As far too many intellectual histories and theoretical contributions from the 'global South' remain under-explored, this volume works towards redressing such imbalance. Experienced authors, from the regions concerned, along different disciplinary lines, and with a focus on different historical timeframes, sketch out their perspectives of envisaged transformations. This includes specific case studies and reflexive accounts from African, South Asian, and Middle Eastern contexts. Taking a critical stance on the ongoing dominance of Eurocentrism in academia, the authors present their contributions in relation to current decolonial challenges. Hereby, they consider intellectual, practical and structural aspects and dimensions, to mark and build their respective positions. From their particular vantage points of (trans)disciplinary and transregional engagement, they sketch out potential pathways for addressing the unfinished business of conceptual decolonization. The specific individual positionalities of the contributors, which are shaped by location and regional perspective as much as in disciplinary, biographical, linguistic, religious, and other terms, are hereby kept in view. Drawing on their significant experiences and insights gained in both the global north and global south, the contributors offer original and innovative models of engagement and theorizing frames that seek to restore and critically engage with intellectual practices from particular regions and transregional contexts in Africa, South Asia, and the Middle East. This volume builds on a lecture series held at ZMO in the winter 2019-2020

This book charts in detail the West's response, particularly that of the US, to Libya's possible involvement in the bombing of the Pan Am airliner over Lockerbie in 1988. It suggests that this response cannot be fully understood without consideration of the United States as sole military superpower in the New World Order. Geoff Simons argues that the US decision to target Libya, and to involve the UN in this policy, has more to do with the realpolitik objectives of a hegemonic power than with the disinterested use of international law to combat terrorism. The Lockerbie issue is set against a detailed history of Libya from the earliest times to the present, with emphasis on Libya's colonial past, the pivotal significance of Libya's oil resources, the character of the Gaddafi revolution, and the consequent impact on relations with the United States.

For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book.

The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the ‘Great Trek’ (1835-1852) represents a crucial period of South Africa’s past. Forming the concept of the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument.

Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze through all the stages of its design to its shipping to post-war Italy to be copied into marble and final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it depicts this. It also investigates the active role the Monument played in the development of apartheid, and its place in post-apartheid heritage.

The second volume, to be published later this year, expands on the first, considering each of the twenty-seven scenes in depth, providing new insights into not only the frieze, but also South Africa’s history.

Much of the scholarly debate around the "Afropolitan"-the image of mobility, cultural production, and consumerism in Africa and the African diaspora-has focused on the elitism associated with the concept. Most critiques object to how the ideals of transnationalism and mobility inevitably refer to Western models of leisure and style, and Afropolitanism has rarely been contextualized in global African diaspora histories. This volume of written and photographic essays is one of the first sustained historical treatments of the Afropolitan. Contributors analyze the concept in a variety of contexts: itinerant artisans in fourteenth-century southern Africa, sixteenth-century African diaspora communities in Latin America, West African kingdoms and port cities in the waning decades of the Atlantic slave trade, a hair salon in twenty-first-century Paris, a road trip through Bangladesh. By engaging with the Afropolitan as a historical phenomenon, the authors highlight new methods and theories for analyzing global diasporas. Contributors. Paulina L. Alberto, Antonia Carcelen-Estrada, Rosa Carrasquillo, Elizabeth Fretwell, Dawn Fulton, Mathangi Krishnamurthy, Patricia Martins Marcos, Ndubueze Mbah, Hector Mediavilla, Emeka Okereke, Melina Pappademos, Aniova Prandy, David Schoenbrun, Lorelle Semley

During the Cold War, writers and artists were faced with a huge challenge. In the Soviet world, they were expected to turn out works that glorified militancy, struggle and relentless optimism. In the West, freedom of expression was vaunted as liberal democracy's most cherished possession. But such freedom could carry a cost. This book documents the extraordinary energy of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West became instruments - whether they knew it or not, whether they liked it or not - of America's secret service.

Louis Botha was ’n briljante Boeregeneraal wie se taktiese vernuf en intuïtiewe aanslag vir etlike oorwinnings oor die Britse magte in die Anglo-Boereoorlog gesorg het. Maar dit was sy enigmatiese karakter en vaste oortuiging om te hou by wat hy geglo het reg was, wat hom as ’n leier van die Boerevolk bevestig het.

Richard Steyn gee op meesterlike wyse insae in die lewe van hierdie grootse Suid-Afrikaanse krygsman en staatsman. Hy beskryf verhelderend hoe Botha saam met sy hegte vriend, Jan Smuts, die vier Suid-Afrikaanse kolonies na Uniewording in 1910 gelei het waarna Botha as die eerste eerste minister van die Unie aangewys is.

