In February 2015, Ivan Maisel received a call that would alter his life forever: his son Max's car had been found abandoned in a parking next to Lake Ontario. Two months later, Max's body would be found in the lake. There'd been no note or obvious indication that Max wanted to harm himself; he'd signed up for a year-long subscription to a dating service; he'd spent the day he disappeared doing photography work for school. And this uncertainty became part of his father's grief. I Keep Trying to Catch His Eye explores with grace, depth, and refinement the tragically transformative reality of losing a child. But it also tells the deeply human and deeply empathetic story of a father's relationship with his son, of its complications, and of Max and Ivan's struggle-as is the case for so many parents and their children-to connect. I Keep Trying to Catch His Eye is a stunning, poignant exploration of the father and son relationship, of how our tendency to overlook men's mental health can have devastating consequences, and how ultimately letting those who grieve do so openly and freely can lead to greater healing.

In 1994, 21 years after her disappearance, Lucy Partington's remains were discovered in Fred and Rosemary West's basement at 25 Cromwell Street, Gloucester. In this powerful and lyrical book, Lucy's elder sister, Marian, reclaims Lucy from the status of victim and finds an authentic and compassionate response to her traumatic loss. Her inspiring narrative of healing draws on Buddhist and Quaker practices and culminates in restorative justice work in prisons.

SHORTLISTED, WILLIAM HILL SPORTS BOOK of the YEAR, 2020. When Ian Ridley's wife, the trailblazing sports reporter Vikki Orvice, died of cancer at the age of 56, he found himself plunged deep into a sadness that he expected and a world of madness that he did not. In an attempt to make sense of it all and seek some solace from the brutality of his grief and anxiety, he embarks on a summer of watching county cricket. Reliving bitter-sweet memories in places he and Vikki had visited together, he is alternately unnerved and consoled by the ebbs and flows of his mourning. But gradually, against a backdrop of the County Championship's peace and solitude - with the sun on his back and tea, cake and crossword at his side - he finds a way to survive the rhythms and cadences of his grief. The Breath of Sadness is an unflinching account of how we carry on when we are left behind, and a poignant, tender and candid exploration of love and loss.

Induced After Death Communication (IADC) is a therapy for grief and trauma that has helped thousands of people come to terms with their loss by allowing them the experience of private communication with their departed loved ones. This is the definitive book on the subject.

Botkin, a clinical psychologist, created the therapy while counseling Vietnam veterans in his work at a Chicago area VA hospital. Botkin recounts his initial--accidental--discovery of IADC during therapy sessions with Sam, a Vietnam vet haunted by the memory of a Vietnamese girl he couldn't save. During the session, quite unexpectedly, Sam saw a vision of the girl's spirit, who told him everything was okay; she was at peace now. This single moment surpassed months--years--of therapy, and allowed Sam to reconnect with his family.

Since that 1995 discovery, Botkin has used IADC to successfully treat countless patients--the book includes dozens of case examples--and has taught the procedure to therapists around the country.

'Completely original, raw and warm' Evening Standard Books of the Summer 'Poignant... written with intelligence and tears' Ben Okri 'Nuanced, absorbing and moving... extraordinary' Observer 'Raw, poetic, beautifully formed' Daisy Johnson When Xanthi Barker's father died when she was in her mid twenties, she could make no sense of her grief for a man who had been absent for most of her life. Her father, poet Sebastian Barker, had left Xanthi, her mother and her brother to pursue writing and a new relationship, when Xanthi was a baby. Growing up she had always struggled to reconcile his extravagant affection - a rocking horse crafted from scavenged wood, the endless stream of poems and drawings and letters, conversations that spiralled from the structure of starlight to philosophy to Bruce Springsteen - with the fact that he could not be depended upon for more everyday things. Though theirs was a relationship defined by departures, he always returned, so why should this farewell be any different, or more final? WILL THIS HOUSE LAST FOREVER? is a heartfelt and wholly original memoir about the pain of having to come to terms with a parent's mortality, the way grief so utterly defies logic, and about learning to see the flaws in those that we love, and let them go.

Nothing can steal peace and joy and undermine the very foundation of someone's life like losing a child. It is devastating on a level that most of us can't imagine. Written after the loss of the author's own child, "Surviving the Loss of a Child" offers encouragement and hope to those who may think they will never be able to live fully after such tragedy. Bereaved parents, as well as friends, counselors, pastors, and caregivers, will find this book a source of comfort and discover coping mechanisms as they move through their grief. Revised and updated, it has short chapters that are easy to take in, perfect for people going through this difficult time.

Nobody should have to die in pain. Nobody should have to die alone. This is Ira Byock?s dream, and he is dedicating his life to making it come true. Dying Well brings us to the homes and bedsides of families with whom Dr. Byock has worked, telling stories of love and reconciliation in the face of tragedy, pain, and conflict. It is a companion for families, showing them how to deal with doctors, talk to loved ones ? and make the end of life as meaningful and enriching as the beginning.

