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Books > Social sciences > Politics & government > Political control & freedoms > Slavery & emancipation
The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, first published in England in 1789, was one of the earliest and remains to this day one of the best-known English language slave narratives. Characterizing Olaudah Equiano's eighteenth-century narrative of his life as a type of ''scriptural story'' that connects the Bible with identity formation, Vincent L. Wimbush's White Men's Magic probes not only how the Bible and its reading played a crucial role in the first colonial contacts between black and white persons in the North Atlantic but also the process and meaning of what he terms ''scripturalization.'' By this term, Wimbush means ''a social-psychological-political discursive structure'' or ''semiosphere'' that creates a reality and organizes a society in terms of relations and communications. This scripturalization, achieved by the British to establish a colonial and racialized society in and through the promotion of literacy and the Bible as a ''fetishized center-object,'' was also performed by an abject outsider or stranger like Equiano through his reading of the Bible as well as his own writing with the goal of imagining and promoting a more inclusive society. It is for this reason that Wimbush calls Equiano's narrative a ''scriptural story,'' and he argues that this is why the talking book trope appears repeatedly in writings of eighteenth- and early nineteenth-century black Atlantic writers. He identifies three different types of scripturalization: (1) scripturalization as social-cultural matrix and comparative magic; (2) scripturalization in the service of nationalization and for the purpose of naturalization; and (3) scripturalization in negotiation and for resistance. Because it is based on the particularities of Equiano's narrative, Wimbush's theoretical work is not only grounded but inductive. Wimbush shows that scripturalization is bigger than either the historical or the literary Equiano. Scripturalization was not invented by Equiano, he says, but it is not quite the same after Equiano.
Frederick Douglass, once a slave, was one of the great 19th century American orators and the most important African American voice of his era. This book traces the development of his rhetorical skills, discusses the effect of his oratory on his contemporaries, and analyzes the specific oratorical techniques he employed. The first part is a biographical sketch of Douglass's life, dealing with his years of slavery (1818-1837), his prewar years of freedom (1837-1861), the Civil War (1861-1865), and postwar years (1865-1895). Chesebrough emphasizes the centrality of oratory to Douglass's life, even during the years in slavery. The second part looks at his oratorical techniques and concludes with three speeches from different periods. Students and scholars of communications, U.S. history, slavery, the Civil War and Reconstruction, and African American studies will be interested in this book.
This work establishes the fact that slavery has existed since ancient times and tries to dispel the myth that slaves are only people of color. Designed to complement the two-volume Historical Encyclopedia of World Slavery (1997), it is much more than a mere chronology of world slavery. The work in divided into six geographical sections (ancient world, Europe, Asia, Africa, Latin America, and the United States), each with an introduction and chronology. More than 100 brief sidebar essays interspersed throughout the book enhance its readability. Extremely useful are 80 full-text historical and legal documents ranging from ancient times to the present, covering topcs from the "Code of Hammurabi" to "the Brazilian Government Recognizes Slave Labor" (1985). An extensive index and 50-page bibliography appear at the end of the work. Recommended for all libraries."--"Outstanding reference sources 2000", American Libraries, May 2000. Comp. by the Reference Sources Committee, RUSA, ALA.
Captured by United States Marines at Harper's Ferry, Virginia, a fifty-nine year old farmer was quickly brought to trial in nearby Charlestown and convicted of three capital crimes: treason against the Commonwealth of Virginia; conspiring with slaves to rebel; and murder. In a field on the outskirts of town he was hanged before fifteen hundred soldiers. Colonel Robert E. Lee, Professor Thomas J. Jackson, and John Wilkes Booth stood watching. "The Hanging of Old Brown" attempts to remove the veils that separate the contemporary observer from an understanding of the events and the convictions that brought John Brown to a Virginia scaffold ready to die. Brown struggled to find redemption for himself and his nation. His war on slavery and eventual execution would reap the whirlwinds that would herald the destruction of slavery. Beginning with events of 1776, Toledo provides the historical context of John Brown's war, enabling readers to approach this abolitionist visionary with a better understanding of the period that defined him. Toledo hopes to dispel notions that Brown was a mere fanatic or deranged militant. This work invites readers to become acquainted with a man who is, in the end, both flawed and heroic, always deliberate, and ultimately triumphant.
