Mixing sarcasm and humor with facts and current events, 'Democrats Invade Mars' follows in the footsteps of Stephen Guy Hardin's previous works, 'Commies on Parade' and 'If Being a Conservative Were Easy There Wouldn't Be Any Liberals' as it attempts to peel back yet another layer of the various and nefarious schemes of the American Left and the Democrat Party.

It has been said that the eyes are the windows to one's soul. Poetry to me is like a snapshot of ones soul, freezing a moment in time, creating a picture that means different things to different people, evoking unique feelings for the individual reader. Etched into your beings fiber are those moments that shape you. I believe it is good to revisit those that you have stored, the pleasant, the painful and the... Observing where we came from, remembering auspicious beginnings can affect the future giving strength to rise to any challenge that life's crazy ride might throw at you. So, I titled this collection of poems with an Irish proverb, which derives its strength from its simplicity.

Greg Milow has spent twelve years of his life next to his beautiful girlfriend. Only one detail clouds the blissfulness of his experience: she is a total psychopath. When he leaves for a company retreat, she mistrusts his intentions and embarks on a road trip to follow him, unleashing a weekend of raving madness. Help me get rid of my psycho girlfriend is an action-packed comedy filled with eccentric characters, laugh-out-loud situations, and the thrilling menace of romance. A novel that, once you have started it, you won't be able to put down until the end.

The UK's answer to Maupin's, Tales of the City.' Cloud Nine takes us on a brave, breathless and bawdy romp through a world of gutsy glamorous drag queens, and cut throat gangsters. When the world has turned its back on you, there is one place you can go to find family, Cloud Nine. The newest nightclub on London's South Bank and the epi-centre of a new purposely built gay village. Its creator, one time international drag star Trixie Lix; queen of the village and Momma to all that work there. There's Tye from Birmingham, the thirty something manager who's starting a new life after the homophobic murder of his life partner. Then we have Alf a six foot, Afro-Caribbean lovesick doorman. We also marvel at the ageing foul mouthed cleaner, Joan, who is fiercely protective over her friends and the family at Cloud Nine. The latest of the Cloud Nine family is Mickey, a troubled teenager trapped by his gangster father, Jimmy Loney, into a life of violent crime and sexual abuse. We also get to meet the sharp wit of Lady Alice Nana Love' Lovett, the anti-establishment Lady of Little Munch, and her vengeful niece Lady Victoria. Families can be formed in the most unusual of places, Trixie and her family at Cloud Nine take us on an explosively funny journey, with more plot than a vegetable garden, their story will make you laugh and cry, but will definitely make you want to visit....

The concept of ethnic, racial, and gender humor is as sensitive a subject today as it has ever been; and yet at no time in the past have we had such a quantity of this humor circulating throughout society. We can see the power of such content manifested continually in our culture's films and stand-up comedy routines, as well as on popular TV sitcoms, where Jewish, black, Asian, Hispanic, and gay characters and topics have seemingly become essential to comic scenarios. Though such humor is often cruel, it can also be a source of pride and play among minorities, women, and gays. Leon Rappoport's incisive account takes an in-depth look at ethnic, racial, and gender humor, and shows that despite the polarization that is often apparent in the debates such humor evokes, the most important melting pot in this country may be the one that we enter when we share a laugh at ourselves. This timely work displays ethnic, racial, and gender humor in both its aspects: as an aggressive instrument of prejudice and as a powerful defense against it. Rappoport explores the origins and implications of the various slurs, stereotypes, and obscenities that are typical of this double-edged form of modern comedy, as well as the ways in which irony has been employed by minority figures as a weapon against oppression. Broad in scope and lively in style, Rappoport's volume is enhanced by illustrative jokes and comedy routines, and should keep readers engaged, entertained, and provoked throughout.

In 1963, at the height of the southern civil rights movement, Cecil Brathwaite (1936-2014), under the pseudonym Cecil Elombe Brath, published a satire of Black leaders entitled Color Us Cullud! The American Negro Leadership Official Coloring Book. The book pillories a variety of Black leaders-from political figures like Adam Clayton Powell and Whitney Young to civil rights activists like Martin Luther King, Bayard Rustin, and John Lewis, and even entertainers like Sammy Davis Jr., Lena Horne, and Dick Gregory-critiquing the inauthenticity of movement leaders while urging a more radical approach to Black activism. Despite the strong illustrations and unique commentary presented in the coloring book, it has virtually disappeared from histories of the movement. The Artistic Activism of Elombe Brath restores the coloring book and its creator to a place of prominence in the historiography of the Black left. It begins with an analysis of Brath's influences, describing his life and work including his development as a Black nationalist thinker and Black satirist. The volume includes Brath's early works-illustrations for DownBeat magazine and Beat Jokes, Bop Humor, & Cool Cartoons-as well as the full run of his comic strip "Congressman Carter and Beat Nick Jackson" from the New York Citizen-Call and a complete edition of Color Us Cullud! itself. These illustrations are followed by annotations that frame and contextualize each of the coloring book's entries. The book closes with selections from Brath's art and political thinking via archival material and samples of his written work. Ultimately, this volume captures and restores a unique perspective on the civil rights movement often omitted from the historiography but vital to understanding its full scope.

