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Books > Children's & Educational > The arts > General
This book presents an Australian perspective on the issues in
expressive arts in early childhood education by authors who are
involved in the arts as theatre directors, painters, designers,
advisers, actors or arts administrators in community organisations
at the national and international level.
Art as Unlearning makes an argument for art's unlearning as a
manneristpedagogy. Art's pedagogy facilitates a form of
forgetfulness by extending what happens in the practice of the arts
in their visual, auditory and performative forms. The concept of
learning has become predominantly hijacked by foundational
paradigms such as developmental narratives whose positivistic
approach has limited the field of education to a narrow practice
within the social sciences. This book moves away from these
strictures by showing how the arts confirm that unlearning is not
contingent on learning, but rather anticipates and avoids it. This
book cites the experience and work of artists who, by unlearning
the canon, have opened a diversity of possibilities by which we
make and live the world. Moving beyond cliches of art's
teachability and what we have to learn through the arts, it
advances a scenario where unlearning is uniquely presented to us by
the diverse practices that we identify with the arts. The very
notion of art as unlearning stems from and represents a fundamental
critique of the constructivist pedagogies that have dominated arts
education for over half a century. This book will be of great
interest to academics, researchers and postgraduate students in the
fields of education, philosophy of education, history of education,
pedagogy of art and art education. It will also appeal to
educators, art educators, and artists interested in the pedagogy of
art.
Primary arts - art, music, dance and drama - is gaining recognition
as a subject, and support in the value it offers primary children.
This text examines the problems and opportunities, faced by
educators, resulting from recent educational reforms and the
implementation of the National Curriculum.
Even the youngest children in primary schools are now required not
only to make art, but also to study it, developing an understanding
of the huge variety of art and craft from different times and
places. But how do teachers actually tackle this, when most have
not studied art themselves?
This collection brings together case studies to show how a variety
of teachers have used one particular art collection as a focus for
practical art. Throughout, the voices of the children involved show
us how they react to their encounters with art objects. This wealth
of first hand evidence and practical experience will benefit all
teachers.
Art and Design for Secondary Students with SEN is a valuable
compilation of practical ideas, visual aids and lesson plans
designed to engage students in developing their creative art
skills. Made up of twelve lessons that each examine a particular
theme, the book spans a wide variety of topics and different media
in art, progressing from basic drawing and painting techniques in
pencil, pastel, watercolour and acrylic and moving onto higher
level creative design techniques of painting on glass and silk.
FEATURES INCLUDE: * Step by step, tried and tested lesson plans
devised by an experienced and qualified art teacher. * Helpful
learning outcomes, timings, materials and recommended resources for
each lesson. * Useful tips and visual teaching aids for introducing
new techniques. * Full colour illustrations throughout, including
examples of students' art work. * All illustrations available to
download as e-resources. With links to the National Art Curriculum
and other secondary curriculum subjects, this resource offers
innovative and creative ideas for delivering engaging art lessons.
This book will be ideal reading for both specialist and
non-specialist teachers of art and design at secondary level who
work with small groups, as well as teaching assistants, art and
occupational therapists, youth workers and PGCE students of
secondary art and design.
Rafael Guastavino Sr. was 39 when he left a successful career as an
architect in Barcelona. American cities-densely packed and built
largely of wood-were experiencing horrific fires and Guastavino had
the solution: The soaring interior spaces created by his tiled
vaults and domes made buildings sturdier, fireproof and beautiful.
What he didn't have was fluent English. Unable to win design
commissions, he transferred control of the company to his
American-educated son, whose subsequent half-century of inspired
design work resulted in major contributions to the built
environment of America. Immigrant Architect is an introduction to
architectural concepts and a timely reminder of immigrant
contributions to America. The book includes four route maps for
visiting Guastavino-designed spaces in New York City: uptown,
midtown, downtown and Prospect Park.
Originally published in 1996, Art for All is aimed at the
non-specialist teacher of art, and offers a practical approach for
working with pupils with wide-ranging learning needs. It presents a
developmental framework for art in the light of National Curriculum
requirements, with strategies for structuring and supporting
appropriate art activity. It is presented in two volumes with
colour illustrations: The Framework, which describes the principles
of art education in relation to pupils learning difficulties and
The Practice, which deals with the specifics of delivering these
principles in the classroom. Whilst they stand as independent
texts, they are intended to be used together. Art for All will be
of interest to all those working in this and related fields in
mainstream as well as special education.