? Exceptional praise from M. Scott Peck, The Washington Post, San Francisco Chronicle, and many others
? Dr. Byock is a nationally recognized leader in hospice care
? The hospice community is comprised of over 5,000,000 professionals and volunteers
? The tremendous success of How We Die (215,000 hc) and Final Gifts (150,000 pb) proves the market?s viability
? Dying Well is the On Death and Dying for the ?90s

Deborah Hayward was widowed at just 43 years old and left with four children and very little income. Life had been turned upside down and desperate for guidance she turned to self-help books on bereavement. Horrified at what she found there she resolved to find a spiritual truth more in keeping with her beliefs and experiences as a Psychic and Medium. Having found the advice she had read cold and dismissive of the powerful evidence of life after death, she decided to write her own book on coping with life after bereavement, which would incorporate the beautiful loving relationships possible with loved ones that have passed to spirit. Using her own experience and drawing on mediumistic evidence of the survival of spirit after death she composed a book to bring strength and comfort to the bereaved and guidance to counsellors. This book is meant to bring hope and inspiration.

Following on from her Forward prize-winning collection, Small Hands, Mona Arshi's new book continues in its lyrical and exact exploration of the aftershocks of grief. These extraordinary poems, which see Arshi continuing with her experiments with form, relocate experiences in both past and future feeling, in both the intimacies of ordinariness and the collective experience of myth. Moving and discomfiting, these poems tune, in their acute emotional awareness of individual pain, to the dangers and unsettling violences of the contemporary world. Nevertheless, at the centre of this book is an overarching commitment to hope, in whatever form it takes, to the earth's tiny creatures, and its 'churning, broken song'.

After losing her husband, George-her one and only since high school prom-to cancer, fifty-year-old Debbie Weiss found herself opening a new chapter of life that she didn't know how to start. Initially, she binge-watched Netflix and drank Manhattans. Then she became a dating monster-starting with J-Date and then moving on to multiple other sites. Soon, Debbie was averaging two dates a day; in the blink of an eye, she'd gone from respectable widow to the girl you'd do in your Trans Am but wouldn't take to the prom. At one point, she was actually dating four guys at once, including a politician who refused to let Debbie meet his family because they'd met online. But as she juggled these many men, she began to feel that midlife dating was less an earnest romantic endeavor and more a battle of the sexes . . . and the line in the sand was how much women were willing to tolerate. Fed up, Debbie went offline. Only then, without the distraction of dating to keep her busy, did she finally, truly grieve her loss-and as she did, she also realized that she needed to forgive herself, both for George's death and for losing her identity in their marriage. Equal parts poignant and punchy, Available As Is is a darkly humorous account of seeking love-but finding yourself.

Our ageing population is a modern success story, and success brings problems. The new demographic is for people to die in old age, or extreme old age, but with multiple illnesses and diagnoses, and on a cocktail of medication. But where is the balance of medicine between curing and caring? Are we neglecting the wellbeing of the dying person in our desire to fight death at all costs? Margaret McCartney, author of The Patient Paradox, examines the way we care for people at the end of life. She finds that medicine can harm as well as help, that loneliness and social isolation are endemic, and a lack of hands-on, human care means that people are not able to die where they would choose. She argues for a more compassionate and humane approach to the care of the dying which puts the needs of the individual first.

In 2008 the art critic Tom Lubbock was diagnosed with a brain tumour. The tumour was located in the area controlling speech and language, and would eventually rob him of the ability to speak. He died early in 2011. Marion Coutts was his wife. In short bursts of beautiful, textured prose, Coutts describes the eighteen months leading up to her partner's death. This book is an account of a family unit, man, woman, young child, under assault, and how the three of them fought to keep it intact. Written with extraordinary narrative force and power, The Iceberg is almost shocking in its rawness. It charts the deterioration of Tom's speech even as it records the developing language of his child. Fury, selfishness, grief, indignity and impotence are all examined and brought to light. Yet out of this comes a rare story about belonging, an 'adventure of being and dying'. This book is a celebration of each other, friends, family, art, work, love and language.

"Shannon's struggle, defiance, strength, and power emanate from every page. That kind of brave can be trusted." - Glennon Doyle, #1 New York Times Bestselling Author of Untamed and Founder of Together Rising For all women looking to find "hope in a hopeless world and bravery in an age that seems to lack it," comes a searing memoir by Shannon Dingle, a writer and disability advocate who has navigated loss, trauma, abuse, spiritual reawakening, and deep pain-and come out the other side still hopeful. Shannon Dingle has experienced more than her fair share of tragedy and trauma in her life, including surviving sexual abuse and trafficking as a child that left her with lasting disabilities and experiencing faith shifts that put her at odds with the evangelical church that had been her home. Then, in July 2019, Shannon's husband was tragically killed by a rogue wave while the family was on vacation. The grief of the aftermath of losing her love and life partner sits at the heart of Living Brave, where Shannon's searing, raw prose, illustrates what it looks like to take brave steps on the other side of unimaginable loss. Through each challenge, she reveals the ways she learned to walk through them to the other side, and find courage even through the darkest moments. Living Brave gives women permission to wrestle with difficult topics, to use their voice, to take a stand for justice, to honor the wisdom of their bodies, and to enact change from a place of strong faith.

