From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

This book seeks to understand the major mythological role models that mark the moral landscape navigated by young Hindu women. Traditionally, the goddess Sita, faithful consort of the god Rama, is regarded as the most important positive role model for women. The case of Radha, who is mostly portrayed as a clandestine lover of the god Krishna, seems to challenge some of the norms the example of Sita has set. That these role models are just as relevant today as they have been in the past is witnessed by the popularity of the televised versions of their stories, and the many allusions to them in popular culture. Taking the case of Sita as main point of reference, but comparing throughout with Radha, Pauwels studies the messages sent to Hindu women at different points in time. She compares how these role models are portrayed in the most authoritative versions of the story. She traces the ancient, Sanskrit sources, the medieval vernacular retellings of the stories and the contemporary TV versions as well. This comparative analysis identifies some surprising conclusions about the messages sent to Indian women today, which belie the expectations one might have of the portrayals in the latest, more liberal versions. The newer messages turn out to be more conservative in many subtle ways. Significantly, it does not remain limited to the religious domain. By analyzing several popular recent and classical hit movies that use Sita and Radha tropes, Pauwels shows how these moral messages spill into the domain of popular culture for commercial consumption.

The book of Esther was a conscious reaction to much of the conventional wisdom of its day, challenging beliefs regarding the Jerusalem Temple, the land of Israel, Jewish law, and even God. Aaron Koller identifies Esther as primarily a political work, and shows that early reactions ranged from ignoring the book to 'rewriting' Esther in order to correct its perceived flaws. But few biblical books have been read in such different ways, and the vast quantity of Esther-interpretation in rabbinic literature indicates a conscious effort by the Rabbis to present Esther as a story of faith and traditionalism, and bring it into the fold of the grand biblical narrative. Koller situates Esther, and its many interpretations, within the intellectual and political contexts of Ancient Judaism, and discusses its controversial themes. His innovative line of enquiry will be of great interest to students and scholars of Bible and Jewish studies.

For decades, Koren's combination Siddur-Humash has been a favorite in Israel. For the first time this convenient volume is available in an American edition. The Koren Talpiot Shabbat Humash offers all the tefillot recited on Shabbat according to American custom and when visiting Israel, from Erev Shabbat though Motza'ei Shabbat, together with the Torah and Haftara readings. The Hebrew text is laid out in Koren style, in Koren Siddur and Tanakh Fonts, and discreet English instructions throughout. Published in cooperation with the Orthodox Union.

Festive cover by renowned Jerusalem artist Yair Emanuel.

A political crisis erupts when the Persian government falls to fanatics, and a Jewish insider goes rogue, determined to save her people at all costs. God and Politics in Esther explores politics and faith. It is about an era in which the prophets have been silenced and miracles have ceased, and Jewish politics has come to depend not on commands from on high, but on the boldness and belief of each woman and man. Esther takes radical action to win friends and allies, reverse terrifying decrees, and bring God's justice into the world with her own hands. Hazony's The Dawn has long been a cult classic, read at Purim each year the world over. Twenty years on, this revised edition brings the book to much wider attention. Three controversial new chapters address the astonishingly radical theology that emerges from amid the political intrigues of the book.

The first volume of a world-renowned scholar's long-awaited Qur'an commentary, now available in English Angelika Neuwirth's six-volume commentary, published originally in Germany, offers a historical and philological analysis of the form, structure, and semantic message of each of the 114 Qur'anic suras. It brings together the fruits of the past hundred years of modern scholarship and provides access to the aesthetic, theological, linguistic, and semantic background required to appreciate the unique novelty, force, and historical position of the Qur'an. Contextualizing the Qur'anic message in the broader world of late antiquity, it bridges the gaps between the inner-Islamic scholarly world and the academy. Skillfully translated by Samuel Wilder, this first volume focuses on the Meccan suras, the earliest and often the most aesthetically striking and compelling part of the corpus of Qur'anic proclamations.

'Probably the most important archaeological find in history ... Vermes' translations are a standard in the field' Los Angeles Times The discovery of the Dead Sea Scrolls in the Judaean desert between 1947 and 1956 was one of the greatest finds of all time. These extraordinary manuscripts appear to have been hidden in the caves at Qumran by the Essenes, a Jewish sect in existence before and during the time of Jesus. Written in Hebrew, Aramaic and Greek, the scrolls have transformed our understanding of the Hebrew Bible, early Judaism and the origins of Christianity. This acclaimed translation by Geza Vermes has established itself as the classic version of these texts. Translated and edited with an Introduction and Notes by Geza Vermes

Winner of the Herbert Baxter Adams Prize A Longman-History Today Book Prize Finalist A Sheik Zayed Book Award Finalist Winner of the Thomas J. Wilson Memorial Prize A Times Literary Supplement Book of the Year "Deeply thoughtful...A delight."-The Economist "[A] tour de force...Bevilacqua's extraordinary book provides the first true glimpse into this story...He, like the tradition he describes, is a rarity." -New Republic In the seventeenth and eighteenth centuries, a pioneering community of Western scholars laid the groundwork for the modern understanding of Islamic civilization. They produced the first accurate translation of the Qur'an, mapped Islamic arts and sciences, and wrote Muslim history using Arabic sources. The Republic of Arabic Letters is the first account of this riveting lost period of cultural exchange, revealing the profound influence of Catholic and Protestant intellectuals on the Enlightenment understanding of Islam. "A closely researched and engrossing study of...those scholars who, having learned Arabic, used their mastery of that difficult language to interpret the Quran, study the career of Muhammad...and introduce Europeans to the masterpieces of Arabic literature." -Robert Irwin, Wall Street Journal "Fascinating, eloquent, and learned, The Republic of Arabic Letters reveals a world later lost, in which European scholars studied Islam with a sense of affinity and respect...A powerful reminder of the ability of scholarship to transcend cultural divides, and the capacity of human minds to accept differences without denouncing them." -Maya Jasanoff "What makes his study so groundbreaking, and such a joy to read, is the connection he makes between intellectual history and the material history of books." -Financial Times

