The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.

The 2020 toppling of slave-trader Edward Colston's statue by Black Lives Matter protesters in Bristol was a dramatic reminder of Britain's role in trans-Atlantic slavery, too often overlooked. Yet the legacy of that predatory economy reaches far beyond bronze memorials; it continues to shape the entire visual fabric of the country. Architect Victoria Perry explores the relationship between the wealth of slave-owning elites and the architecture and landscapes of Georgian Britain. She reveals how profits from Caribbean sugar plantations fed the opulence of stately homes and landscape gardens. Trade in slaves and slave-grown products also boosted the prosperity of ports like Bristol, Liverpool and Glasgow, shifting cultural influence towards the Atlantic west. New artistic centres like Bath emerged, while investment in poor, remote areas of Wales, Cumbria and Scotland led to their 're-imagining' as tourist destinations: Snowdonia, the Lakes and the Highlands. The patronage of absentee planters popularised British ideas of 'natural scenery'--viewing mountains, rivers and rocks as landscape art--and then exported the concept of 'sublime and picturesque' landscapes across the Atlantic. A Bittersweet Heritage unearths the slavery-tainted history of Britain's manors, ports, roads and countryside, and powerfully explains what this legacy means today.

Bringing together normally self-contained areas of research, this book presents penetrating analyses of the nature and perpetuation of slavery through the ages.
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Gripping, soaring and redemptive, RIVER SING ME HOME tells of a mother's journey to find her children. 'A strong and beautiful novel that stares into the face of brutality and the heart of love' Jeanette Winterson 'Magnificent and epic. A story about love and the power it brings us' ' Frank Cottrell-Boyce 'A powerful story, beautifully told' Jessica Moor 'Breathtaking. A powerful account of love, loss and defiance' Chikodili Emelumadu 'Beautiful... A masterclass in how to speak of unspeakable things' Meg Clothier ---------------------------- We whisper the names of the ones we love like the words of a song. That was the taste of freedom to us, those names on our lips. Mary Grace, Micah, Thomas Augustus, Cherry Jane and Mercy. These are the names of her children. The five who survived, only to be sold to other plantations. The faces Rachel cannot forget. It's 1834, and the law says her people are now free. But for Rachel freedom means finding her children, even if the truth is more than she can bear. With fear snapping at her heels, Rachel keeps moving. From sunrise to sunset, through the cane fields of Barbados to the forests of British Guiana and on to Trinidad, to the dangerous river and the open sea. Only once she knows their stories can she rest. Only then can she finally find home. Inspired by the women who, in the aftermath of slavery, went in search of their lost children. ---------------------------- 'A powerful, gripping novel about the strength of a mother's love' Red - The best books of January 2023 'Full of love and compassion, this will be everywhere next year' Stylist - Pick of the big fiction books for 2023 'Eleanor Shearer is a remarkable writer' Natasha Lester 'An extraordinary odyssey of pain, love, and homecoming' Kate Quinn 'A stunning debut with real characters that lock themselves in your heart' Sadeqa Johnson 'A searing debut. Heartbreaking, hopeful, and unforgettable' Kristin Harmel 'An extraordinary and gripping debut. A must-read' Chanel Cleeton 'Lyrical, heartbreaking, thought-provoking' Costanza Casati

Finalist for the Pulitzer Prize Widely hailed as a "powerfully written" history about America's beginnings (Annette Gordon-Reed), New England Bound fundamentally changes the story of America's seventeenth-century origins. Building on the works of giants like Bernard Bailyn and Edmund S. Morgan, Wendy Warren has not only "mastered that scholarship" but has now rendered it in "an original way, and deepened the story" (New York Times Book Review). While earlier histories of slavery largely confine themselves to the South, Warren's "panoptical exploration" (Christian Science Monitor) links the growth of the northern colonies to the slave trade and examines the complicity of New England's leading families, demonstrating how the region's economy derived its vitality from the slave trading ships coursing through its ports. And even while New England Bound explains the way in which the Atlantic slave trade drove the colonization of New England, it also brings to light, in many cases for the first time ever, the lives of the thousands of reluctant Indian and African slaves who found themselves forced into the project of building that city on a hill. We encounter enslaved Africans working side jobs as con artists, enslaved Indians who protested their banishment to sugar islands, enslaved Africans who set fire to their owners' homes and goods, and enslaved Africans who saved their owners' lives. In Warren's meticulous, compelling, and hard-won recovery of such forgotten lives, the true variety of chattel slavery in the Americas comes to light, and New England Bound becomes the new standard for understanding colonial America.

