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Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > General
This anthology is the first attempt to present a rounded picture of
'Kierkegaard as a philosopher' in English. After an introduction
explaining how Kierkegaard viewed the task of 'becoming a
philosopher', there are generous extracts from the "Concept of
Irony" and the great pseudonymous works: " Either/Or," "Fear and
Trembling," "Repetition,"" Philosophical Fragments," "The Concept
of Anxiety," "Prefaces,"" Johannes Climacus" and "Concluding
Unscientific Postscript," Kierkegaard's own attempts to summarize
the significance of his writings are also included, so that readers
have the opportunity to make up their own minds about the adequacy
of his retrospective accounting. The Kierkegaard who emerges from these pages is not only a
penetrating analyst of temporality, individuality, and irony, but
also a lithe, witty and versatile stylist. He is probably one of
the greatest writers in the philosophical tradition, and surely one
of the most humorous. The anthology makes use of a range of classic translations, and includes new translations by Jane Chamberlain and Jonathan Ree, explanatory introductions, an index and a glossary.
This collection of essays delineates the history of the rather disparate intellectual tradition usually labeled as "Platonic" or "Neoplatonic." In chronological order, the book covers the most eminent philosophic schools of thought within that tradition. The most important terms of the Platonic tradition are studied together with a discussion of their semantic implications, the philosophical and theological claims associated with the terms, the sources that furnish the terms, and the intellectual traditions aligned with or opposed to them. The contributors thereby provide a vivid intellectual map of the Middle Ages and the Early Modern period. Contributions are written in English or German.
This book explores the relationship between Hume's sceptical philosophy and his Newtonian ambition of founding a science of human nature. Assessing both received and 'new' readings of Hume's philosophy, Stanistreet offers a line of interpretation which, he argues, makes sense of many of the apparent conflicts and paradoxes in Hume's work and describes how well-known controversies concerning Hume's thinking about causation, induction and the external world can be resolved. Stainstreet argues that Hume's notorious sceptical arguments are not the episodic outbursts of an unsystematic philosopher, but emerge as part of his attempt to provide science and philosophy with grounds which face up to and withstand the scepticism to which reflective thinkers are naturally prone. Offering important new contributions to Hume scholarship, this book also surveys and assesses the new research responsible for the recent sea-change in thinking about Hume. It offers an accessible overview of these developments while suggesting significant revisions to current readings of Hume's philosophy.
Hume's "New Scene of Thought," is a defense of Hume's philosophical principles in the Treatise of Human Nature. Nelson shows that Hume's new philosophy was a uniquely original and profound work, a masterpiece in philosophical literature, and a work worthy of serious study and acceptance. Expounding on the meaning that Hume gives to his new science of man founded on an empirical foundation, it is shown that all the sciences were, in effect, nothing more than branches of "introspective psychology." The thesis of The Several faces of David Hume in The Dialogues Concerning Natural Religion is that Dialogues is a reflective philosophical autobiography of Hume himself. Every character represents Hume at some stage in his life: Pamphilus is Hume at fifteen, and Philo is Hume in his adult philosophical maturity. Cleanthes is Bishop Butler but also Hume, when Hume was under the sway of Butler's writings as a young man. Demea represents the orthodox religious views that Hume was raised on, which Hume rejected by his eighteenth year.
Since the nineteenth century, moral philosophy in the Western world has been dominated by utilitarianism, Kantianism, and relativism. Only a few philosophers have been able to escape from this Procrustean bed. Foremost among these few is Nicolai Hartmann (1882-1950). Together with Henri Bergson and Martin Heidegger, Hartmann was instrumental in restoring metaphysics. Hartmann's metaphysics differs markedly from that of both Bergson and Heidegger, in his indebtedness to Plato. In 1926, Hartmann published a massive treatise, "Ethik," which was translated into English by Stanton Coit and published as "Ethics" in 1932. "Ethics" is probably the most outstanding treatise on moral philosophy in the twentieth century. The central concept of the book is "value." Drawing upon the pre-modern view of ethics, Hartmann maintains that values are objectively given, part and parcel of the order of being. We cannot invent values, we can merely discover them. The first part of "Ethics" is concerned with the structure of ethical phenomena and criticizes utilitarianism, Kantianism, and relativism as misleading approaches. After some introductory thoughts concerning the competence of practical philosophy, Hartmann discusses the essence of moral values, including their absoluteness and ideal being, and the essence of the "ought." Hartmann is both controversial and compelling. He provides a moral philosophy that rejects the subjectivism of the ruling approaches, without taking recourse to older theological notions on the foundation of the ethical. In sum: Hartmann's Ethics constitutes an impressive and preeminent contribution to moral philosophy.
With a new introduction by Alan Sica. Giambattista Vico (1668-1744) is often regarded as the beleaguered, neglected genius of pre-Enlightenment Naples. His work-though known to Herder, Coleridge, Matthew Arnold, and Michelet-widely and deeply appreciated only during the twentieth century. Although Vico may be best known for the use James Joyce made of his theories in Finnegans Wake, Croce's insightful analysis of Vico's ideas played a large role in alerting readers to his unique voice. Croce's volume preceded Joyce's creation of "Mr. John Baptister Vickar" by a quarter century. During the last 25 years Vico's ideas about history, language, anti-Cartesian epistemology, and rhetoric have begun to receive the recognition their admirers have long claimed they deserve. Increasing numbers of publications appear annually which bear the stamp of Vico's thinking. Even if he is not yet so renowned as some of his contemporaries, such as Locke, Voltaire, or Montesquieu, there are good reasons to believe that in the future he will be equally honored as a cultural theorist. As a theorist of historical process and its language, there is no more innovative voice than his until the twentieth century-which explains in part why such figures as Joyce and R.G. Collingwood freely drew on Vico's work, particularly his New Science, while creating their own. If Vico was Naples' most brilliant, if uncelebrated, citizen prior to the Enlightenment taking hold in Southern Italy, then Croce (1866-1952) is surely the city's most important thinker of modern times, and the single indispensable Italian philosopher since Vico's death. When a genius of Croce's interpretative prowess, evaluates the work of another, it is inevitable that an explosive mixture will result. A great virtue of this book is its fusion of Croce's unique brand of idealism and aesthetic philosophy with Vico's epistemological, ethical, and historical theories. If Vico's theory of cyclical changes in history, the corsi e ricorsi, remains fruitful, it might be argued that Croce's evaluation of his countryman' ideas represented the next turn of the philosophical wheel toward enlightenment.
Examining the significance of Kant's account of "rational faith," this study argues that he profoundly revises his account of the human will and the moral philosophy of it in his later religious writings.
This book highlights Kant's fundamental contrast between the mechanistic and dynamical conceptions of matter, which is central to his views about the foundations of physics, and is best understood in terms of the contrast between objects of sensibility and things in themselves.
Addresses the nature of the influence of the European Enlightenment on the beliefs and practice of the Protestant missionaries who went to Asia and Africa from the mid-eighteenth century onwards, particularly British missions and the formative role of the Scottish Enlightenment on their thinking.
The 1990s saw a revival of interest in Kierkegaard's thought, affecting the fields of theology, social theory, and literary and cultural criticism. The resulting discussions have done much to discredit the earlier misreadings of Kierkegaard's works. This collection of essays by Kierkegaard scholars represents the new consensus on Kierkegaard and his conception of moral selfhood. It answers the charges of one of Kierkegaard's biggest critics, contemporary philosopher Alasdair MacIntyre, and shows how some of Kierkegaard's insights into tradition, virtuous character, and the human good may actually support MacIntyre's ideas. The contributors include Alasdair MacIntyre and Philip Quinn.
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