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Books > Sport & Leisure > Humour > Humour collections & anthologies
A brilliant way to brighten each day. In this playful, innovative collection, Brian Bilston writes a poem to accompany every day of the year. Each poem is inspired by a significant - often curious - event associated with that day: from Open an Umbrella Indoors Day to the day on which New York banned public flirting; from the launch of the Rubik's Cube to the first appearance of the phrase, 'the best thing since sliced bread'. Perfect for reading aloud and sharing with friends, Days Like These: An alternative guide to the year in 366 poems will take the blues out of Monday, flatten the Wednesday hump, and amplify that Friday feeling.
Calvin and Hobbes are back in another thrilling adventure involving escapes from girls, parents, and snow goon monsters. In Attack of the Deranged Mutant Killer Monster Snow Goons, Calvin suffers a host of hardships. He gets attacked by his new two-wheeler bike. Hobbes gets kidnapped by Susie, a slimy girl. His father cancels Calvin's personal TV network. Self-multiplying deranged mutant killer monster snow goons threaten to take over the yard. And if that wasn't enough, the ethicated duplicate of Calvin's good side wreaks havoc with his reputation by doing good deeds. Yet Calvin conquers all with his irrepressible spirit and a little help from alter-egos Spaceman Spiff, Stupendous Man, and Tracer Bullet, private eye. Readers are delighted by Calvin's resourceful wit, which applies to everything from philosophical speculations to attempts to outsmart his parents.
The PERFECT GIFT for Mum would be to let her take the day off while you do everything for her. Why not get her this book instead? ---------------- This is mum. A mum has two very important jobs to do. One is to look after her children. The other is to do everything else as well. ---------------- Now Lyndsay's little boy is at nursery, she is looking for a job. At this interview, the lady asks Lyndsay all sorts of questions, which Lyndsay has trouble answering because she has the Octonauts theme going round her head. Lyndsay hopes she is not singing out loud. ---------------- This delightful book is the latest in the series of Ladybird books which have been specially planned to help grown-ups with the world about them. The large clear script, the careful choice of words, the frequent repetition and the thoughtful matching of text with pictures all enable grown-ups to think they have taught themselves to cope. Featuring original Ladybird artwork alongside brilliantly funny, brand new text. 'Hilarious' Stylist
Hark the Herald's Christmas gift! It was a year that careered out of control, with the natives of Scotland feeling like passengers in a souped-up dodgem car being driven by a crackpot clown without a valid driving licence. Luckily The Herald's Diary column was able to cover the toppling of Boris Johnson, the triumphs of Liz Truss, a huge green-hued shindig and a batlike creature fighting crime on the streets of Glasgow. All before the outpouring of Royal grief in September when we said goodbye to the Queen and came to terms with "God Save the King". Away from the monarchy, there was the surreal story of a woolly mammoth who might one day play for Scotland, a knight in armour visiting an Edinburgh pub, a cow patiently waiting for a train, Santa climbing a statue and an emu loose in Livingston. And the year also saw a mysterious entity called . . . the Platty Jubes? This cockamamie compilation presents all sorts of shenanigans to round off a year like no other. All with that patented Diary twist.
From The New Yorker contributor and @drawingolive Instagrammer Olivia de Recat comes a heartwarming look at love, in its many forms. Drawing on interviews with "the best couples she knows"-young and old, from all walks of life-de Recat explores the question: what makes love work? But instead of trying to solve the puzzle of all relationships, ever, Drawn Together simply reflects the world back to itself, with stories of love and belonging, from pet names, to first date anxieties, to the enduring tales of life-long partnership. Throughout, Olivia gracefully weaves in her own experiences, exploring how sometimes finding love can mean learning to embrace yourself. A perfect gift for a partner, a couple celebrating an anniversary, or a friend who just went through a break up, Drawn Together is a hopeful, humorous, entertaining book that will inspire even the shiest among us to take a chance on love.
Uncommon times call for uncommon wisdom. It s inspiring to hear
from people who ve graduated from the school of hard knocks, yet
kept a sense of humor. People like Twain, Voltaire, Oscar Wilde.
People who've said the thing so well that we all wish we'd said it.
People who've been there, done that, and refuse to sugarcoat what
they've learned. People who know, as Sherry Hochman puts it, that
""Every day is a gift even if it sucks.""