Gedurende die Eerste Wêreldoorlog was Botha aan die voorpunt van die Suid-Afrikaanse magte se suksesvolle inval van Duits-Suidwes-Afrika. Tog is hy deur talle Afrikaners verkwalik vir sy steun aan Brittanje, en die Afrikaner-rebellie van 1914, waartydens hy teen voormalige makkers moes optree, het sy hart gebreek.

Botha se groothartig en vrygewige omgang met mense – van Vereeniging tot Versailles – het hom bo sy tydgenote laat uitstaan.

Examining American foreign policy towards the Horn of Africa between 1945 and 1991, this book uses Ethiopia and Somalia as case studies to offer an evaluation of the decision-making process during the Cold War, and consider the impact that these decisions had upon subsequent developments both within the Horn of Africa and in the wider international context. The decision-making process is studied, including the role of the president, the input of his advisers and lower level officials within agencies such as the State Department and National Security Council, and the parts played by Congress, bureaucracies, public opinion, and other actors within the international environment, especially the Soviet Union, Ethiopia and Somalia. Jackson examines the extent to which influences exerted by forces other than the president affected foreign policy, and provides the first comprehensive analysis of American foreign policy towards Ethiopia and Somalia throughout the Cold War. This book offers a fresh perspective on issues such as globalism, regionalism, proxy wars, American aid programmes, anti-communism and human rights. It will be of great interest to students and academics in various fields, including American foreign policy, American Studies and Politics, the history of the Cold War, and the history of the Horn of Africa during the modern era.

Written by two senior scholars, A History of Africa introduces students to the history of the world's second largest continent. While it is not possible to discuss every event that ever happened in African history, the book comprises an historical narrative emphasizing key trends and processes illustrated by detailed examples. It represents a chronological and empirical history based on scholarly research and reconstructions of Africa's past. As a continental history, it seeks to cover all regions of Africa including North Africa, a region often seen as culturally and historically distinct. Furthermore, the narrative summarizes changing views and academic debates concerning aspects of African history. Richly illustrated with numerous maps and photographs, A History of Africa is the most comprehensive story of the place all humans call home. A History of Africa is available in a combined print or eBook volume, or in split eBook volumes (Volume One: to 1880 and Volume Two: since 1870).

Rick Turner was one of South Africa's most original and powerful thinkers and is remembered today as a remarkable teacher and activist. For almost ten years, from 1968, when he returned to South Africa from his studies at the Sorbonne, to 1978, when he was shot by an unknown assassin, Rick Turner played an important role in the opposition to apartheid, especially by provoking whites to expand their vision of what South Africa could be. Believing in the 'necessity of utopian thinking', he wrote a short book, The eye of the needle (1972), that sought to envision a very different kind of society. It has become a classic of its kind. For the authorities Rick Turner was a constant source of annoyance, a threat and anomaly that had to be dealt with. What was most dangerous about him was that his life and thought failed to fit within the dominant narrative of his time. Never a member of the ANC or the Communist Party or any political party for that matter, he propounded a vision for the transformation of South Africa that was both independent and radical. Although he lived a short life, he nevertheless had a great influence on those around him, including people like Steve Biko, and had a profound effect on people's imagining of what was possible. In the end, he became too much for the apartheid system and was killed. Even today, in the severely compromised political climate after the end of apartheid, the need for the kind of idealist vision that Rick Turner lived and died for is perhaps just as urgent.

This book examines conflicting historical interpretations of the origins, evolution, and ending of apartheid. Lipton argues & provides detailed supporting evidence that apartheid was ended by a relatively non-violent process of reform that began around 1970, and culminated in the negotiations following President de Klerk's release of Nelson Mandela from prison, and his reinstatement of the African National Congress and other organizations, in February 1990.

A new history of the Basotho migrants in Zimbabwe that illuminates identity politics, African agency and the complexities of social integration in the colonial period. Tracing the history of the Basotho, a small mainly Christianised community of evangelists working for the Dutch Reformed Church, this book examines the challenges faced by minority ethnic groups in colonial Zimbabwe and how they tried to strike a balance between particularism and integration. Maintaining their own language and community farm, the Basotho used ownership of freehold land, religion and a shared history to sustain their identity. The author analyses the challenges they faced in purchasing land and in engaging with colonial administrators and missionaries, as well as the nature and impact of internal schisms within the community, and shows how their "unity in diversity"impacted on their struggles for belonging and shaped their lives. This detailed account of the experiences and strategies the Basotho deployed in interactions with the Dutch Reformed Church missionaries and colonial administrators as well as with their non-Sotho neighbours will contribute to wider debates about migration, identity and the politics of belonging, and to our understanding of African agency in the context of colonial and missionary encounters. Published in association with the British Institute in Eastern Africa

