In Critique Of Black Reason, eminent critic Achille Mbembe offers a capacious genealogy of the category of Blackness - from the Atlantic slave trade to the present - to critically reevaluate history, racism, and the future of humanity. Mbembe teases out the intellectual consequences of the reality that Europe is no longer the world's center of gravity while mapping the relations between colonialism, slavery, and contemporary financial and extractive capital.

Tracing the conjunction of Blackness with the biological fiction of race, he theorizes Black reason as the collection of discourses and practices that equated Blackness with the nonhuman in order to uphold forms of oppression. Mbembe powerfully argues that this equation of Blackness with the nonhuman will serve as the template for all new forms of exclusion.

With Critique Of Black Reason, Mbembe offers nothing less than a map of the world as it has been constituted through colonialism and racial thinking while providing the first glimpses of a more just future.

In 2011 while riding his motorbike through Mali, on his way home from London to Johannesburg, Stephen McGown was taken captive in Timbuktu by Al Qaeda. He was held captive for almost six years giving him the unenviable record of Al Qaeda’s longest held prisoner.

Together with writer Tudor Caradoc-Davies, he wrote his book Six Years With Al Qaeda: The Stephen McGown Story. In this inspirational biography Steve uncovers the extraordinary lengths he went through to survive; from learning French and Arabic, converting to Islam and accepting a name given to him by his captors. His aim was to raise his status among Al Qaeda, keep himself alive and hopefully make his way back home.

Thousands of kilometres away in Johannesburg, the shock of his kidnapping hit his wife Cath and the rest of the McGown family. Working every option they could find, from established diplomatic protocols to the murky back channels of the kidnap game, they set to work on trying to free Steve.

Months turned to years and while the captive-captor dynamic was ever-present, Steve witnessed first hand what no westerner has ever seen before, giving him a nuanced perspective on one of the worlds most feared terrorist organisations.

Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection. The book explores how dramatic visions of antislavery provided a site for (re)mediating a white metropolitan-and at times a specifically Dutch-identity. It offers insight into the late-eighteenth- and early-nineteenth-century theatrical modes, tropes, and scenarios of racialised subjection and considers them as materials of the "Dutch cultural archive," or the Dutch "reservoir" of sentiments, knowledge, fantasies, and beliefs about race and slavery that have shaped the dominant sense of the Dutch self up to the present day.

In a groundbreaking examination of the antislavery origins of liberal Protestantism, Molly Oshatz contends that the antebellum slavery debates forced antislavery Protestants to adopt an historicist understanding of truth and morality. Unlike earlier debates over slavery, the antebellum slavery debates revolved around the question of whether or not slavery was a sin in the abstract. Unable to use the letter of the Bible to answer the proslavery claim that slavery was not a sin in and of itself, antislavery Protestants, including William Ellery Channing, Francis Wayland, Moses Stuart, Leonard Bacon, and Horace Bushnell, argued that biblical principles opposed slavery and that God revealed slavery's sinfulness through the gradual unfolding of these principles. Although they believed that slavery was a sin, antislavery Protestants' sympathy for individual slaveholders and their knowledge of the Bible made them reluctant to denounce all slaveholders as sinners. In order to reconcile slavery's sinfulness with their commitments to the Bible and to the Union, antislavery Protestants defined slavery as a social rather than an individual sin. Oshatz demonstrates that the antislavery notions of progressive revelation and social sin had radical implications for Protestant theology. Oshatz carries her study through the Civil War to reveal how emancipation confirmed for northern Protestants the antislavery notion that God revealed His will through history. She describes how after the war, a new generation of liberal theologians, including Newman Smyth, Charles Briggs, and George Harris, drew on the example of antislavery and emancipation to respond to evolution and historical biblical criticism. The theological innovations rooted in the slavery debates came to fruition in liberal Protestantism's acceptance of the historical and evolutionary nature of religious truth.

Although puritans in 17th-century New England lived alongside both Native Americans and Africans, the white New Englanders imagined their neighbors as something culturally and intellectually distinct from themselves. Legally and practically, they saw people of color as simultaneously human and less than human, things to be owned. Yet all of these people remained New Englanders, regardless of the color of their skin, and this posed a problem for puritans. In order to fulfill John Winthrop's dream of a "city on a hill," New England's churches needed to contain all New Englanders. To deal with this problem, white New Englanders generally turned to familiar theological constructs to redeem not only themselves and their actions (including their participation in race-based slavery) but also to redeem the colonies' Africans and Native Americans. Richard A. Bailey draws on diaries, letters, sermons, court documents, newspapers, church records, and theological writings to tell the story of the religious and racial tensions in puritan New England.