This book addresses historical issues of colonialism and race, which influenced the formation of multicultural society in Mauritius. During the 19th century, Mauritius was Britain's prime sugar-producing colony, yet, unlike the West Indies, its history has remained significantly under-researched. The modern demographic of multi-ethnic Mauritius is unusual as, in the absence of an indigenous people, descendants of colonists, slaves and indentured labourers constitute the majority of the island's population today. Thus, it may be said that the Mauritian nation was "assembled" during the period in question. This work draws on an in-depth examination of the two labour systems through which the island came to be populated: slavery and indenture. In studying the relevant laws, four legal events of historical importance within the context of these two labour systems are identified: the abolition of the slave trade, the abolition of slavery, private indentured labour migration and state-regulated indenture. This book is notable in that it presents a legal analysis of core historical events, thus straddling the line between two disciplines, and covers both slavery and indentured labour in Mauritian history. Mauritius, as an originally uninhabited island, presents a rare case study for inquiries into colonial legacies, multiculturalism and race consciousness. The book will be a valuable resource to scholars worldwide in the fields of slavery, indenture and the legal apparatus of forced labour.

Eighteenth-century Britain was the world's leading centre for the slave trade. Profits soared and fortunes were made, but in 1788 things began to change. Bury The Chains tells the remarkable story of the men who sought to end slavery and brought the issue to the heart of British political life. 'Hochschild's marvellous book is a timely reminder of what a small group of determined people, with right on their side, can achieve. Carefully researched and elegantly written, with a pacy narrative that ranges from the coffee houses of London to the back-breaking sugar plantations of the West Indies, it charts the unlikely success of the first international human rights movement' Saul David, Literary Review 'Hochschild is such a gifted researcher and story-teller that he never fails to hold the reader's attention. . . For all its terrible theme, Hochschild's book is not in the least depressing, because it is suffused with admiration for the courage and enlightenment of the men and women who crusaded against this evil, and finally prevailed' Max Hastings, Sunday Telegraph 'Thought-provoking, absorbing and well-written' Brendan Simms, Sunday Times 'Stirring and unforgettable' Economist

Archetypal Grief: Slavery's Legacy of Intergenerational Child Loss is a powerful exploration of the intergenerational psychological effects of child loss as experienced by women held in slavery in the Americas and of its ongoing effects in contemporary society. It presents the concept of archetypal grief in African American women: cultural trauma so deeply wounding that it spans generations. Calling on Jungian psychology as well as neuroscience and attachment theory, Fanny Brewster explores the psychological lives of enslaved women using their own narratives and those of their descendants, and discusses the stories of mothering slaves with reference to their physical and emotional experiences. The broader context of slavery and the conditions leading to the development of archetypal grief are examined, with topics including the visibility/invisibility of the African female body, the archetype of the mother, stereotypes about black women, and the significance of rites of passage. The discussion is placed in the context of contemporary America and the economic, educational, spiritual and political legacy of slavery. Archetypal Grief will be an important work for academics and students of Jungian and post-Jungian studies, archetypal and depth psychology, archetypal studies, feminine psychology, women's studies, the history of slavery, African American history, African diaspora studies and sociology. It will also be of interest to analytical psychologists and Jungian psychotherapists in practice and in training.

Slavery and the trade that fuelled it underpinned Britain's economic position throughout the seventeenth and eighteenth centuries. Unsurprisingly, when the abolition of the slave trade was first mooted opinion was widely divided. The majority of the British public were either apathetic about the plight of black Africans in the American colonies or firmly against any change. Much of the establishment, including the Anglican Church, robustly supported the Afro-Caribbean slavery. The Great Abolition Sham is the first book to explore the real personalities and issues behind the popular rhetoric which surrounds the abolitionist movement. Documentary evidence confirms the shocking duplicity of the British government, which protected the slave trade after its formal abolition in 1807, and exposes the levels of hypocrisy that made a mockery of the Emancipation Act of 1834.

The slave, Saidiya Hartman observes, is a stranger torn from family, home, and country. To lose your mother is to be severed from your kin, to forget your past, and to inhabit the world as an outsider. In Lose Your Mother, Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. There are no known survivors of Hartman's lineage, no relatives to find. She is a stranger in search of strangers, and this fact leads her into intimate engagements with the people she encounters along the way, and with figures from the past, vividly dramatising the effects of slavery on three centuries of African and American history.

