Tom Sorell and Luc Foisneau bring together original essays by the world's leading Hobbes scholars to discuss Hobbes's masterpiece after three and a half centuries. The contributors address three different themes. The first is the place of Leviathan within Hobbes's output as a political philosopher. What does Leviathan add to The Elements of Law (1640) and De Cive (1642; 1647)? What is the relation between the English Leviathan and the Latin version of the book (1668)? Does Leviathan deserve its pre-eminence? The second theme concerns the connections between Hobbes's psychology and Hobbes's politics. The essays discuss Hobbes's curious views on the significance of laughter, evidence that he connected life in the state with passionlessness; the ways in which such things as fear for one's life entitle subjects to rebel; and the question of how the sovereign's personal passions are to be squared with his personifying a multitude. The third theme is Hobbes's views on the Bible and the Church: contributors examine the tensions between any allowance for ecclesiastical and (differently) biblical authority on the one hand, and political authority on the other. This is a book which anyone working on Hobbes or on this period of intellectual history will want to read.

John Stuart Mill's thought has been central in recent (as well as older) works of political theory discussing the relationship between liberal democratic politics and nationality or nationalism -- which is far from surprising, given his undisputed influence on liberal attitudes towards nationality from the 1860s to the present. This book provides the first thorough critical study of the attitude of this pillar of the liberal tradition towards nationality, nationhood, patriotism, cosmopolitanism, intervention/non-intervention, and international politics more generally. Based on exhaustive research in a great range or writings by Mill, as well as by his contemporaries and later students, it establishes for the first time clearly and subtly where exactly Mill stood with regard to nationhood, nationalism, patriotism, cosmopolitanism, national self-determination, intervention/non-intervention and other important issues in international ethics. It thus exposes and challenges all sorts of misconceptions, half-truths, or myths surrounding Mill's views on, and attitude towards, nationality and related issues in a vast literature from the mid-nineteenth to the beginning of the twenty-first century. At the same time, it offers a timely contribution to contemporary debates among political theorists on the relationship between liberal democratic values and nationalism, patriotism and cosmopolitanism, not least through its articulation of a distinct sense in which patriotism and cosmopolitanism can be compatible and mutually reinforcing (based on Varouxakis's interpretation of Mill's thought on this question). The reader will find critical discussions of the pronouncements on some of the issues examined (or on Mill's contributions to them) of some of the most important late-twentieth-century political theorists as well as of contemporaries or near-contemporaries of Mill.

The arguments advanced in the second chapter of On Liberty (1859) have become the touchstone for practically every discussion of freedom of speech, yet the broader development of John Stuart Mill's ideas concerning intellectual liberty has generally been neglected. This work attempts to fill that lacuna by looking beyond On Liberty, in order to understand the evolution of Mill's ideas concerning freedom of thought and discussion.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists worldwide who have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The goal of the present volume is to document this influence in different language groups and traditions. Tome II is dedicated to the use of Kierkegaard by later Danish writers. Almost from the beginning Kierkegaard's works were standard reading for these authors. Danish novelists and critics from the Modern Breakthrough movement in the 1870s were among the first to make extensive use of his writings. These included the theoretical leader of the movement, the critic Georg Brandes, who wrote an entire book on Kierkegaard, and the novelists Jens Peter Jacobsen and Henrik Pontoppidan. The next generation of writers from the turn of the century and through the First World War also saw in Kierkegaard important points of inspiration. These included Ernesto Dalgas and Harald Kidde, who used elements of Kierkegaard's thought in their novels. Modern Danish writers such as Karen Blixen, Martin A. Hansen, and Villy SArensen have continued to incorporate Kierkegaard into their works. There can be no doubt that Kierkegaard has indelibly stamped his name on Danish literature.

Comparing Averroes' and Hegel's positions on the relation between philosophy and religion, this book explores the theme of the authorities of faith and reason, and the origin of truth, in a medieval Islamic and a modern Christian context respectively. Through an in-depth analysis of Averroes' and Hegel's parallel views on the nature of philosophical and religious discourse, Belo presents new insights into their perspectives on the relation between philosophical knowledge and religious knowledge, and the differences between philosophy and religion. In addition, Belo explores particular works which have not yet been studied by modern scholarship.

