What is the historical and evolutionary relationship between man and animal? In this classic text, based on the anthroposophical science founded by Rudolf Steiner, Poppelbaum, trained in Biology, compares the outer forms of man and animal, revealing their essential differences and contrasting inner experiences. Drawing a bold and clear delineation between the fundamental nature of man and that of the animal, Poppelbaum argues that human beings are not the accidental outcome of animal development, but the hidden source of evolution itself. He goes on to discuss the true relationship of both man and animal to their environment, and develops a critique of contemporary theories regarding human and animal evolution. He argues that, rather than a simple reflex of the nervous system, the human spirit is a microcosmic reflection of the spiritual macrocosm, and our individual consciousness is a crucial seed for future evolution. 'To be man is to know the animals and all the creatures of the earth; it is to recognize our responsibility towards these beings, once of the same order as ourselves, but now obliged to live beside us in an incompleteness that never ceases its appeal to human beings - warning us to make ourselves worthy of the trust invested in us.' - Hermann Poppelbaum

'Eurythmy is that very thing which dancers with a true idealism have been unconsciously seeking - that inner harmony and balance that was a natural condition of the Greeks, visible in their statues and carved figures, so that, even in a standing pose, movement seems to flow through them.' Eurythmy is an expressive art of movement in which specific gestures relate to the sounds and rhythms of speech, to the tones and rhythms of music and to soul experiences, such as joy and sorrow. In this succinct and accessible booklet, the authors present a clear introduction to this contemporary art form in the context of the impulse of dance today. What is eurythmy, and how does it relate to other arts of movement and dance? What is eurythmy's purpose, and why did Rudolf Steiner create it in the early twentieth century? These and many more questions are answered in this extended essay, supplemented by 35 sketches of eurythmy figures by Rudolf Steiner that illustrate gestures of movement, feeling and character.

Two lectures in Bologna: on 31 March 2011 at the International Conference to Mark the Centenary of Rudolf Steiner's Lecture in Bologna, and on 8 April 1911 at the Fourth International Philosophy Congress A special conference took place in Bologna in Spring 2011, marking the hundredth anniversary of a unique lecture Rudolf Steiner delivered to a philosophically-trained audience in the same city. In his key exposition, Steiner had given a concise description of the spiritual-scientific theory of knowledge as well as a brief outline of the anthroposophical path of schooling. In his contribution to the 2011 congress, Sergei O. Prokofieff tackles two principal aspects. On the one hand, he describes how Steiner's Bologna lecture contained the essential foundations for a new 'science of the human ego'. On the other hand, Prokofieff states that Rudolf Steiner was the first person to transform this same theory into a practical path of knowledge, following it to its very conclusion. Thus, the words of Rudolf Steiner's lecture were based entirely on personal experience. Together with a transcript of Rudolf Steiner's full Bologna lecture, Sergei O. Prokofieff's own lecture is reproduced here in an expanded version. In addition, this volume features Rudolf Steiner's important 'summaries of essential points', in which he develops and connects some of his key thoughts with further aspects of anthroposophy, especially in relation to their Christological foundations.