Originally published in 1996, Art for All is aimed at the
non-specialist teacher of art, and offers a practical approach for
working with pupils with wide-ranging learning needs. It presents a
developmental framework for art in the light of National Curriculum
requirements, with strategies for structuring and supporting
appropriate art activity. It is presented in two volumes with
colour illustrations: The Framework, which describes the principles
of art education in relation to pupils learning difficulties and
The Practice, which deals with the specifics of delivering these
principles in the classroom. Whilst they stand as independent
texts, they are intended to be used together. Art for All will be
of interest to all those working in this and related fields in
mainstream as well as special education.
Ticknor, Howard, and Overstreet offer educators insights into the
how-tos of culturally responsive pedagogy. They build on their
experiences and research of CRP to offer vignettes of literacy
instruction that may be common in K-12 classrooms. These examples
are offered as a way to situate how teachers may use research based
and effective literacy practices while ignoring the identities and
experiences of their students. Then disrupt the vignettes using
theories and concepts presented in the chapter to make visible how
each practice could be reimagined to integrate more culturally
responsive strategies. Example lessons and activities are provided
in each chapter that offer readers glimpses into CRP thinking and
decision making. Guiding prompts are also included for readers to
use the chapter topic and example lessons to consider ways to be
more culturally responsive teachers for their students and in their
local communities.
"Outrageous!" the judges cried. "Ridiculous!" Who would dare enter
a portrait of a duck in the Grand Contest of Art? But when Felix
Clousseau's painting quacks, he is hailed as a genius. Suddenly
everyone wants a Clousseau masterpiece, and the unknown painter
becomes an overnight sensation. That's when the trouble begins. The
concept and plot are clever and beautifully constructed with twists
and turns, and Jon Agee's trademark wit, humour and sense of the
surreal. A playful examination of what realism in art actually
means, and the difference between 2 and 3 dimensional
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The Word Collector
(Paperback)
Peter H. Reynolds; Illustrated by Peter H. Reynolds
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R227
R206
Discovery Miles 2 060
Save R21 (9%)
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From a New York Times bestselling author and illustrator comes an
inspiring picture book about the power of words. Some people
collect stamps. Some people collect coins. Some people collect art.
And Jerome? Jerome collected words . . . In this illustrated
picture book from Peter H. Reynolds, a little boy discovers the
magic of the words all around him -- short and sweet words,
complicated words, words that stand out. But one day his carefully
curated collection of words gets messy, and that's when Jerome
discovers that words that connect, transform and empower. So Jerome
starts using his words, and that's when they become powerful. Named
an Outstanding Literary Work for Children by the NAACP The perfect
gift for curious little ones learning how to spell and new words
From the creator of The Dot, I Am Human, and Happy Dreamer comes a
celebration of finding your own words -- and the impact you can
have when you share them with the world. "Celebrates individuality,
self-expression, and the joys of being a dreamer... a liberating
validation of dreaming as restorative, comforting, and powerful,
while giving kids full license to be themselves" -- Publishers
Weekly
In this seriously silly series, featuring artefacts from the
British Museum, children can solve the puzzle by matching up the
correct animals on the split pages - and then mix them all up again
to create 2000 hilarious combinations!
This book is an inquiry about the possibilities of using technology
to support the education of artists within higher education
contexts. Even though technology-enhanced learning and teaching may
seem incongruent with the long-established studio-based cultures of
making and performing, it is increasingly becoming a pivotal point
to connect artistes to potential audience and markets. Amidst the
COVID-19 pandemic, technology is also the crucial linchpin for
educational continuity of student artists. This book explores how
technology could enhance the education of artists and designers as
they continue to create, make, and add value to life and society
through their artistry. It draws upon the experiences of the
Nanyang Academy of Fine Arts (NAFA), a pioneering arts institution
in Singapore with over 80 years of institutional history. Through 9
vignettes, this book illustrates technology-enhanced pedagogical
practices that have been implemented in different artistic learning
spaces including classroom, studio, and stage as well as
institutional support strategies. With a naturalistic stance, these
chapters seek to illuminate realistic pictures of teaching and
learning that are being uncovered by artist educators as they
sought to integrate technology within teaching practices using
available technologies and within the classes that they are
teaching. It is hoped that this book will stimulate conversation
among artist educators about possible pedagogical models, as well
as inform higher arts institutions about the contextual strategies
needed to support the creation of technology-enhanced pedagogical
practices.
