This is the first major commentary in English on Pesher Habakkuk for forty years. It elucidates the nature of 1QpHab as the earliest commentary on the prophecy of Habakkuk by a detailed study of the biblical quotation and sectarian interpretation. This commentary provides a new edition of the scroll, including new readings, and detailed palaeographical, philological, exegetical and historical notes and discussion. It shows that the pesherist imitates the allusive style of the oracles of Habakkuk and also draws on lexemes, phrases, and themes from other biblical texts and Jewish sources. It shows that the pesherist identified the Kittim with the Romans who conquered Judaea in 63 BCE, and suggests that the scroll refers to several righteous and wicked figures, including the last Hasmonean high priests.

If there is one grand tale that has impacted Asia, it has to be the Ramayana, the great Indian epic. In this sumptuously illustrated volume, the author highlights the various southern and south-eastern Asian traditions and variations of the tale with nearly a hundred superb watercolour paintings. That this ancient narrative has adapted itself to multiple art forms is not surprising, given the diversity of its retellings in both literary and non-literary forms-oral narratives, dance-dramas, plays, and more. From India, the Rama tale is presumed to have travelled along three routes: by land, the northern route took the story from Punjab and Kashmir into China, Tibet, and East Turkestan; by sea, the southern route carried the story from Gujarat and South India into Java, Sumatra, and Malaya; and again by land, the eastern route delivered the story from Bengal into Burma, Thailand, Laos, and to some extent, Cambodia and Vietnam. In Indonesia and Malaysia, the epic has been incorporated into the Islamic tradition; Theravada Buddhism in Thailand and Cambodia adopted Hindu divinities from the Rama story into its fold.

From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

The study of Islam's origins from a rigorous historical and social science perspective is still wanting. At the same time, a renewed attention is being paid to the very plausible pre-canonical redactional and editorial stages of the Qur'an, a book whose core many contemporary scholars agree to be formed by various independent writings in which encrypted passages from the OT Pseudepigrapha, the NT Apocrypha, and other ancient writings of Jewish, Christian, and Manichaean provenance may be found. Likewise, the earliest Islamic community is presently regarded by many scholars as a somewhat undetermined monotheistic group that evolved from an original Jewish-Christian milieu into a distinct Muslim group perhaps much later than commonly assumed and in a rather unclear way. The following volume gathers select studies that were originally shared at the Early Islamic Studies Seminar. These studies aim at exploring afresh the dawn and early history of Islam with the tools of biblical criticism as well as the approaches set forth in the study of Second Temple Judaism, Christian, and Rabbinic origins, thereby contributing to the renewed, interdisciplinary study of formative Islam as part and parcel of the complex processes of religious identity formation during Late Antiquity.

This book, which is a collection of various essays on Africa and the Bible, is a must-read for scholars and students who are interested in exploring the intersection between the Bible and public spaces exposing the liberating and oppressing strands of the Bible. Given the enchanted African worldview, which includes belief in miracles, divine healing and prosperity, the Bible is the go-to-authority of many religious activities. Though at home, the Bible's role and function needs closer assessment. The critical question tackled in this volume is: how can Africa read the Bible from its various contexts to recover its usefulness on issues of gender, patriarchy and political and economic liberation? Yet equally, how do we guard against oppressive discourses that find support from the Bible such as polygamy, viewing women as unequal to men and growing economic disparities? In addition, throughout history, Africans are made to be comfortable with theologies that further distance them away from economic and political processes, such as the belief in an angry God who punishes and demands utter obedience-theologies which have sustained particular asymmetric socio-economic and political structures across the continent. This book is important because it traces the sociological contours in the Bible in relation to Africa, sensitizing us to the liberating strands and, at the same time, making us aware of the pathos associated with the literary reading of the Bible.

The remarkable poem in Deut 32:1-43 is a triple conclusion to the life of Moses, to Deuteronomy and to the Pentateuch/Torah. In content and style, it is an encapsulation of history, prophecy, and wisdom, of a poetic quality hard to surpass. The song was supposed to be learned by heart, was given its own scroll in Qumran, and was, as far as we know, the first Hebrew text to be written colographically. Yet, the poem is shrouded in vagueness and ambiguity, and scholars have pondered its origins, function, meaning, and message. The Origins of Deuteronomy 32: Intertextuality, Memory, Identity plunges into the debate. Extensive theoretical discussions form the foundations for an analysis of similarities and dissimilarities between Deut 32 and other texts from many different perspectives. This indicates a close relationship to the Persian period edition of the Book of Isaiah. In light of a reconstruction of Yehud, theories of social memory and social identity formation are employed in a discussion on the functions of Deuteronomy and the Book of Isaiah, yielding results for our understanding of Deut 32. The origins and textual relationships are considered in light of newer insights on scribes working together. This radically changes the framework within which we must see the origins of Deut 32 (or any text) and its textual relationships. With its combination of theoretical expositions and applications to the text, this book will be useful for both scholar and student.