A snakeful of critical venom aimed at the composers and the classics of nineteenth- and twentieth-century music. Who wrote advanced cat music? What commonplace theme is very much like Yankee Doodle? Which composer is a scoundrel and a giftless bastard? What opera would His Satanic Majesty turn out? Whose name suggests fierce whiskers stained with vodka? And finally, what third movement begins with a dog howling at midnight, then imitates the regurgitations of the less-refined or lower-middle-class type of water-closet cistern, and ends with the cello reproducing the screech of an ungreased wheelbarrow? For the answers to these and other questions, readers need only consult the "Invecticon" at the back of this inspired book and then turn to the full passage, in all its vituperation. Among the eminent reviewers are George Bernard Shaw, Virgil Thomson, Hans von Bulow, Friedrich Nietzsche, Eduard Hanslick, Olin Downes, Deems Taylor, Paul Rosenfeld, and Oscar Wilde. Itself a classic, this collection of nasty barbs about composers and their works, culled mostly from contemporaneous newspapers and magazines, makes for hilarious reading and belongs on the shelf of everyone who loves or hates classical music. With a new foreword by Peter Schickele ("P.D.Q. Bach")."
"WHAT . . . A RIOT "
You may know Anjelah Johnson-Reyes for her viral sketch "Nail Salon" (over 100 million views globally) or her beloved MadTV character Bon Qui Qui, but it's her clean humor and hilarious storytelling that make her one of the most successful stand-up comedians and actresses today. With her razor-sharp wit, Anjelah recounts funny stories from her journey-from growing up caught between two worlds (do chips and salsa go with potato salad?) to unexpectedly embracing faith ("I love Jesus, but I will punch a 'ho") to her many adventures in dating (she may or may not have accepted dates simply for the food). Through it all, Anjelah transforms from a suburban-adjacent kid with Aquanet-drenched hair into a devoted Christian who abstains from drinking and premarital sex, into a mall-famous Oakland Raiders cheerleader, and then an actually famous comedian traveling the world and meeting people from all-walks of life, including Oprah. No biggie. (Huge biggie.) As she travels the world, Anjelah has eye-opening experiences, and she morphs from square, rigid Anjelah into "Funjelah," and learns that she can still ride with Jesus without squashing the other parts of her personality. Anjelah's stories explore subjects such as navigating your racial identity, finding your place in the world, chasing your crazy dreams, embracing the messiness of an evolving faith, and searching for belonging and meaning. Through her journey, Anjelah gets closer to discovering her true identity and encourages readers to have the audacity to dream big.
2021 Clara Johnson Award from Jane's Stories Press Foundation 2020 Gold Winner for Autobiography & Memoir in the Foreword INDIES Many are haunted and obsessed by their own eventual deaths, but perhaps no one as much as Sue William Silverman. This thematically linked collection of essays charts Silverman's attempt to confront her fears of that ultimate unknown. Her dread was fomented in part by a sexual assault, hidden for years, that led to an awareness that death and sex are in some ways inextricable, an everyday reality many women know too well. Through gallows humor, vivid realism, and fantastical speculation, How to Survive Death and Other Inconveniences explores this fear of death and the author's desire to survive it. From cruising New Jersey's industry-blighted landscape in a gold Plymouth to visiting the emergency room for maladies both real and imagined to suffering the stifling strictness of an intractable piano teacher, Silverman guards her memories for the same reason she resurrects archaic words-to use as talismans to ward off the inevitable. Ultimately, Silverman knows there is no way to survive death physically. Still, through language, commemoration, and metaphor, she searches for a sliver of transcendent immortality.
History is written by the winners. It's the faithful servants, the insiders, the ones who stick around, who can adapt to almost any condition that get to write the official histories. They publish the memoirs, park in the directors' spots, erect the statues, form the new governments, wipe out the pockets of resistance, recruit the new starters, set the agendas, talk on the documentaries and retrospectives. Yet theirs - the official version - is never the whole story. The quitter's tale offers a far more compelling, and often a more honest version of history. The Last Goodbye, Matt Potter collects the pithiest, angriest, most hilarious messages of resignation throughout history, including those whose exits were a springboard to eventual success, such as Steve Jobs, George Orwell and Charlie Sheen.It's full of self-deception, bloody knives, betrayal, honour, disgrace, disgust, thwarted ambition and shattered hopes, and sometimes a wicked sting in the tail . . .
