Johannesburg dreig om ’n spookdorp te word. Die stad se myne is deurspek met piriet, en op politieke gebied word die fondamente gele vir die Anglo-Boereoorlog. Dit is teen hierdie agtergrond dat die liefdesverhaal van Deborah Mannheim en Kit Malloy afspeel. Maar Deborah sal uiteindelik moet kies: Kies sy haar liefde vir Kit, of eerder die verpligtinge teenoor haar man, Karl, en die skatryk Mannheim-familie, wie se myne skielik haar verantwoordelikheid geword het?

Wat hét met Anna gebeur die oomblik ná sy die sneller getrek het? Ná sy haar stiefpa wat haar soveel jare lank fisies en emosioneel verrinneweer het, vroeg een oggend in Bloemfontein in die oë gekyk, en toe geskiet het?

Agt jaar ná die verskyning van Dis ek, Anna neem Anchien Troskie aldus Elbie Lötter weer haar pen op, en skryf die opvolg. Hoe vra ’n mens vergifnis, en wanneer mag jy wraak neem? Dit is die vrae waarmee Anna – en ook die skrywer – worstel . . .

’n Skreiend eerlike roman oor Anna Bruwer se lewe ná die moord op haar stiefpa – ’n boek gevul met deernis, en eindelik ook hoop.

Kalli Krynauw, die forensiese psigofisioloog wat lesers in Donker leuens leer ken het, is terug. Die teisterende drome ook, maar hierdie keer droom sy van bloed. Want daar is bloed, te veel daarvan. En lyke. En liefde.Sy bevind haar in die skilderagtige boslandskap rondom Pelgrimsrus in ’n luukse vakansieoord, aanvanklik net as geselskap vir haar modelsuster, Madelein, wat die nuwe gesig van ’n bekende skoonheidsreeks is. Maar die oggend ná ’n spoggerige funksie by die oord het Madelein soos ’n groot speld verdwyn en Kalli word verdink dat sy iets daarmee te doen gehad het. Is daar weer dwelms betrokke? En is dit steeds die kartelbaas Bololo se werk? Werk die polisie en die hof saam met die misdadigers of die slagoffers? Dit is wat Kalli met haar leuenverklikker in hierdie vasbytervaring moet vasstel. Maar soms is ’n leuenverklikker nie genoeg nie.En hoe is Brink, die man wat steeds Kalli se hart in sy hande hou, by hierdie saak betrokke hy met die staalblou oë, die kierie en die deursettingsvermoë wat vir niks stuit nie?

When her husband Amir abruptly leaves home, film editor Lucinda is left angry and puzzled. Where has Amir gone, and why? In the months before he left, Amir seemed troubled and preoccupied and their marriage had become strained and tense. Now Lucinda worries that his departure could be her fault. Soon afterwards, Lucinda is brutally assaulted in a knife attack, which throws her even more off balance. Searching for composure, she finds a distraction in assisting an older friend, Austrian film-maker Thomas, with a documentary he is making about an old mission station which is allegedly haunted. But the experience becomes an unnerving one for Lucinda who finds Thomas's growing obsession with the story behind his film worrying. As tensions build, so does the underlying mood of constant menace, until Lucinda is confronted with a disturbing revelation. The Cutting Room is a thoughtful and provocative novel of loss and loneliness, longing and guilt, and the different ways in which people can be haunted.

On a winter's morning in 1949, in an empty field north of the city of Johannesburg, the lifeless body of a beautiful young girl was found by a passer by. She was identified as Bubbles Schroeder, 18, and she appeared to have been strangled. This is her story. Born in the poorer part of the small town of Lichtenburg, Bubbles grows up with a bitter mother who takes in laundry to make ends meet and a dull-witted aunt. She has never known her father. Bubbles dreams of a better life for herself and she constructs an alluring fantasy world, a world of furs and jewels and Chanel No 5, where handsome men whirl her around a dance floor and send her roses. At 16 she moves to Vereeniging to work in a coal agency and is befriended by the sophisticated Winifred Walker. Winnie teaches Bubbles some social graces, giving her a veneer of sophistication, and, most importantly, she introduces her to erotic love. Bubbles soon moves on to Johannesburg where she is taken under the wing of a tawdry, middle-aged bookie, Barry, who continues her education, though not in the direction Winnie would have imagined. Barry teaches her tricks to beguile a man. He also introduces her to a social set of wealthy young men who find her captivating and. introduce her to their friends. Bubbles sees her fantasy world within her reach. She is convinced that the perfect beau is about to swoop in and 'carry her away' to a grand home and a life of fun and luxury. 'Don't go thinking you're one of them', Barry warns her, but it is too late. Out of her depth and completely misreading how high society works, Bubbles finds herself in a situation she can't control. The world to which she aspires turns menacing and, ultimately, fatal. Rahla Xenopoulos's novel is a fictional account of what might have been the life and death of Bubbles Schroeder whose murder has never been solved. Taking her cues from what little is known of the real Bubbles, she has imagined a charming ing nue and given her a voice that is at once delightful and tragic.

