the work of an array of writers and visual artists, including Knut Hamsun, Michel Houellebecq, Anselm Kiefer and Cindy Sherman. These essays beautifully capture Knausgaard's ability to mediate between the deeply personal and the universal, demonstrating his trademark self-scrutiny and his deep longing to authentically see, understand, and experience the world. 'Knausgaard is among the finest writers alive' New York Times

Part diary and part reportage, "The Soccer War" is a remarkable chronicle of war in the late twentieth century. Between 1958 and 1980, working primarily for the Polish Press Agency, Kapuscinski covered twenty-seven revolutions and coups in Africa, Latin America, and the Middle East. Here, with characteristic cogency and emotional immediacy, he recounts the stories behind his official press dispatches--searing firsthand accounts of the frightening, grotesque, and comically absurd aspects of life during war. "The Soccer War" is a singular work of journalism.

In the promised land of the Sunbelt, people come by the thousands to escape the crush of Eastern cities and end up duplicating the very world they have fled. Can the land remain unchanged? In Blue Desert, Charles Bowden presents a view of the Southwest that seeks to measure how rapid growth has taken its toll on the land. Writing with a reporter's objectivity and a desert rat's passion, Bowden takes us into the streets as well as the desert to depict not a fragile environment but the unavoidable reality of abuse, exploitation, and human cruelty. Blue Desert shows us the Sunbelt's darker side as it has developed in recent times-where "the land always makes promises of aching beauty and the people always fail the land"-and defies us to ignore it. Blue Desert has no boundaries, no terrain, no topographical coordinates; it is a state of mind inescapable to one who sees change and knows that nothing can be done to stop it.

'This selection is a ceaseless delight ... there is a treat on almost every page' Daily Telegraph George Orwell wrote, in his words, from 'a desire to see things as they are'. This new collection of his journalism and other writings, including articles, essays, broadcasts, poems, book and film reviews from across his career, shows his unmatched genius for observing the world. Whether discussing Polish immigration or Scottish independence, railing against racism, defending the English language or holding an imaginary conversation with Jonathan Swift, these pieces reveal a clear-eyed, entertaining and eternally relevant chronicler of his age. Edited with an introduction by Peter Davison 'Orwell's luminous gift was for seeing things, for noticing what others missed, took for granted or simply found uninteresting, for discovering meaning and wonder in the familiarity of the everyday... Nothing escaped or seemed beneath his notice, which was what made him such a good reporter... Seeing Things As They Are is intended to be a collection first and foremost of his journalism, with preference given to lesser-known pieces and reviews as well as some of the poems he wrote. It is full of interest and curiosities' Jason Cowley, Financial Times 'Peter Davison gives us a feast of [Orwell's] shorter writings, showing how from such hesitant beginnings he evolved into the writer of enduring importance we know, committed to decency, equality and political honesty, who could nevertheless wax lyrical over the first signs of spring or an imaginary English pub' Gordon Bowker, Independent

For over thirty years, Mark Austin has covered the biggest stories in the world for ITN and Sky News. As a foreign correspondent and anchorman he has witnessed first-hand some of the most significant events of our times, including the Iraq War, during which his friend and colleague Terry Lloyd was killed by American 'friendly fire', the historic transition in South Africa from the brutality of apartheid to democracy, the horrors of the Rwandan genocide, and natural disasters such as the Haiti earthquake and the Mozambique floods. The stories themselves will be familiar to many people, but less well known are the often extraordinary behind the scenes tales of a newsman's life on the road; the problems encountered in some of the most dangerous places on earth; the days when things go badly wrong; the moments of high drama and raw emotion and, quite often, the hilarious happenings the viewer never imagines and only seldom sees. Based on decades of experience on the frontlines, this candid and revealing memoir gives a startling insight into one man's extraordinary career and lifts the lid on the world of television news.

'Masterly, hilarious, truly insightful' - Philip Hensher, The Spectator A Times Literary Supplement Book of the Year 2019 The last major collection of Nabokov's published material, Think, Write, Speak brings together a treasure trove of previously uncollected texts from across the author's extraordinary career. Each phase of his wandering life is included, from a precocious essay written while still at Cambridge in 1921, through his fame in the aftermath of the publication of Lolita to the final, fascinating interviews given shortly before his death in 1977. Introduced and edited by his biographer Brian Boyd, this is an essential work for anyone who has been drawn into Nabokov's literary orbit. Here he is at his most inspirational, curious, playful, misleading and caustic. The seriousness of his aesthetic credo, his passion for great writing and his mix of delight and dismay at his own, sudden global fame in the 1950s are all brilliantly delineated.