Imam Nawawi's commentary on Sahih Muslim is one of the most highly regarded works in Islamic thought and literature. Accepted by every sunni school of thought, and foundational in the Shaafi school, this text, available for the first time in English, is famed throughout the Muslim world. After the Qur'an, the prophetic traditions are the most recognised source of wisdom in Islam. Amongst the collected Hadith, Sahih Muslim is second only to the the collection of Imam Bukhari. With a commentary by Imam Nawawi, whose other works are amongst the most widely-read books on Islam, and translated by Adil Salahi, a modern scholar of great acclaim, this immense work, finally available to English readers, is an essential addition to every Muslim library, and for anybody with an interest in Islamic thought.

The Records of Mazu and the Making of Classical Chan Literature explores the growth, makeup, and transformation of Chan (Zen) Buddhist literature in late medieval China. The volume analyzes the earliest extant records about the life, teachings, and legacy of Mazu Daoyi (709-788), the famous leader of the Hongzhou School and one of the principal figures in Chan history. While some of the texts covered are well-known and form a central part of classical Chan (or more broadly Buddhist) literature in China, others have been largely ignored, forgotten, or glossed over until recently. Poceski presents a range of primary materials important for the historical study of Chan Buddhism, some translated for the first time into English or other Western language. He surveys the distinctive features and contents of particular types of texts, and analyzes the forces, milieus, and concerns that shaped key processes of textual production during this period. Although his main focus is on written sources associated with a celebrated Chan tradition that developed and rose to prominence during the Tang era (618-907), Poceski also explores the Five Dynasties (907-960) and Song (960-1279) periods, when many of the best-known Chan collections were compiled. Exploring the Chan School's creative adaptation of classical literary forms and experimentation with novel narrative styles, The Records of Mazu and the Making of Classical Chan Literature traces the creation of several distinctive Chan genres that exerted notable influence on the subsequent development of Buddhism in China and the rest of East Asia.

Sayings of the Prophet Muhammad, wielding an authority second only to the Qur'an. The words of Muhammad (d. 11/632), God's messenger and prophet of Islam, have a special place in the hearts of his followers. Wielding an authority second only to the Qur'an, Muhammad's hadith are cited by scholars as testimonial texts in a vast array of disciplines-including law, theology, metaphysics, poetry, grammar, history, and medicine-and are quoted by Muslims to one another in their daily lives. Assembling Muhammad's words has been a major preoccupation for scholars throughout the fourteen centuries since his death, resulting in an abundance of compilations. Among the legally-grounded collections, which aimed to guide the community in its practice of religious law and ritual worship, one which stands out in particular is Light in the Heavens (Kitab al-Shihab) by al-Qadi al-Quda'i, a Shafi'i judge in the Fatimid court in Egypt. The collection's overall conceptualization is distinctively ethical and pragmatic, and offers humanitarian lessons and practical insights with universal appeal. From North Africa to India, generations have used Light in the Heavens as a teaching text for children as well as adults, and many of its 1200 sayings are familiar to individuals of diverse denominations and ethnicities. For Muslims-who consider Muhammad's teachings the fount of wisdom and the beacon of guidance in all things, mundane and sublime-these sayings provide a direct window into the inspired vision of one of the most influential humans to have walked the Earth. A bilingual Arabic-English edition.

The figure of Sakuntala appears in many forms throughout South Asian literature, most famously in the "Mahabharata" and in Kalidisa's fourth-century Sanskrit play, "Sakuntala and the Ring of Recollection." In these two texts, Sakuntala undergoes a critical transformation, relinquishing her assertiveness and autonomy to become the quintessentially submissive woman, revealing much about the performance of Hindu femininity that would come to dominate South Asian culture. Through a careful analysis of sections from "Sakuntala" and their various iterations in different contexts, Romila Thapar explores the interactions between literature and history, culture and gender, that frame the development of this canonical figure, as well as a distinct conception of female identity.

For countless generations families have lived in isolated communities in the Godavari Delta of coastal Andhra Pradesh, learning and reciting their legacy of Vedas, performing daily offerings and occasional sacrifices. They are the virtually unrecognized survivors of a 3,700-year-old heritage, the last in India who perform the ancient animal and soma sacrifices according to Vedic tradition. In Vedic Voices, David M. Knipe offers for the first time, an opportunity for them to speak about their lives, ancestral lineages, personal choices as pandits, wives, children, and ways of coping with an avalanche of changes in modern India. He presents a study of four generations of ten families, from those born at the outset of the twentieth century down to their great-grandsons who are just beginning, at the age of seven, the task of memorizing their Veda, the Taittiriya Samhita, a feat that will require eight to twelve years of daily recitations. After successful examinations these young men will reside with the Veda family girls they married as children years before, take their places in the oral transmission of a three-thousand-year Vedic heritage, teach the Taittiriya collection of texts to their own sons, and undertake with their wives the major and minor sacrifices performed by their ancestors for some three millennia. Coastal Andhra, famed for bountiful rice and coconut plantations, has received scant attention from historians of religion and anthropologists despite a wealth of cultural traditions. Vedic Voices describes in captivating prose the geography, cultural history, pilgrimage traditions, and celebrated persons of the region. Here unfolds a remarkable story of Vedic pandits and their wives, one scarcely known in India and not at all to the outside world.