Many of the photographs are as familiar as they are iconic: Nelson Mandela gazing through the bars of his prison cell on Robben Island; a young Miriam Makeba smiling and dancing; Hugh Masekela as a schoolboy receiving the gift of a trumpet from Louis Armstrong; Henry ‘Mr Drum’ Nxumalo; the Women’s March of 1955; the Sophiatown removals; the funeral of the Sharpeville massacre victims …

Photographer Jürgen Schadeberg was the man behind the camera, recording history as it unfolded in apartheid South Africa, but his personal story is no less extraordinary. His affiliation for the displaced, the persecuted and the marginalised was already deeply rooted by the time he came to South Africa from Germany in 1950 and began taking pictures for the fledgling Drum magazine. In this powerfully evocative memoir of an international, award-winning career spanning over 50 years – in Europe, Africa and the US – this behind-the-scenes journey with a legendary photojournalist and visual storyteller is a rare and special privilege.

Schadeberg’s first-hand experiences as a child in Berlin during the Second World War, where he witnessed the devastating effect of the repressive Nazi regime, and felt the full wrath of the Allied Forces’ relentless bombing of the city, are vividly told. The only child of an actress, who left her son largely to his own devices, Jürgen became skilled at living by his wits, and developed a resourcefulness that held him in good stead throughout his life. At the end of the war, his mother married a British officer and emigrated to South Africa, leaving Jürgen behind in a devastated Germany to fend for himself. With some luck and a great deal of perseverance, he was able to pursue his interest in photography in Hamburg, undergoing training as an unpaid ‘photographic volunteer’ at the German Press Agency, then graduating to taking photos at football matches.

After two years there, Jürgen made the decision to travel to South Africa. He arrived at Johannesburg station on a cold winter’s morning. He had a piece of paper with his mother’s address on it, his worldly possessions in a small, cheap suitcase on the platform beside him, and his Leica camera, as always, around his neck.

The book examines, compares, and contrasts the African American and Oromo movements by locating them in the global context, and by showing how life chances changed for the two peoples and their descendants as the modern world system became more complex and developed. Since the same global system that created racialized and exploitative structures in African American and Oromo societies also facilitated the struggles of these two peoples, this book demonstrates the dynamic interplay between social structures and human agencies in the system. African Americans in the US and Oromos in the Ethiopian Empire developed their respective liberation movements in opposition to racial/ethnonational oppression, cultural and colonial domination, exploitation, and underdevelopment. By going beyond its focal point, the book also explores the structural limit of nationalism, and the potential of revolutionary nationalism in promoting a genuine multicultural democracy.

Writing and Filming the Genocide of the Tutsis in Rwanda: Dismembering and Remembering Traumatic History is an innovative work in Francophone and African studies that examines a wide range of responses to the 1994 genocide of the Tutsis in Rwanda. From survivor testimonies, to novels by African authors, to films such as Hotel Rwanda and Sometimes in April, the arts of witnessing are varied, comprehensive, and compelling. Alexandre Dauge-Roth compares the specific potential and the limits of each medium to craft unique responses to the genocide and instill in us its haunting legacy. In the wake of genocide, urgent questions arise: How do survivors both claim their shared humanity and speak the radically personal and violent experience of their past? How do authors and filmmakers make inconceivable trauma accessible to a society that will always remain foreign to their experience? How are we transformed by the genocide through these various modes of listening, viewing, and reading?

This edited volume presents intersectionality in its various configurations and interconnections across the African continent and around the world as a concept. These chapters identify and discuss intersectionalities of identity and their interplay within precolonial, colonial, and neo-colonial constructs that develop unique and often conflicting interconnections. Scholars in this book address issues in cultural, feminist, Pan African, and postcolonial studies from interdisciplinary and traditional disciplines, including the Arts, Humanities, and Social Sciences. While Intersectionality as a framework for race, gender, and class is often applied in African-American studies, there is a dearth of work in its application to Africa and the Diaspora. This book presents a diverse set of chapters that compare, contrast, and complicate identity constructions within Africa and the Diaspora utilizing the social sciences, the arts in film and fashion, and political economies to analyze and highlight often invisible distinctions of African identity and the resulting lived experiences. These chapters provide a discussion of intersectionality's role in understanding Africa and the Diaspora and the intricate interconnections across its people, places, history, present, and future.

In "Moving the Maasai" Lotte Hughes tells the scandalous story of how the Maasai people of Kenya lost the best part of their land to the British in the 1900s. Drawing upon unique oral testimony and extensive archival research, she describes the many intrigues surrounding two enforced moves that cleared the highlands for European settlers, and a 1913 lawsuit in which the Maasai attempted to reclaim their former territory, and explains why recent events have brought the story full circle.