Utilizing key selections from American literature, this volume aligns with ELA Common Core Standards to give students a fresh perspective on and a keener understanding of slavery in the United States. Slavery is a central feature of American history, one with which the nation still has not come fully to terms. In this book, that seminal topic is examined in a fresh way-through literature. Organized chronologically to show evolving attitudes toward American slavery in the 19th century, the work focuses on four key 19th-century texts that are frequently taught, using them as a gateway for understanding this critical period and why slavery had to be destroyed if the Union was to be maintained. In addition to examining the four works-Frederick Douglass's Narrative of the Life of Frederick Douglass, Harriet Beecher Stowe's Uncle Tom's Cabin, Harriet Jacobs's Incidents in the Life of a Slave Girl, and Mark Twain's Huckleberry Finn-the book also provides numerous historical documents that contextualize slavery in the literary texts. These documents make it dramatically clear why issues such as abolition and the Fugitive Slave Law of 1850 were so controversial for 19th-century Americans. Aligned with the ELA Common Core Standards, the title supports history teachers with insights into classic literary works, and it enhances the English curriculum with rich elaborations of relevant historical context. Helps students understand classic works of American literature from the slavery era by putting them in the context of history, society, and culture Helps students understand social and political issues relative to slavery by analyzing their appearance in period literature Documents how African Americans have been able to combat slavery and racism against almost insurmountable odds Provides teachers with a ready-reference that aligns with Common Core Standards in English Language Arts (ELA) in Social Studies (informational texts) Includes support tools such as document excerpts, discussion questions and areas for study, and guidance on further research

Among the most infamous U.S. Supreme Court decisions is Dred Scott v. Sandford. Despite the case's signal importance as a turning point in America's history, the lives of the slave litigants have receded to the margins of the record, as conventional accounts have focused on the case's judges and lawyers. In telling the life of Harriet, Dred's wife and co-litigant in the case, this book provides a compensatory history to the generations of work that missed key sources only recently brought to light. Moreover, it gives insight into the reasons and ways that slaves used the courts to establish their freedom.
A remarkable piece of historical detective work, Mrs. Dred Scott chronicles Harriet's life from her adolescence on the 1830s Minnesota-Wisconsin frontier, to slavery-era St. Louis, through the eleven years of legal wrangling that ended with the high court's notorious decision. The book not only recovers her story, but also reveals that Harriet may well have been the lynchpin in this pivotal episode in American legal history.
Reconstructing Harriet Scott's life through innovative readings of journals, military records, court dockets, and even frontier store ledgers, VanderVelde offers a stunningly detailed account that is at once a rich portrait of slave life, an engrossing legal drama, and a provocative reassessment of a central event in U.S. constitutional history. More than a biography, the book is a deep social history that freshly illuminates some of the major issues confronting antebellum America, including the status of women, slaves, Free Blacks, and Native Americans.

This compelling, richly illustrated work recounts the African journeys of the intrepid Dutch traveller Alexine Tinne (1835-1869). Heiress to a huge fortune -she was at the time the richest woman in the country - and bored with the royal court intrigues in The Hague, Tinne left for Egypt and Sudan accompanied by her mother Henriette Tinne-Van Capellen, ultimately settling in Khartoum. On her expedition in 1862-64, Tinne was joined by the German zoologist Theodor von Heuglin: the whole party set out for the as yet uncharted Bahr-el-Ghazal, hoping to explore that region and ascertain how far westward the Nile basin extended. After four years of research in the Tinne archives, including hitherto unknown correspondence, photos and other documents, Willink presents a dramatic account of Tinne's eventful expedition, casting new light on the events which ultimately ended with Tinne's murder, most likely by the tribesmen who believed there was gold hidden in her water tanks. In addition, Willink casts a new light on the excitement and the dangers of travel in colonial Africa's uncharted territories before and after Tinne's enterprise, revealing to what extent her gruesome death had been foreshadowed in the earlier years and how it would reverberate in the years to come. An accomplished photographer and collector of artefacts, Tinne left a wealth of material from her travels, and many items are reproduced here in colour, bearing testimony to her fascination with Africa.

Making Slavery History focuses on how commemorative practices and historical arguments about the American Revolution set the course for antislavery politics in the nineteenth century. The particular setting is a time and place in which people were hyperconscious of their roles as historical actors and narrators: Massachusetts in the period between the Revolution and the Civil War. This book shows how local abolitionists, both black and white, drew on their state's Revolutionary heritage to mobilize public opposition to Southern slavery. When it came to securing the citizenship of free people of color within the Commonwealth, though, black and white abolitionists diverged in terms of how they idealized black historical agency.
Although it is often claimed that slavery in New England is a history long concealed, Making Slavery History finds it hidden in plain sight. From memories of Phillis Wheatley and Crispus Attucks to representations of black men at the Battle of Bunker Hill, evidence of the local history of slavery cropped up repeatedly in early national Massachusetts. In fixing attention on these seemingly marginal presences, this book demonstrates that slavery was unavoidably entangled in the commemorative culture of the early republic-even in a place that touted itself as the "cradle of liberty."
Transcending the particular contexts of Massachusetts and the early American republic, this book is centrally concerned with the relationship between two ways of making history, through social and political transformation on the one hand and through commemoration, narration, and representation on the other. Making Slavery History examines the relationships between memory and social change, between histories of slavery and dreams of freedom, and between the stories we tell ourselves about who we have been and the possibilities we perceive for who we might become.