#1 NEW YORK TIMES BESTSELLER - The funny, sad, super-honest, all-true story of Chelsea Handler's year of self-discovery--featuring a nerdily brilliant psychiatrist, a shaman, four Chow Chows, some well-placed security cameras, various family members (living and departed), friends, assistants, and a lot of edibles

In a haze of vape smoke on a rare windy night in L.A. in the fall of 2016, Chelsea Handler daydreams about what life will be like with a woman in the White House. And then Donald Trump happens. In a torpor of despair, she decides that she's had enough of the privileged bubble she's lived in--a bubble within a bubble--and that it's time to make some changes, both in her personal life and in the world at large.

At home, she embarks on a year of self-sufficiency--learning how to work the remote, how to pick up dog shit, where to find the toaster. She meets her match in an earnest, brainy psychiatrist and enters into therapy, prepared to do the heavy lifting required to look within and make sense of a childhood marked by love and loss and to figure out why people are afraid of her. She becomes politically active--finding her voice as an advocate for change, having difficult conversations, and energizing her base. In the process, she develops a healthy fixation on Special Counsel Robert Mueller and, through unflinching self-reflection and psychological excavation, unearths some glittering truths that light up the road ahead.

Thrillingly honest, insightful, and deeply, darkly funny, Chelsea Handler's memoir keeps readers laughing, even as it inspires us to look within and ask ourselves what really matters in our own lives.

Patient participation and user involvement are central to current thinking about the effective delivery of desired healthcare outcomes. Working with the person who lies behind every patient is core to palliative care. A voice can only become significant when it is listened to and acted upon. With palliative care increasingly addressing the needs of people with a variety of conditions in a range of settings, as well as with advances in research, technology, and information, the challenge to be 'a voice for the voiceless' is greater than ever.

This book addresses key aspects in the provision of patient-centred palliative care and tracks significant developments in user involvement. It sets the philosophy within the cultural, social and political context of modern healthcare, particularly addressing issues of quality, standards, education and bereavement. A key component in the delivery of high quality palliative care is the multi-professional team. Following a discussion of teamwork, five core professions present a critical analysis of their working practices. The book concludes with a commentary from a palliative care user and a bereaved carer.

It is often somewhat glibly asserted that the patient is, or should be, at the centre of care. There have been few attempts to examine how to keep him or her there without professional needs and protocols crowding him or her out. This book asks how we listen and why we listen. The book focuses on the challenges of how professionals can keep the needs of the patient central in clinical care and how the patient can influence the direction of that care.

Tackling one of life's greatest mysteries, Rabbi Ben Kamin examines the diverse ways we mourn the death of a loved one. Drawn from his forty-plus years' of counselling the bereaved, Kamin uses parables and stories to provide thoughtful insights on how to encounter and endure grief. He further stresses the importance of not deferring the process of grieving at the risk of harming our physical, emotional and spiritual health.

Made in response to the death of the artist's sister shortly before the birth of his first child, Jason Reimer's work ponders the meaning of life, death, suffering, and human nature. It does so in the form of a fragmented, apocalyptic narrative embodied within a book that utilizes multiple textures, substrates, and complex image sequencing.

Joe Sealey was watching his son play for Manchester United's Under-14s when a man came up to him and said: "I've got your dad's book." Joe's father, Les, had been Manchester United's goalkeeper but had died of a heart attack in 2001 at the age of 43. His death tormented Joe, who had been West Ham's reserve keeper. Joe had given up on football, slipping into an alcohol and drug addiction that almost killed him. He had forgotten what his father's voice sounded like. Now, here it was in form of a Tupperware box full of cassette tapes. The centrepiece of the tapes is the most important game in the modern history of Manchester United, the 1990 FA Cup final. After three barren years at Old Trafford, Alex Ferguson was on the brink of dismissal. There was just the FA Cup final left. He knew that, if it was lost, he would almost certainly be sacked. After the first game against Crystal Palace was drawn 3-3, he dropped his goalkeeper, Jim Leighton, who had been with Ferguson for most of his managerial career, and replaced him with Sealey, who had played just two matches in a year. The replay was won and by the time Sealey left Old Trafford in 1994, Manchester United had become the dominant force in English football. On Days Like These is an intimate portrait of a club dragged from the brink. It is also the story of Joe Sealey's journey to the edge and back. Many years later Joe met Ferguson. 'Your father saved my career,' Ferguson said. 'And you saved his,' was the reply. On Days Like These is a story of two rescues.

This is a modern tale, a journey of the heart, a road back, revisiting many cities and enduring Eastern and Western sentiments to light and lighten our understanding of life's fleeting appearance. It is a way of honouring the life of a loved one, to tell a personal story that reflects the shared, universal truth of the silence of loss from Kakimoto to Goethe and beyond. This is a beautifully told, deeply moving and poignant letter of loss, yet also the celebration of the life of a loved one through allegory, music, poetry and personal records. Told in letter-form, Four Days in January records the story of two lovers and their lives through marriage and parenthood following his diplomatic career spent in different parts of the world, and the role and dedication of the diplomat's wife. Here is a very open volume that offers an array of inspirational thoughts for anyone facing loss and bereavement.