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Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > General
While Nietzsche's works and ideas are relevant across the many branches of philosophy, the themes of contest and conflict have been mostly overlooked. Conflict and Contest in Nietzsche's Philosophy redresses this situation, arguing for the importance of these issues throughout Nietzsche's work. The volume has three key lines of inquiry: Nietzsche's ontology of conflict; Nietzsche's conception of the agon; and Nietzsche's warrior-philosophy. Under these three umbrellas is a collection of insightful and provocative essays considering, among other topics, Nietzsche's understanding of resistance; his engagement with classical thinkers alongside his contemporaries, including Jacob Burckhardt; his views on language, metaphor and aphorism; and war, revolt and terror. In bringing together such topics, Conflict and Contest in Nietzsche's Philosophy seeks to correct the one-sided tendencies within the existing literature to read simply 'hard' and 'soft' analyses of conflict. Written by scholars across the Anglophone and the European traditions, within and beyond philosophy, this collection emphasises the entire problematic of conflict in Nietzsche's thought and its relation to his philosophical and literary practice.
With a new introduction by Alan Sica. Giambattista Vico (1668-1744) is often regarded as the beleaguered, neglected genius of pre-Enlightenment Naples. His work-though known to Herder, Coleridge, Matthew Arnold, and Michelet-widely and deeply appreciated only during the twentieth century. Although Vico may be best known for the use James Joyce made of his theories in Finnegans Wake, Croce's insightful analysis of Vico's ideas played a large role in alerting readers to his unique voice. Croce's volume preceded Joyce's creation of "Mr. John Baptister Vickar" by a quarter century. During the last 25 years Vico's ideas about history, language, anti-Cartesian epistemology, and rhetoric have begun to receive the recognition their admirers have long claimed they deserve. Increasing numbers of publications appear annually which bear the stamp of Vico's thinking. Even if he is not yet so renowned as some of his contemporaries, such as Locke, Voltaire, or Montesquieu, there are good reasons to believe that in the future he will be equally honored as a cultural theorist. As a theorist of historical process and its language, there is no more innovative voice than his until the twentieth century-which explains in part why such figures as Joyce and R.G. Collingwood freely drew on Vico's work, particularly his New Science, while creating their own. If Vico was Naples' most brilliant, if uncelebrated, citizen prior to the Enlightenment taking hold in Southern Italy, then Croce (1866-1952) is surely the city's most important thinker of modern times, and the single indispensable Italian philosopher since Vico's death. When a genius of Croce's interpretative prowess, evaluates the work of another, it is inevitable that an explosive mixture will result. A great virtue of this book is its fusion of Croce's unique brand of idealism and aesthetic philosophy with Vico's epistemological, ethical, and historical theories. If Vico's theory of cyclical changes in history, the corsi e ricorsi, remains fruitful, it might be argued that Croce's evaluation of his countryman' ideas represented the next turn of the philosophical wheel toward enlightenment.
Examining the significance of Kant's account of "rational faith," this study argues that he profoundly revises his account of the human will and the moral philosophy of it in his later religious writings.
This book highlights Kant's fundamental contrast between the mechanistic and dynamical conceptions of matter, which is central to his views about the foundations of physics, and is best understood in terms of the contrast between objects of sensibility and things in themselves.
Addresses the nature of the influence of the European Enlightenment on the beliefs and practice of the Protestant missionaries who went to Asia and Africa from the mid-eighteenth century onwards, particularly British missions and the formative role of the Scottish Enlightenment on their thinking.
What is the je-ne-sais-quoi? How-if at all-can it be put into words? In addressing these questions, Richard Scholar offers the first full-length study of the je-ne-sais-quoi and its fortunes in early modern Europe. He describes the rise and fall of the expression as a noun and as a topic of debate, examines its cluster of meanings, and uncovers the scattered traces of its 'pre-history'. The je-ne-sais-quoi is often assumed to belong purely to the realm of the literary, but in the early modern period it serves to articulate problems of knowledge in natural philosophy, the passions, and culture, and for that reason it is approached here from an interdisciplinary perspective. Placing major figures of the period such as Montaigne, Shakespeare, Descartes, Corneille, and Pascal alongside some of their lesser-known contemporaries, Scholar argues that the je-ne-sais-quoi serves above all to capture first-person encounters with a 'certain something' that is as difficult to explain as its effects are intense. When early modern writers use the expression in this way, he suggests, they give literary form to an experience that twenty-first-century readers may recognize as something like their own.
