From ancient times, people had knowledge of the zodiac's intimate involvement in the creation of physical life. They understood that the twelve realms of constellations of fixed stars in the sky emanated specific forces that were brought to life and movement by the planets. These spiritual energies created and formed all living beings on earth - including, of course, the human being. This traditional awareness has been reenlivened and given new meaning in our time through Rudolf Steiner's anthroposophy. Steiner gave specific indications involving twelve individual gestures and colours that depict the forces of the twelve zodiacal regions. In this richly-illustrated collation of original artistic research - which features exciting new work on the zodiac via the mediums of sculpture, graphics and painting - these new insights are explored and illumined in twenty-seven essays and numerous full-colour images. Led by editor Gertraud Goodwin, the various contributing artists offer a rich tableau of authentic, individual approaches to understanding the zodiac, throwing light on the vast realm of creative forces around us whilst acknowledging their primary source. 'From the many relationships to other qualities, like the consonants, virtues, areas of the human body, colours, eurythmy gestures, elements (earth, water, air, fire), musical keys and many more, in which the zodiacal forces express themselves as if through different instruments, a harmony begins to emerge, which informs me of an ever rounder picture of one particular force of the Zodiac.' - Gertraud Goodwin

`This gave my mother the opportunity of mentioning to Dr Steiner an idea... Could one affect the physical body in a healing, strengthening and regulating way through certain rhythmical movements of the etheric body - which after all was the centre of all that was rhythmical - as well as of health and illness? Dr Steiner not only enthusiastically affirmed this possibility, but spontaneously declared himself ready to give the necessary directions which I could then work out with my mother's help.' - Lory Maier-Smits Alongside original material by Rudolf and Marie Steiner, this volume features unique first-hand accounts of the birth of the art of eurythmy by a number of its early students and practitioners. The practical and artistic stages of its development are chronicled in detail, alongside reports from the first public performance onwards. Rudolf Steiner offers inspiration to the original eurythmists to make their own discoveries - to perceive and fashion in movement their creative `inner voice'. The artistic principles are established for later development and elaboration, to reveal and foster human creativity in many poetic and musical contexts. Through the text, links between eurythmy and temple-dances, that accompanied ancient initiations, gradually emerge. The impulse to dance is rediscovered as inherent in the `lost Word', or the primordial root language still available in `genetic etymology'- the sounds of speech used in all languages. Music eurythmy, we learn, did not start from dancing, but from the archetypal structure of the musical system. Consequently, we can witness directly how an eloquent performing art can properly develop when technique and inspiration meet. The text is supported by extensive supplementary material, including eurythmy forms, a chronological survey, notes and indexes.

As a practising Christian priest, Hermann Beckh was profoundly aware that the mystery of substance - its transmutation in the cosmos and the human being - was a mystical fact to be approached with the greatest reverence, requiring at once ever-deepening scholarship and meditation. He viewed chemistry as a worthy but materialistic science devoid of spirit, while the fullness of spiritual-physical nature could be approached by what he preferred to call 'chymistry' or 'alchymy', thereby taking in millennia of spiritual tradition. In consequence, Beckh's Alchymy, The Mystery of the Material World is not limited to the conventional workings of Western alchemy, nor to what can be found in the Bible from Genesis to Revelation - although he does unveil hidden riches there. Neither should Beckh be considered only as a learned Professor with impeccable academic qualifications and European-wide recognition. Beckh writes about such topics as 'Isis', 'the Golden Fleece', traditional fairy-stories and Wagner's Parsifal in a way that enables the reader to catch glimpses of the Mystery of Substance; to share the writer's authentic experience of the divine substantia - the living reality - of Christ in the world. Beckh's Alchymy set an entirely new standard, and went on to become his most popular publication. This is the first time that it has been translated into English, along with updated footnotes, making his ideas and insights accessible to a wide readership. In addition, this edition features translations of Beckh's 'The New Jerusalem', where theology could best be expressed in verse; his exemplary essay on 'Snow-white'; observations on 'Allerleirauh', and a substantial excerpt from Gundhild Kacer-Bock's biography of Beckh.

`We must draw the slumbering soul away from the darkness of sleep so that it no longer vanishes from its own scrutiny but stands before itself as a being of pure spirit which, in volition, is creatively active through - yet also beyond - the body.' - Rudolf Steiner. According to Rudolf Steiner's independent research, the soul or psyche has a relationship to both the body and the spirit. Psychologists and psychotherapists can only work in a truly healing way, he says, if they take this spiritual fact into account. This expertly-compiled anthology explores the nature of the soul as elaborated by Steiner in his writings and lectures. However, the book comprises more than an account of the psyche and life of the soul, but deals equally with the methodology for comprehending it - the scientific, and above all spiritual-scientific, means of doing so. Steiner questions methods and thought structures that are fundamental to contemporary psychology. Rather than looking backwards to conditions that influence how we are today, he focuses on our further development as beings that think, feel and act with intentionality. Given the soul's close affinity with pictorial images, he elaborates a therapeutically-innovative meditative schooling of the faculty of imagination. As Steiner states here, his methods, `...do not draw only on the rules of the ordinary mind but first prepare in the human soul another kind of consciousness, another state of awareness, with which we then enquire into the psyche... to approach and penetrate realities of the soul.'

