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Books > Social sciences > Warfare & defence
Written by one of the editors of the new complete works of Henry
Vaughan, Keeping the Ancient Way is the first book-length study of
the poet by a single author for twenty years. It deals with a
number of key topics that are central to the understanding and
appreciation of this major seventeenth-century writer. These
include his debt to the hermetic philosophy espoused by his twin
brother (the alchemist, Thomas Vaughan); his royalist allegiance in
the Civil War; his loyalty to the outlawed Church of England during
the Interregnum; the unusual degree of intertextuality in his
poetry (especially with the Scriptures and the devotional lyrics of
George Herbert); and his literary treatment of the natural world
(which has been variously interpreted from Christian,
proto-Romantic, and ecological perspectives). Each of the chapters
is self-contained and places its topic in relation to past and
current critical debates, but the book is organized so that the
biographical, intellectual, and political focus of Part One informs
the discussion of poetic craftsmanship in Part Two. A wealth of
historical information and close critical readings provide an
accessible introduction to the poet and his period for students and
general readers alike. The up-to-date scholarship will also be of
interest to specialists in the literature and history of the Civil
War and Interregnum.
Near the end of World War II and after, a small-town Nebraska
youth, Jimmy Kugler, drew more than a hundred double-sided sheets
of comic strip stories. Over half of these six-panel tales retold
the Pacific War as fought by "Frogs" and "Toads," humanoid
creatures brutally committed to a kill-or-be-killed struggle. The
history of American youth depends primarily on adult reminiscences
of their own childhoods, adult testimony to the lives of youth
around them, or surmises based on at best a few creative artifacts.
The survival then of such a large collection of adolescent comic
strips from America's small-town Midwest is remarkable. Michael
Kugler reproduces the never-before-published comics of his father's
adolescent imagination as a microhistory of American youth in that
formative era. Also included in Into the Jungle! A Boy's Comic
Strip History of World War II are the likely comic book models for
these stories and inspiration from news coverage in newspapers,
radio, movies, and newsreels. Kugler emphasizes how US propaganda
intended to inspire patriotic support for the war gave this young
artist a license for his imagined violence. In a context of
progressive American educational reform, these violent comic
stories, often in settings modeled on the artist's small Nebraska
town, suggests a form of adolescent rebellion against moral
conventions consistent with comic art's reputation for "outsider"
or countercultural expressions. Kugler also argues that these
comics provide evidence for the transition in American taste from
war stories to the horror comics of the late 1940s and early 1950s.
Kugler's thorough analysis of his father's adolescent art explains
how a small-town boy from the plains distilled the popular culture
of his day for an imagined war he could fight on his audacious,
even shocking terms.
Winner of the Blogger's Book Prize, 2021 Shortlisted for the
People's Book Prize, 2021 Winner of Best Literary Fiction and Best
Multicultural Fiction at American Book Fest International Book
Awards, 2021 'An epic account of Viet Nam's painful 20th-century
history, both vast in scope and intimate in its telling... Moving
and riveting.' Viet Thanh Nguyen, Pulitzer Prize-winning author of
The Sympathizer Selected as a Best Book of 2020 by NB Magazine *
BookBrowse * Buzz Magazine * NPR * Washington Independent Review of
Books * Real Simple * She Reads * A Hindu's View * Thoughts from a
Page One family, two generations of women and a war that will
change their lives forever Ha Noi, 1972. Huong and her grandmother,
Tran Dieu Lan, cling to one another in their improvised shelter as
American bombs fall around them. For Tran Dieu Lan, forced to flee
the family farm with her six children decades earlier as the
Communist government rose to power in the North, this experience is
horribly familiar. Seen through the eyes of these two unforgettable
women, The Mountains Sing captures their defiance and
determination, hope and unexpected joy. Vivid, gripping, and
steeped in the language and traditions of Viet Nam, celebrated
Vietnamese poet Nguyen's richly lyrical debut weaves between the
lives of a grandmother and granddaughter to paint a unique picture
of a country pushed to breaking point, and a family who refuse to
give up. 'Devastating... From the French and Japanese occupations
to the Indochina wars, The Great Hunger, land reform and the
Vietnam War, it's a story of resilience, determination, family and
hope in a country blighted by pain.' Refinery29
In 1914, the Associated Newspapers sent correspondent Herbert Corey
to Europe on the day Great Britain declared war on Germany. During
the Great War that followed, Corey reported from France, Britain,
and Germany, visiting the German lines on both the western and
eastern fronts. He also reported from Greece, Italy, Switzerland,
Holland, Belgium, and Serbia. When the Armistice was signed in
November 1918, Corey defied the rules of the American Expeditionary
Forces and crossed into Germany. He covered the Paris Peace
Conference the following year. No other foreign correspondent
matched the longevity of his reporting during World War I. Until
recently, however, his unpublished memoir lay largely unnoticed
among his papers in the Library of Congress. With publication of
Herbert Corey's Great War, coeditors Peter Finn and John Maxwell
Hamilton reestablish Corey's name in the annals of American war
reporting. As a correspondent, he defies easy comparison. He
approximates Ernie Pyle in his sympathetic interest in the American
foot soldier, but he also told stories about troops on the other
side and about noncombatants. He is especially illuminating on the
obstacles reporters faced in conveying the story of the Great War
to Americans. As his memoir makes clear, Corey didn't believe he
was in Europe to serve the Allies. He viewed himself as an
outsider, one who was deeply ambivalent about the entry of the
United States into the war. His idiosyncratic, opinionated, and
very American voice makes for compelling reading.
The United States Space Force, the sixth branch of the armed
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Marthie Voigt (nooi Prinsloo) is in 1931 in Suidwes-Afrika gebore;
die vierde van ses kinders. Wat volg is 地 groot avontuur. Marthie
word groot in die wye en ongetemde vlaktes van Angola. Die
Prinsloo-gesin trek baie rond agter goeie weiding en gesonder
toestande aan. Die lewe in ongerepte Angola het ook sy gevare en
Marthie beleef groot hartseer toe haar sussie op 19 sterf aan
malaria. Nadat Marthie trou met Carl-Wilhelm Voigt en hulle hul
gevestig het op haar skoonouers se koffieplaas, begin die onheil in
Angola roer. Ongelukkig breek daar oorlog uit en die Voigts moet
hulle plaas net so los. Hulle speel 地 groot rol daarin om
vlugtelinge uit Angola te versorg. Marthie Voigt het haar
ongelooflike herinneringe aan hierdie historiese en persoonlike
gebeurtenisse neergeskryf sodat wanneer 地 mens dit lees, dit
glashelder voor jou geestesoog afspeel. 地 Wonderlike lewensverhaal
uit die pen van 地 sterk, intelligente vrou.
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