This all began quite unexpectedly one rainy autumn evening a couple of years in a fairground near to the centre of Nottingham...`In amongst the bright lights and bumper cars,Nick Davies noticed two boys,no more than twelve years old,oddly detached from the fun of the scene.Davies discovered they were part of a network of chidren sellingthemselves on the streets of the city,running a nightly gaunlet of dangers-pimps,punters,the Vice Squad,disease,drugs. This propelled Davies into a journey of discovery through the slums and ghettoes of our cities. He found himself in crack houses and brothels,he be- friended street gangs and drug dealers Nick Davies`s journey into the hidden realm is powerful,disturbing and impressive,and is bound torouse controversy and demands for change. Davies unravels threads of Britain`s social fabric as he travels deeper and deeper into the country of poverty ,towards the dark heart of British society.

For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.

This boxset consists of a collection of newspaper articles and earlier essays, presented in four volumes. Each volume is introduced by Professor Rasheed El-Enany (University of Exeter). Volume I compiles Mahfouz's early non-fiction writings mostly authored during the 1930s, offering a rare glimpse into the early development of the renowned author. Volume II is a collection of essays Mahfouz published from 1971 to 1981 in the Al-Ahram newspaper where he had taken up an appointment as a member of the editorial staff after retiring from his job as a civil servant. Volume III consists of newspaper articles published between 1982 and 1988, coinciding with the early years of Hosni Mubarak's presidency, described by Mahfouz as an 'unhurried democracy'. Volume IV brings together Mahfouz's articles written from 1989 and the knife attack in October 1994 that almost ended his life.

A BBC Radio 4 Book of the Week. Flooding has always threatened the rainy, wind-swept islands of the United Kingdom, but it is becoming more frequent and more severe. Combining travel writing and reportage with readings of history, literature and myth, Edward Platt explores the way floods have shaped the physical landscape of Britain and left their mark on its inhabitants. During the course of two years, which coincided with the record-breaking floods of the winter of 2013-14, Platt travelled around the country, visiting places that had flooded and meeting the people affected. He visited flooded villages and towns and expanses of marsh and Fen threatened by the winter storms, and travelled along the edge of the drowned plain that used to connect Britain to continental Europe. He met people struggling to stop their houses falling into the sea and others whose homes had been engulfed. He investigated disasters natural and man-made, and heard about the conflicting attitudes towards those charged with preventing them. The Great Flood dramatizes the experience of being flooded and considers what will happen as the planet warms and the waters rise, illuminating the reality behind the statistics and headlines that we all too often ignore.

One of the most important voices in contemporary American journalism - Independent Matt Taibbi is one of the few journalists in America who speaks truth to power - Bernie Sanders Matt Taibbi is the best polemic journalist in America - Felix Salmon NEW YORK TIMES BESTSELLER "The thing is, when you actually think about it, it's not funny. Given what's at stake, it's more like the opposite, like the first sign of the collapse of the United States as a global superpower. Twenty years from now, when we're all living like prehistory hominids and hunting rats with sticks, we'll probably look back at this moment as the beginning of the end." In this groundbreaking battery of dispatches from the heartland of America, Matt Taibbi tells the full story of the Trump phenomenon, from its tragi-comic beginnings to the apocalyptic election. Full of sharp, on-the-ground reporting and gallows humour, his incisive analysis goes beyond the bizarre and disturbing election to tell a wider story of the apparent collapse of American democracy. Taibbi saw the essential themes right from the start: the power of spectacle over truth; the end of a shared reality on the left and right; the nihilistic rebellion of the white working class; the death of the political establishment; and the emergence of a new, explicit form of white nationalism. From the thwarted Bernie Sanders insurgency to the aimless Hillary Clinton campaign, across the flailing media coverage and the trampled legacy of Obama, this is the story of ordinary voters forced to bear witness to the whole charade. At the centre of it all, "a bumbling train wreck of a candidate who belched and preened his way past a historically weak field" who, improbably, has taken control of the world's most powerful nation. This is essential and hilarious reading that explores how the new America understands itself, and about the future of the world just beyond the horizon.

