The Foundling: Journey of a Street Child is a story about both tragedy and triumph. It shows how although life for a child might start off hard, cold and present obstacles seemingly insurmountable, good health and happiness can ultimately still be obtained. On a deeper level, it is an intimate look at some of the darkest times in the life of one abandoned and neglected child who turned to the streets for survival, to meet his basic human needs. Unlike most contemporary writings on this subject though, this incredible story not only makes clear the criminal activities and dysfunctional life styles bred in the belly of an urban underworld, it demonstrates how his street smarts and well honed survival skills took one boy, literally, from the park bench to Park Avenue. The Foundling is a fantastic story of how one child's commitment to live, by any means necessary, eventually led him to a very successful and fullfilled work and family life. This qualification can only be told by him since its based on his true life history: as a young boy running from an unfair, insensitive and callous foster care system; and teenager looking for love and acceptance in all the wrong places; to a young man finding true freedom and joy in life beyond his wildest imagination.

Just as American culture has been constructed by people of many ethnicities, roots music in America is multicultural in nature. Native American music resonates from Indigenous traditions of the Great Plains and the American West. Hispanic culture has spawned Border Music styles such as Conjunto and Tejano, while Cajun and Zydeco grew from cultural cross-pollination in the American South. In northern regions, Polish-American musicians popularized Polka, while Irish-American music holds a rich tradition throughout many regions in the East. This unique volume presents influential musical cultures from throughout the multicultural history of American vernacular song. Series blurb: This series presents five volumes on genres of music that have evolved in distinctly regional styles throughout the nation. With volumes authored by leading music scholars, the series traces the growth of Blues, Country, Folk, and Jazz in their many regional variations, as well as Ethnic and Border music traditions throughout America. Each volume presents an accessible analysis of the genre in its many regional forms, examining the musical elements and, when applicable, lyrical subjects as tied to specific cultures throughout the United States. The series features: BLTraditional music placed within regional perspectives BLThe study of music shown to illustrate cultural nuances BLMusical elements explained in accessible language for the lay reader BLGlossaries of important biographical and topical entries related to the genres.

Despite the growing presence of intercultural couples in the United States and worldwide, their stories often go untold. In "Intercultural Couples," Jill Bystydzienski provides a rare and comprehensive understanding of the multidimensional experiences of intercultural couples, drawing mainly upon in-depth interviews with persons living in domestic partnerships--heterosexual and same-sex--representing a broad spectrum of ethnic, racial, religious, socioeconomic, and national backgrounds. In these relationships, each partner brings a different set of cultural experiences that may include gender expectations, ideas about appropriate relations with family members, childrearing, financial matters, and general lifestyle. Sometimes differences may be unrecognized or seen as minimal, yet some can become salient, forming the basis for conflict, enriching diversity, or both.

Bystydzienski's findings show that, despite hurtful incidents from persons outside the couple partnerships, intercultural unions are a source of satisfaction for the partners, and are able to bridge divisions and reduce inequalities between persons of diverse backgrounds, providing a rich portrait of how these couples negotiate their identities as individuals and as couples in relation to the outside world.

Issues of race and ethnicity in Europe have been brought to the fore by the recent electoral successes of extreme right-wing parties, while immigration and refugee policies are exposing deep uncertainties across the political spectrum. The politicization of 'race', ethnicity and immigration is a key feature of contemporary European society. In this important new volume, leading specialists explore the political mediation of racism across western Europe, examining its causes, character and consequences. Racism, Ethnicity and Politics in Contemporary Europe includes an overview of contemporary racism, investigations into its socio-economic and ideological roots, analyses of its role in party politics and studies of multilateral and non-governmental initiatives designed to promote anti-racism. The contributors provide case studies of Britain, France, Germany, Belgium, the Netherlands, Spain and Italy. They consider both the experience of racism in specific countries and common issues thrown up by the resurgence of racism at a time of profound socio-economic restructuring and political uncertainty. The rich insights offered by this book will be of interest to students and scholars active in many disciplines ranging from politics and sociology to discourse analysis and social psychology.

Theatre of the Borderlands: Conflict, Violence, and Healing is an enlightening and encompassing study that focuses on how dramatists from the Northern Mexico border territories write about theater. The plays analyzed in this study are representative of the most important Northern Border playwrights whose plays' themes present the US-Mexico Borderlands in a socio-historical and political context. The most important themes observed include topics that engage in discussions of: the indigenous, Border crossings, heroes and folk saints, the city of Tijuana, and violence in the Borderlands, to name a few. These themes have led to the birth of the Teatro del Norte movement, a group of determined playwrights insistent on presenting dramaturgical themes that show the bond between their particular geographies, histories, socio-political and economic situations, thereby giving birth to an original voice and new aesthetic of representation. Dealing with the topics already mentioned, and pairing them with more timely ones like immigration reform, namely, this study can serve as an invaluable resource to many interdisciplinary academic settings, and can grant an eye-opening insight to Border relations through several critical readings.

This Land is My Land is a historical fictional story about the life and adventures of the soldiers, artisans, and clergy under the leadership of Hidalgo Don Hernando De Soto beginning in the year of 1538 and coming to a tiring end in 1542.The theme illustrates the difficulty of men and women in the first exploration of La Florida and its damaging effects to new lands and the indigenous people who had founded the land many years earlier. It elaborates how exploration is irresistible to human beings and will always have its good and bad outcomes. They begin with about seven hundred and fifty men and women of various cultural and ethnic backgrounds, mostly Portuguese and Spaniard. The route of exploration went through Cuba, 10 states and Mexico ending with about two hundred and twenty-six survivors. The protagonist is the gold and land-seeking explorer and Adelantado Don Hernando De Soto searching for new lands and riches to aid in his own as well as his countries profits. After his death, Luis de Moscoso follows him as the leader to get the remaining explorers safely to the city of Mexico. It does not demonstrate a one sided wrongdoing but the unethical and unfair actions that come about when differently cultivated humans meet. It is not a heartwarming story of great adventures, which leads to a Thanksgiving.It describes the four-year march across the interior of today's southeastern United States based on information the author gathered from translations of four of the original notes and writing of the original company.