George Pattison provides a bold and innovative reassessment of Kierkegaard's neglected Eighteen Upbuilding Discourses and reading of his work as a whole. The first full length assessment of the discourses in English, this volume will be essential reading for philosophers and theologians, and anyone interested in Kierkegaard and the history of philosophy.

Charles Sanders Peirce, the founder of Pragmatism, was convinced that metaphysics is not just of primary importance to philosophy, but that it serves as the basis of all sciences. From Realism to 'Realicism' is a unique critical study of Peirce's metaphysics, and his repeated insistence on the realism of the medieval schoolman as the key to understanding his own system. By tracing the problem of universals beginning with its Greek roots, Rosa Maria Perez-Teran Mayorga provides the necessary yet underrepresented background of moderate realism and Peirce's eventual revision of metaphysics. This book examines Peirce's definition of the "real," his synechism, his idealism, and his "pragmaticism," which are all related to his sense of realism. With strong analyses and references to Plato, Aristotle, and John Duns Scotus, a Franciscan monk known as a major proponent of scholastic realism, From Realism to 'Realicism' is an insightful and intriguing book that will stimulate the minds of fellow philosophers and those interested in Charles Sanders Peirce.

Nietzsche's philosophy - at once revolutionary, erudite and deep - reaches into all spheres of the arts. Well into a second century of influence, the profundity of his ideas and the complexity of his writings still determine Nietzsche's power to engage his readers. His first book, "The Birth of Tragedy", presents us with a lively inquiry into the existential meaning of Greek tragedy. We are confronted with the idea that the awful truth of our existence can be revealed through tragic art, whereby our relationship to the world transfigures from pessimistic despair into sublime elation and affirmation. It is a landmark text in his oeuvre and remains an important book both for newcomers to Nietzsche and those wishing to enrich their appreciation of his mature writings. "Nietzsche and The Birth of Tragedy" provides a clear account of the text and explores the philosophical, literary and historical influences bearing upon it. Each chapter examines part of the text, explaining the ideas presented and assessing relevant scholarly points of interpretation. The book will be an invaluable guide to readers in Philosophy, Literary Studies and Classics coming to "The Birth of Tragedy" for the first time.

Both Hegel's philosophy and psychoanalytic theory have profoundly influenced contemporary thought, but they are traditionally seen to work in separate rather than intersecting universes. This book offers a new interpretation of Hegel's Phenomenology of Spirit and brings it into conversation the work of two of the best-known contemporary psychoanalysts, Christopher Bollas and Andre Green. Hegel and Psychoanalysis centers a consideration of the Phenomenology on the figure of the Unhappy Consciousness and the concept of Force, two areas that are often overlooked by studies which focus on the master/slave dialectic. This book offers reasons for why now, more than ever, we need to recognize how concepts of intersubjectivity, Force, the Third, and binding are essential to an understanding of our modern world. Such concepts can allow for an interrogation of what can be seen as the profoundly false and constructed senses of community and friendship created by social networking sites, and further an idea of a "global community," which thrives at the expense of authentic intersubjective relations.

Offers a new interpretation of Butler's theology and suggests that exploration of his methods may contribute to modern thinking about ethics, language, the Church as well as religion and science. Joseph Butler [1692-1752] is perhaps Britain's most powerful and original moral philosopher. He exercised a profound influence over the contemporary Protestant Churches, the English moralists and the Scottish philosophical schoolbut his theory of the "affections", grounded in Newtonian metaphysics and presenting an account of human psychology, also set the terms of engagement with questions of education, slavery, missions and even labour relations. Inthe nineteenth-century English-speaking world he was an authority of first resort for Evangelicals, Tractarians, philosophers, scientists, psychologists, economists, sociologists, lawyers and educationalists alike. He remains a key reference point for modern American and British philosophers, from Broad to Rawls and beyond. Many analyses of Butler, however, have been distorted by aggressively secular readings. This book is based on a comprehensive reassessment of his published work and the surviving manuscripts and archival materials. These are set within an account of his spiritual and intellectual development and his ministerial vocation, from the protracted and painful process of conforming to the Church of England to his initial observations on a social philosophy. Demonstrating that even The Analogy originated in liturgical preaching, this book offers a refreshed and detailed account of Butler's key terms - conscience, consciousness, identity, affections, charity, analogy, probability, tendency - and suggests that exploration of his methods may contribute to modern thinking about ethics, language, the role of the Church, and the religion and science debates. BOB TENNANT taught English Literature at the University of Sussex, spent many years as a senior manager in adult education, and was a trade union and political activist serving leading organisations at local, regional and national levels. He has written on political, economic and trade union matters for many newspapers and periodicals and is a founder of The British Pulpit Online, seeking to create an online catalogue and database of all printed British sermons from 1660 to 1901.