Here, Jayne L. Warner has created a unique biographical tapestry that illuminates not only the life of one of Turkey's leading literary and cultural authorities, but also the emergence of a republic in his native country, and sheds new light on the history of one of the world's great cities. Sumptuously illustrated throughout with evocative period pictures of Istanbul, Turkish Nomad tells the extraordinary life story of this poet, thinker, and diplomat. As a young boy, Halman surveyed the last vestiges of the Ottoman Empire, walked through the ruins of Byzantium, and grew up in the modern nation created by the charismatic Mustafa Kemal Ataturk. Talat S. Halman would go on to serve the republic as its first minister of culture. The more than four decades Halman lived primarily in the United States are not overlooked but are used to discuss how his ideas developed as he taught at leading unversities-Princeton, Columbia, New York University-and introduced Americans to Turkish literature and culture through his translations and public lectures. We In the Turkish Nomad we follow the literary, scholastic, and journalistic journey of a restless writer, who might best be described by the title of one of his books, The Turkish Muse, his 2006 collection of literary reviews tracing the development of Turkish literature during the Turkish Republic.

The interwar period is often described as the 'Golden Age' of detective fiction, but many other kinds of crime writing, both factual and fictional, were also widely read during these years. Crime Writing in Interwar Britain: Fact and Fiction in the Golden Age considers some of this neglected material in order to provide a richer and more complex view of how crime and criminality were understood between the wars. A number of the authors discussed, including Dorothy L. Sayers, Marie Belloc Lowndes and F. Tennyson Jesse, wrote about crime in essays, book reviews, newspaper articles and works of popular criminology, as well as in novels and short stories. Placing debates about detective fiction in the context of this largely forgotten but rich and diverse culture of writing about crime will give a unique new picture of how criminality and the legal process were considered at this time.

Malcolm Bowie (1943-2007) was described by A.S. Byatt as 'one of our best living critics. He writes beautifully, subtly and lucidly about very difficult subjects.' Bowie was Marshal Foch Professor of French at Oxford (1992-2002) and Master of Christ's College, Cambridge (2002-2006). He received numerous honours, was invited to speak all over the world, and in 2001 won the international Truman Capote Prize for Literary Criticism for his Proust Among the Stars. The essays and reviews in these volumes have never before been brought together. Ranging across literature, art, music, and psychoanalysis, they offer fresh insights into topics tackled in Bowie's books, and discuss quite new ones. Volume I, Dreams of Knowledge, presents essays on memory, Proust, modern poetry (Mallarme, Valery, Eluard), and psychoanalysis. Bowie explores the uncertainties of knowledge, the relationship between fantasy and experience, and the ways great writers, artists and thinkers represent these.

Malcolm Bowie (1943-2007) was described by A.S. Byatt as 'one of our best living critics. He writes beautifully, subtly and lucidly about very difficult subjects.' Bowie was Marshal Foch Professor of French at Oxford (1992-2002) and Master of Christ's College, Cambridge (2002-2006). He received numerous honours, was invited to speak all over the world, and in 2001 won the international Truman Capote Prize for Literary Criticism for his Proust Among the Stars. The essays and reviews in these volumes have never before been brought together. Ranging across literature, art, music, and psychoanalysis, they offer fresh insights into topics tackled in Bowie's books, and discuss quite new ones. Volume II, Song Man, presents shorter pieces, including Bowie's essays on song and music criticism. They explore important cultural issues such as anti-Semitism, images of gender, and ideas of the nation.

These sometimes harrowing, frequently funny, and always riveting stories about food and eating under extreme conditions feature the diverse voices of journalists who have reported from dangerous conflict zones around the world during the past twenty years. A profile of the former chef to Kim Jong Il of North Korea describes Kim's exacting standards for gourmet fare, which he gorges himself on while his country starves. A journalist becomes part of the inner circle of an IRA cell thanks to his drinking buddies. And a young, inexperienced female journalist shares mud crab in a foxhole with an equally young Hamid Karzai. Along with tales of deprivation and repression are stories of generosity and pleasure, sometimes overlapping. This memorable collection, introduced and edited by Matt McAllester, is seasoned by tragedy and violence, spiced with humor and good will, and fortified, in McAllester's words, with "a little more humanity than we can usually slip into our newspapers and magazine stories."

