The horror of the First World War brought out a characteristic response in a group of English artists, who resorted to black humour. Among these, John Hassall, a pioneering British illustrator and creator of the influential 'Skegness is so bracing' poster, holds a special place. Early in the war, he hit on the idea of drawing a parody of the Bayeux Tapestry to satirize German aggression and add to the growing genre of war propaganda. Taking the scheme of the famous tapestry which celebrates William the Conqueror's invasion of England, Hassall uses thirty pictorial panels to tell the story of Kaiser Wilhem II's invasion of Luxembourg and Belgium. In mock-archaic language he narrates the progress of the German army, never missing an opportunity to lampoon 'bad' behaviour: 'Wilhelm giveth orders for frightfulness.' The caricatured Germans loot homes, make gas from Limburg cheese and sauerkraut, drink copious amounts of wine and shamefully march through Luxembourg with 'women and children in front.' With comic inventiveness Hassall adapts the borders of the original to illustrate the stereotypical objects with which the English then associated their enemy: they are decorated with schnitzel, sausages, pilsner, wine corks and wild boar. Drawn with Hassall's distinctive flat colour and striking outlines, Ye Berlyn Tapestrie is a fascinating historical example of war-induced farce, produced by a highly talented artist who could not then have known that the war was set to last for another two years. Together with an introduction which sets out the historical background of its creation, every page of this rarely seen publication is reproduced here in a fold-out concertina, just like the original, to resemble the style of the Bayeux Tapestry.

Japanese manga comic books have attracted a devoted global following. In the popular press manga is said to have "invaded" and "conquered" the United States, and its success is held up as a quintessential example of the globalization of popular culture challenging American hegemony in the twenty-first century. In Manga in America - the first ever book-length study of the history, structure, and practices of the American manga publishing industry - Casey Brienza explodes this assumption. Drawing on extensive field research and interviews with industry insiders about licensing deals, processes of translation, adaptation, and marketing, new digital publishing and distribution models, and more, Brienza shows that the transnational production of culture is an active, labor-intensive, and oft-contested process of "domestication." Ultimately, Manga in America argues that the domestication of manga reinforces the very same imbalances of national power that might otherwise seem to have been transformed by it and that the success of Japanese manga in the United States actually serves to make manga everywhere more American.

For more than two decades, players have lead the zerg, protoss, and terrans into battle for galactic dominance in StarCraft, StarCraft II, and multiple campaign expansions. The Cinematic Art of StarCraft offers a detailed view into the history and philosophy of Blizzard's revolutionary cinematics team. Focusing on the craft and storytelling of cinematics and filled with anecdotes from the creators, The Cinematic Art of StarCraft gives fans a unique peek into the cinematics that have wowed millions of fans across the Koprulu sector.

Examining a wide range of comics and graphic novels - including works by creators such as Will Eisner, Leela Corman, Neil Gaiman, Art Spiegelman, Sarah Glidden and Joe Sacco - this book explores how comics writers and artists have tackled major issues of Jewish identity and culture. With chapters written by leading and emerging scholars in contemporary comic book studies, Visualizing Jewish Narrative highlights the ways in which Jewish comics have handled such topics as: *Biography, autobiography, and Jewish identity *Gender and sexuality *Genre - from superheroes to comedy *The Holocaust *The Israel-Palestine conflict *Sources in the Hebrew Bible and Jewish myth Visualizing Jewish Narrative also includes a foreword by Danny Fingeroth, former editor of the Spider-Man line and author of Superman on the Couch and Disguised as Clark Kent..

Nelson Mandela was called a terrorist, forced into hiding, captured, threatened with the death penalty and eventually thrown into jail for twenty-seven years, but nothing could stop him from fighting to liberate his country from the evil of apartheid. A hero in the struggle against a terrible regime, he never gave up. Even when he was a prisoner, he worked secretly with his comrades to undermine the oppressive apartheid government. This is the exciting true story of a young herd boy who was to grow up to become a lawyer, a freedom fighter, South Africa’s first democratically elected president and the beloved grandfather of a nation. It is told here in words and pictures for the young and the young at heart: a story to read with enjoyment and remember with pride.

For over seventy-five years, Archie and the gang at Riverdale High have been America's most iconic teenagers, delighting generations of readers with their never-ending exploits. But despite their ubiquity, "Archie "comics have been relatively ignored by scholars--until now.
"Twelve-Cent Archie" is not only the first scholarly study of the "Archie "comic, it is an innovative creative work in its own right. Inspired by "Archie's "own concise storytelling format, renowned comics scholar Bart Beaty divides the book into a hundred short chapters, each devoted to a different aspect of the "Archie "comics. Fans of the comics will be thrilled to read in-depth examinations of their favorite characters and motifs, including individual chapters devoted to Jughead's hat and Archie's sweater-vest. But the book also has plenty to interest newcomers to Riverdale, as it recounts the behind-the-scenes history of the comics and analyzes how "Archie "helped shape our images of the American teenager.
As he employs a wide range of theoretical and methodological approaches, Beaty reveals that the "Archie "comics themselves were far more eclectic, creative, and self-aware than most critics recognize. Equally comfortable considering everything from the representation of racial diversity to the semiotics of Veronica's haircut, "Twelve-Cent Archie" gives a fresh appreciation for America's most endearing group of teenagers.

