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Books > Social sciences > Sociology, social studies > Ethnic studies > General
The history of the black lawyer in South Carolina, writes W. Lewis
Burke, is one of the most significant untold stories of the long
and troubled struggle for equal rights in the state. Beginning in
Reconstruction and continuing to the modern civil rights era, 168
black lawyers were admitted to the South Carolina bar. All for
Civil Rights is the first book-length study devoted to those
lawyers' struggles and achievements in the state that had the
largest black population in the country, by percentage, until
1930-and that was a majority black state through 1920. Examining
court processes, trials, and life stories of the lawyers, Burke
offers a comprehensive analysis of black lawyers' engagement with
the legal system. Some of that study is set in the courts and
legislative halls, for the South Carolina bar once had the highest
percentage of black lawyers of any southern state, and South
Carolina was one of only two states to ever have a black majority
legislature. However, Burke also tells who these lawyers were (some
were former slaves, while others had backgrounds in the church, the
military, or journalism); where they came from (nonnatives came
from as close as Georgia and as far away as Barbados); and how they
were educated, largely through apprenticeship. Burke argues
forcefully that from the earliest days after the Civil War to the
heyday of the modern civil rights movement, the story of the black
lawyer in South Carolina is the story of the civil rights lawyer in
the Deep South. Although All for Civil Rights focuses specifically
on South Carolinians, its argument about the legal shift in black
personhood from the slave era to the 1960s resonates throughout the
South.
Literature serves many purposes, and one of them certainly proves
to be to convey messages, wisdom, and instruction, and this across
languages, religions, and cultures. Beyond that, as the
contributors to this volume underscore, people have always
endeavored to reach out to their community members, that is, to
build community, to learn from each other, and to teach. Hence,
this volume explores the meaning of communication, translation, and
community building based on the medium of language. While all these
aspects have already been discussed in many different venues, the
contributors endeavor to explore a host of heretofore less
considered historical, religious, literary, political, and
linguistic sources. While the dominant focus tends to rest on
conflicts, hostility, and animosity in the pre-modern age, here the
emphasis rests on communication with its myriad of challenges and
potentials for establishing a community. As the various studies
illustrate, a close reading of communicative issues opens profound
perspectives regarding human relationships and hence the social
context. This understanding invites intensive collaboration between
medical historians, literary scholars, translation experts, and
specialists on religious conflicts and discourses. We also learn
how much language carries tremendous cultural and social meaning
and determines in a most sensitive manner the interactions among
people in a communicative and community-based fashion.
Rejection. Loss. Confusion. Pain. Our past and our future are
intertwined. Each distinct memory becomes one life. What once hurt,
eventually heals, and the lesson (or lessons) to be learned becomes
one with our soul and our spirit. Our experiences provide strength
instead of destruction. Our great-grandmothers, grandmothers,
mothers -- all women of power who came before us -- were great
descendants of the coastal lands of West Africa. They arrived in
strange lands with their Gumbo - -their memories, rhythms,
ingenuity, creativity, strength, and compassion. Their lived
stories and conversation were recipes mixed with unique
combinations of ingredients, dropped into the cast iron pot --
stirred, dropped in, seasoned, dropped in, stirred again, and
again, and again, until done. This Gumbo is savory like the soul,
carefully prepared, recipes rich with what our foremothers brought
with them from their homeland. They brought the best of what they
had to offer. Gumbo or Gombo is a Bantu word meaning `okra'. Okra
is a rich vegetable that serves as the base (or gravy) for a
delicately prepared stew. (Today's Gumbo cooks use a `roux' as the
base- see the recipe on page 3). Gumbo's West African origins have
been modified over the past two centuries by people of varied
ancestry: Native American, German, Spanish, and French (Moss,
2014). It is essential to understand the manner in which Gumbo is
prepared: each ingredient must be placed into the stew at its
specified time so that it can cook in and savor its own flavor.
When completed, Gumbo is usually served over grits or rice. Gumbo
has become a cornerstone of life in African-descended communities
across the south and southwest spanning from South Carolina to
Louisiana and Texas. Gumbo is a treasure... a reminder of the
greatness that lived in the village in a time of strength and
abundance...a reminder of the resilience and richness of our people
over generations. This book -- a collection of memoirs written by
Women of Color is shared to inspire and motivate readers. The
authors of these precious, soulful stories are from across the
globe and represent various backgrounds and professions. What these
women have in common, though, is their drive to tell their story.
Stories of pain, discovery, strength, and stories of beginnings.