Ritual and Rhetoric in Leviticus uses rhetorical analysis to expose the motives behind the writing of the central book of the Torah/Pentateuch and its persuasive function in ancient Judaism. The answer to the question, 'who was trying to persuade whom of what by writing these texts?' proves to be quite consistent throughout Leviticus 1-16: Aaronide high priests and their supporters used this book to legitimize their monopoly over the ritual offerings of Jews and Samaritans. With this priestly rhetoric at its center, the Torah supported the rise to power of two priestly dynasties in Second Temple Judaism. Their ascendancy in turn elevated the prestige and rhetorical power to the book, making it the first real scripture in Near Eastern and Western religious traditions.

One of the most popular Asian classics for roughly two thousand years, the Vimalakirti Sutra stands out among the sacred texts of Mahayana Buddhism for its conciseness, its vivid and humorous episodes, its dramatic narratives, and its eloquent exposition of the key doctrine of emptiness or nondualism. Unlike most sutras, its central figure is not a Buddha but a wealthy townsman, who, in his mastery of doctrine and religious practice, epitomizes the ideal lay believer. For this reason, the sutra has held particular significance for men and women of the laity in Buddhist countries of Asia, assuring them that they can reach levels of spiritual attainment fully comparable to those accessible to monks and nuns of the monastic order.

Esteemed translator Burton Watson has rendered a beautiful English translation from the popular Chinese version produced in 406 C.E. by the Central Asian scholar-monk Kumarajiva, which is widely acknowledged to be the most felicitous of the various Chinese translations of the sutra (the Sanskrit original of which was lost long ago) and is the form in which it has had the greatest influence in China, Japan, and other countries of East Asia. Watson's illuminating introduction discusses the background of the sutra, its place in the development of Buddhist thought, and the profundities of its principal doctrine: emptiness.

Before the Bible reveals the landscape of scripture in an era prior to the crystallization of the rabbinic Bible and the canonization of the Christian Bible. Most accounts of the formation of the Hebrew Bible trace the origins of scripture through source critical excavation of the archaeological "tel" of the Bible or the analysis of the scribal hand on manuscripts in text-critical work. But the discoveries in the Dead Sea Scrolls have transformed our understanding of scripture formation. Judith Newman focuses not on the putative origins and closure of the Bible but on the reasons why scriptures remained open, with pluriform growth in the Hellenistic-Roman period. Drawing on new methods from cognitive neuroscience and the social sciences as well as traditional philological and literary analysis, Before the Bible argues that the key to understanding the formation of scripture is the widespread practice of individual and communal prayer in early Judaism. The figure of the teacher as a learned and pious sage capable of interpreting and embodying the tradition is central to understanding this revelatory phenomenon. The book considers the entwinement of prayer and scriptural formation in five books reflecting the diversity of early Judaism: Ben Sira, Daniel, Jeremiah/Baruch, Second Corinthians, and the Qumran Hodayot (Thanksgiving Hymns). While not a complete taxonomy of scripture formation, the book illuminates performative dynamics that have been largely ignored as well as the generative role of interpretive tradition in accounts of how the Bible came to be.

With contributions from 100 distinguished scholars representing diverse traditions and fields of learning, this is the most comprehensive critical synthesis of current knowledge about the Dead Sea scrolls, and their historical, archaeological, linguistic and religious contexts. The Encyclopedia ranges widely to cover such topics as the political, social, and cultural backgrounds of the texts and their communities; methods of analysis and interpretation; the impact of the texts on the understanding of Judaism and Christianity; and much more - including balanced treatment of conflicts and controversies.

The Treasury of the True Dharma Eye (Shobogenzo) is the masterwork of Dogen (1200-1253), founder of the Soto Zen Buddhist sect in Kamakura-era Japan. It is one of the most important Zen Buddhist collections, composed during a period of remarkable religious diversity and experimentation. The text is complex and compelling, famed for its eloquent yet perplexing manner of expressing the core precepts of Zen teachings and practice. This book is a comprehensive introduction to this essential Zen text, offering a textual, historical, literary, and philosophical examination of Dogen's treatise. Steven Heine explores the religious and cultural context in which the Treasury was composed and provides a detailed study of the various versions of the medieval text that have been compiled over the centuries. He includes nuanced readings of Dogen's use of inventive rhetorical flourishes and the range of East Asian Buddhist textual and cultural influences that shaped the work. Heine explicates the philosophical implications of Dogen's views on contemplative experience and attaining and sustaining enlightenment, showing the depth of his distinctive understanding of spiritual awakening. Readings of Dogen's Treasury of the True Dharma Eye will give students and other readers a full understanding of this fundamental work of world religious literature.

A collection of 40 Hadith (sayings) of the Prophet Muhammad (pbuh) focusing on the notion of social justice in Islam.

