The present geopolitical rise of India and China evokes much interest in the comparative study of these two ancient Asian cultures. There are various studies comparing Western and Indian philosophies and religions, and there are similar works comparing Chinese and Western philosophy and religion. However, so far there is no systemic comparative study of Chinese and Indian philosophies and religions. Therefore there is a need to fill this gap. As such, Brahman and Dao: Comparative Studies of Indian and Chinese Philosophy and Religion is a pioneering volume in that it highlights possible bridges between these two great cultures and complex systems of thought, with seventeen chapters on various Indo-Chinese comparative topics. The book focuses on four themes: metaphysics and soteriology; ethics; body, health and spirituality; and language and culture.

Compelled to seek something more than what modern society has to offer, Robert Sibley turned to an ancient setting for help in recovering what has been lost. The Henro Michi is one of the oldest and most famous pilgrimage routes in Japan. It consists of a circuit of eighty-eight temples around the perimeter of Shikoku, the smallest of Japan's four main islands. Every henro, or pilgrim, is said to follow in the footsteps of K b Daishi, the ninth-century ascetic who founded the Shingon sect of Buddhism. Over the course of two months, the author walked this 1,400-kilometer route (roughly 870 miles), visiting the sacred sites and performing their prescribed rituals.Although himself a gaijin, or foreigner, Sibley saw no other pilgrim on the trail who was not Japanese. Some of the people he met became not only close companions but also ardent teachers of the language and culture. These fellow pilgrims' own stories add to the author's narrative in unexpected and powerful ways. Sibley's descriptions of the natural surroundings, the customs and etiquette, the temples and guesthouses will inspire any reader who has longed to escape the confines of everyday life and to embrace the emotional, psychological, and spiritual dimensions of a pilgrimage."

As a religion concerned with universal liberation, Zen grew out of a Buddhist worldview very different from the currently prevalent scientific materialism. Indeed, says Taigen Dan Leighton, Zen cannot be fully understood outside of a worldview that sees reality itself as a vital, dynamic agent of awareness and healing. In this book, Leighton explicates that worldview through the writings of the Zen master Eihei Dogen (1200-1253), considered the founder of the Japanese Soto Zen tradition, which currently enjoys increasing popularity in the West.
The Lotus Sutra, arguably the most important Buddhist scripture in East Asia, contains a famous story about bodhisattvas (enlightening beings) who emerge from under the earth to preserve and expound the Lotus teaching in the distant future. The story reveals that the Buddha only appears to pass away, but actually has been practicing, and will continue to do so, over an inconceivably long life span.
Leighton traces commentaries on the Lotus Sutra from a range of key East Asian Buddhist thinkers, including Daosheng, Zhiyi, Zhanran, Saigyo, Myoe, Nichiren, Hakuin, and Ryokan. But his main focus is Eihei Dogen, the 13th century Japanese Soto Zen founder who imported Zen from China, and whose profuse, provocative, and poetic writings are important to the modern expansion of Buddhism to the West.
Dogen's use of this sutra expresses the critical role of Mahayana vision and imagination as the context of Zen teaching, and his interpretations of this story furthermore reveal his dynamic worldview of the earth, space, and time themselves as vital agents of spiritual awakening.
Leighton argues that Dogen uses the images and metaphors in thisstory to express his own religious worldview, in which earth, space, and time are lively agents in the bodhisattva project. Broader awareness of Dogen's worldview and its implications, says Leighton, can illuminate the possibilities for contemporary approaches to primary Mahayana concepts and practices.

Whether through lyrical celebrations of the wonders of nature; paeans to the steadfastness of women; or salutations to the world leaders who have in their various ways provided inspiration to his lifelong devotion to the causes of peace, justice and education, Daisaku Ikeda in his poems expresses unwavering commitment to the development of a humanistic global culture. These translations, the first of a three-volume collection and based on the Japanese Complete Works of Daisaku Ikeda (Ikeda Daisaku zenshu), cover the years 1945-2007, and explore the many subjects to which the leader of the Soka Gakkai International has devoted his 'poetic heart and mind.' The translators have sought to reproduce the rhythms and timbres of a voice, which- though influenced by the likes of Whitman, Defoe, Dumas, Ibsen, Emerson and Shelley- is yet distinctive and unique. Sometimes the poet adopts a simple vernacular note; at other times the compression associated with Japanese poeic forms haiku and waka. But at all times the poetry maintains a stately rhythm that reflects the dignity of ordinary language and expression. This collection will delight readers familiar with the prose writings of the author as well as those coming to his work for the first time. The poems within it speak, with freedom and feeling, of a world where genuine poetry reigns supreme- and of a world where poetic perception becomes a perception of interconnectedness; between friends. between humanity and nature, or between humanity and the cosmos.