On a blowtorch-hot night in Cape Town, American ex-model Roxy Palmer and her gunrunner husband, Joe, are carjacked, leaving Joe in a pool of blood. As the carjackers make their getaway, Roxy makes a fateful choice that changes her life forever. Soon she is caught in a wave of escalating violence in the beautiful and brutal African seaport. With savage plotting and breakneck suspense that end in a shattering climax, "Wake Up Dead" confirms Roger Smith as one of the world's best new thriller writers.

Universiteit van Johannesburg Debuutprys vir Skeppende Skryfkuns (2010) M-Net Letterkundetoekenning in die rolprentkategorie (2010) Inspekteur Albertus Beeslaar het genoeg gehad van die brutaliteit van misdaad in Johannesburg. Hy kom soek rus en vrede op ’n klein dorpie aan die rand van die Kalahari, waar hy ’n nuwe veediefstal-eenheid op die been moet bring. Dan word ’n grusame dubbele moord op ’n plaas gepleeg. Gou kry Beeslaar egter met veel meer as ’n “gewone plaasmoord” te doen. Hy word gekonfronteer met ’n koelbloedige veediefstalsindikaat, Afrika-towerkuns, ’n ou grondeis in ‘n plofbare politieke klimaat wat deur ’n regse wit vigilantegroep uitgebuit word. En dit is maar net die begin. ’n Naelkou-misdaadroman met ’n nuwe, eg Suid-Afrikaanse speurheld. Plaasmoord is in Nederlands vertaal as Moord op Huilwater.

Vyf jaar ná die aanval op Kris, wat byna haar lewe gekos en haar met ’n letsel op die gesig gelaat het, is sy weer op koers. Wel, as mens nou die nagmerries wat haar soms ry, uitskakel. Haar aanvallers is agter tralies, haar verbreekte verlowing is iets van die verlede. Wanneer sy die kans kry in haar fisioterapiepraktyk, breek sy ook weg om kursusse aan te bied in bewustelikheid – oftewel mindfulness: Sy help mense ontdek hulle kan maar net wees, hulle hoef nie heeltyd te doen nie. Dit is wat haar met heelwording gehelp het.

Dit is tydens so ’n kursus dat haar en Luca se paaie kruis, ’n ultra-atleet in wie se wêreld daar nie plek is vir enigiets anders nie, laat staan ’n vrou, veral nie een met “issues” nie. Daarvan het hy genoeg gehad. Maar dit is nogal ’n moeilike situasie as jy in dieselfde huis saam met een woon. Haar nagmerries help ook nie juis nie. En hy moet fokus vir sy volgende wedren in Amerika om sy borge tevrede te hou. Hy moet wen, anders het hy verloor, dis sy leuse.

Iemand loer vanuit die skadus.

Verslaggewer Anje Bruwer verruil die gevaarlike strate van Johannesburg vir ’n rustiger lewe in Colesberg om ’n misdaadroman te skryf.

Maar die platteland is allermins rustig: Daar is ’n menseslagter los wie se gruweldade Anje se kop laat duisel. Sy loop haar in sy web vas wanneer sy vir die plaaslike koerant oor sy moorde begin verslag lewer.

Kaptein Siegfried Scholtz – ’n man wie se skuldgevoelens hom ry – kan nie anders nie as om Anje by die ondersoek te betrek.

Gaan hulle daarin slaag om te keer dat die moordenaar nog ’n lewe wreed in ’n bloederige swartsak verpak?

Die afloerder is ’n sielkundige riller so koud en donker as kan kom.

Murder is on the menu.

Detective Storm van der Merwe and Andreas Moerdyk are back in this brand-new thriller by Irna van Zyl, author of Dead in the Water.

Storm now works in Hermanus and during a lunch with her friend at Zebardines, a much-hated food blogger keels over and dies. It turns out that there were deadly mushrooms, death cups, in her food.

Finding out who killed the blogger is Storm’s first priority, but not the only matter requiring her attention: her old colleague, Andreas Moerdyk, quit his job unexpectedly and expects Storm to put him up while he makes a new start in Hermanus.

Amid frantic preparations for Fooddotcom’s prize-giving ceremony that will honour the country’s best chefs, the murderer strikes again, and again.

Storm’s time is running out.

Set in South Africa at the zenith of the mid-1980’s Durban alternative club scene, Uptown Saturday Night, Downtown Sunday Morning re-captures in sensuous detail the technicoloured vibrancy of the city’s counter-culture and its struggle within the oppressive regime of the day.

Charting an erratic course through Durban’s underbelly, the novel’s obtuse sharp-focus lens pulls you into the unhinged psyche of James DuPont and the Durban he inhabits. Acidly honest, it is in turn shocking¸ poignant and seductive.

An astonishingly unique testament to a lost generation and their city.

Hierdie verhaal van Leon van Nierop is ’n fenomeen wat oorspronklik die lig gesien het as radiovervolgverhaal (1979), toe ’n roman geword het (1983), daarna ’n televisiereeks (1985) – en nou word dit in Oktober vanjaar uitgereik as rolprent, die eerste “Boere-noir”.