The essence of Hume's eighteenth-century philosophy was that all the sciences were 'dependent on the science of man', and that the foundations of any such science need to rest on experience and observation. This title, first published in 1932, examines in detail how Hume interpreted 'the science of man' and how he applied his experimental methodology to humankind's understanding, passions, social duties, economic activities, religious beliefs and secular history throughout his career. Particular attention is paid to the English, French and Latin sources that shaped Hume's theories. This is a full and fascinating title, of particular relevance to students with an interest in the philosophy of Hume specifically, as well as the philosophy of human nature and the methodologies applied to its study more generally.

Interpreting Kierkegaard in the general context of Golden Age Denmark, this interdisciplinary anthology features articles which treat his various relations to his most famous Danish contemporaries. It aims to see them not as minor figures laboring in Kierkegaard's shadow but rather as significant thinkers and artists in their own right. The articles illuminate both Kierkegaard's influence on his contemporaries and their varied influences on him. By means of the analyses of these various relations, aspects of Kierkegaard's authorship are brought into new and insightful perspectives. The featured essays treat some of the most important figures from the time, representing the fields of philosophy, theology, literature, criticism and art.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists. This use can be traced in the work of major cultural figures not just in Denmark and Scandinavia but also in the wider world. They have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables and allegories. The present volume documents this influence in the different language groups and traditions. Tome III investigates the works of Swedish and Norwegian writers and artists inspired by Kierkegaard. In Sweden the novelist Victoria Benedictsson made use of Kierkegaard during the period of the so-called Modern Breakthrough, as did the playwright August Strindberg. Later Swedish writers have continued to draw on his thought, such as Selma Lagerlof, Lars Ahlin, Lars Gyllensten, and Carl-Henning Wijkmark. The Norwegian reception of Kierkegaard also began remarkably early and was shaped by the leading names in Norwegian cultural life. Despite his coy responses to questions about his relation to Kierkegaard, Henrik Ibsen clearly seems to have been inspired by the Dane in works such as Brand. Norwegian writer and poet Bjornstjerne Bjornson, who was influenced by the Modern Breakthrough movement, was also deeply inspired by Kierkegaard. Finally, the celebrated Norwegian artist Edvard Munch (1863-1944) closely studied key Kierkegaardian concepts such as anxiety, and his influence is notable in his iconic paintings such as The Scream.

Anton Wilhelm Amo (c.1703-after 1752) was the first African philosopher in the modern period to write in the European philosophical tradition and study and teach in European universities. At the dawn of the eighteenth century, while still a small boy, he was sent from his home in present-day Ghana to Amsterdam. From there he was sent to Germany as a court attendant of Duke Anton Ulrich of Braunschweig-Wolfenbuttel, and was subsequently baptized in 1708. He matriculated at the University of Halle in 1727, where he defended a law thesis. He then studied and taught at the University of Wittenberg, before returning to Halle to teach, and later also teaching in Jena. He returned to West Africa permanently in 1747. Though much attention on and study of Amo has previously focused on his symbolic importance as a historical figure-the first African philosopher in modern Europe-Stephen Menn and Justin E. H. Smith argue for a serious engagement with Amo's work as a philosopher. In an extensive introduction, they contextualize his biography and writing within the surrounding intellectual and historical environment, and discuss and analyze his arguments in conversation with other philosophers of the time. This volume contains his two Wittenberg philosophical dissertations, On the Impassivity of the Human Mind and the Philosophical Disputation containing a Distinct Idea of those Things that Pertain either to the Mind or to our Living and Organic Body, both first published in 1734. The editors present the original Latin texts with side-by-side English translations and detailed explanatory annotations. In centering Amo's philosophical thought and making it accessible to more students and scholars, Menn and Smith establish the originality and significance of Amo's rigorous contributions to the mind-body debate of the seventeenth and eighteenth centuries.