This book traces the story of how and why thousands of Scots made money from buying and selling humans... a story we need to own. We need to admit that many Scots were enthusiastic participants in slavery. Union with England gave Scotland access to both trade and settlement in Jamaica, Britain's richest colony and its major slave trading hub. Tens of thousands from Scotland lived and worked there. The abolition campaign and slave revolts threatened Scottish plantation owners, merchants, traders, bankers and insurance brokers who made their fortunes from slave-farmed sugar in Jamaica and fought hard to preserve the system of slavery. Archives and parliamentary papers in both countries reveal these transatlantic Scots in their own words and allow us to access the lives of their captives. Scotland and Jamaica were closely entwined for over one hundred years. Bought & Sold traces this shared story from its early beginnings in the 1700s to the abolition of slavery in the British Empire and reflects on the meaning of those years for both nations today.
Translated into English for the first time, Andres Avelino de Orihuela's El Sol de Jesus del Monte is a landmark Cuban antislavery novel. Published originally in 1852, the same year as Harriet Beecher Stowe's Uncle Tom's Cabin (which Orihuela had translated into Spanish), it provides an uncompromising critique of discourses of white superiority and an endorsement of equality for free people of color. Despite its historical and literary value, The Sun of Jesus del Monte is a long-neglected text, languishing for 150 years until its republication in 2008 in the original Spanish. The Sun of Jesus del Monte is the only Cuban novel of its time to focus on La Escalera, or the Ladder Rebellion, a major anticolonial and slave insurrection of nineteenth-century Cuba that shook the world's wealthiest colony in 1843-44. It is also the only Cuban novel of its time to take direct aim at white privilege and unsparingly denounce the oppression of free people of color that intensified after the insurrection. This new critical edition-featuring an invaluable, contextualizing introduction and afterword in addition to the new English translation-offers readers the most detailed portrait of the everyday lives and plight of free people of color in Cuba in any novel up to the 1850s.
The papers collected in the two volumes of Technical Papers are the outgrowth of an inquiry into the economics and demography of slavery. The papers are a selection of the principal papers produced by collaborators in a research project that began nearly three decades ago on the economics of slavery.
"Child Slaves in the Modern World" is the second of two volumes that examine the distinctive uses and experiences of children in slavery in the nineteenth and twentieth centuries. This collection of previously unpublished essays exposes the global victimization of child slaves from the period of abolition of legal slavery in the nineteenth century to the human rights era of the twentieth century. It contributes to the growing recognition that the stereotypical bonded male slave was in fact a rarity. Nine of the studies are historical, with five located in Africa and three covering Latin America from the British Caribbean to Chile. One study follows the children liberated in the famous Amistad incident (1843). The remaining essays cover contemporary forms of child slavery, from prostitution to labor to forced soldiering. "Child Slaves in the Modern World" adds historical depth to the current literature on contemporary slavery, emphasizing the distinctive vulnerabilities of children, or effective equivalents, that made them particularly valuable to those who could acquire and control them. The studies also make clear the complexities of attempting to legislate or decree regulations limiting practices that appear to have been--and continue to be --ubiquitous around the world.
In contrast to the prevailing scholarly con-sensus that understands
sentimentality to be grounded on a logic of love and sympathy,
"Apocalyptic Sentimentalism "demonstrates that in order for
sentimentality to work as an antislavery engine, it needed to be
linked to its seeming opposite--fear, especially the fear of God's
wrath. Most antislavery reformers recognized that calls for love
and sympathy or the representation of suffering slaves would not
lead an audience to "feel right" or to actively oppose slavery. The
threat of God's apocalyptic vengeance--and the terror that this
threat inspired--functioned within the tradition of abolitionist
sentimentality as a necessary goad for sympathy and love. Fear,
then, was at the center of nineteenth-century sentimental
strategies for inciting antislavery reform, bolstering love when
love faltered, and operating as a powerful mechanism for
establishing interracial sympathy. Depictions of God's apocalyptic
vengeance constituted the most efficient strategy for antislavery
writers to generate a sense of terror in their audience.