Leon het self die draaiboek geskryf, en dít het hom geïnspireer om weer hierdie roman te skep! Dit is dus ’n totaal nuwe roman wat tot stand gekom het, met dieselfde geliefde karakters as destyds, maar geplaas in die hier-en-nou van hedendaagse Suid-Afrika.

Die mooi jong Sonja Daneel beland in Hazyview in ’n motorongeluk. Sy herwin haar bewussyn, maar ly egter aan geheueverlies. Sy herstel by die skouspelagtige Hotel Njala, en raak betrokke by die intriges en lotgevalle van ’n formidabele familie wie se lewens onlosmaakbaar verbind is aan dié onheilspellende hotel.

Voeg hierby geraamtes uit Sonja se eie verlede wat spoedig hul opwagting begin maak en die tafel is gedek vir ’n heerlike, spannende storie wat lesers nie sal kan neersit nie.

Almost fired for insubordination, detectives Benny Griessel and Vaughn Cupido find themselves demoted, exiled from the elite Hawks unit and dispatched to the leafy streets of Stellenbosch. Working a missing persons report on student Callie de Bruin is not the level of work they are used to, but it's all they get. And soon, it takes a dangerous, deeply disturbing turn.

Stellenbosch is beautiful, but its economy has been ruined by one man. Jasper Boonstra and his gigantic corporate fraud have crashed the local property market, just when estate agent Sandra Steenberg desperately needs a big sale. Bringing up twins and supporting her academic husband, she is facing disaster. Then she gets a call. From Jasper Boonstra, fraudster, sexual predator and owner of a superb property worth millions, even now.

For Sandra, the stakes are high and about to get way higher. For Benny Griessel, clinging to sobriety and the relationship that saved his life, the truth about Callie can only lead to more trouble.

Money. Money. Money. Tons of it. In US dollars. And it’s all being funnelled into a government tender snagged by family-owned Amalfi Civils. Which would be great for business if CEO Angela wasn’t fighting with her CFO brother Rej.

Where Angela sees corruption, Rej sees cabinet ministers, politicians, officials eager to lend a hand. For a fee. It’s a big pot so he’s happy to oblige. And if needs be he’ll take out his sister to keep the lucre.

There are other players in this game. The CIA for one. The State Security Agency for another. And a black op using lawyer and spy Vicki Kahn as a honeytrap to ensnare Rej’s middleman – the very same middleman that her lover, PI Fish Pescado, is investigating.

With these stakes, it’s only time before the killing starts.

It hasn’t been a great week for struggling actor Arnold Prinsloo. His career has hit rock bottom, he’s about to be evicted from his cottage in Melville, and worst of all, Zelda, the love of his life, has finally run out of patience and left him.

But when Arnold is accused of murdering insurance billionaire JP Mulder, his problems are only just starting.

Now, Arnold must tackle the greatest and most dangerous acting role of his life: pretending to be a hard-boiled East Rand detective in a race against time to clear his name, win back Zelda, and finally take off these way-too-tight polyester pants.

The curtain is rising …

Maks Ntaka has a target on his back.

After years of loyal work for Arms-Tech Industries, Maks has found proof of serious corruption in his department. Tender fraud, illegal kickbacks, inflated contracts, the same old story. Maks wants to do something about it, turn whistleblower. What else can a good man do?

But who can he tell if he can’t trust anyone? The people in charge seem complicit, while the rest turn a blind eye. Soon suspicions cloud the office, and all the knives are out for whoever turns on them first. As Maks pre-pares his disclosures, he discovers that his longtime mentor has implicated him in the illegalities. Not only is he being set up by his company, but some foreign nationals with deep pockets are also on his trail looking for their cut. For Maks, the walls are closing in, and danger waits at every turn.

Meanwhile, his own private indiscretions are coming to light, and soon his life starts collapsing around him.

In this compelling and harrowing account of a whistleblower, Onke Mazibuko creates a nail-biting, paranoid thriller about a good man pushed to the limit. Drawing from all too real instances of corruption and collapse, this book shows what such a system does to those who still listen to their conscience.

What is a good man to do when your own company made the bullet with your name on it?

When Louw Roodt vanishes after a work function, Kristien Liebenberg’s worst fear comes true: her lover isn’t coming home. Has Louw been in an accident? Is she having an affair? Has she been hijacked, assaulted, or worse, left for dead in the bushes and sand dunes of the Cape Flats? Or has it got something to do with their argument that morning?

Then news breaks of a murdered man found in a Cape hotel – the same hotel Louw was last seen in, on the same night. And it’s the very man who was the speaker at her work function. Was Louw involved in the murder? Is she on the run? That’s what the police say. Or is there a connection to her mother’s hijacking 21 years ago, an event which left Louw psychologically scarred?

Amid all these questions and a rising sense of dread, Kristien knows Louw is in trouble, and she needs her help.