Most famous as the painter who created the Mona Lisa, Leonardo da
Vinci is also one of history's greatest geniuses - he was a
mathematician, architect, astronomer, scientist and musician... and
he even invented the helicopter! From artists to aviators and
scientists to revolutionaries, Little Guides to Great Lives is a
brand new series of small-format guides introducing children to the
most inspirational figures from history in a fun, accessible way.
Launching with Leonardo da Vinci, Marie Curie, Nelson Mandela and
Amelia Earhart, Little Guides to Great Lives tells the stories of
the most amazing people from all over the world and across history,
with colourful illustrations and fresh design to bring their
incredible stories to life.
The SEND Code of Practice (2015) reinforced the requirement that
all teachers must meet the needs of all learners. This topical book
provides practical, tried and tested strategies and resources that
will support teachers in making art lessons accessible and
interesting for all pupils, including those with special needs. The
authors draw on a wealth of experience to share their understanding
of special educational needs and disabilities and show how the art
teacher can reduce or remove any barriers to learning. Offering
strategies that are specific to the context of art teaching, this
book will enable teachers to: develop students' understanding,
appreciation and enjoyment of art and design; advance students'
sense of enquiry about visual and tactile experiences; help pupils
to realise their creative intentions, through the development of
technical competence and manipulative skills; provide opportunities
for personal and imaginative enquiry; sample a variety of art and
design projects to use in their own lessons; plan the classroom
layout and display to enhance learning; successfully train, and
fully use the support of, their teaching assistants. An invaluable
tool for continuing professional development, this text will be
essential for secondary art teachers (and their teaching
assistants) seeking guidance specific to teaching art to all
pupils, regardless of their individual needs. The book will also be
of interest to secondary SENCOs, senior management teams and ITT
providers. Full of practical ideas and inspiration, and supported
by free online resources, this is an essential tool for art
teachers and teaching assistants and will help to deliver
successful, inclusive lessons for all pupils.
How Artists See is designed to teach children the art of
observation and increase their visual literacy. These interactive,
inquiry-based books - great for both home and classroom - invite
young readers to compare and contrast the ways in which different
artists treat similar themes. They are an ideal way to introduce
kids to art. This new edition of How Artists See Work is revised
and redesigned from cover to cover. More than two-thirds of the
featured artworks are newly selected, and they are even more
stylistically and culturally diverse - ranging from an ancient
Egyptian tomb model, to an early Picasso, to a Japanese ad for
laundry soap. Also available in the series: How Artists See Play
ISBN 9780789213587 How Artists See Families ISBN 9780789213495 How
Artists See Animals ISBN 9780789213488
First came "One Red Dot," next "Blue 2," "600 Black Spots."..now
Yellow Square, the fourth installment of David A. Carter's
acclaimed color series! Modern and elegant paper engineering and
text are certain to awe children of all ages!
Readers will search beatiful, modern pop-ups to discover the
hidden yellow square on each spread in this follow up to David A.
Carter's "New York Times" award winning, "600 Black Spots."
CREATIVITY AND THE ARTS WITH YOUNG CHILDREN, Third Edition, is
written for early childhood educators as well as those who work
with children from birth through age eight. The book focuses on
helping educators make the vital connection to the arts--including
music, movement, drama, and the visual arts--throughout all areas
of the classroom and curriculum, and on developing creative
teachers who will be able to foster an artistic environment.
Observations and photos of teachers and children demonstrate
practical ways the arts can be used to help children reach their
potential. Educators will find many ideas for open-ended activities
that are important for the development of young children, and which
will encourage them to think in new ways. Discussion of
professional standards and recommendations allows teachers to be
cognizant of goals that are important in the early years. Thorough
in its coverage, the text speaks to children with special needs and
cultural diversity, leaving readers with a complete information
resource regarding arts in the young child's classroom.
100 iconic images to celebrate 50 years of the Mr Men and Little
Miss! The Mr Men and Little Miss have been delighting children for
50 years with their charming and funny antics. This unique
collection contains 100 postcards, each one featuring a different
image from the Mr Men and Little Miss books created from 1971
onwards. From Mr Tickle's extraordinarily long arms to Little Miss
Naughty's cheeky grin, there are lots of fun postcards to send,
share and enjoy.
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