Museums and Atlantic Slavery explores how slavery, the Atlantic slave trade, and enslaved people are represented through words, visual images, artifacts, and audiovisual materials in museums in Europe and the Americas. Divided into four chapters, the book addresses four recurrent themes: wealth and luxury; victimhood and victimization; resistance and rebellion; and resilience and achievement. Considering the roles of various social actors who have contributed to the introduction of slavery in the museum in the last thirty years, the analysis draws on selected exhibitions, and institutions entirely dedicated to slavery, as well as national, community, plantation, and house museums in the United States, England, France, and Brazil. Engaging with literature from a range of disciplines, including history, anthropology, sociology, art history, tourism and museum studies, Araujo provides an overview of a topic that has not yet been adequately discussed and analysed within the museum studies field. Museums and Atlantic Slavery encourages scholars, students, and museum professionals to critically engage with representations of slavery in museums. The book will help readers to recognize how depictions of human bondage in museums and exhibitions often fail to challenge racism and white supremacy inherited from the period of slavery.

Out of Slavery, first published in 1985, is a series of articles commissioned on the 150 year anniversary of William Wilberforce's death and the Act of Parliament abolishing British slavery in 1833. With the background from which the history of slavery was viewed being radically changed, with decolonisation, the advancement of Human Rights, the economic and social consequences of what was done, and left undone, by the Abolitionists and Emancipators and of the situations which they faced. This book offers a broad reappraisal on slavery and freedom from slavery as they can now be seen, and of the contribution and personality of the Abolitionists, particularly of their leader and spokesman William Wilberforce.

Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection. The book explores how dramatic visions of antislavery provided a site for (re)mediating a white metropolitan-and at times a specifically Dutch-identity. It offers insight into the late-eighteenth- and early-nineteenth-century theatrical modes, tropes, and scenarios of racialised subjection and considers them as materials of the "Dutch cultural archive," or the Dutch "reservoir" of sentiments, knowledge, fantasies, and beliefs about race and slavery that have shaped the dominant sense of the Dutch self up to the present day.

After Britain's Abolition of the Slave Trade Act of 1807, a squadron of Royal Navy vessels was sent to the West Coast of Africa tasked with suppressing the thriving transatlantic slave trade. Drawing on previously unpublished papers found in private collections and various archives in the UK and abroad, this book examines the personal and cultural experiences of the naval officers at the frontline of Britain's anti-slavery campaign in West Africa. It explores their unique roles in this 60-year operation: at sea, boarding slave ships bound for the Americas and 'liberating' captive Africans; on shore, as Britain resolved to 'improve' West African societies; and in the metropolitan debates around slavery and abolitionism in Britain. Their personal narratives are revealing of everyday concerns of health, rewards and strategy, to more profound questions of national honour, cultural encounters, responsibility for the lives of others in the most distressing of circumstances, and the true meaning of 'freedom' for formerly enslaved African peoples. British anti-slavery efforts and imperial agendas were tightly bound in the nineteenth century, inseparable from ideas of national identity. This is a book about individuals tasked with extraordinary service, military men who also worked as guardians, negotiators, and envoys of abolition.

This work shows the extent to which the shipping of Africans to the Americas continued after the Abolition Act of 1807.

Germany has long entertained the notion that the transatlantic slave trade and New World slavery involved only other European players. Countering this premise, this collection re-charts various routes of German participation in, profiteering from, and resistance to transatlantic slavery and its cultural, political, and intellectual reverberations. Exploring how German financiers, missionaries, and immigrant writers made profit from, morally responded to, and fictionalized their encounters with New World slavery, the contributors demonstrate that these various German entanglements with New World slavery revise preconceived ideas that erase German involvements from the history of slavery and the Black Atlantic. Moreover, the collection brings together these German perspectives on slavery with an investigation of German colonial endeavors in Africa, thereby seeking to interrogate historical processes (or fantasies) of empire-building, colonialism, and slavery which, according to public memory, seem to have taken place in isolation from each other. The collection demonstrates that they should be regarded as part and parcel of a narrative that ingrained colonialism and slavery in the German cultural memory and identity to a much larger extent than has been illustrated and admitted so far in general discourses in contemporary Germany. This book was originally published as a special issue of Atlantic Studies.

Slavery, first published in 1958, examines four main types of modern slavery: chattel slavery; the sale of women into marriage; the sale of children into work and prostitution; serfdom. Mr Greenidge, a Director of the Anti-Slavery Society, marshals an astonishing array of findings into modern slavery, and outlines the history of the anti-slavery movement.

