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Books > Social sciences > Politics & government > General
In these stormy times, voices from all fronts call for change. But
what kind of revolution brings true freedom to both society and the
human soul? Cultural observer Os Guinness explores the nature of
revolutionary faith, contrasting between secular revolutions such
as the French Revolution and the faith-led revolution of ancient
Israel. He argues that the story of Exodus is the highest, richest,
and deepest vision for freedom in human history. It serves as the
master story of human freedom and provides the greatest sustained
critique of the abuse of power. His contrast between "Paris" and
"Sinai" offers a framework for discerning between two kinds of
revolution and their different views of human nature, equality, and
liberty. Drawing on the Hebrew and Christian Scriptures, Guinness
develops Exodus as the Magna Carta of humanity, with a constructive
vision of a morally responsible society of independent free people
who are covenanted to each other and to justice, peace, stability,
and the common good of the community. This is the model from the
past that charts our path to the future. "There are two
revolutionary faiths bidding to take the world forward," Guinness
writes. "There is no choice facing America and the West that is
more urgent and consequential than the choice between Sinai and
Paris. Will the coming generation return to faith in God and to
humility, or continue to trust in the all sufficiency of
Enlightenment reason, punditry, and technocracy? Will its politics
be led by principles or by power?" While Guinness cannot predict
our ultimate fate, he warns that we must recognize the crisis of
our time and debate the issues openly. As individuals and as a
people, we must choose between the revolutions, between faith in
God and faith in Reason alone, between freedom and despotism, and
between life and death.
This book looks at the cultural, political and economic conditions
of British Euroscepticism. Focusing on eight British dystopian
novels, published in the years before the decisive
In/Out-Referendum, and taking into account cultural, political and
economic contexts, Lisa Bischoff shows how the novels' stance
towards the integration project range from slight criticism to
outright hostility. The wide availability of the novels, and the
prominence of both its authors and readers, among which are
political figures David Cameron, Nigel Farage and Daniel Hannan,
amplify the power of literary Euroscepticism. Drawing on cultural
studies, literature and social science, British Novels and the
European Union reveals the many facets of British Euroscepticism.
This book provides a novel approach to the understanding and
realization of the values of art. It argues that art has often been
instrumentalized for state-building, to promote social inclusion of
diversity, or for economic purposes such as growth or innovation.
To counteract that, the authors study the values that artists and
audiences seek to realize in the social practices around the arts.
They develop the concept of cultural civil society to analyze how
art is practiced and values are realized in creative circles and
co-creative communities of spectators, illustrated with
case-studies about hip-hop, Venetian art collectives, dance
festivals, science-fiction fandom, and a queer museum. The authors
provide a four-stage scheme that illustrates how values are
realized in a process of value orientation, imagination,
realization, and evaluation. The book relies on an
interdisciplinary approach rooted in economics and sociology of the
arts, with an appreciation for broader social theories. It
integrates these disciplines in a pragmatic approach based on the
work of John Dewey and more recent neo-pragmatist work to recover
the critical and constructive role that cultural civil society
plays in a plural and democratic society. The authors conclude with
a new perspective on cultural policy, centered around state
neutrality towards the arts and aimed at creating a legal and
social framework in which social practices around the arts can
flourish and co-exist peacefully.
By the time Nate Fisher was laid to rest in a woodland grave sans
coffin in the final season of "Six Feet Under, " Americans all
across the country were starting to look outside the box when death
came calling.
"Grave Matters" follows families who found in "green" burial a
more natural, more economic, and ultimately more meaningful
alternative to the tired and toxic send-off on offer at the local
funeral parlor.
Eschewing chemical embalming and fancy caskets, elaborate and
costly funerals, they have embraced a range of natural options, new
and old, that are redefining a better American way of death.
Environmental journalist Mark Harris examines this new green burial
underground, leading you into natural cemeteries and domestic
graveyards, taking you aboard boats from which ashes and memorial
"reef balls" are cast into the sea. He follows a family that
conducts a home funeral, one that delivers a loved one to the
crematory, and another that hires a carpenter to build a pine
coffin.
In the morbidly fascinating tradition of "Stiff, Grave Matters"
details the embalming process and the environmental aftermath of
the standard funeral. Harris also traces the history of burial in
America, from frontier cemeteries to the billion-dollar business it
is today, reporting on real families who opted for more simple,
natural returns.
For readers who want to follow the examples of these families and,
literally, give back from the grave, appendices detail everything
you need to know, from exact costs and laws to natural burial
providers and their contact information.
From the very beginning, religious leaders have influenced the
course of American history-sometimes for better, sometimes for
worse. This book examines those Christian sermons that set or
changed the course of the nation. What did 18th-century preacher
Jonathan Edwards really mean to convey with is "Sinners in the
Hands of an Angry God" sermon? What Southern minister did most to
encourage secession of the Southern states from the Union? And why
does Martin Luther King Jr. need to be remembered for more than his
"I Have a Dream" speech? This book examines the sermons that have
shaped American history from the Massachusetts Bay Colony to the
Obama administration. It provides extended biographical treatments
of those who preached them, thereby providing readers with the
historical context of the sermon, an explanation of what made these
orations so effective, and an understanding of the role of religion
in American history. Author O.C. Edwards Jr. supplies insightful
and interesting coverage of Christian preachers and sermons that
will engage anyone interested in America's religious or social
history. The book addresses the religious philosophies and speeches
of individuals such as William Sloan Coffin Jr., Russell Conwell,
Charles Coughlin, Ralph Waldo Emerson, Billy Graham, Anne
Hutchinson, Martin Luther King Jr., Patricia Merchant, John
Winthrop, and Jeremiah Wright. Provides approachable information
that helps any reader understand the role of religion in American
history Supplies insights from the author of the award-winning A
History of Preaching hailed as a definitive work by critics
Presents accurate and scholarly yet lively and engaging coverage of
important preachers and sermons throughout American history
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