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Books > Social sciences > Sociology, social studies > Ethnic studies > General
As early as 1947, Black parents in rural South Carolina began
seeking equal educational opportunities for their children. After
two unsuccessful lawsuits, these families directly challenged
legally mandated segregation in public schools with a third lawsuit
in 1950, which was eventually decided in Brown v. Board of
Education. Amidst the Black parents' resistance, Elizabeth Avery
Waring, a twice-divorced northern socialite, and her third husband,
federal judge J. Waties Waring, launched a rhetorical campaign
condemning white supremacy and segregation. In a series of
speeches, the Warings exposed the incongruity between American
democratic ideals and the reality for Black Americans in the Jim
Crow South. They urged audiences to pressure elected
representatives to force southern states to end legal segregation.
Wanda Little Fenimore employs innovative research methods to
recover the Warings' speeches that said the unsayable about white
supremacy. When the couple poked at the contradiction between
segregation and "all men are created equal," white supremacists
pushed back. As a result, the couple received both damning and
congratulatory letters that reveal the terms upon which segregation
was defended and the reasons those who opposed white supremacy
remained silent. Using rich archival materials, Fenimore crafts an
engaging narrative that illustrates the rhetorical context from
which Brown v. Board of Education arose and dispels the notion that
the decision was inevitable. The first full-length account of the
Warings' rhetoric, this multilayered story of social progress
traces the symbolic battle that provided a locus for change in the
landmark Supreme Court decision.
What worlds take root in war? In this book, anthropologist Munira
Khayyat describes life along the southern border of Lebanon, where
resistant ecologies thrive amid a terrain of perennial war. A
Landscape of War takes us to frontline villages where armed
invasions, indiscriminate bombings, and scattered land mines have
become the environment where everyday life is waged. This book
dwells with multispecies partnerships such as tobacco farming and
goatherding that carry life through seasons of destruction. Neither
green-tinged utopia nor total devastation, these ecologies make
life possible in an insistently deadly region. Sourcing an
anthropology of war from where it is lived, this book decolonizes
distant theories of war and brings to light creative practices
forged in the midst of ongoing devastation. In lyrical prose that
resonates with imperiled conditions across the Global South,
Khayyat paints a portrait of war as a place where life must go on.
One of our country's premier cultural and social critics, the
author of such powerful and influential books as Ain't I a Woman
and Black Looks, Bell Hooks has always maintained that eradicating
racism and eradicating sexism must be achieved hand in hand. But
whereas many women have been recognized for their writing on gender
politics, the female voice has been all but locked out of the
public discourse on race. Killing Rage speaks to this imbalance.
These twenty-three essays, most of them new works, are written from
a black and feminist perspective, and they tackle the bitter
difficulties of racism by envisioning a world without it. Hooks
defiantly creates positive plans for the future rather than dwell
in theories of a crisis beyond repair. The essays here address a
spectrum of topics to do with race and racism in the United States:
psychological trauma among African Americans; friendship between
black women and white women; anti-Semitism and racism; internalized
racism in the movies and media. Hooks presents a challenge to the
patriarchal family model, explaining how it perpetuates sexism and
oppression in black life. She calls out the tendency of much of
mainstream America to conflate "black rage" with murderous,
pathological impulses, rather than seeing it as a positive state of
being. And in the title essay she writes about the "killing rage" -
the fierce anger of black people stung by repeated instances of
everyday racism - finding in that rage a healing source of love and
strength, and a catalyst for productive change. Her analysis is
rigorous and her language unsparingly critical, but Hooks writes
with a common touch that has made her a favorite of readers far
from universities.Bell Hooks's work contains multitudes; she is a
feminist who includes and celebrates men, a critic of racism who is
not separatist or Afrocentric, an academic who cares about popular
culture.
More children than ever are crossing international borders alone to
seek asylum worldwide. In the past decade, over a half million
children have fled from Central America to the United States,
seeking safety and a chance to continue lives halted by violence.
Yet upon their arrival, they fail to find the protection that our
laws promise, based on the broadly shared belief that children
should be safeguarded. A meticulously researched ethnography,
Precarious Protections chronicles the experiences and perspectives
of Central American unaccompanied minors and their immigration
attorneys as they pursue applications for refugee status in the US
asylum process. Chiara Galli debunks assumptions about asylum,
including the idea that people are being denied protection because
they file bogus claims. In practice, the United States interprets
asylum law far more narrowly than what is necessary to recognize
real-world experiences of escape from life-threatening violence.
This is especially true for children from Central America. Galli
reveals the formidable challenges of lawyering with children and
exposes the human toll of the US immigration bureaucracy.
This title is part of UC Press's Voices Revived program, which
commemorates University of California Press's mission to seek out
and cultivate the brightest minds and give them voice, reach, and
impact. Drawing on a backlist dating to 1893, Voices Revived makes
high-quality, peer-reviewed scholarship accessible once again using
print-on-demand technology. This title was originally published in
1974.
What stands out about racism is its ability to withstand efforts to
legislate or educate it away. In The Racist Fantasy, Todd McGowan
argues that its persistence is due to a massive unconscious
investment in a fundamental racist fantasy. As long as this fantasy
continues to underlie contemporary society, McGowan claims, racism
will remain with us, no matter how strenuously we struggle to
eliminate it. The racist fantasy, a fantasy in which the racial
other is a figure who blocks the enjoyment of the racist, is a
shared social structure. No one individual invented it, and no one
individual is responsible for its perpetuation. While no one is
guilty for the emergence of the racist fantasy, people are
nonetheless responsible for keeping it alive and thus responsible
for fighting against it. The Racist Fantasy examines how this
fantasy provides the psychic basis for the racism that appears so
conspicuously throughout modern history. The racist fantasy informs
everything from lynching and police shootings to Hollywood
blockbusters and musical tastes. This fantasy takes root under
capitalism as a way of explaining the failures and disappointments
that result from the relationship to the commodity. The struggle
against racism involves dislodging the fantasy structure and to
change the capitalist relations that require it. This is the
project of this book.
This title is part of UC Press's Voices Revived program, which
commemorates University of California Press's mission to seek out
and cultivate the brightest minds and give them voice, reach, and
impact. Drawing on a backlist dating to 1893, Voices Revived makes
high-quality, peer-reviewed scholarship accessible once again using
print-on-demand technology. This title was originally published in
1964.
Faith, Race, and the Lost Cause is a new history of Richmond's
famous St. Paul's Episcopal Church, attended by Robert E. Lee and
Jefferson Davis during the Civil War and a tourist magnet
thereafter. Christopher Alan Graham's narrative-which emerged out
of St. Paul's History and Reconciliation Initiative-charts the
congregation's theological and secular views of race from the
church's founding in 1845 to the present day, exploring the
church's complicity in Lost Cause narratives and racial oppression
in Richmond. Graham investigates the ways that the actions of elite
white southerners who imagined themselves as benevolent-liberal,
even-in their treatment of Black people through the decades
obscured the actual damage to Black bodies and souls that this
ostensible liberalism caused. Placing the legacy of St. Paul's
self-described benevolent paternalism in dialogue with the racial
and religious geography of Richmond, Graham reflects on what an
authentic process of recognition and reparations might be, drawing
useful lessons for America writ large.
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