Sarah and Angelina Grimke-the Grimke sisters-are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality. That the Grimke sisters had Black relatives in the first place was a consequence of slavery's most horrific reality. Sarah and Angelina's older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers' trials and exploits in the North, where Archibald and Francis became prominent members of the post-Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis's wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald's daughter, Angelina Weld Grimke, who channeled the family's past into pathbreaking modernist literature during the Harlem Renaissance. In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental-an emblem of the limits of progressive white racial politics. A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy-both traumatic and generative-of those myths, which reverberate to this day.

Bringing the histories of British anti-slavery and Australian colonization together changes our view of both. This book explores the anti-slavery movement in imperial scope, arguing that colonization in Australasia facilitated emancipation in the Caribbean, even as abolition powerfully shaped the Settler Revolution. The anti-slavery campaign was deeply entwined with the administration of the empire and its diverse peoples, as well as the radical changes demanded by industrialization and rapid social change in Britain. Abolition posed problems to which colonial expansion provided the answer, intimately linking the end of slavery to systematic colonization and Indigenous dispossession. By defining slavery in the Caribbean as the opposite of freedom, a lasting impact of abolition was to relegate other forms of oppression to lesser status, or to deny them. Through the shared concerns of abolitionists, slave-owners, and colonizers, a plastic ideology of 'free labour' was embedded within post-emancipation imperialist geopolitics, justifying the proliferation of new forms of unfree labour and defining new racial categories. The celebration of abolition has overshadowed post-emancipation continuities and transformations of slavery that continue to shape the modern world.

Africa's Slaves Today, first published in 1975, examines the question of the persistence of slavery in modern Africa. It concludes that slavery is by no means dead in certain regions, but that at the same time clear-cut definitions of 'slave' and 'free' are often impossible to establish. In the Sahara particularly centuries of tradition involving slavery or semi-slavery have ensured a persistence of the status quo in all but name. Recent instances of Africans sold into slavery in Arabia are discussed, together with a detailed survey of slavery throughout North Africa and Ethiopia. At what stage forced labour becomes slavery is a difficult question raised by the discussion of the white South. The whole subject of slavery is put into perspective by contrasting examinations of the historical situation throughout the book.

Cape of Torments, first published in 1983, is a detailed examination of slavery in the Colony of the Cape of Good Hope. It describes the reactions of the slaves to their conditions of slavery, concentrating on those aspects of their lives which their masters considered criminal, and above all on the large numbers of occasions when slaves ran away in an attempt to start a new life elsewhere. The book examines Cape society and slave organization; the complex relations between slaves and the other groups of population at the Cape - Khoisan, Xhosa, Sotho-Tswana, Dutch East India Co servants and sailors - and the opportunities for escape; major uprisings and rebellions. The major theme of the book is the extent to which the Cape slaves were able to build a culture of their own, and the legacy of slavery to their descendants in modern South Africa.

The Royal Navy and the Slave Trade, first published in 1987, offers a detailed analysis of the Royal Navy's slave trade suppression on the East Coast of Africa - an area often neglected in studies of the campaigns against the slavers. It traces the naval impact on the Arab slave trade from Zanzibar dominions and the political implications of that involvement. The naval contribution to the broader 'Imperial' debate is also considered. It breaks new ground by dealing with naval operations off East Africa and by presenting an analysis of the interaction of the various Imperial officials in the region, and the subsequent development of British policy.

Forced Migration, first published in 1982, examines the impact of the slave trade on Africa. There has been much debate over recent years about the effect of the Atlantic slave trade on Africa, with some authorities claiming that there were huge figures involved, and that these set back Africa's development for many years. Other historians reach lower estimates of the figures involved in the Atlantic trade, and hence argue that the effects on the political economy of Africa were more limited. Had widespread slavery existed long before the growth of the European slave trade? How important was the trans-Saharan traffic? Dr Inikori is the most authoritative voice in Africa to take part in this controversial international debate. He has done much original research into records, and here has made and introduced a selection of key papers. He has added elucidating editorial comments that place each paper in its context and link it to the other contributions.

The Royal Navy and the Slavers, first published in 1969, examines not only the Royal Navy's 60-year campaign to eradicate slavery, but also the British Government's diplomatic pressure on other countries to discontinue the slave trade. It analyses Captain's logs and despatches, and their evidence at trials of the men they captured, as well as looking at the messages from British ambassadors and consuls around the world.