John Locke (1632-1704) is perhaps the greatest philosopher in the English language. A political activist in a revolutionary age, Locke's prolific correspondence opens up the cultural, social, intellectual, and political worlds of the later Stuart era. Spanning half a century, the letters trace the transition from Puritanism to the Enlightenment. A man of insatiable curiosity, Locke's letters encompass science (his correspondents include Isaac Newton and Robert Boyle), education, travel, religion, and the birth of the British empire.
In this long-awaited volume, David B. Allison argues for a "generous" approach to Nietzsche's writings, and then provides comprehensive analyses of Nietzsche's The Birth of Tragedy, The Gay Science, On the Genealogy of Morals, and Thus Spoke Zarathustra. Unique among other books on Nietzsche, Allison's text includes individual chapters devoted to Nietzsche's principal works. Historically-oriented and continentally-informed, Allison's readings draw on French and German thinkers, such as Heidegger, Battaille, Derrida, Birault, and Deleuze, while the author explicitly resists the use of jargon that frequently characterizes those approaches. Reading the New Nietzsche is an outstanding resource for those reading Nietzsche for the first time as well as for those who wish to know him better.
In this long-awaited volume, David B. Allison argues for a 'generous' approach to Nietzsche's writings, and then provides comprehensive analyses of Nietzsche's The Birth of Tragedy, The Gay Science, On the Genealogy of Morals, and Thus Spoke Zarathustra. Unique among other books on Nietzsche, Allison's text includes individual chapters devoted to Nietzsche's principal works. Historically-oriented and continentally-informed, Allison's readings draw on French and German thinkers, such as Heidegger, Battaille, Derrida, Birault, and Deleuze, while the author explicitly resists the use of jargon that frequently characterizes those approaches. Reading the New Nietzsche is an outstanding resource for those reading Nietzsche for the first time as well as for those who wish to know him better.
Offers a reading of some of the lesser known and less lucid aspects of Kantian thought. Diane Morgan focuses her investigation on a reappraisal of Kant's writings on architecture, monarchy and faith in progress. Throughout her study Morgan challenges the widely held view of Kant as the exponent of concrete and rigid rationality and argues that his airtight "architectonic" mode of reasoning, which Kant identified in "The Critique of Pure Reason", overlooks certain topics which destabilize it. Themes such as temporary forms of architecture, like landscape gardening; examples which undermine the autonomy of the Kantian subject, for example freemasonry; and the concept of radical evil suggest that Kant's thought was capable of accommodating troubling and subversive themes. Morgan's discussion arrives at a perspective on Kant whereby he is no longer to be regarded as a concrete rationalist but as a daring thinker, not afraid to entertain ideas highly threatening to his own system and to the humanistic legacy of the Enlightenment.
Offers a reading of some of the lesser known and less lucid aspects of Kantian thought. Diane Morgan focuses her investigation on a reappraisal of Kant's writings on architecture, monarchy and faith in progress. Throughout her study Morgan challenges the widely held view of Kant as the exponent of concrete and rigid rationality and argues that his airtight "architectonic" mode of reasoning, which Kant identified in "The Critique of Pure Reason", overlooks certain topics which destabilize it. Themes such as temporary forms of architecture, like landscape gardening; examples which undermine the autonomy of the Kantian subject, for example freemasonry; and the concept of radical evil suggest that Kant's thought was capable of accommodating troubling and subversive themes. Morgan's discussion arrives at a perspective on Kant whereby he is no longer to be regarded as a concrete rationalist but as a daring thinker, not afraid to entertain ideas highly threatening to his own system and to the humanistic legacy of the Enlightenment.
The history of politics can be represented as a series of demands for change followed in each case by a call for order and vice versa. Although a simplification, this pattern is reflected in political philosophy which helps both to record and, on occasion, to accelerate these alternate demands for liberty and authority.
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