Contextualizing the sutra within a milieu of intense religious and cultural experimentation, this volume unravels the sudden rise of Diamond Sutra devotion in the Tang dynasty against the backdrop of a range of social, political, and literary activities. Through the translation and exploration of a substantial body of narratives extolling the efficacy of the sutra, it explores the complex social history of lay Buddhism by focusing on how the laity might have conceived of the sutra and devoted themselves to it. Corroborated by various sources, it reveals the cult's effect on medieval Chinese religiosity in the activities of an empowered laity, who modified and produced parasutraic texts, prompting the monastic establishment to accommodate to the changes they brought about.

Scholars of religion have always been fascinated by asceticism. Some have even regarded this radical way of life-- the withdrawal from the world, combined with practices that seriously affect basic bodily needs, up to extreme forms of self-mortification --as the ultimate form of a true religious quest. This view is rooted in hagiographic descriptions of prominent ascetics and in other literary accounts that praise the ascetic life-style. Scholars have often overlooked, however, that in the history of religions ascetic beliefs and practices have also been strongly criticized, by followers of the same religious tradition as well as by outsiders. The respective sources provide sufficient evidence of such critical strands but surprisingly as yet no attempt has been made to analyze this criticism of asceticism systematically. This book is a first attempt of filling this gap. Ten studies present cases from both Asian and European traditions: classical and medieval Hinduism, early and contemporary Buddhism in South and East Asia, European antiquity, early and medieval Christianity, and 19th/20th century Aryan religion. Focusing on the critics of asceticism, their motives, their arguments, and the targets of their critique, these studies provide a broad range of issues for comparison. They suggest that the critique of asceticism is based on a worldview differing from and competing with the ascetic worldview, often in one and the same historical context. The book demonstrates that examining the critics of asceticism helps understand better the complexity of religious traditions and their cultural contexts. The comparative analysis, moreover, shows that the criticism of asceticism reflects areligious worldview as significant and widespread in the history of religions as asceticism itself is.

Burning for the Buddha is the first book-length study of the theory and practice of ""abandoning the body"" (self-immolation) in Chinese Buddhism. It examines the hagiographical accounts of all those who made offerings of their own bodies and places them in historical, social, cultural, and doctrinal context. Rather than privilege the doctrinal and exegetical interpretations of the tradition, which assume the central importance of the mind and its cultivation, James Benn focuses on the ways in which the heroic ideals of the bodhisattva present in scriptural materials such as the Lotus Sutra played out in the realm of religious practice on the ground.

Buddhism has played a significant role in the current global rise in religious nationalism and violence, but the violent aspects of Buddhist tradition have been neglected in the outpouring of academic analyses and case studies of this disturbing trend. This book offers eight essays examining the dark side of a tradition often regarded as the religion of peace. The authors note the conflict between the Buddhist norms of non-violence and the prohibition of the killing of sentient beings and acts of state violence supported by the Buddhist community (sangha), acts of civil violence in which monks participate, and Buddhist intersectarian violence. They consider contemporary and historical cases of Buddhist warfare from a wide range of traditions - Tibetan, Mongolian, Japanese, Chinese, Sri Lankan, and Thai - critically examining both Buddhist textual sources justifying violence and Buddhist actors currently engaged in violence. They draw not only on archival material but interviews with those living and involved in war zones around the world. The book enriches our understanding both of the complexities of the Buddhist tradition and of the violence that is found in virtually all of the world's religious traditions.

Unfortunate Destiny focuses on the roles played by nonhuman animals within the imaginative thought-world of Indian Buddhism, as reflected in pre-modern South Asian Buddhist literature. These roles are multifaceted, diverse, and often contradictory: In Buddhist doctrine and cosmology, the animal rebirth is a most "unfortunate destiny" (durgati), won through negative karma and characterized by a lack of intelligence, moral agency, and spiritual potential. In stories about the Buddha's previous lives, on the other hand, we find highly anthropomorphized animals who are wise, virtuous, endowed with human speech, and often critical of the moral shortcomings of humankind. In the life-story of the Buddha, certain animal characters serve as "doubles" of the Buddha, illuminating his nature through identification, contrast or parallelism with an animal "other." Relations between human beings and animals likewise range all the way from support, friendship, and near-equality to rampant exploitation, cruelty, and abuse. Perhaps the only commonality among these various strands of thought is a persistent impulse to use animals to clarify the nature of humanity itself-whether through similarity, contrast, or counterpoint. Buddhism is a profoundly human-centered religious tradition, yet it relies upon a dexterous use of the animal other to help clarify the human self. This book seeks to make sense of this process through a wide-ranging-exploration of animal imagery, animal discourse, and specific animal characters in South Asian Buddhist texts.

