In Moroccan Female Religious Agents: Old Practices and New Perspectives, Ouguir studies Moroccan female religious agents in particular historical women saints and Sufis, the way they constructed powerful saintly personalities that challenged the dominant conventional norms, and the way they are received by venerators and feminist Islamist activists of modern Morocco. Through hagiographic and oral narratives, Ouguir examines the techniques religious women followed to achieve ethical self-formation and strong religious personalities that promoted them to leadership. She also examined the venerators', murshid t and Islamist feminists' reception of women saints in their discourses. Ouguir states convincingly that Moroccan religious women agents in both Morocco's past and present are to be highlighted for broader discourses on Muslim women and feminism.

Essay on Islamization is a study of the Islamization of all Muslim societies and their conversion to orthodox Islam which, with its chapels, soldier monks and holy war, leads to fundamentalism as well as to a moral puritanism. Cherkaoui gauges the importance of this global phenomenon by analyzing the empirical data of some sixty Muslim and non-Muslim societies. He also conducts two ethnographic surveys to identify the metamorphoses of Muslim religious practices and their causes.

Nonfiction. In this pioneering work Olu Oguibe charts the life and career of Uzo Egonu, from his origins in Africa to his expatiation in Britain. Egonu, a remarkable, compassionate and very private artist, has been described as "perhaps Africa's greatest modern painter," one whose work challenges the impoverished Western myth of the naive African artist. The complexity of Egonu's work is firmly located within the tradition of modernism. What we see is a judicious synthesis of visual languages developed from his critical encounter with Western art and an informed awareness of his African heritage; a synthesis which reaches beyond mere formalist concerns to involve both the experience of his life in the West and the painful turmoils of his country of origin, post-colonial Nigeria. This monograph is a timely intervention in the prevailing debates on the role, position and aesthetic concerns of the African artist in the contemporary world, and offers a unique contribution to the scarce literature on artists of African, Asian or Latin American origin living in the West.