The traditional account of mind/body union attributed to Descartes supposes that the immaterial, thinking mind and the material, non-thinking body interact by means of efficient causation - that the mind causes events in the body, e.g. the voluntary raising of an arm, and vice versa, e.g. the visual sensation of a tree. But this gives rise to a notorious philosophical problem: how can this causal interaction occur between the spiritual mind and the physical body since they have absolutely nothing in common and cannot come into contact with one another?Justin Skirry's book shows how Descartes in fact avoids this enormous problem. Skirry argues, through a critical re-examination of Cartesian metaphysics, that the union of mind and body is not, as most scholars have always maintained, constituted by efficient causal interaction for Descartes, because this would not result in one, complete human nature but in an aggregate of two numerically distinct natures. Descartes argues in the 6th Meditation and elsewhere that mind/body union is constituted by what the scholastics called a 'substantial union', i.e. the union that form (mind) has with matter (body). This substantial union produces a whole that is more than the sum of its parts; the capacity for modes of sensation and voluntary bodily movement are emergent properties of the whole, substantially united mind and body. Therefore, the 'Cartesian' problem of mind-body efficient causal interaction is avoided altogether, since efficient causal occurrences between mind and body play no role in explaining the existence of these modes.

French philosophical and scientific writers of the early modern period made various use of forms of narrative language that aims to tell a story in their texts. Equally, authors of fiction often sought to appropriate the language and tools of philosophical and scientific investigation. The contributions in this collection, from some of the most distinguished and exciting scholars working in French Studies today, aim to bring into question oppositional relationships between terms such as 'philosophy' and 'fiction' when these are applied to early modern texts. They consider authors as diverse as Montaigne, Descartes, La Rochefoucauld, Mme de Villedieu and Mme de Lafayette. If we are to be true to the early modern period, they argue, we have to acknowledge it as a time when the figurative, anecdotal and fictive on the one hand, and the truth-seeking on the other, influence each other mutually. Emma Gilby is University Lecturer in French, University of Cambridge. Paul White is Research Associate in French, University of Cambridge.

In the 1790s, a close-knit group of German philosophers published several garden theory texts. These works are unique in that a close-knit group of philosophers had never before--and has not since--produced so many works on the topic of garden design. In essence, this cohort sought to imbue the most visionary concepts that had been inherited from the German garden tradition with the intellectual resources that were newly available through Kant's critical philosophy. The most important of these concepts was the prescription for a new Mittelweg, or "middle path," garden that would mediate between the perceived excesses of French formalism and the English picturesque. In close analysis, the author demonstrates that Kant used similar "middle path" techniques in the design of his own "critical path" between dogmatism and skepticism. This similarity is most apparent when he uses topographical metaphors to describe the organizational principles of his system. By interpreting Kant's topographical metaphors in relation to contemporary garden theories, this book offers new insights into the structural similarities between his "critical path" and the German garden's "middle path" between French formalism and the English picturesque.

The Immanent Word establishes that the philosophical study of language inaugurated in the 1759 works of Hamann and Lessing marks a paradigm shift in modern philosophy; it analyzes the transformation of that shift in works of Herder, Kant, Fichte, Novalis and Schlegel. It contends that recent studies of early linguistic philosophy obscure the most relevant commission of its thinkers, arguing against the theological appropriation of Hamann by John Milbank; against the "expressive" appropriation of Hamann and Herder by Christina Lafont and Charles Taylor; and against Philippe Lacoue-Labarthe and Jean-Luc Nancy's uncritical championing of Schlegel's ideological position.

From earliest times Locke's writings have been the subject of controversy. An intellectual caught up in the politics of late 17th century England, his writings on politics reveal a man attempting to combine an analysis of the underlying principles of society with a deep commitment to a specific political stance and party. This study, first published in 1978 explains why Locke's vision of political life has continued to fascinate political thinkers of many different persuasions.

