In December 2018, the United States Senate unanimously passed the nation's first antilynching act, the Justice for Victims of Lynching Act. For the first time in US history, legislators, representing the American people, classified lynching as a federal hate crime. While lynching histories and memories have received attention among communication scholars and some interdisciplinary studies of traditional civil rights memorials exist, contemporary studies often fail to examine the politicized nature of the spaces. This volume represents the first investigation of the National Memorial for Peace and Justice and the Legacy Museum, both of which strategically make clear the various links between America's history of racial terror and contemporary mass incarceration conditions, the mistreatment of juveniles, and capital punishment. Racial Terrorism: A Rhetorical Investigation of Lynching focuses on several key social agents and organizations that played vital roles in the public and legal consciousness raising that finally led to the passage of the act. Marouf A. Hasian Jr. and Nicholas S. Paliewicz argue that the advocacy of attorney Bryan Stevenson, the work of the Equal Justice Initiative (EJI), and the efforts of curators at Montgomery's new Legacy Museum all contributed to the formation of a rhetorical culture that set the stage at last for this hallmark lynching legislation. The authors examine how the EJI uses spaces of remembrance to confront audiences with race-conscious messages and measure to what extent those messages are successful.

Winner, 2020 Peter C Rollins Prize, given by the Northeast Popular & American Culture Association Enables a reckoning with the legacy of the Forgotten War through literary and cinematic works of cultural memory Though often considered "the forgotten war," lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Susan Choi, Rolando Hinojosa, Toni Morrison, and Chang-rae Lee, and the Korean author Hwang Sok-yong. The multiple and ongoing historical trajectories presented in these works testify to the resurgent afterlife of this event in US cultural memory, and of its lasting impact on multiple racialized populations, both within the US and in Korea. The Intimacies of Conflict offers a robust, multifaceted, and multidisciplinary analysis of the pivotal-but often unacknowledged-consequences of the Korean War in both domestic and transnational histories of race.

Born in 1928 in a tent on the shore of Loch Fyne, Argyll, Duncan Williamson (d. 2007) eventually came to be recognized as one of the foremost storytellers in Scotland and the world. Webspinner: Songs, Stories, and Reflections of Duncan Williamson, Scottish Traveller is based on more than a hundred hours of tape-recorded interviews undertaken with him in the 1980s. Williamson tells of his birth and upbringing in the west of Scotland, his family background as one of Scotland's seminomadic travelling people, his varied work experiences after setting out from home at about age fifteen, and the challenges he later faced while raising a family of his own, living on the road for half the year. The recordings on which the book is based were made by John D. Niles, who was then an associate professor at the University of California, Berkeley. Niles has transcribed selections from his field tapes with scrupulous accuracy, arranging them alongside commentary, photos, and other scholarly aids, making this priceless self-portrait of a brilliant storyteller available to the public. The result is a delight to read. It is also a mine of information concerning a vanished way of life and the place of singing and storytelling in Traveller culture. In chapters that feature many colorful anecdotes and that mirror the spontaneity of oral delivery, readers learn much about how Williamson and other members of his persecuted minority had the resourcefulness to make a living on the outskirts of society, owning very little in the way of material goods but sustained by a rich oral heritage.

With An Uncommon Faith Eddie S. Glaude Jr. makes explicit his pragmatic approach to the study of African American religion. He insists that scholars take seriously what he calls black religious attitudes, that is, enduring and deep-seated dispositions tied to a transformative ideal that compel individuals to be otherwise?no matter the risk. This claim emerges as Glaude puts forward a rather idiosyncratic view of what the phrase "African American religion" offers within the context of a critically pragmatic approach to writing African American religious history. Ultimately, An Uncommon Faith reveals how pragmatism has shaped Glaude's scholarship over the years, as well as his interpretation of black life in the United States. In the end, his analysis turns our attention to those "black souls" who engage in the arduous task of self-creation in a world that clings to the idea that white people matter more than others. It is a task, he argues, that requires an uncommon faith and deserves the close attention of scholars of African American religion.