Many of the experiences, as difficult as they may have been, made
the women who they are today. Telling these stories to a new
generation will empower and encourage them in their experiences no
matter how troubling or challenging (Harris, 2015). These stories,
like our foremothers offering their Gumbo, present the best these
women have to offer. These authors want the world to know that deep
inside of each of us is a rich, vibrant, purposeful beginning. As
our lives develop and we are "stirred and stirred again", like
Gumbo, our experiences begin to shape who we are and who we become.
When the stirring is complete, a comforting meal -- one that says
no matter what has gone into the dish, it's going to be amazingly
magnificent!! The authors hope these stories will inspire and
motivate girls and Women of Color to trust their experiences --
whether good or bad -- to help them become. Our becoming means that
after all that life has thrown our way, we are strong, purposeful,
and powerful people who are a great treasure to a world that
sometimes rejects and ignores our existence. Embedded in this book
are stories of abuse and triumph, sadness and victory,
disappointment and resilience, discovery and victory. We are very
proud to be the keepers of these rich recipes. They represent the
first in what we hope will become a collection or series of
inspirational memoirs that will be shared to help others live out
their destiny and become the women they were born to be.
TEAR DOWN THAT WALL OF GUILT
If you are trying to raise a respectful and respectable American
family and are embarrassed by the liberal media's filth and
perversion you and your children are subjected to on a daily basis,
remember one thing: Liberalism is at its core, licentious, morally
degrading and abusive to family life. To stop the abuse you must
embrace the truth: Conservatism conserves and protects family
values that have made America the shining beacon of Christian
family life.
To preserve the American family you must make a decision not
merely to eschew liberalism and degradation but to champion
conservatism and our traditional American values.
To do so you must first TEAR DOWN THAT WALL OF GUILT You must
know you are guilty of nothing that may have happened to a Negro,
Indian, Asian or Jew at any time in our recent or ancient past, and
you must stop bowing at the silly altar of political correctness.
You must regain your dignity, your individuality and your moral
certitude. You must rise up and be counted as an American heart and
soul, in spirit and purpose; willing to sacrifice whatever it takes
to preserve America as it was founded to be and for which so many
fought and died for it to be. Your children are counting on you.
They will not survive as free Americans without your courage and
your resolve. TEAR DOWN THAT WALL OF GUILT LET THE RECLAMATION OF
AMERICA BEGIN
The child of Italian immigrants and an award-winning scholar of
Italian literature, Joseph Luzzi straddles these two perspectives
in My Two Italies to link his family's dramatic story to Italy's
north-south divide, its quest for a unifying language, and its
passion for art, food, and family. From his Calabrian father's time
as a military internee in Nazi Germany - where he had a love affair
with a local Bavarian woman - to his adventures amid the
Renaissance splendour of Florence, Luzzi creates a deeply personal
portrait of Italy that leaps past facile cliches about Mafia
madness and Tuscan sun therapy. He delves instead into why Italian
Americans have such a complicated relationship with the "old
country," and how Italy produces some of the world's most
astonishing art while suffering from corruption, political
fragmentation, and an enfeebled civil society. With topics ranging
from the pervasive force of Dante's poetry to the meteoric rise of
Silvio Berlusconi, Luzzi presents the Italians in all their glory
and squalor, relating the problems that plague Italy today to the
country's ancient roots. He shares how his "two Italies" - the
earthy southern Italian world of his immigrant childhood and the
refined northern Italian realm of his professional life - join and
clash in unexpected ways that continue to enchant the many millions
who are either connected to Italy by ancestry or bound to it by
love.
In 2007, while researching mountain culture in upstate South
Carolina, anthropologist John M. Coggeshall stumbled upon the small
community of Liberia, in the Blue Ridge foothills. There he met
Mable Owens Clarke and her family, the remaining members of a small
African American community still living on land obtained
immediately after the Civil War. This intimate history tells the
story of five generations of the Clarke family and their friends
and neighbors, chronicling their struggles through slavery,
Reconstruction, the Jim Crow era, and the desegregation of the
state. Through hours of interviews with Mable and her relatives, as
well as friends and neighbors, Coggeshall presents an ethnographic
history that allows a largely ignored community to speak and record
their own history for the first time. This story sheds new light on
the African American experience in Appalachia, and in it Coggeshall
documents the community's 150-year history of resistance to white
oppression, while offering a new way to understand the symbolic
relationship between residents and the land they occupy, tying
together family, memory, and narratives to explain this connection.
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