Neelima Shukla-Bhatt offers an illuminating study of Narsinha Mehta, one of the most renowned saint-poets of medieval India and the most celebrated bhakti (devotion) poet from Gujarat, whose songs and sacred biography formed a vital source of moral inspiration for Gandhi. Exploring manuscripts, medieval texts, Gandhi's more obscure writings, and performances in multiple religious and non-religious contexts, including modern popular media, Shukla-Bhatt shows that the songs and sacred narratives associated with the saint-poet have been sculpted by performers and audiences into a popular source of moral inspiration.
Drawing on the Indian concept of bhakti-rasa (devotion as nectar), Narasinha Mehta of Gujarat reveals that the sustained popularity of the songs and narratives over five centuries, often across religious boundaries and now beyond devotional contexts in modern media, is the result of their combination of inclusive religious messages and aesthetic appeal in performance. Taking as an example Gandhi's perception of the songs and stories as vital cultural resources for social reconstruction, the book suggests that when religion acquires the form of popular culture, it becomes a widely accessible platform for communication among diverse groups. Shukla-Bhatt expands upon the scholarship on the embodied and public dimension of bhakti through detailed analysis of multiple public venues of performance and commentary, including YouTube videos.
This study provides a vivid picture of the Narasinha tradition, and will be a crucial resource for anyone seeking to understand the power of religious performative traditions in popular media.

In Reclaiming Jihad: A Qur'anic Critique of Terrorism, ElSayed Amin presents a detailed critique of institutional and legal definitions of terrorism. He engages the Qur'an exegetical tradition, both classical and contemporary, to critique key verses of the Qur'an that have been misread to establish violence as a relational norm between Muslims and non-Muslims. This pioneering work is a sustained scholarly attempt to separate Islamic jihad, as well as the notion of armed deterrence, from modern terrorism through the examination of the 9/11 terrorism attacks, and it proposes legal proscriptions for terrorism from the Qur'an, on the basis of its political, social and psychological impacts.

Written in the early eighth century, the "Kojiki" is considered Japan's first literary and historical work. A compilation of myths, legends, songs, and genealogies, it recounts the birth of Japan's islands, reflecting the origins of Japanese civilization and future Shinto practice. The "Kojiki" provides insight into the lifestyle, religious beliefs, politics, and history of early Japan, and for centuries has shaped the nation's view of its past. This innovative rendition conveys the rich appeal of the "Kojiki" to a general readership by translating the names of characters to clarify their contribution to the narrative while also translating place names to give a vivid sense of the landscape the characters inhabit, as well as an understanding of where such places are today. Gustav Heldt's expert organization reflects the text's original sentence structure and repetitive rhythms, enhancing the reader's appreciation for its sophisticated style of storytelling.

An accessible and accurate translation of the Quran that offers a rigorous analysis of its theological, metaphysical, historical, and geographical teachings and backgrounds, and includes extensive study notes, special introductions by experts in the field, and is edited by a top modern Islamic scholar, respected in both the West and the Islamic world. Drawn from a wide range of traditional Islamic commentaries, including Sunni and Shia sources, and from legal, theological, and mystical texts, The Study Quran conveys the enduring spiritual power of the Quran and offers a thorough scholarly understanding of this holy text. Beautifully packaged with a rich, attractive two-color layout, this magnificent volume includes essays by 15 contributors, maps, useful notes and annotations in an easy-to-read two-column format, a timeline of historical events, and helpful indices. With The Study Quran, both scholars and lay readers can explore the deeper spiritual meaning of the Quran, examine the grammar of difficult sections, and explore legal and ritual teachings, ethics, theology, sacred history, and the importance of various passages in Muslim life. With an introduction by its general editor, Seyyed Hossein Nasr, here is a nearly 2,000-page, continuous discussion of the entire Quran that provides a comprehensive picture of how this sacred work has been read by Muslims for over 1,400 years.