"The Quran in Plain English: A Simple Translation for Children and Young People".

In both modern fiction and the biblical texts of 1 Samuel 13-2 Samuel 1, the character of Jonathan serves as a key literary and theological figure. Throughout In Search of Jonathan, Lena-Sofia Tiemeyer interprets Jonathan's portrayal in traditional biblical literature and modern fiction. Each chapter provides first an analysis of Jonathan's characterization in 1-2 Samuel, followed by an examination of the depictions of Jonathan in modern fiction. Together, biblical and modern literature demonstrate how fictional retellings deepen and challenge the ways that scholars interpret Jonathan's character. Throughout the volume, Tiemeyer offers an interpretation of Jonathan as a plausible and psychologically consistent character while grappling with questions posed by his actions in the text. Tiemeyer asks, what kind of man is Jonathan who shows initiative and daring leadership ability, but who is also willing to lay down his crown before the usurper David's feet in humble submission? What kind of son is Jonathan who rebels against his father and takes David's part in the conflict between him and Saul, yet remains loyal to Saul until the bitter end on Mount Gilboa? To answer these questions, Tiemeyer considers depictions of Jonathan in modern fiction. Modern approaches, as Tiemeyer discusses, illuminate dormant yet integral aspects of the biblical texts. These modern retellings highlight, transform, and subvert the biblical portrayal of Jonathan. Posing these questions to the reader and other biblical scholars, Tiemeyer challenges the ways that scholars perceive Jonathan and his portrayals across biblical and modern literature.

The Upanisads is the Hindu equivalent of the Christian New Testament. It is a collection of spritual treatises written in Sanskirt between 800 and 400 BCE. Typically an Upanisad recounts one or more sessions of teaching, often setting each within the story of how it came to be taught. These 13 texts, the principal Upanisads, are devoted to understanding the inner meaning of the religion: they explicate its crucial doctrines - rebirth, the law of karma, the means of conquering death and of achieving detachment, equilibrium and spiritual bliss. They emphasise the perennial search for true knowledge. This translation and selection offers a full and comprehensive text.

An unlikely cast of characters reinterprets the first five books of the Bible, as divided into the 54 Torah portions that are traditionally read over the course of the year. Writers include: Damon Lindelof, creator of the television series Lost (on Abraham's binding of Issac); essayist Sloane Crosley on the Ten Plagues; novelist Aimee Bender on the Tower of Babel; and Joshua Foer on Esau's brotherly spat with Jacob. Other contributors include actor/director Josh Radnor (How I Met Your Mother); Go the F**k to Sleep's Adam Mansbach; Pulitzer Prize-winning playwright David Auburn; Sam Lipsyte; Rebecca Odes; Susan Dominus; A.J. Jacobs; and more.

This volume offers a complete translation of the Samyutta Nikaya, "The Connected Discourses of the Buddha," the third of the four great collections in the Sutta Pitaka of the Pali Canon. The Samyutta Nikaya consists of fifty-six chapters, each governed by a unifying theme that binds together the Buddha's suttas or discourses. The chapters are organized into five major parts.
The first, The Book with Verses, is a compilation of suttas composed largely in verse. This book ranks as one of the most inspiring compilations in the Buddhist canon, showing the Buddha in his full grandeur as the peerless "teacher of gods and humans." The other four books deal in depth with the philosophical principles and meditative structures of early Buddhism. They combine into orderly chapters all the important short discourses of the Buddha on such major topics as dependent origination, the five aggregates, the six sense bases, the seven factors of enlightenment, the Noble Eightfold Path, and the Four Noble Truths.
Among the four large Nikayas belonging to the Pali Canon, the Samyutta Nikaya serves as the repository for the many shorter suttas of the Buddha where he discloses his radical insights into the nature of reality and his unique path to spiritual emancipation. This collection, it seems, was directed mainly at those disciples who were capable of grasping the deepest dimensions of wisdom and of clarifying them for others, and also provided guidance to meditators intent on consummating their efforts with the direct realization of the ultimate truth.
The present work begins with an insightful general introduction to the Samyutta Nikaya as a whole. Each of the five parts is also provided with its own introduction, intended to guide the reader through this vast, ocean-like collection of suttas.
To further assist the reader, the translator has provided an extensive body of notes clarifying various problems concerning both the language and the meaning of the texts.
Distinguished by its lucidity and technical precision, this new translation makes this ancient collection of the Buddha's discourses accessible and comprehensible to the thoughtful reader of today. Like its two predecessors in this series,
"The Connected Discourses of the Buddha" is sure to merit a place of honour in the library of every serious student of Buddhism.

The volume presents translations and editions of crucial mahamudra texts of Tibetan Buddhism. The Invocation by Bangar Jampal Zangpo is considered one of the most important teachings of the Kagyu tradition. It was commented on by prominent masters and philosophers, whose commentaries are translated here for the first time into a European language.