This extraordinary, candid account of James Kilgo's African sojourn conveys the untamed beauty of the bush country with the attention of a seasoned naturalist and the wonder of a first-time visitor. With startling immediacy Kilgo recalls what Zambia's Luangwa River valley revealed to him: its voices, scents, textures, and, most meaningfully, colors. Hues like sienna, ochre, and umber forged a visceral link between the people, animals, and landscapes Kilgo encountered and the muted palette of ancient rock paintings in caves and overhangs across southern Africa. Kilgo barely knew the man who invited him to Africa. A further complication: the trip was a big-game safari, which conjured troubling images of privilege and excess. Yet he went, as an observer, for Africa had enthralled him since boyhood. Kilgo's recollections of his fellow travelers and the safari staff - their forays into the bush, visits to nearby villages, and long evening talks about nature, family, and faith - are all informed by a growing awareness of Africa's complexities and contradictions. As he reflects on the swirl of customs and beliefs all around him, as he and his traveling companions draw closer together, Kilgo measures what he has learned firsthand about Africa against his readings of those who came before him, including explorer and missionary David Livingstone, writers Ernest Hemingway and Isak Dinesen, and environmentalists Mark and Delia Owens. Kilgo thinks often about hunting: about the days - long initiatory rites of local native hunters; the motivations, beyond money, that can drive a poacher; the carnage the animals visit on each other nightly just outside the walls of the idyllic safari compound. Near the end of his stay, he is offered the chance to hunt a kudu, the great antelope of storied elusiveness. Pondering this unexpected opportunity, Kilgo wonders: Has he connected sufficiently with this remarkable place to justify his participation in the hunt? Is he ready and, above all, is he worthy?

This book examines Ghana's Pan-African foreign policy during Nkrumah's rule, investigating how Ghanaians sought to influence the ideologies of African liberation movements through the Bureau of African Affairs, the African Affairs Centre and the Kwame Nkrumah Ideological Institute. In a world of competing ideologies, when African nationalism was taking shape through trial and error, Nkrumah offered Nkrumaism as a truly African answer to colonialism, neo-colonialism and the rapacity of the Cold War powers. Although virtually no liberation movement followed the precepts of Nkrumaism to the letter, many adapted the principles and organizational methods learnt in Ghana to their own struggles. Drawing upon a significant set of primary sources and on oral testimonies from Ghanaian civil servants, politicians and diplomats as well as African freedom fighters, this book offers new angles for understanding the history of the Cold War, national liberation and nation-building in Africa.

The primary objective of this book is to understand the nature of the Boko Haram insurgency in northeast Nigeria. Boko Haram's goal of an Islamic Caliphate, starting in the Borno State in the North East that will eventually cover the areas of the former Kanem-Borno Empire, is a rejection of the modern state system forced on it by the West. The central theme of this volume examines the relationship between the failure of the state-building project in Nigeria and the outbreak and nature of insurgency. At the heart of the Boko Haram phenomenon is a country racked with cleavages, making it hard for Nigeria to cohere as a modern state. Part I introduces this theme and places the Boko Haram insurgency in a historical context. There are, however, multiple cleavages in Nigeria ethnic, regional, cultural, and religious and Part II examines the different state-society dynamics fuelling the conflict. Political grievances are common to every society; however, what gives Boko Haram the space to express such grievances through violence? Importantly, this volume demonstrates that the insurgency is, in fact, a reflection of the hollowness within Nigeria's overall security. Part III looks at the responses to Boko Haram by Nigeria, neighbouring states, and external actors. For Western actors, Boko Haram is seen as part of the "global war on terror" and the fact that it has pledged allegiance to ISIS encourages this framing. However, as the chapters here discuss, this is an over-simplification of Boko Haram and the West needs to address the multiple dimension of Boko Haram. This book will be of much interest to students of terrorism and political violence, insurgencies, African politics, war and conflict studies, and IR in general.

This book offers a thematic study of key debates in the history of the ethnic politics, democratic governance, and minority rights in Nigeria. Nigeria provides a framework for examining the central paradox in post-colonial nation building projects in Africa - the tension between majority rule and minority rights. The liberal democratic model on which most African states were founded at independence from colonial rule, and to which they continue to aspire, is founded on majority rule. It is also founded on the protection of the rights of minority groups to political participation, social inclusion and economic resources. Maintaining this tenuous balance between majority rule and minority rights has, in the decades since independence, become the key national question in many African countries, perhaps none more so than Nigeria. This volume explores these issues, focusing on four key themes as they relate to minority rights in Nigeria: ethnic and religious identities, nationalism and federalism, political crises and armed conflicts.