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Books > Social sciences > Politics & government > Political control & freedoms > Slavery & emancipation
Slavery in the United States continues to loom large in our
national consciousness and is a major curricular focus in African
American studies, during Black History Month, and for slavery
units. This is the first encyclopedia to focus on the typical
experiences and roles and material life of female slaves in the
United States from Colonial times to Emancipation. More than 150
essay entries written by a host of experts offer a unique
perspective on the material life, events, typical experiences, and
roles of enslaved women and girls in both their interactions with
their owners and the little private time they could manage. This
groundbreaking volume is an exciting focus for research and general
browsing and belongs in all American History, Women's Studies, and
African American Studies collections.
The coverage includes entries illuminating women's work, on the
plantation, from the big house to the field and slave cabin as well
as individual entrepeneurialship. Aspects of daily life such as
food procurement and meals, folk medicine and healing, and hygiene
are revealed. Material life is uncovered through entries such as
Auction Block, Clothing and Adornments, and Living Quarters. Life
cycle events from pregnancy and birthing to childcare to holidays
and death and funeral customs are discussed. The resistance to
slavery and its horrors are enumerated in many entries such as
Abolition, Sexual Violence, and the Underground Railroad. A wider
understanding of the different ways that slavery played out for
various enslaved women can be seen in entries regarding African
origins and that depict regions in the North and South such as Low
Country and groups such as Maroon Communities. Profiles of noted
female slaves and their works are also included. Accompanying the
entries are suggestions for further reading. Further scholarly
value is added with a chronology and selected bibliography.
Numerous photos and sidebars complement the essays, with quotations
from oral history and literature plus document excerpts.
Narrative of the Life of Frederick Douglass encompasses eleven
chapters that recount Douglass's life as a slave and his ambition
to become a free man. In factual detail, the text describes the
events of his life and is considered to be one of the most
influential pieces of literature to fuel the abolitionist of the
early 19th century in the United States.
Colonialism and Slavery in Performance brings together original
archival research with recent critical perspectives to argue for
the importance of theatrical culture to the understanding of the
French Caribbean sugar colonies in the eighteenth century. Fifteen
English-language essays from both established and emerging scholars
apply insights and methodologies from performance studies and
theatre history in order to propose a new understanding of Old
Regime culture and identity as a trans-Atlantic continuum that
includes the Antillean possessions whose slave labour provided
enormous wealth to the metropole. Carefully documented studies of
performances in Saint-Domingue, the most prosperous French colony,
illustrate how the crucible of a brutally racialized colonial space
gave rise to a new French identity by adapting many of the
cherished theatrical traditions that colonists imported directly
from the mainland, resulting in a Creole performance culture that
reflected the strong influence of African practices brought to the
islands by plantation slaves. Other essays focus on how European
theatregoers reconciled the contradiction inherent in the
eighteenth century's progressive embrace of human rights, with an
increasing dependence on the economic spoils of slavery, thus
illustrating how the stage served as a means to negotiate new
tensions within "French" identity, in the metropole as well as in
the colonies. In the final section of the volume, essays explore
the place of performance in representations of the Old Regime
Antilles, from the Haitian literary diaspora to contemporary
performing artists from Martinique and Guadeloupe, as the stage
remains central to understanding history and identity in France's
former Atlantic slave colonies. Featuring contributions from Sean
Anderson, Karine Benac-Giroux, Bernard Camier, Nadia Chonville,
Laurent Dubois, Logan J. Connors, Beatrice Ferrier, Kaiama L.
Glover, Jeffrey M. Leichman, Laurence Marie, Pascale Pellerin,
Julia Prest, Catherine Ramond, Emily Sahakian, Pierre Saint-Amand,
and Fredrik Thomasson.
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