Presenting a comprehensive portrayal of the reading of Chinese and Buddhist philosophy in early twentieth-century German thought, Chinese and Buddhist Philosophy in Early Twentieth-Century German Thought examines the implications of these readings for contemporary issues in comparative and intercultural philosophy. Through a series of case studies from the late 19th-century and early 20th-century, Eric Nelson focuses on the reception and uses of Confucianism, Daoism, and Buddhism in German philosophy, covering figures as diverse as Buber, Heidegger, and Misch. He argues that the growing intertextuality between traditions cannot be appropriately interpreted through notions of exclusive identities, closed horizons, or unitary traditions. Providing an account of the context, motivations, and hermeneutical strategies of early twentieth-century European thinkers' interpretation of Asian philosophy, Nelson also throws new light on the question of the relation between Heidegger and Asian philosophy. Reflecting the growing interest in the possibility of intercultural and global philosophy, Chinese and Buddhist Philosophy in Early Twentieth-Century German Thought opens up the possibility of a more inclusive intercultural conception of philosophy.

The Sugata Saurabha is an epic poem that retells the story of the Buddha's life. It was published in 1947 in the Nepalese language, Newari, by Chittadhar Hridaya, one of the greatest literary figures of 20th-century Nepal. The text is remarkable for its comprehensiveness, artistry, and nuance. It covers the Buddha's life from birth to death and conveys his basic teachings with simple clarity. It is also of interest because, where the classical sources are silent, Hridaya inserts details of personal life and cultural context that are Nepalese. The effect is to humanize the founder and add the texture of real life. A third point of interest is the modernist perspective that underlies the author's manner of retelling this great spiritual narrative. This rendering, in a long line of accounts of the Buddha's life dating back almost 2,000 years, may be the last ever to be produced that conforms to the traditions of Indic classic poetry. It will not only appeal to scholars of Buddhism but will find use in courses that introduce students to the life of the Buddha.

Gandhara, with its wide variety of architectural remains and sculptures, has for many decades perplexed students of South and Central Asia. Kurt Behrendt in this volume for the first time and convincingly offers a description of the development of 2nd century B.C.E. to 8th century C.E. Buddhist sacred centers in ancient Gandhara, today northwest Pakistan.
Regional variations in architecture and sculpture in the Peshawar basin, Swat, and Taxila are discussed. At last a chronological framework is given for the architecture and the sculpture of Gandhara, but also light is being shed on how relic structures were utilized through time, as devotional imagery became increasingly significant to Buddhist religious practice.
With an important comparative overview of architectural remains, it is indispensable for all those interested in the development of the early Buddhist tradition of south and central Asia and the roots of Buddhism elsewhere in Asia.

This study argues that, in early medieval South India, it was in the literary arena that religious ideals and values were publicly contested. While Tamil-speaking South India is today celebrated for its preservation of Hindu tradition, non-Hindu religious communities have played a significant role in shaping the religious history of the region. Among the least understood of such non-Hindu contributions is that of the Buddhists, who are little understood because of the scarcity of remnants of Tamil-speaking Buddhist culture. However, the two exant Buddhist texts in Tamil that are complete - a sixth-century poetic narrative known as the Manimekalai and an eleventh-century treatise on grammar and postics, the Viracoliyam - reveal a wealth of information about their textual communities and their vision of Buddhist life in a diverse and competitive religious milieu. By focusing on these texts, Monius sheds light on their role of literature and literary culture in the information, articulation, and evolution of religious identity and community.

John Cage was among the first wave of post-war American artists and intellectuals to be influenced by Zen Buddhism and it was an influence that led him to become profoundly engaged with our current ecological crisis. In John Cage and Buddhist Ecopoetics, Peter Jaeger asks: what did Buddhism mean to Cage? And how did his understanding of Buddhist philosophy impact on his representation of nature? Following Cage's own creative innovations in the poem-essay form and his use of the ancient Chinese text, the I Ching to shape his music and writing, this book outlines a new critical language that reconfigures writing and silence. Interrogating Cage's 'green-Zen' in the light of contemporary psychoanalysis and cultural critique as well as his own later turn towards anarchist politics, John Cage and Buddhist Ecopoetics provides readers with a critically performative site for the Zen-inspired "nothing" which resides at the heart of Cage's poetics, and which so clearly intersects with his ecological writing.