The healthy social life is found When in the mirror of each human being The whole community finds its reflection And when in the community The virtue of each one is living. From the beginning of his public work, Rudolf Steiner saw his spiritual mission as civilizational. He understood that individual spiritual development means little unless, spreading through a community of practitioners, it leads to larger societal and cultural transformation. As always, his views were radical. He realized that a healthy social life would depend, above all, on the transformation of work from a commodity into a gift. As he said in 1905: Evolution is moving towards totally uncompensated work. No one rejects the idea and no one can change it. Whereas Greek workers performed their work in bondage to their master and modern workers are compelled to work for pay, in the future all work will be performed freely. Work and income will be completely separated. That is the healthy state of social conditions in the future. That same year, he formulated what he called "the fundamental social law" The wellbeing of an entire group of individuals who work together becomes greater the less individuals claim the income resulting from their own accomplishments for themselves-that is, the more they contribute this income to their fellow workers, and the more their own needs are met not through their own efforts but through the efforts of others. In this important book, Peter Selg shows us a different Rudolf Steiner. Here, the emphasis of his teaching is mostly on the need to cultivate selflessness and readiness to sacrifice. Selg first describes the context in which Steiner expressed these ideas, how much they meant to him, and how, when they fell on barren ground, he selflessly laid them aside while holding them in his heart in the hope of a more opportune moment. He goes on to show how this moment came after World War I, when Rudolf Steiner dedicated himself tirelessly to the Threefold Social Organism, lecturing extensively on economics and social policy. Finally, in a last, extraordinarily moving chapter, Selg shows the essential Christ- and Gospel-inspired nature of these ideas: As long as you feel pain That passes me by, The Christ works unrecognized... Weak is the spirit That can feel suffering Only in its own body. Anyone interested in a just, equitable, healthy, and spirit-based social future should read this important book

`It is a cosmic law that what has once taken place can never vanish, but must reappear later in a metamorphosed form. Every thought, feeling and action brought about by man does not only affect the world around him but will re-appear in the future...' (From the Preface) This course of lectures was originally offered as private, strictly verbal instruction to a select group of esoteric pupils. In an atmosphere of earnest study, Rudolf Steiner `translated' from the Akashic Script valuable concepts of human and cosmic knowledge into words of earthly language - content that is often not to be found in his later lectures. Although working within the Theosophical Society, Steiner was an independent spiritual teacher: `... I would only bring forward the results of what I beheld in my own spiritual research.' The manifold, exact and detailed descriptions of the events of evolution in these lectures form a background to the evolving figure of the human being. The mighty event of the moon leaving the Earth, vividly described, took place - according to Rudolf Steiner - in order to provide an environment suited to human progress. The wonderful moment when the higher being of man descended in a bell-like form and enveloped the lower human body, still on a level with the animals, depicts what eventually provided human beings with a body suited to the development of the self or `I'. Spiritual beings and the great initiates led humanity along the path it was destined to tread. Rudolf Steiner presents a sweep of occult knowledge, including the phases of planetary evolution, various myths and symbols, human physical and spiritual organs, illness, reincarnation, and much more. Also included are unexpected insights into specific phenomena such as dinosaurs, bacteria, radiation, black and white magic, the Sphinx and Freemasonry.

Building on her fundamental texts The Art of Acting and The Art of Speech, Dawn Langman shows how the great dramas of Western heritage illuminate the evolution of human consciousness - from the past and into the future - thus providing a context in which actors can consciously evolve their art. Having laid her foundation by exploring the Eleusis Mysteries - the seed point of Western drama - she moves to the end of the nineteenth century, when drama and performance practice prepared for its next great evolutionary leap. She explores the connection of this leap to the evolutionary threshold facing human beings at the end of what occult history calls Kali Yuga. Weaving back and forth between future, past and present - guided by the great cyclic themes of human soul and spiritual development - Langman shows how the inspiration of our greatest artists springs from a source of knowing that encompasses the high calling of the human being to mature beyond its biological inheritance, and to become a conscious co-creator with the macrocosmic powers that serve the evolution of the universe. In doing so, she clarifies the specific function drama has in our contemporary development within the spectrum of the arts.