Muslim Qur'anic interpretation today is beset by tensions. Tensions between localising and globalising forces; tensions between hierarchical and egalitarian social ideals; and tensions between the quest for new approaches and the claim for authority raised by defenders of exegetical traditions. It is this complex web of power structures, local as well as global, that this book seeks to elucidate. This book provides a fresh perspective on present-day Qur'anic interpretations by analysing the historical, social and political dimensions in which they take place, the ways in which they are performed and the media through which they are transmitted. Besides discussing the persistence of exegetical traditions and the emergence of new paradigms, it examines the structural conditions in which these processes occur. Languages, nation states, global human rights discourses and intra-Islamic divisions all shape the nature of interpretive endeavours and frequently fuel conflicts over the correct understanding of the Qur'an. This book contains more than twenty detailed case studies of recent Qur'anic interpretations, based on translated texts that cover a variety of languages, regions, media, genres, approaches, authors and target groups. They are integrated into the chapters, bring their arguments to life and stimulate fundamental reflections on the authority of the text and the authority of its interpreters.

From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

The Oxford Handbook of Sikh Studies innovatively combines the ways in which scholars from fields as diverse as philosophy, psychology, religious studies, literary studies, history, sociology, anthropology, political science, and economics have integrated the study of Sikhism within a wide range of critical and postcolonial perspectives on the nature of religion, violence, gender, ethno-nationalism, and revisionist historiography. A number of essays within this collection also provide a more practical dimension, written by artists and practitioners of the tradition. The handbook is divided into eight thematic sections that explore different 'expressions' of Sikhism. Historical, literary, ideological, institutional, and artistic expressions are considered in turn, followed by discussion of Sikhs in the Diaspora, and of caste and gender in the Panth. Each section begins with an essay by a prominent scholar in the field, providing an overview of the topic. Further essays provide detail and further treat the fluid, multivocal nature of both the Sikh past and the present. The handbook concludes with a section considering future directions in Sikh Studies.

In Deuteronomy and the Judaean Diaspora Ernest Nicholson challenges the widely accepted view that Deuteronomy was the 'book of the law' described in 2 Kings 22-3 as the basis of king Josiah's cultic reformation in 621 BCE. He argues that the notice in this narrative that Josiah abolished the rural, local altars throughout Judah and supposedly relocated their priests to Jerusalem is based upon a misreading. Rather, he contends, Deuteronomy derived from thinkers and writers who lived among the Judaean exiles in Babylonia in the sixth century, and in significant ways represents a break with pre-exilic Israelite religion occasioned by the urgent need to confront the challenges to national identity and cultural survival of the Judaean Diaspora community. Leading features of the book such as its zealous monolatry, its self-presentation as 'scripture', its concept of the relationship with God as covenanted choice, its pervasive fear of religious encroachment, its character as 'oppositional' literature-these and other themes of the book suggest such a provenance. Issues arising include, for example, information from Babylonian sources, some of it new, about the Judaean exiles, how Israel is characterised in the book, kingship, evidence of the emergence of a body of prophetic 'scripture'. Two final chapters examine the 'Deuteronomistic History' (Joshua-2 Kings) and show that (contrary to some interpretations) it is not 'historiography' such as is represented by, for example, Herodotus' Histories, and that theodicy rather than an interest in the past as a field of critical study best describes its genre.

The nature and reliability of the ancient sources are among the most important issues in the scholarship on the Dead Sea Scrolls. It is noteworthy, therefore, that scholars have grown increasingly skeptical about the value of these materials for reconstructing the life of the Teacher of Righteousness. Travis B. Williams' study is designed to address this new perspective and its implications for historical inquiry. He offers an important corrective to popular conceptions of history and memory by introducing memory theory as a means of informing historical investigation. Charting a new methodological course in Dead Sea Scrolls research, Williams reveals that properly representing the past requires an explanation of how the mnemonic evidence found in the relevant sources could have developed from a historical progression that began with the Teacher. His book represents the first attempt in Dead Sea Scrolls scholarship to integrate history and memory in a comprehensive way.

The "Platform Sutra" comprises a wide range of important Chan/Zen Buddhist teachings. Purported to contain the autobiography and sermons of Huineng (638--713), the legendary Sixth Patriarch of Chan, the sutra has been popular among monastics and the educated elite for centuries. The first study of its kind in English, this volume offers essays that introduce the history and ideas of the sutra to a general audience and interpret its practices. Leading specialists on Buddhism discuss the text's historical background and its vaunted legacy in Chinese culture.

Incorporating recent scholarship and theory, chapters include an overview of Chinese Buddhism, the crucial role of the "Platform Sutra "in the Chan tradition, and the dynamics of Huineng's biography. They probe the sutra's key philosophical arguments, its paradoxical teachings about transmission, and its position on ordination and other institutions. The book includes a character glossary and extensive bibliography, with helpful references for students, general readers, and specialists throughout. The editors and contributors are among the most respected scholars in the study of Buddhism, and they assess the place of the "Platform Sutra" in the broader context of Chinese thought, opening the text to all readers interested in Asian culture, literature, spirituality, and religion.