The Art of Destiny 2, the follow-up to the successful The Art of Destiny, is a celebration of the dynamic art and visual style that fans have come to love about Destiny. The world of Destiny is expansive and vibrant, encompassing planets within our solar system and those far beyond. Praised for its artistic style and imaginative worlds that paint a complex future of war, exploration, and hope, Destiny is packed with life and colour. Customisable characters make every gaming experience visually unique, with the heroes and villains of Destiny crafted from worlds of science fiction past, yet brimming with their own style. The Art of Destiny 2 features hundreds of pieces of concept art, from early sketches and illustrations of characters to the colourful key art the designers used to help shape the in-game worlds. Each step of the process is meticulously detailed, from building in-game cinematics to crafting the complex universe. This book celebrates the exceptional attention to detail that the developers at Bungie have put into Destiny 2, and continues the high production quality that made The Art of Destiny a best-selling gaming art book. With exclusive, never-before-seen imagery, developer commentary, and more, The Art of Destiny 2 is the perfect gift for fans of The Art of Destiny, and those seeking the companion book to one of the most anticipated game releases of 2017.

"Carrying ahead the project of cultural criminology, Phillips and Strobl dare to take seriously that which amuses and entertains us--and to find in it the most significant of themes. Audiences, images, ideologies of justice and injustice--all populate the pages of Comic Book Crime. The result is an analysis as colorful as a good comic, and as sharp as the point on a superhero's sword."--Jeff Ferrell, author of Empire of Scrounge Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes' calculations of "deathworthiness," or who should be killed in meting out justice, and how these judgments have as much to do with the hero's character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.Nickie D. Phillipsis Associate Professor in the Sociology and Criminal Justice Department at St. Francis College in Brooklyn, NY.Staci Stroblis Associate Professor in the Department of Law, Police Science and Criminal Justice Administration at John Jay College of Criminal Justice.In theAlternative Criminologyseries

Learn to design simple, powerful, and timeless logos. When you think of a brand, often the first thing that comes to mind is the logo, the visual representation of that product, place, thing, or business. The power of simplicity for these marks can never be underestimated-a logo that comprises simple shapes can communicate a stronger message than a complex one, leaving a lasting impression in a viewer's mind. In Principles of Logo Design, noted logo designer George Bokhua shares his process for creating logotypes that will stand the test of time. Applying the enduring principles of classic texts on grid systems by Josef Muller-Brockmann and on form and design by Wucius Wong, Bokhua elaborates on his popular online classes, demonstrating in detail how to maximize communicationwith minimal information to create logos using, simple, monochromatic shapes. This comprehensive volume includes: How to apply a strong, simple, and minimal design aesthetic to logo design Why gridding is important, and understanding the golden ratio and when to use it How to sketch and refine logos through tracing, then grid and execute a mark in Adobe Illustrator Fine-tuning techniques to ensure visual integrity Knowing how to design a great logo is a core skill for any graphic designer. Principles of Logo Design helps designers at all levels of skill and experience conceive, develop, and create logos that are not only pleasing to the eye but evoke a sense of perfection.

'Fast-paced, furiously funny and utterly fantastic.' A.F. Steadman 'Culture and technology clash as Zachary Ying takes adventure to a new level!' Kwame Mbalia Percy Jackson meets Yu-Gi-Oh in this hilarious, action-packed fantasy adventure. Zachary Ying has never had much chance to learn about his Chinese heritage. So when he's chosen to host the spirit of the First Emperor of China for a vital mission, he is woefully unprepared. As a result, the emperor botches his attempt to possess Zack's body and binds to his AR gaming headset instead. With the legendary tyrant yapping in his headset, Zack must journey across China to steal magical artifacts and defeat figures from history and myth. Using his newfound water dragon powers, can Zack complete the mission in time to save the mortal world?

The Art of Fine Gifts: Enjoy the countdown to Christmas! Open a numbered window every day in December until the big day and reveal a seasonal sticker to help you get in the festive spirit! Featuring beautiful illustrations by Jean and Ron Henry. Printed on FSC-certified paper.

Contributions by Kylie Cardell, Aaron Cometbus, Margaret Galvan, Sarah Hildebrand, Frederik Byrn Kohlert, Tahneer Oksman, Seamus O'Malley, Annie Mok, Dan Nadel, Natalie Pendergast, Sarah Richardson, Jessica Stark, and James Yeh In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics, though often autobiographical, defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O'Malley regard Doucet's and Bell's art as actively feminist, not only because they offer women's perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. Doucet is a Canadian underground cartoonist, known for her autobiographical works such as Dirty Plotte and My New York Diary. Meanwhile, Bell is a British American cartoonist best known for her intensely introspective semiautobiographical comics and graphic memoirs, such as the Lucky series and Cecil and Jordan in New York. By pairing Doucet alongside Bell, the book recognizes the significance of female networks, and the social and cultural connections, associations, and conditions that shape every work of art. In addition to original essays, this volume republishes interviews with the artists. By reading Doucet's and Bell's comics together in this volume housed in a series devoted to single-creator studies, the book shows how despite the importance of finding ""a place inside yourself"" to create, this space seems always for better or worse a shared space culled from and subject to surrounding lives, experiences, and subjectivities.