Anjelah Johnson had two dreams as a kid: to be an actress and to be a chola. You may know Anjelah Johnson for her viral sketch "Nail Salon" (over 30 million views) or her beloved ghetto-fabulous MadTV character Bon Qui Qui, but it's her clean humor and hilarious storytelling that make her one of the most successful stand-up comedians today. In Who Do I Think I Am? Anjeleh shares hilarious stories about her life, from her irrational fear of death ("Please Don't Die, Okay?") to growing up caught between two worlds ("I'm Mexican/Hella American") to her cultural pride ("Chola Wishes & Caviar Dreams"). Of course, like any good Latina, she offers a choice of stories that are mild ("I Love Jesus But I Will Punch A 'Ho), medium ("Chin-checked by Prince") and spicy ("I'm Dating You Cuz I'm Hungry"). The book follows Anjelah's unlikely journey as she transforms from a suburban kid with Aquanet-drenched hair into a conservative Christian who abstains from drinking and premarital sex, into a mall-famous Raider cheerleader, and then an actually famous comedian traveling the world and meeting people from all-walks of life. As she travels the world, Anjelah has eye-opening experiences, and she morphs from square, rigid Anjelah into "Funjelah," and learns that she can still ride with Jesus without squashing the other parts of her personality. Anjelah's stories explore subjects such as embracing--and sometimes trying too hard to embrace--your racial identity, finding your place in the world and chasing your crazy dreams, the messiness of an evolving faith, and searching for belonging and meaning. Through her journey, Anjelah discovers her true identity, found only in the all-encompassing love of God, and encourages readers to have the audacity to dream big and fight to achieve their goals, no matter what obstacles they may face.
For fans of the perceptive comedy of Hannah Gadsby, Lindy West, and Sarah Silverman, Academy Award–nominated and acclaimed stand-up comedian Jena Friedman presents a witty and insightful collection of essays on the cultural flashpoints of today. Jena Friedman’s life in comedy began with her senior thesis on inequity in the Chicago comedy scene. It was, in short, not funny, but it anticipated her career as a writer and comedian with acerbic wit and a keen, cutting eye for social observation. Now, she brings her trademark whip-smart humor and cultural criticism to this brainy and laugh-out-loud funny essay collection. Friedman effortlessly takes us just beyond the edge of the uncomfortable with explorations on everything from why some celebrities get buried for their indiscretions while others get a second (third, and fourth…) chance, how we should think about lines of appropriateness crossed decades ago, living in the post- (post-) #MeToo world of today, and the power we hand to silence when we’re told not to joke about reproductive rights, gender, privilege, or class. Not Funny is a witty and bold collection, challenging us to deeply consider why we do and do not laugh, from a rising star of comedy always ready to call out hypocrisy wherever she finds it. And knows how to get a laugh while she does it.
A light-hearted, intimate and emphatically feminist history of dating, from Jane Austen to Tinder. Dating has never been easy. The road to true love has always been rutted with heartbreak, but do we have it any easier today? How did Victorians 'come out'? How did love blossom in war-torn Europe? And why did 80s' video-dating never take off? Bursting with little-known facts and tantalising tales of lovelorn men and besotted women, Nichi Hodgson's intriguing history of amorous relationships, from enamoured Georgians to frenziedly swiping millennials (and everyone in between) may leave you grateful that you live - and love - today.
Paige is best known for A Million Miles From Normal, her weekly column in the Sunday Times Life & Style magazine. As one of the anchor columnists of the Life & Style section since 2011, she has produced hundreds of hilarious columns and received hundreds more hilarious responses. Pens Behaving Badly is a collection of the best of her columns and the best of the wild letters they’ve inspired.
I've rounded up a rowdy assembly Of my own Consequential Dogs As counterparts to Eliot's mogs. Mine are a rough and ready bunch: You wouldn't take them out to lunch . . . But if they strike you as friendly, funny, Full of bounce and fond of a romp, Forgetful of poetic pomp, I trust you'll take them as you find them And, at the very least, not mind them. T. S. Eliot's best-selling collection of practical cat poems has been one of the most successful poetry collections in the world. For the first time in company history a companion volume will be published. Originally conceived by Eliot himself, Old Toffer's Book of Consequential Dog poems are a witty, varied and exquisitely compiled as Eliot's cats.
In Nothing Is Wrong and Here Is Why, acclaimed The Washington Post satirist Alexandra Petri offers perfectly logical, reassuring reasons for everything that has happened in recent American politics and culture that will in no way unsettle your world view. In essays both new and adapted from her viral columns, Petri reports that the Trump administration is as competent as it is uncorrupted, white supremacy has never been less rampant and men have been silenced for too long. Q-Anon makes perfect sense! At the centre of the book is a virtuosic account of the past four years, a history as surreal and deranged as the Trump administration itself. This Panglossian venture into the swampy present will soothe- and terrify readers.
