An area in the midst of deep change, Southern Africa was in turmoil a short decade ago, its politics framed by white versus black, colonialism versus decolonialism, majority rule versus minority rights. With new political discourses beginning in the early 1990s, the mood today is one of interdependencies between the SADC member countries. To enhance one's understanding of the area, this book provides a comprehensive guide to the history of Southern Africa since the demise of colonialism. In detailed chronologies, it traces the history of the twelve developing Southern African countries-Angola, Botswana, Lesotho, Malawi, Mauritius, Mozambique, Namibia, South Africa, Swaziland, Tanzania, Zambia, and Zimbabwe. Bringing together information on the political development of the SADC member countries, the book aims to provide easy access to the information. The detailed chronologies show the political events as they unfolded, while the two indexes provide easy access to the events. The book is a useful guide to key developments, the role played by political parties, treaty information, and individual personalities.

European unity is a dream that has appealed to the imagination since the Middle Ages. Its motives have varied from a longing for peace to a deep-rooted abhorrence of diversity, as well as a yearning to maintain Europe's colonial dominance. This book offers a multifaceted history that takes in account the European imagination in a global context.

This publication provides a lively study of the role that Australians and New Zealanders played in defining the British sporting concept of amateurism. In doing so, they contributed to understandings of wider British identity across the sporting world.

This book, the first long-range history of the voluntary sector in Australia and the first internationally to compare philanthropy for Indigenous and non-Indigenous peoples in a settler society, explores how the race and gender ideologies embedded in philanthropy contributed to the construction of Australia's welfare state.

This book offers new insight into the end of the British Empire in the Middle East. It takes a fresh look at the relationship between Britain and the Gulf rulers at the height of the British Empire, and how its effects are still felt internationally today. Over the last four decades, the Persian Gulf region has gone through oil shocks, wars and political changes, and yet the basic entities of the southern Gulf states have remained largely in place. How did this resilient system come about for such seemingly contested societies? Drawing on extensive multi-archival research in the British, American and Gulf archives, this book illuminates a series of negotiations between British diplomats and the Gulf rulers that inadvertently led Bahrain, Qatar and the UAE to take their current shapes. The story addresses the crucial question of self-determination versus 'better together', a dilemma pertinent to anyone interested in the transformation of the modern world. -- .

How is emptiness made and what historical purpose does it serve? What cultural, material and natural work goes into maintaining `nothingness'? Why have a variety of historical actors, from colonial powers to artists and urban dwellers, sought to construct, control and maintain (physically and discursively) empty space, and by which processes is emptiness discovered, visualised and reimagined? This volume draws together contributions from authors working on landscapes and rurality, along with national and imperial narratives, from Brazil to Russia and Ireland. It considers the visual, including the art of Edward Hopper and the work of the British Empire Marketing Board, while concluding with a section that examines constructions of emptiness in relation to capitalism, development and the (re)appropriation of urban space. In doing so, it foregrounds the importance of emptiness as a productive prism through which to interrogate a variety of imperial, national, cultural and urban history.

This book explores the colonial mentalities that shaped and were shaped by women living in colonial India between 1820 and 1932. Using a broad framework the book examines the many life experiences of these women and how their position changed, both personally and professionally, over this long period of study. Drawing on a rich documentary record from archives in the United Kingdom, India, Pakistan, North America, Ireland and Australia this book builds a clear picture of the colonial-configured changes that influenced women interacting with the colonial state. In the early nineteenth century the role of some women occupying colonial spaces in India was to provide emotional sustenance to expatriate European males serving away from the moral strictures of Britain. However, powerful colonial statecraft intervened in the middle of the century to racialise these women and give them a new official, moral purpose. Only some females could be teachers, chosen by their race as reliable transmitters of genteel accomplishment codes of European, middle-class femininity. Yet colonial female activism also had impact when pressing against these revised, official gender constructions. New geographies of female medical care outreach emerged. Roman Catholic teaching orders, whose activism was sponsored by piety, sought out other female colonial peripheries, some of which the state was then forced to accommodate. Ultimately the national movement built its own gender thresholds of interchange, ignoring the unproductive colonial learning models for females, infected as these models had become with the broader race, class and gender agendas of a fading raj. This book will appeal to students and academics working on the history of empire and imperialism, gender studies, postcolonial studies and the history of education. -- .

'Hilarious, heartbreaking and utterly extraordinary.' Dominic Sandbrook, Sunday Times Books of the Year 'Superbly entertaining.' Financial Times 'Jaw-dropping.' Sunday Times 'Fascinating.' Guardian 'Gripping.' The Times 'Terrific . . . A page-turning history of imperial hubris and nemesis, deceit and delusion, love and betrayal on a grand scale.' Sunday Times In 1864, a young Austrian archduke by the name of Maximilian crossed the Atlantic to assume a faraway throne. He had been lured into the voyage by a duplicitous Napoleon III. Keen to spread his own interests abroad, the French emperor had promised Maximilian a hero's welcome. Instead, he walked into a bloody guerrilla war. With a head full of impractical ideals - and a penchant for pomp and butterflies - the new 'emperor' was singularly ill-equipped for what lay in store. This is the vivid history of this barely known, barely believable episode - a bloody tragedy of operatic proportions, the effects of which would be felt into the twentieth century and beyond.