Recognized masterpieces of Indian literature, the Guru Granth Sahib and the Dasam Granth are fundamental to the Sikh religion, not only in the physical layout of temples and in ceremonies of worship, but as infallible reference texts offering counsel and instruction. Teachings of the Sikh Gurus presents a brand new selection of key passages from these sacred scriptures, translated into modern English by leading experts, Christopher Shackle and Arvind-pal Singh Mandair. Including six longer compositions and many shorter hymns thematically organised by topics such as Time and Impermanence, Self and Mind, Authority, and Ethics, the book's accessible and carefully chosen extracts distil the essence of Sikhism's remarkable textual and intellectual legacy, depicting how its message of universal tolerance suits the contemporary world. The detailed introduction and notes to the translations aid readers' comprehension of the hymns' form and content, as well as providing some historical context, making it an ideal introduction to Sikh literature.

If there is one grand tale that has impacted Asia, it has to be the Ramayana, the great Indian epic. In this sumptuously illustrated volume, the author highlights the various southern and south-eastern Asian traditions and variations of the tale with nearly a hundred superb watercolour paintings. That this ancient narrative has adapted itself to multiple art forms is not surprising, given the diversity of its retellings in both literary and non-literary forms-oral narratives, dance-dramas, plays, and more. From India, the Rama tale is presumed to have travelled along three routes: by land, the northern route took the story from Punjab and Kashmir into China, Tibet, and East Turkestan; by sea, the southern route carried the story from Gujarat and South India into Java, Sumatra, and Malaya; and again by land, the eastern route delivered the story from Bengal into Burma, Thailand, Laos, and to some extent, Cambodia and Vietnam. In Indonesia and Malaysia, the epic has been incorporated into the Islamic tradition; Theravada Buddhism in Thailand and Cambodia adopted Hindu divinities from the Rama story into its fold.

This book, which is a collection of various essays on Africa and the Bible, is a must-read for scholars and students who are interested in exploring the intersection between the Bible and public spaces exposing the liberating and oppressing strands of the Bible. Given the enchanted African worldview, which includes belief in miracles, divine healing and prosperity, the Bible is the go-to-authority of many religious activities. Though at home, the Bible's role and function needs closer assessment. The critical question tackled in this volume is: how can Africa read the Bible from its various contexts to recover its usefulness on issues of gender, patriarchy and political and economic liberation? Yet equally, how do we guard against oppressive discourses that find support from the Bible such as polygamy, viewing women as unequal to men and growing economic disparities? In addition, throughout history, Africans are made to be comfortable with theologies that further distance them away from economic and political processes, such as the belief in an angry God who punishes and demands utter obedience-theologies which have sustained particular asymmetric socio-economic and political structures across the continent. This book is important because it traces the sociological contours in the Bible in relation to Africa, sensitizing us to the liberating strands and, at the same time, making us aware of the pathos associated with the literary reading of the Bible.

The remarkable poem in Deut 32:1-43 is a triple conclusion to the life of Moses, to Deuteronomy and to the Pentateuch/Torah. In content and style, it is an encapsulation of history, prophecy, and wisdom, of a poetic quality hard to surpass. The song was supposed to be learned by heart, was given its own scroll in Qumran, and was, as far as we know, the first Hebrew text to be written colographically. Yet, the poem is shrouded in vagueness and ambiguity, and scholars have pondered its origins, function, meaning, and message. The Origins of Deuteronomy 32: Intertextuality, Memory, Identity plunges into the debate. Extensive theoretical discussions form the foundations for an analysis of similarities and dissimilarities between Deut 32 and other texts from many different perspectives. This indicates a close relationship to the Persian period edition of the Book of Isaiah. In light of a reconstruction of Yehud, theories of social memory and social identity formation are employed in a discussion on the functions of Deuteronomy and the Book of Isaiah, yielding results for our understanding of Deut 32. The origins and textual relationships are considered in light of newer insights on scribes working together. This radically changes the framework within which we must see the origins of Deut 32 (or any text) and its textual relationships. With its combination of theoretical expositions and applications to the text, this book will be useful for both scholar and student.

Ritual and Rhetoric in Leviticus uses rhetorical analysis to expose the motives behind the writing of the central book of the Torah/Pentateuch and its persuasive function in ancient Judaism. The answer to the question, 'who was trying to persuade whom of what by writing these texts?' proves to be quite consistent throughout Leviticus 1-16: Aaronide high priests and their supporters used this book to legitimize their monopoly over the ritual offerings of Jews and Samaritans. With this priestly rhetoric at its center, the Torah supported the rise to power of two priestly dynasties in Second Temple Judaism. Their ascendancy in turn elevated the prestige and rhetorical power to the book, making it the first real scripture in Near Eastern and Western religious traditions.

A unique, step-by-step book and audio compact disc package that will lead the novice through each step of learning how to chant Torah. Divided into 13 lessons and additional useful appendices and bibliography, the book allows the reader to "self-teach" the important principles of Torah cantillation.

This new Koren Shabbat Humash, Magerman Edition combines the illuminating translation, introduction and commentary on the Shabbat Siddur by Rabbi Jonathan Sacks with the traditional Koren Humash.