Bellwood Cowboy is the life story of one of the greatest men I ever knew. Artie Quinton is one of the last of the old time cowboys. His knowledge of livestock and ranch management is renown in Oklahoma. He worked for the Daube Cattle Co. for forty seven years starting during the Great Depression era of the 1930s. Born in a log cabin in 1912 he would lose his mother before he was a year and a half old, then the grandmother who raised him when he was twelve. He attended a country school through the eighth grade. Married to the girl of his dreams, he started working for Daube Ranches in 1937 for $35 a month and that included his wife's pay for cooking three meals a day for up to twenty cowboys. Artie advanced to foreman of Daube Ranches and acquired a reputation as the best ranch manager in the area. He retired in 1984 and at 98 years of age and legally blind, lives alone in the small town of Mill Creek, Oklahoma. Artie has preached more funerals than most preachers, and is the corner stone of his church. Follow his most unique life in the pages of Bellwood Cowboy.

This book is a culmination of good clean jokes. Doctor jokes, lawyer jokes, men and women jokes, animal jokes, God and devil jokes and many more. These jokes are meant to to inspire, bringing laughter and smiles to people who really need a little happiness in their day to day lives. These jokes are meant for all friends and family, and can lift anyone's spirits. One of the problems in the world today is that we don't laugh enough. So I hope this book can help change the world one laugh at a time.

Hoot is an uplifting, hilarious, feel-good look at life through a mother's eyes, taken from letters, notes and cards she left behind.

New Lands was the second nonfiction book of the author Charles Fort, written in 1925. It deals primarily with astronomical anomalies. Fort expands in this book on his theory about the Super-Sargasso Sea - a place where earthly things supposedly materialize in order to rain down on Earth - as well as developing an idea that there are continents above the skies of Earth. As evidence, he cites a number of anomalous phenomena, including strange "mirages" of land masses, groups of people, and animals in the skies. He also continues his attacks on scientific dogma, citing a number of mysterious stars and planets that scientists failed to account for.

Who are the Curmudgeon Virgins and how are they related to Diddly Squat? Or Sheryl Crow? Or Yankee Doodle?

What do mullets have in common with fired football coaches? Or Facebook? Or mall walkers?

In Search of Diddly Squat provides answers to those questions. It could be called a quest for truth, justice, and the America way, even though there is very little truth and almost no justice in it. Just humor. And satire. And sarcasm. And short, choppy sentences that start with "and." And "or." But not "but."

The Burma-Shave craze reached its zenith during the 1950s, with more than 7,000 signs posted across the United States.

To market Burma-Shave, Allen Odell, an advertising wordsmith, devised the concept of sequential signs to sell his shaving cream. Typically, six signs were erected, with each of the first five containing a line of verse, and the sixth trumpeting the brand name.

Burma-Shave signs appeared in every state except Arizona, Nevada and New Mexico. The creative people at Burma-Shave, as well as customers who sent in jingles of their own, ultimately created more than 600 of the rhymes.

In the world of advertising, Burma-Shave stood as unique, creating signs that became a part of the popular culture.

Although the Burma-Shave company is no more, these fun little rhymes hold great nostalgic value for those of us who fondly remember them from our Sunday drives.

Sure to be popular in the hipper precincts of Brooklyn (to say nothing of the Pacific Northwest), this eccentric Victorian volume makes a strong case for the universal wearing of beards.
Reminding us that since ancient times the beard has been an essential symbol of manly distinction, Thomas S. Gowing (whom we trust had a spectacular beard) presents a moral case for eschewing the bitter bite of the razor. He contrasts the vigor and daring of the bearded--say, lumberjacks and Lincoln--with the undeniable effeminacy of the shaven. Manliness is found in the follicles, and the modern man should not forget that "ladies, by their very nature, like everything manly," and cannot fail to be charmed by a fine "flow of curling comeliness." Even old men can hold on to their vitality via their beards: "The Beard keeps gradually covering, varying and beautifying, and imparts new graces even to decay, by highlighting all that is still pleasing, veiling all that is repulsive."
A truly strange polemic, "The Philosophy of Beards" is as charming as it is bizarre, the perfect gift for the manly man in your life.

AK-47 in a Wild Why World is a collection of essays on political and socio-economic condition of the Modern Africa, humour and poetry with a nationalistic touch. The approach, very blunt and sometimes acerbic. The book argues about an unknown fear trapped in the heart of every black African with a vicious grip on 3 out of every 5; the thought of a life wasted under economic hardship, a scary and degenerating environmental nightmare, the scare from an imaginary superior powers chained in a grander fear of losing political and vain physical relevance, the fear of a hell, a hell of poverty and misery influenced by ignorance, greed and crass illiteracy. According to the author, to run away from this fear, a great conflict ensued, a conflict of the soul and self in the midst of a society gone wild with itself. In the madness of this self induced conflict emerges a great run that has set every black African on a race out of motherland to cold places of comfort - A spider web comfort. The book states categorically that unless the black African sit down and address the myriads of problems plaguing the entire continent, and build a positive cultural and economic system the great Africa will spiral into further darkness. The idea of humour laced into this frank discussion according to the author is only to remind us that we are living in a world that is getting hostile every minute of the day, unintelligent arguments, misunderstandings, strife and things that are insane to ever imagine we could do to each other. Humour is that idea that reminds us that all the struggles leads nowhere but more struggles and stress. The only way to prove that vanity of life is to find time to share some joy.