Galician audio/visual culture has experienced an unprecedented period of growth following the process of political and cultural devolution in post-Franco Spain. This creative explosion has occurred in a productive dialogue with global currents and with considerable projection beyond the geopolitical boundaries of the nation and the state, but these seismic changes are only beginning to be the subject of attention of cultural and media studies. This book examines contemporary audio/visual production in Galicia as privileged channels through which modern Galician cultural identities have been imagined, constructed and consumed, both at home and abroad. The cultural redefinition of Galicia in the global age is explored through different media texts (popular music, cinema, video) which cross established boundaries and deterritorialise new border zones where tradition and modernity dissolve, generating creative tensions between the urban and the rural, the local and the global, the real and the imagined. The book aims for the deperipheralization and deterritorialization of the Galician cultural map by overcoming long-established hegemonic exclusions, whether based on language, discipline, genre, gender, origins, or territorial demarcation, while aiming to disjoint the center/periphery dichotomy that has relegated Galician culture to the margins. In essence, it is an attempt to resituate Galicia and Galician studies out of the periphery and open them to the world.

The Ghost in the Constitution offers a reflection on the political use of the concept of historical memory foregrounding the case of Spain. The book analyses the philosophical implications of the transference of the notion of memory from the individual consciousness to the collective subject and considers the conflation of epistemology with ethics. A subtheme is the origins and transmission of political violence, and its endurance in the form of symbolic violence and "negationism" in the post-Franco era. Some chapters treat of specific "traumatic" phenomena such as the bombing of Guernica and the Holocaust.

Microhistory unlocked new avenues of historical investigation and methodologies and helped uncover the past of individuals, an event, or a small community. Reclamation of "lost histories" of individuals and colonized communities of colonial South Africa falls within this category. This study provides historical narratives of indigenous Khoikhoi of modest status absorbed into Cape colonial society as farm servants during the eighteenth and nineteenth centuries. Based on archival and other sources, the author illuminates the "everyday life" and "lived experience" of Khoikhoi characters in a unique way. The opening chapter recounts the love-loathe drama between a Khoikhoi woman, Griet, and Hendrik Eksteen, whose murder she later orchestrated with the aid of slaves and Khoikhoi servants. The malcontent Andries De Necker, arrested for the murder of his Khoikhoi servant, attracted much legal attention and resulted in a protracted trial. The book next features the Khoikhoi millenarian prophet-turned-Christian convert Jan Paerl, who persuaded believers to reassert the land of their birth and liberate themselves from Dutch colonial rule by October 25, 1788. The last two chapters examine the lives of four Khoikhoi converts immersed into the Moravian missionary world and how they were exhibited by missionaries and sketched by the colonial artist, George F. Angas.

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE 2020 At the dawn of the twentieth century, black women in the US were carving out new ways of living. The first generations born after emancipation, their struggle was to live as if they really were free. These women refused to labour like slaves. Wrestling with the question of freedom, they invented forms of love and solidarity outside convention and law. These were the pioneers of free love, common-law and transient marriages, queer identities, and single motherhood - all deemed scandalous, even pathological, at the dawn of the twentieth century, though they set the pattern for the world to come. In Wayward Lives, Beautiful Experiments, Saidiya Hartman deploys both radical scholarship and profound literary intelligence to examine the transformation of intimate life that they instigated. With visionary intensity, she conjures their worlds, their dilemmas, their defiant brilliance.

For many, December 26 is more than the day after Christmas. Boxing Day is one of the world's most celebrated cultural holidays. As a legacy of British colonialism, Boxing Day is observed throughout Africa and parts of the African diaspora, but, unlike Trinidadian Carnival and Mardi Gras, fewer know of Bermuda's Gombey Dancers, Bahamian Junkanoo, Dangriga's Jankunu and Charikanari, St. Croix's Christmas Carnival Festival, and St. Kitts's Sugar Mas. One Grand Noise: Boxing Day in the Anglicized Caribbean World delivers a highly detailed, thought-provoking examination of the use of spectacular vernacular to metaphorically dramatize such tropes as ""one grand noise,"" ""foreday morning,"" and from ""back-o-town."" In cultural solidarity and an obvious critique of Western values and norms, revelers engage in celebratory sounds, often donning masks, cross-dressing, and dancing with abandon along thoroughfares usually deemed anathema to them. Folklorist Jerrilyn McGregory demonstrates how the cultural producers in various island locations ritualize Boxing Day as a part of their struggles over identity, class, and gender relations in accordance with time and space. Based on ethnographic study undertaken by McGregory, One Grand Noise explores Boxing Day as part of a creolization process from slavery into the twenty-first century. McGregory traces the holiday from its Egyptian origins to today and includes chapters on the Gombey Dancers of Bermuda, the evolution of Junkanoo/Jankunu in the Bahamas and Belize, and J'ouvert traditions in St. Croix and St. Kitts. Through her exploration of the holiday, McGregory negotiates the ways in which Boxing Day has expanded from small communal traditions into a common history of colonialism that keeps alive a collective spirit of resistance.