In 1971, the outlandish originator of gonzo journalism, Hunter S. Thompson (1937-2005) commandeered the international literary limelight with his best-selling, comic masterpiece Fear and Loathing in Las Vegas. Following his 1966 debut Hell's Angels, Thompson displayed an uncanny flair for inserting himself into the epicenter of major sociopolitical events of our generation. His audacious, satirical, ranting screeds on American culture have been widely read and admired. Whether in books, essays, or collections of his correspondence, his raging and incisive voice and writing style are unmistakable. Conversations with Hunter S. Thompson is the first compilation of selected personal interviews that traces the trajectory of his prolific and much-publicized career. These engaging exchanges reveal Thompson's determination, self-indulgence, energy, outrageous wit, ire, and passions as he discusses his life and work. Beef Torrey is the editor of Conversations with Thomas McGuane and co-editor of the forthcoming Jim Harrison: A Comprehensive Bibliography. Kevin Simonson has been published in SPIN, Rolling Stone, Village Voice, and Hustler.

Allen Ginsberg (1926-1997) kept a journal his entire life, beginning at the age of eleven. In these first journals the most important and formative years of the poet's storied life are captured, his inner thoughts detailed in what the "San Francisco Chronicle" calls a "vivid first-person account...Ginsberg's unmistakable voice coming into its own for the first time." Ginsberg's journals-so candid he insisted they be published only after his death-document his complex, fascinating relationships with such figures of Beat lore as Jack Kerouac and William S. Burroughs, and reveal a growing self-awareness about himself, his sexuality, and his identity as a poet. Illustrated with never-before-seen photos and bolstered by an appendix of his earliest poems, "The Book of Martyrdom and Artifice" is a major literary event.

Originally subtitled "An Adventurous Education, 1935-1946," Vanity of Duluoz is a key volume in Jack Kerouac's lifework, the series of autobiographical novels he referred to as The Legend of Duluoz. With the same tender humor and intoxicating wordplay he brought to his masterpieces On the Road and The Dharma Bums, Kerouac takes his alter ego from the football fields of small-town New England to the playing fields and classrooms of Horace Mann and Columbia, out to sea on a merchant freighter plying the sub-infested waters of the North Atlantic during World War II, and back to New York, where his friends are the writers who would one day become known as the Beat generation and where he published his first novel.

Written in 1967 from the vantage point ot the psychedelic sixties, Vanity of Duluoz gives a fascinating portrait of the young Kerouac, dedicated and disciplined in his determination from an early age to be an important American writer.

Alfred Kazin has aptly remarked that "the greatest story Jack London ever wrote was the story he lived." Newsboy, factory "work beast," gang member, hobo, sailor, Klondike argonaut, socialist crusader, war correspondent, utopian farmer, and world-famous adventurer: London is the closest thing America has had to a literary folk hero. His writing itself is concerned with nothing less than the largest questions and the grandest themes: What does it mean to be a human being in the natural world? What debts do human beings owe each other - and to all their fellow creatures? This collection places London, at last, securely within the American literary pantheon. It includes the complete novel The Call of the Wild; such famous stories as "Love of Life," "To Build a Fire," and "All Gold Canyon"; journalism, political writings, literary criticism, and selected letters.

A thoughtful collection of soul-soothing writing, O's Little Book of Calm & Comfort is the antidote to life's trying times. Featuring essays and interviews from some of the most celebrated contributors to O, The Oprah Magazine, this heartening collection offers solace, wisdom, and connection. Among the highlights: Nora Ephron on the state of rapture that comes from curling up with a good book; Maeve Binchy on the blessings of friends; and a stirring conversation between Oprah and the American Buddhist nun Pema Chodron that reveals how the pain we experience can create the possibility of a more joyful life. Together, these pieces from great writers and celebrated thinkers serve as a reminder that however tumultuous life may become, the world has beauty, kindness, and love enough to see us through.

