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Books > Sport & Leisure > Humour > General
Somers Gillette is a narcissistic personality the likes of which
the world has yet to see. She comes unhinged at the worst times,
and seeks nothing but destruction in her path. Only a scorched
earth policy will suffice. In her way stand the husband and the
nanny, because society awaits her 'triumphant' return! Read in
horror/fascination/wonder as Somers gets in touch with her roots
and exacts holy war on what is 'in her way'...
Originally published in 1921, this book was written in an attempt
to, 'give the serious teacher and student the practical benefit of
the knowledge acquired during a lifetime's playing the violin,
including mechanical means and technical procedure as well as the
ideas and ideals of art'. Many of the earliest books, particularly
those dating back to the 1900s and before, are now extremely scarce
and increasingly expensive. Hesperides Press are republishing these
classic works in affordable, high quality, modern editions, using
the original text and artwork. Contents Include: How I Studied the
Violin - How to Hold the Violin - How to Practise - Tone Production
- Hints on Bowing - Left hand Technique - Double Stops The Trill -
Ornaments - Harmonics - Nuance, The Soul of Interpretation - Style
- The Nerves and Violin Playing - The Violin Repertory of Yesterday
and To-Day - Practical Repertory Hints
In this comprehensive approach to Jewish humor focused on the
relationship between humor and American Jewish practice, Jennifer
Caplan calls us to adopt a more expansive view of what it means to
"do Jewish," revealing that American Jews have, and continue to,
turn to humor as a cultural touchstone. Caplan frames the book
around four generations of Jewish Americans from the Silent
Generation to Millennials, highlighting a shift from the
utilization of Jewish-specific markers to American-specific
markers. Jewish humor operates as a system of meaning-making for
many Jewish Americans. By mapping humor onto both the generational
identity of those making it and the use of Judaism within it, new
insights about the development of American Judaism emerge. Caplan's
explication is innovative and insightful, engaging with scholarly
discourse across Jewish studies and Jewish American history; it
includes the work of Joseph Heller, Larry David, Woody Allen,
Seinfeld, the Coen brothers films, and Broad City. This example of
well-informed scholarship begins with an explanation of what makes
Jewish humor Jewish and why Jewish humor is such a visible
phenomenon. Offering ample evidence and examples along the way,
Caplan guides readers through a series of phenomenological and
ideological changes across generations, concluding with commentary
regarding the potential influences on Jewish humor of later
Millennials, Gen Z, and beyond.
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