In "Making Settler Cinemas," Peter Limbrick argues that the United States, Australia, and New Zealand share histories of colonial encounters that have shaped their cinemas in distinctive ways. Going beyond readings of narrative and representation, this book studies the production, distribution, reception, and reexhibition of cinema across three settler societies under the sway of two empires. Investigating films both canonical and overlooked, "Making Settler Cinemas "not only shows how cinema has mattered to settler societies but affirms that practices of film history can themselves be instrumental in encountering and reshaping colonial pasts.""

Whereas the Spanish-American War has long been studied as a turning point in American history, Grover Cleveland's foreign policy. Nick Cleaver's study illuminates the dynamism and ideals of Cleveland's diplomatic moment, revealing their continuities with the engagement and expansionism of the McKinley presidency.

In 1898 the United States acquired new overseas territories and expanded its influence in geopolitics. Acquisition and expansion did not go unopposed. Hundreds of thousands of Americans rejected their nation's foreign policy calling it imperialism. These dissenters established the first national anti-imperialist movement. In this book Michael Patrick Cullinane tells the story of anti-imperialist activists who resisted the expansion of American power at the turn of the century. He explores new ways of looking at anti-imperial protest and demonstrates that the movement was not a complete failure.

Oscar Watkins was a Bisley shot and a hockey "Blue" for Oxford University; a cavalry trooper in the Boer War; a magistrate on the Kenya Slave Courts which freed the slaves early in this century; Commandant of the 400,000-strong Carrier Corps in the East Africa Campaign in World War I; acting Kenya Chief Native Commissioner and Provincial Commissioner; and the first editor of a Swahilli newspaper which, under his editorship, gained the largest circulation of any paper in Africa.
He strove unceasingly to protect the interests of the African peoples. Resisting the pressures from European settlers for more labour to be made available to work on their farms, and for more land to be made available for European settlement, he found himself on a collision course with the settlers and their fiery leader Lord Delamere, and a Governor who was inclined to take their part.
This tribute to Oscar Watkins is written by his daughter.

Britain's Moment in the Middle East: was it an imperial triumph or a decisive staging post in the end-of-empire story? Sir Percy Cox (1864-1937) was a vital figure in the history of the British Empire in the Middle East, part of the pantheon with such legends as T.E. Lawrence and Gertrude Bell. As High Commissioner in Iraq from 1920 to 1923 he presided over the birth of modern Iraq - the climax of his career -- but left an infant state fraught with political, ethnic and religious problems which have bedevilled Iraq and the Middle East to the present day.

John Townsend paints a convincing picture of Britain's global empire and brings Cox to life as an archetypal patrician proconsul. This is the first major biography of Cox, based on extensive research in original sources and long experience in the region. It strikingly illustrates the troubled contemporary history of Iraq and the modern Middle East and will become the standard work on Cox.

This edited collection investigates New Zealand's history as an imperial power, and its evolving place within the British Empire. It revises and expands the history of empire within, to and from New Zealand by looking at the country's spheres of internal imperialism, its relationship with Australia, its Pacific empire and its outreach to Antarctica. The book critically revises our understanding of the range of ways that New Zealand has played a role as an imperial power, including the cultural histories of New Zealand inside the British Empire, engagements with imperial practices and notions of imperialism, the special significance of New Zealand in the Pacific region, and the circulation of ideas of empire both through and inside New Zealand over time. The essays in this volume span social, cultural, political and economic history, and in testing the concept of New Zealand's empire, the contributors take new directions in both historiographical and empirical research. -- .

The army in India was the principal pillar of British power in South Asia from the mid-nineteenth century until Indian independence. This volume aims to evaluate the combat effectiveness of the army in British India from the mutiny of 1857 until the British departed India in 1947. It examines how the army in India developed from a colonial police force into one of the world's largest volunteer armies which saw service around the globe. The author presents new primary material from international archival sources and develops original interpretations of the political and military role of the army in colonial India. These new arguments include: the army's conduct of 'small wars' on the North-West frontier aided it in conducting tactical warfare in Burma during World War II; small unit raids developed in India were put to good effect beyond India's borders; the army's practical experience of counter-insurgency was used in Greece and Indonesia after 1945; and, contrary to existing scholarship, the British did not follow a deliberate policy of 'Indianization' of the officer corps .