Blaise Pascal began as a mathematical prodigy, developed into a physicist and inventor, and had become by the end of his life in 1662 a profound religious thinker. As a philosopher, he was most convinced by the long tradition of scepticism, and so refused - like Kierkegaard - to build a philosophical or theological system. Instead, he argued that the human heart required other forms of discourse to come to terms with the basic existential questions - our nature, purpose and relationship with God. This introduction to the life and philosophical thought of Pascal is intended for the general reader. Strikingly illustrated, it traces the antithetical tensions in Pascal's life from his infancy, when he was said to have been placed under the spell of a sorceress, to his final years of extreme asceticism. Pascal stressed both the misery and greatness of humanity, our finitude and our comprehension of the infinite. The book shows how his life, philosophical thought and literary style can best be understood in the light of the paradoxical view of human nature. It covers the methods of argument and the central issues of the Provincial Letters and of the Pensees; the Introduction places Pascal's thought in the religious and political climate of seventeenth-century France, and a 'Chronology of the Life of Pascal' is also included.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists. This use can be traced in the work of major cultural figures not just in Denmark and Scandinavia but also in the wider world. They have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The present volume documents this influence in the different language groups and traditions. Tome IV examines Kierkegaard's surprisingly extensive influence in the Anglophone world of literature and art, particularly in the United States. His thought appears in the work of the novelists Walker Percy, James Baldwin, Flannery O'Conner, William Styron, Don Delillo, and Louise Erdrich. He has also been used by the famous American literary critics, George Steiner and Harold Bloom. The American composer Samuel Barber made use of Kierkegaard in his musical works. Kierkegaard has also exercised an influence on British and Irish letters. W.H. Auden sought in Kierkegaard ideas for his poetic works, and the contemporary English novelist David Lodge has written a novel Therapy, in which Kierkegaard plays an important role. Cryptic traces of Kierkegaard can also be found in the work of the famous Irish writer James Joyce.

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

For most Australian Aboriginal people, the impact of colonialism was blunt dispossession, dislocation, disease, murder, and missionization. Yet there is another story of Australian history that has remained untold, a story of enterprise and entrepreneurship, of Aboriginal people seizing the opportunity to profit from life at sea as whalers and sealers. In some cases participation was voluntary; in others it was more invidious and involved kidnapping and trade in women. In many cases, the individuals maintained and exercised a degree of personal autonomy and agency within their new circumstances. This book explores some of their lives and adventures by analyzing archival records of maritime industry, captains logs, ships records, and the journals of the sailors themselves, among other artifacts. Much of what is known about this period comes from the writings of Herman Melville, and in this book Melville s whaling novels act as a prism through which relations aboard ships are understood. Drawing on both history and literature, Roving Mariners provides a comprehensive history of Australian Aboriginal whaling and sealing."

Seventeenth-century philosophy scholars come together in this volume to address the Insiders--Descartes, Spinoza, Leibniz, Locke, and Hobbes--and Outsiders--Pierre Gassendi, Kenelm Digby, Theophilus Gale, Ralph Cudworth and Nicholas Malebranche--of the philosocial canon, and the ways in which reputations are created and confirmed. In their own day, these ten figures were all considered to be thinkers of substantial repute, and it took some time for the Insiders to come to be regarded as major and original philosophers. Today these Insiders all feature in the syllabi of most history of philosophy courses taught in western universities, and the papers in this collection, contrasting the stories of their receptions with those of the Outsiders, give an insight into the history of philosophy which is generally overlooked.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists worldwide who have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The goal of the present volume is to document this influence in different language groups and traditions. Tome I explores Kierkegaard's influence on literature and art in the Germanophone world. He was an important source of inspiration for German writers such as Theodor Fontane, Thomas Mann, Rainer Maria Rilke, Alfred Andersch, and Martin Walser. Kierkegaard's influence was particularly strong in Austria during the generation of modernist authors such as Rudolf Kassner, Karl Kraus, Robert Musil, and Hermann Broch. Due presumably in part to the German translations of Kierkegaard in the Austrian cultural journal Der Brenner, Kierkegaard continued to be used by later figures such as the novelist and playwright, Thomas Bernhard. His thought was also appropriated in Switzerland through the works of Max Frisch and Friedrich DA1/4rrenmatt. The famous Czech author Franz Kafka identified personally with Kierkegaard's love story with Regine Olsen and made use of his reflections on this and other topics.