The leading volume of this series included absorbing assessments of the efforts of slaves to shape their own culture, and traced the growth of the abolitionists from a handful of religious people, not given countenance by their church or government, into a powerful political force.
Looking at the ways in which the memory of slavery affects present-day relations in Amsterdam, this ethnographic account reveals a paradox: while there is growing official attention to the country's slavery past (monuments, festivals, ritual occasions), many interlocutors showed little interest in the topic. Developing the notion of "trace" as a seminal notion to explore this paradox, this book follows the issue of slavery in everyday realities and offers a fine-grained ethnography of how people refer to this past - often in almost unconscious ways - and weave it into their perceptions of present-day issues.
For nearly 150 years, William Lloyd Garrison, founder of the famed antislavery newspaper The Liberator, has been represented by scholars, educators, politicians and authors as the founder of the American abolitionist movement. Yet the idea that Garrison was the leader of a coherent movement was strongly contested during his lifetime. Drawing on private letters, diaries, newspapers, novels, memoirs, eulogies, late 19th century textbooks, poetry and monuments, this study reveals the dramatic social and political forces of the postwar period which transformed our perceptions of Garrison, the abolitionist movement and the first histories of the Civil War.
"Few historians have more skillfully integrated economic with social, intellectual and political history to demonstrate both the importance and the limits of economic developments-the material reality and the perception of it.... Pleasurable as well as instructive reading for anyone interested in the most fateful of our national crimes and the most fearful of our national crises.... [A] splendid book." -Eugene D. Genovese, Los Angeles Times Book Review
An investigation of US participation in the transatlantic slave trade to the Americas, from the American Revolution to the Civil War While much of modern scholarship has focused on the American slave trade's impact within the United States, considerably less has addressed its effects in other parts of the Americas. A rich analysis of a complex subject, this study draws on Portuguese, Brazilian, and Spanish primary documents-as well as English-language material-to shed new light on the changing behavior of slave traders and their networks, particularly in Brazil and Cuba. Slavery in these nations, as Marques shows, contributed to the mounting tensions that would ultimately lead to the U.S. Civil War. Taking a truly Atlantic perspective, Marques outlines the multiple forms of U.S. involvement in this traffic amid various legislation and shifting international relations, exploring the global processes that shaped the history of this participation.
This book is a collection of essays that explore a variety of topics in religious history, both East and West, using theoretical frameworks derived from the comparative-historical sociology of Max Weber. It breaks new ground, offering substantive new research in the historical sociology of religion. The scope of essays covers both geographical and chronological vistas. The first section of this contributed volume focuses on Oriental religion. A survey chapter by Gert Mueller on the religions of Asia precedes two more specific studies by Deniz Tekiner and Donovan Walling on, respectively, social conflict and change in Indian religion and Tibetan (Buddhist) patrimonialism. The second section considers the heritage of Occidental religion. Peter Munch analyzes the charismatic authority of the judges of Ancient Israel, while Joseph Bryant explores the religion of ancient Greek intellectuals from Homer and Hesiod through the pre-Socratics. A final essay by Donald Nielsen assesses the quality of contemporary efforts to do a sociology of early Christianity and makes some suggestions toward improvement. The third section deals with the breakthrough to the modern world view. An initial essay by Nielsen treats the Inquisition in its earliest stages as presaging later Western religious rationalization. A chapter by Bill Garrett then assesses two modern attempts (by Guy E. Swanson and Robert Wuthnow) to account for Reformation outcomes. Two essays, by Steve Kent and Fred Kniss, deal with two of the little Protestant traditions: the Quakers and various Mennonite strains. A final contribution by the editor examines the role of religion in the creation and maintenance of slavery in the American South. This book should appeal to anyone interested in Buddhism, Hinduism, Ancient Judaism, Ancient Greece, early Christianity, and Protestantism and Catholicism from the 13th to the 19th centuries, and it can ideally be used as a text for teaching Comparative Religions at the undergraduate and nonspecialist graduate levels.