Central Asia has long stood at the crossroads of history. It was the staging ground for the armies of the Mongol Empire, for the nineteenth-century struggle between the Russian and British empires, and for the NATO campaign in Afghanistan. Today, multinationals and nations compete for the oil and gas reserves of the Caspian Sea and for control of the pipelines. Yet "Stanland" is still, to many, a terra incognita, a geographical blank. Beginning in the mid-1990s, academic and journalist David Mould's career took him to the region on Fulbright Fellowships and contracts as a media trainer and consultant for UNESCO and USAID, among others. In Postcards from Stanland, he takes readers along with him on his encounters with the people, landscapes, and customs of the diverse countries-Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan-he came to love. He talks with teachers, students, politicians, environmental activists, bloggers, cab drivers, merchants, Peace Corps volunteers, and more. Until now, few books for a nonspecialist readership have been written on the region, and while Mould brings his own considerable expertise to bear on his account-for example, he is one of the few scholars to have conducted research on post-Soviet media in the region-the book is above all a tapestry of place and a valuable contribution to our understanding of the post-Soviet world.

Anhand der Arbeit namhafter Vertreterinnen und Vertreter des Fotojournalismus erlautert der Band die Entstehung und die Entwicklung des Genres seit Mitte des 19. Jahrhunderts, unter Einbeziehung technischer, kultureller, wirtschaftlicher, vor allem aber auch politischer Rahmenbedingungen. Gleichzeitig wird fur die Zukunft die Frage abgeleitet, wohin sich der Fotojournalismus angesichts einer volldigitalisierten Medienlandschaft und einer mit Handy-Kameras durchsetzten Gesellschaft entwickelt.

Bevor Texte in den Massenmedien veroffentlicht werden, sind sie an verschiedenen Stellen im Nachrichtenfluss redigiert und dabei allmahlich verandert worden. Am Beispeil von Auslandsnachrichten der Deutschen Press-Agentur (dpa) aus London werden in der vorliegenden Arbeit die in der Nachrichtenagentur und anschlieBend bei 14 deutschen Tageszeitungen vorgenommenen Veranderungen linguistisch analysiert. Mit Hilfe eines eigens entwickelten Kategoriensystems werden die Veranderungen der Agentur-und Zeitungsredakteure im Hinblick auf ihre Art und ihre Ziele charakterisiert und miteinander kontrastriet, so dass die Unterschiede und Gemeinsamkeiten im Bearbeitungsverhalten von Agentur- und Zeitungsredakteuren sowie von Redakteuren verschiedener Zeitungen deutlich werden. Aus dem Inhalt: Revisionen im Textproduktions-prozess--Revisionsarten: Eliminationen, Additionen, Substitutionen, Permutationen und Transformationen--Revisionziele: Sprachliche Richtigkeit, Sachliche Richtigkeit, Sachliche Genauigkeit, Verstandlichkeit, Stilistische Angemessenheit, Kurze, nachrichtenwert--Misslungene Revisionen--Agentur- und Zeitungsrevisionen im Vergleich--Revisionen der verschiedenen Zeitungen im Vergleich--Zusammenhang von Revisionsarten und Revisionszielen.

This book is an in-depth reportage on some of the most defining issues of our time, namely the global refugee crisis, the conflicts displacing these masses of humanity, and the causes behind them. It is also an ode to the vanishing art of the long-form feature or reportage, which is disappearing because many media organisations can no longer afford it, or are unwilling to pay for this kind of time-consuming, on-the-ground journalism.It is essential to keep alive old-school reportage from the field because it provides a human face to the issues challenging our world. It helps pierce the bubble of propaganda with a needle of truth and, beyond the political and human, it is a beautiful art form in its own right.This book showcases a keen eye for the human story and a profound commitment to the human family. By telling the stories detailed here, it helps put a human face on the suffering that is too often viewed statistically and quantitatively.

Australians have, until very recently, taken their British inheritance for granted. This timely anthology is a collection of writings, and some cartoons, from the 19th century British periodical press, which was the popular press of its day. The pieces ra

A collection of New Zealand's most celebrated journalist's works, this lascivious selection of Steve Braunias's columns addresses a variety of topics, including the current state of New Zealand steak, the beauty of mangroves, the lunacy of film festivals, the attractions of small towns, the charms of Cambridge University, and the strange habits of the English. With a satirical voice and keenly astute observations on society, these best of columns shed light on the surprisingly vulnerable life of a writer and the love-struck nature of being a father.