Many believe that support for the abolition of slavery was universally accepted in Vermont, but it was actually a fiercely divisive issue that rocked the Green Mountain State. In the midst of turbulence and violence, though, some brave Vermonters helped fight for the freedom of their enslaved Southern brethren. Thaddeus Stevens--one of abolition's most outspoken advocates--was a Vermont native. Delia Webster, the first woman arrested for aiding a fugitive slave, was also a Vermonter. The Rokeby house in Ferrisburgh was a busy Underground Railroad station for decades. Peacham's Oliver Johnson worked closely with William Lloyd Garrison during the abolition movement. Discover the stories of these and others in Vermont who risked their own lives to help more than four thousand slaves to freedom.

"This is the most unusual history of Africa... it compares three religious systems: Christianity, Islam and indigenous African religions, in their influence on the history of the continent. Mavimbela seeks to demonstrate that all these religions are deeply rooted in the customs, practices and beliefs of the respective societies and that none are superior in their ability to explain the natural phenomena encountered by their adherents... this book is an extended expose of how a conquering power used either Christianity or Islam to establish subjugation over African people... The author hopes that by revisiting the painful detail of that history and it's implications, African people might still locate the bearings that might lead them back to their self-worth." - Prof Ben Turok

The diary of Antera Duke is one of the earliest and most extensive surviving documents written by an African residing in coastal West Africa predating the arrival of British missionaries and officials in the mid-19th century. Antera Duke (ca.1735-ca.1809) was a leader and merchant in late eighteenth-century Old Calabar, a cluster of Efik-speaking communities in the Cross River region. He resided in Duke Town, forty miles from the Atlantic Ocean in modern-day southeast Nigeria. His diary, written in trade English from 18 January 1785 to 31 January 1788, is a candid account of daily life in an African community during a period of great historical interest. Written by a major African merchant at the height of Calabar's overseas commerce, it provides valuable information on Old Calabar's economic activity both with other African businessmen and with European ship captains who arrived to trade for slaves, produce and provisions. It is also unique in chronicling the day-to-day social and cultural life of a vibrant African community. Antera Duke's diary is much more than a historical curiosity; it is the voice of a leading African-Atlantic merchant who lived during an age of expanding cross-cultural trade. The book reproduces the original diary of Antera Duke, as transcribed by a Scottish missionary, Arthur W. Wilkie, ca. 1907 and published by OUP in 1956. A new rendering of the diary into standard English appears on facing pages, and the editors have advanced the annotation completed by anthropologist Donald Simmons in 1954 by editing 71 and adding 158 footnotes. The updated reference information incorporates new primary and secondary source material on Old Calabar, and notes where their editorial decisions differ from those made by Wilkie and Simmons. Chapters 1 and 2 detail the eighteenth-century Calabar slave and produce trades, emphasizing how personal relationships between British and Efik merchants formed the nexus of trade at Old Calabar. To build a picture of Old Calabar's regional trading networks, Chapter 3 draws upon information contained in Antera Duke's diary, other contemporary sources, and shipping records from the 1820s. Chapter 4 places information in Antera Duke's diary in the context of eighteenth-century Old Calabar political, social and religious history, charting how Duke Town eclipsed Old Town and Creek Town through military power, lineage strength and commercial acumen.

The Game Ranger, The Knife, The Lion And The Sheep offers spell-binding stories of some amazing, little known characters from South Africa, past and very past. Let us introduce you to some of the characters you’ll meet inside.

Starting with Krotoa, the Khoi maiden who is found working in the Van Riebeeck household as both servant and interpreter. In time she becomes the concubine of Danish surgeon Pieter Merhoff and later his wife. But did she jump (allured by the European glitz and good food) or was she pushed (abducted or sold to the Van Riebeeck’s by her uncle Atshumatso, otherwise Herry)? Was she raped or a willing sexual parter of Meerhoff? Women, like fresh meat and vegetables, were in short supply in those early colonial years in the Cape.

Then there is Mevrou Maria Mouton who preferred to socialise with the slaves than her husband on their farm in the Swartland, and with whom she conspired to murder him. What became of them is … best those gory details are glossed over for now.

And the giant Trekboer Coenraad de Buys, rebel, renegade, a man with a price on his head who married many women (none of them white) and fathered a small nation. The explorer Lichtenstein called him a modern-day Hercules. Then there are the men of learning and insight, such as Raymond Dart and Adrian Boshier, who opened up the world of myths and ancient artefacts so we now better understand the ancients and the world they created for us to inherit. Or James Kitching who broke open rocks in the Karoo to reveal creatures that inhabited this region long before even Africa was born.

And so, without further ado, we give you our selection of stories about remarkable characters from the veld. These stories will excite, entertain and enthral you! You will finish reading them wishing you had more!