This book is a contribution to the growing body of work on identity studies. It encompasses the analysis of common themes found in many Malaysian novels, i.e. identity and the self. These themes are examined through postcolonial and psychoanalytical lenses. The book provides an illustration of the intricacies that go into the analysis of identity and sense of self, as well as the manner in which textual studies and analysis is conceptualized and carried out. It is hoped that this book will provide Language Studies students with guidance on the manner in which textual analysis could be approached.

Through a unique combination of narrative history and primary documents, this book provides an engrossing biography of Sequoyah, the creator of the Cherokee writing system, and clearly documents the importance of written language in the preservation of culture. Sequoyah's creation of an easy-to-learn syllabary for the Cherokee nation enabled far more than the Cherokee Phoenix, the first newspaper of the Cherokee Nation, and the ability for Native Americans to communicate far more effectively than word of mouth can allow. In many ways, the effects of Sequoyah's syllabary demonstrate the critical role of written language in cultural preservation and persistence. Sequoyah and the Invention of the Cherokee Alphabet is a readable study of Sequoyah's life that also discusses Cherokee culture as well as the historical and current usage and impact of the Cherokee syllabary he created. While the emphasis of the work is on Sequoyah's adult life between 1800 and 1840, enough pre- and post-history information is provided to allow any reader to fully grasp the contextual significance of his accomplishments. The book includes a biography section of key individuals and contains a collection of primary documents that helps illustrate the usage of Sequoyah's syllabary. A page from the Cherokee Phoenix showing the use of written Cherokee language in Sequoyah's syllabary A Cherokee syllabary chart A bibliography of sources that describes the focus of each entry and identifies its benefit and intended audience Photographs of road signs in Cherokee, NC written in English and in the Cherokee syllabary

Contributions by Tim Armstrong, Edward A. Chappell, W. Ralph Eubanks, Amy A. Foley, Michael Gorra, Sherita L. Johnson, Andrew B. Leiter, John T. Matthews, Julie Beth Napolin, Erin Penner, Stephanie Rountree, Julia Stern, Jay Watson, and Randall Wilhelm In 1930, the same year he moved into Rowan Oak, a slave-built former plantation home in his hometown of Oxford, Mississippi, William Faulkner published his first work of fiction that gave serious attention to the experience and perspective of an enslaved individual. For the next two decades, Faulkner repeatedly returned to the theme of slavery and to the figures of enslaved people in his fiction, probing the racial, economic, and political contours of his region, nation, and hemisphere in work such as The Sound and the Fury; Light in August; Absalom, Absalom!; and Go Down, Moses. Faulkner and Slavery is the first collection to address the myriad legacies of African chattel slavery in the writings and personal history of one of the twentieth century's most incisive authors on US slavery and the long ordeal of race in the Americas. Contributors to the volume examine the constitutive links among slavery, capitalism, and modernity across Faulkner's oeuvre. They study how the history of slavery at the University of Mississippi informs writings like Absalom, Absalom! and trace how slavery's topologies of the rectilinear grid or square run up against the more reparative geography of the oval in Faulkner's narratives. Contributors explore how the legacies of slavery literally sound and resound across centuries of history, and across multiple novels and stories in Faulkner's fictional county of Yoknapatawpha, and they reveal how the author's remodeling work on his own residence brought him into an uncomfortable engagement with the spatial and architectural legacies of chattel slavery in north Mississippi. Faulkner and Slavery offers a timely intervention not only in the critical study of the writer's work but in ongoing national and global conversations about the afterlives of slavery and the necessary work of antiracism.

The last half century witnessed a dramatic change in the geographic, ethnographic, and socioeconomic structure of Asian American communities. While traditional enclaves were strengthened by waves of recent immigrants, native-born Asian Americans also created new urban and suburban areas.

Asian America is the first comprehensive look at post-1960s Asian American communities in the United States and Canada. From Chinese Americans in Chicagoland to Vietnamese Americans in Orange County, this multi-disciplinary collection spans a wide comparative and panoramic scope. Contributors from an array of academic fields focus on global views of Asian American communities as well as on territorial and cultural boundaries.

Presenting groundbreaking perspectives, Asian America revises worn assumptions and examines current challenges Asian American communities face in the twenty-first century.

The Cultural Revolution in China generated a cascade of commentaries and interpretations on the development and meaning of the upheaval. Many students and researchers have found it difficult to locate and identify literature on the period. This bibliography, first published in 1976, corrects this situation. It lists all books, monographs and journal articles in English on the Cultural Revolution, each annotated to show its relevance - a vital reference source.

The Unfinished Politics of Race argues that the past few decades have seen important transformations in the politics of race. Contending that existing accounts have focused narrowly on the mainstream political sphere, this study argues that there is a need to explore the role of race more widely. By exploring the mainstream as well as transitional and alternative spheres of political mobilisation the authors stress the need to link the analysis of both local and national processes in order to make sense of the changing contours of racialised politics. The underlying concern of this study is to outline both a theoretical frame for an analysis of racial politics, and detailed empirical accounts of different arenas of political mobilisation. By exploring the unfinished politics of race, this study provides a timely reminder that the position of racial and ethnic minorities in political institutions remains deeply contested.

The book tries to answer the questions: Who are the Kelabits? Why are they called Kelabits? Where do they live? When did they come to live there? What were their problems? What made them what they are today? What must they do inorder to advance forward?