In Making Ethnicity, Simon Schlegel offers a history of ethnicity and its political uses in southern Bessarabia, a region that has long been at the crossroads of powerful forces: in the 19th century between the Russian and Ottoman Empires, since World War I between the Soviet Union and Romania, and since the collapse of the Soviet Union between Russia and the European Union's respective zones of influence. Drawing on biographical interviews and archival documents, Schlegel argues that ethnic categories gained relevance in the 19th century, as state bureaucrats took over local administration from the church. After mutating into a dangerous instrument of social engineering in the mid-20th century, ethnicity today remains a potent force for securing votes and allocating resources.

Trauma, Violence, and Abuse with Ethnic Populations introduces trauma-focused mental health approaches that can be used with diverse ethnic populations. The book features contemporary theoretical perspectives and evidence-based methods that not only offer a paradigm for culturally and ecologically appropriate interventions but also take into consideration the diverse needs of individuals affected by traumatic experiences. The text is grounded in empirically supported trauma treatment techniques and adapted to the complexities of actual practice. Opening chapters provide foundational skills and knowledge about conducting culturally informed trauma interventions with ethnic minority clients. Later chapters focus on specific populations and effective multicultural approaches and trauma interventions for each. Throughout, case studies and real-life scenarios are presented to contextualize the materials and bridge the gap between theory and practice. The text closes with a chapter addressing vicarious traumatization, compassion fatigue, and the importance of self-care. Trauma, Violence, and Abuse with Ethnic Populations is part of the Cognella Series on Advances in Culture, Race, and Ethnicity. The series, endorsed by Division 45 of the American Psychological Association, addresses critical and emerging issues within culture, race, and ethnic studies, as well as specific topics among key ethnocultural groups.

During the American Civil War, thousands of citizens in the Deep South remained loyal to the United States. Though often overlooked, they possessed broad symbolic importance and occupied an outsized place in the strategic thinking and public discourse of both the Union and the Confederacy. In True Blue, Clayton J. Butler investigates the lives of white Unionists in three Confederate states, revealing who they were, why and how they took their Unionist stand, and what happened to them as a result. He focuses on three Union regiments recruited from among the white residents of the Deep South-individuals who passed the highest bar of Unionism by enlisting in the United States Army to fight with the First Louisiana Cavalry, First Alabama Cavalry, and Thirteenth Tennessee Union Cavalry. Northerners and southerners alike thought a considerable amount about Deep South Unionism throughout the war, often projecting their hopes and apprehensions onto these embattled dissenters. For both, the significance of these Unionists hinged on the role they would play in the postwar future. To northerners, they represented the tangible nucleus of national loyalty within the rebelling states on which to build Reconstruction policies. To Confederates, they represented traitors to the political ideals of their would-be nation and, as the war went on, to the white race, making them at times a target for vicious reprisal. Unionists' wartime allegiance proved a touchstone during the political chaos and realignment of Reconstruction, a period when many of these veterans played a key role both as elected officials and as a pivotal voting bloc. In the end, white Unionists proved willing to ally with African Americans during the war to save the Union but unwilling to protect or advance Black civil rights afterward, revealing the character of Unionism during the era as a whole.

Provides an illuminating look at the diverse world of Black religious life in North America, focusing particularly outside of mainstream Christian churches From the Moorish Science Temple to the Peace Mission Movement of Father Divine to the Commandment Keepers sect of Black Judaism, myriad Black new religious movements developed during the time of the Great Migration. Many of these stood outside of Christianity, but some remained at least partially within the Christian fold. The Black Coptic Church is one of these. Black Coptics combined elements of Black Protestant and Black Hebrew traditions with Ethiopianism as a way of constructing a divine racial identity that embraced the idea of a royal Egyptian heritage for its African American followers, a heroic identity that was in stark contrast to the racial identity imposed on African Americans by the white dominant culture. This embrace of a royal Blackness—what McKinnis calls an act of “fugitive spirituality”—illuminates how the Black Coptic tradition in Chicago and beyond uniquely employs a religio-performative imagination. McKinnis asks, ‘What does it mean to imagine Blackness?’ Drawing on ten years of archival research and interviews with current members of the church, The Black Coptic Church offers a look at a group that insisted on its own understanding of its divine Blackness. In the process, it provides a more complex look at the diverse world of Black religious life in North America, particularly within non-mainstream Christian churches.

This is the third volume in Jeffries's long-range effort to paint a more complete portrait of the most widely known organization to emerge from the 1960s Black Power Movement. He looks at Black Panther Party activity in sites outside Oakland, California, such as Atlanta, Boston, Dallas, and Washington, D.C.