The African American slave narrative is popularly viewed as the story of a lone male's flight from slavery to freedom, best exemplified by the "Narrative of the Life of Frederick Douglass, An American Slave" (1845). On the other hand, critics have also given much attention to Harriet Jacobs's "Incidents in the Life of a Slave Girl" (1861), to indicate how the form could have been different if more women had written in it. But in stressing the narratives of Douglass and Jacobs as models for the genre, scholars have ignored the formal and thematic importance of marriage and family in the slave narrative, since neither author explores slave marriage in their works. This book examines the central role of marriage in "The Life and Adventures of Henry Bibb, an American Slave" (1849) and "Running a Thousand Miles for Freedom; or the Escape of William and Ellen Craft from Slavery" (1860). Bibb's slave wife and child account for significant innovations in the form and content of his narrative, while the Crafts' mutual dependence as a married couple results in a sustained use of dramatic irony. The volume closes by offering a thoughtful consideration of the influence of Bibb and the Crafts on the later fiction of Douglass, William Wells Brown, and Martin Delany. In doing so, it invites a critical reexamination of current assumptions about slave narratives.
The wealth generated both directly and indirectly by Caribbean slavery had a major impact on Glasgow and Scotland. Glasgow's Sugar Aristocracy is the first book to directly assess the size, nature and effects of this. West India merchants and plantation owners based in Glasgow made nationally significant fortunes, some of which boosted Scottish capitalism, as well as the temporary Scottish economic migrants who travelled to some of the wealthiest of the Caribbean islands. This book adds much needed nuance to the argument in a Scottish context; revealing methods of repatriating wealth from the Caribbean as well as mercantile investments in industry, banking and land and philanthropic initiatives.
The wealth generated both directly and indirectly by Caribbean slavery had a major impact on Glasgow and Scotland. Glasgow's Sugar Aristocracy is the first book to directly assess the size, nature and effects of this. West India merchants and plantation owners based in Glasgow made nationally significant fortunes, some of which boosted Scottish capitalism, as well as the temporary Scottish economic migrants who travelled to some of the wealthiest of the Caribbean islands. This book adds much needed nuance to the argument in a Scottish context; revealing methods of repatriating wealth from the Caribbean as well as mercantile investments in industry, banking and land and philanthropic initiatives.
Previous works on Frederick Douglass have focused either on his life or the literary genre in which his life is framed. Frederick Douglass: A Critical Reader is unique in that it explores his work by way of the field of philosophy to show that Douglass offered a wealth of arguments throughout his many texts and speeches. The writers in this work examine the explicit and implicit philosophical themes and arguments that resonate through his texts. Philosophically, Douglass' work seeks to establish better ways of thinking especially in the light of his conviction about our genuine shared humanity and the value of a democratic political life. His experience of, and straggle against, the institution of American slavery shaped these views. This understanding of Douglass' writing resonates in the essays written by contributors to this volume who include Angela Davis, Bernard Boxill, Howard McGary, and Lewis Gordon, to name a few. The result is a critical anthology of note, giving more than ample demonstration of the philosophical magnitude of Frederick Douglass' work.
This collection of essays explores the ways that memories of African slavery and the slave trade persist into the present, as well as the effect those memories have in shaping political, social, economic, and religious behavior today. The articles take a range of approaches: several examine the stigma that slave origins engender; one pairs lamentations about slave raiders with songs that celebrate a community's victory over a major predator; another looks at the impact of slavery through the lens of tales told by children. One author examines the techniques used by descendants of slave traders and slave owners to overcome their guilt, such as worshiping the spirits of those enslaved by their ancestors, while another shows how democratic politics has made it possible for descendants of slaves to liberate themselves from their inferior social status. The authors use a variety of sources -- interviews, proverbs, songs, religious art, newspaper articles, and children's stories -- to illuminate not only how people remember the past but also how they struggle to liberate themselves from it.
Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection. The book explores how dramatic visions of antislavery provided a site for (re)mediating a white metropolitan-and at times a specifically Dutch-identity. It offers insight into the late-eighteenth- and early-nineteenth-century theatrical modes, tropes, and scenarios of racialised subjection and considers them as materials of the "Dutch cultural archive," or the Dutch "reservoir" of sentiments, knowledge, fantasies, and beliefs about race and slavery that have shaped the dominant sense of the Dutch self up to the present day. |
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