John Waters is putting his life on the line. Armed with wit, a pencil-thin moustache, and a cardboard sign that reads 'I'm Not Psycho', he hitchhikes across America from Baltimore to San Francisco, braving lonely roads and treacherous drivers. But who should we be more worried about, the delicate film director with genteel manners or the unsuspecting travelers transporting the Pope of Trash? Along the way, Waters fantasizes about the best and worst possible scenarios: a friendly drug dealer hands over piles of cash to finance films with no questions asked, a demolition-derby driver makes a filthy sexual request in the middle of a race, a gun-toting drunk terrorizes and holds him hostage, and a Kansas vice squad entraps and throws him in jail. So what really happens when this cult legend sticks out his thumb and faces the open road? Laced with subversive humour and warm intelligence, Carsick is an unforgettable ride with a wickedly funny companion - and a celebration of America's weird, astonishing, and generous citizens.
Is hideous prose and ghastly poetry more fabulous than great literature? Determined to find out, award-winning comedian Robin Ince has spent most of the 21st century rummaging through charity shops, jumble sales, and even the odd skip to compile the defining collection of the world's worst ? inadvertently hilarious ? books. Among the many genres it explores, the book will guide you through the hinterland of celebrity autobiography, unearthing underappreciated classics such as those by It Ain't Half Hot Mum's Don Estelle and the brother of a former PM (MAJOR MAJOR). It offers a detailed study of romance sub-genres, from the equine (DIAMOND STUD) to the gynaecological (SIGN OF THE SPECULUM). And it will prove invaluable to anyone who wants to know THE SECRETS OF PICKING UP SEXY GIRLS. Above all, the Book Club is a manual - almost a life guide - training you up for membership of the Grand Order of Curators of Books That Should Never Have Been. Join the club.
Milt Gross (1895-1953), a Bronx-born cartoonist and animator, first found fame in the late 1920s, writing comic strips and newspaper columns in the unmistakable accent of Jewish immigrants. By the end of the 1920s, Gross had become one of the most famous humorists in the United States, his work drawing praise from writers like H. L. Mencken and Constance Roarke, even while some of his Jewish colleagues found Gross' extreme renderings of Jewish accents to be more crass than comical. Working during the decline of vaudeville and the rise of the newspaper cartoon strip, Gross captured American humor in transition. Gross adapted the sounds of ethnic humor from the stage to the page and developed both a sound and a sensibility that grew out of an intimate knowledge of immigrant life. His parodies of beloved poetry sounded like reading primers set loose on the Lower East Side, while his accounts of Jewish tenement residents echoed with the mistakes and malapropisms born of the immigrant experience. Introduced by an historical essay, Is Diss a System? presents some of the most outstanding and hilarious examples of Jewish dialect humor drawn from the five books Gross published between 1926 and 1928--"Nize Baby," "De Night in de Front from Chreesmas," "Hiawatta, Dunt Esk," and "Famous Fimmales"--providing a fresh opportunity to look, read, and laugh at this nearly forgotten forefather of American Jewish humor.
Ever since Mrs Malaprop first took to the stage in 1775 and described a gentleman as 'the very pineapple of politeness', some famous figures have become better known for their slips of the tongue than for anything they said intentionally. In particular, the careers of a number of broadcasters, sporting figures and politicians have become defined by their verbal blunders. Former US Vice-President Dan Quayle is remembered solely for making unfortunate remarks such as 'Republicans understand the importance of bondage between a mother and child.' Welsh naturalist Iolo Williams sent Twitter into meltdown when, discussing diving sea birds on Springwatch 2016, he asked a female conservationist: 'Is that the deepest shag you've ever had?' Even respected sports broadcaster Harry Carpenter was probably haunted forever by his seemingly innocent comment at the end of the 1977 Boat Race: 'Ah, isn't that nice? The wife of the Cambridge President is kissing the cox of the Oxford crew.' I Wish I Hadn't Said That is a collection of over 3,000 spoken and written blunders - including unintentional double entendres, spoonerisms, mixed metaphors, malapropisms, jaw-dropping remarks, misguided quiz show answers, embarrassing newspaper misprints, and foreign signs and notices that have sadly become lost in translation. |
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