In the late eighteenth century, French emigre priests fled the religious turmoil of the French Revolution and found themselves leading a new wave of Roman Catholic missionaries in the United States. Fathers on the Frontier explores the diverse ways these missionary priests guided the development of the early American church in Maryland, Kentucky, Louisiana, and other pockets of Catholic settlement throughout much of the trans-Appalachian West. Over the course of their evangelistic endeavor, this relatively small group of priests introduced Gallican, ultramontane, and missionary principles to a nascent institutional church prior to the immigration of millions of European Catholics in the nineteenth century.
As author Michael Pasquier shows, this transformation of American Catholicism did not come easily. Several generations of French priests struggled to reconcile their romantic expectations of missionary life with their actual experiences as servants of a foreign church scattered throughout a frontier region with limited access to friends and family members still in France. As they became more accustomed to the lifeways of the American South and West, French missionaries expressed anxiety about apparent discrepancies between how they were taught to practice the priesthood in French seminaries and what the Holy See expected them to achieve as representatives of a universal missionary church.
At no point did French missionaries engage more directly in distinctively American affairs than in the religious debates surrounding slavery, secession, and civil war. These issues, Pasquier argues, compelled even the most politically aloof missionaries to step out of the shadow of Rome and stake their church on the side of the Confederacy. In so doing, they set in motion a strain of Catholicism more amenable to Southern concepts of social conservatism, paternalism, and white supremacy, and strikingly different from the liberal, progressive strain that historians have usually highlighted. Focusing on the collective thoughts, feelings, and actions of priests who found themselves caught between the formal canonical standards of the church and the informal experiences of missionaries in American culture, Fathers on the Frontier illuminates the historical intersection of American, French, and Roman interests in the United States."

Seafarers were the first workers to inhabit a truly international labour market, a sector of industry which, throughout the early modern period, drove European economic and imperial expansion, technological and scientific development, and cultural and material exchanges around the world. This volume adopts a comparative perspective, presenting current research about maritime labourers across three centuries, in the Mediterranean Sea and the Atlantic and Indian Oceans, to understand how seafarers contributed to legal and economic transformation within Europe and across the world. Focusing on the three related themes of legal systems, labouring conditions, and imperial power, these essays explore the dynamic and reciprocal relationship between seafarers' individual and collective agency, and the social and economic frameworks which structured their lives.

Kourou was to be a wonderful revenge, a French colony in America after the Seven Years War in 1763. However, the fantastic ideal became a grand failure and political disaster, marking the end of the French attempts for an American colony.

The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in-depth analysis of colonial filmmaking in the Wilhelmine Era.

Slaves, convicts, and unfree immigrants have traveled the oceans throughout human history, but the conventional Atlantic World historical paradigm has narrowed our understanding of modernity. This provocative study contrasts the Atlantic conflation of freedom and the sea with the complex relationships in the Indian Ocean in the long 19th century.

The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of 'palimpsestic memory', which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.

'Do not miss this book' NAOMI KLEIN, author of This Changes Everything The history of the nutmeg is one of conquest and exploitation - of both human life and the natural environment - and the origin of our contemporary climate crisis. Tracing the threats to our future to the discovery of the New World and the sea route to the Indian Ocean, The Nutmeg's Curse argues that the dynamics of climate change are rooted in a centuries-old geopolitical order constructed by Western colonialism. The story of the nutmeg becomes a parable revealing the ways human history has always been entangled with earthly materials - spices, tea, sugarcane, opium, and fossil fuels. Our crisis, Ghosh shows, is ultimately the result of a mechanistic view of the earth, where nature exists only as a resource for humans to use for our own ends, rather than a force of its own, full of agency and meaning. Writing against the backdrop of the global pandemic and the Black Lives Matter protests, Ghosh frames these historical stories in a way that connects our shared colonial past with the deep inequality we see around us today. By interweaving discussions on everything from the global history of the oil trade to the migrant crisis and the animist spirituality of indigenous communities around the world, The Nutmeg's Curse offers a sharp critique of contemporary society and speaks to the profoundly remarkable ways in which human history is shaped by non-human forces.

Creates a dialogue between the histories of imperialism and of women and gender. By engaging critically with both traditional history and colonial discourse analysis, the essays demonstrate how feminist historians can play a central role in creating new histories of British imperialism. arranged into three sections, dealing respectively with the imposition and impact of British imperial control, reactions and resistances, and the impact of the Empire within Britain. Chronologically, the focus is on the late-18th to early-20th centuries, while geographically the essays range from the Caribbean to Australia and span India, Africa, Ireland and Britain itself. Topics explored include the question of female agency in imperial contexts, the relationships between feminisms and nationalisms, and questions of sexuality, masculinity and imperial power.

This book illuminates British imperial policy after World War II in the context of economic policy and offers a novel argument about the end of the British empire. Economic discrimination in the empire in the late 1940s and early 1950s sustained Britain's recovery, when political control in the colonies was feasible. Subsequently, economic liberalization and the move towards financial cosmopolitanism, combined with rising constraints for economic and political management in the colonies, loosened and ultimately severed Britain's imperial link.