Based upon extensive archival research in Great Britain, the United States, and the Middle East, including sources never previously utilized such as declassified intelligence records, postwar planning documents, and the personal papers of key officials, this is painstakingly researched account of the origins of American involvement in the Middle East during the Presidency of Franklin D. Roosevelt. It explores the effort to challenge British and French power, and the building of new relationships with Iraq, Iran, Saudi Arabia, Egypt, and the Levant states. It also reveals new and controversial discoveries about Roosevelt's views on Palestine, his relations with Middle East leaders, and his often bitter conflicts with Churchill and de Gaulle over European imperialism. Modern-day parallels make this story compelling for followers of current events, World War II, Franklin Roosevelt, the Middle East, or British imperialism.

As survivors of genocide, mnemonicide, colonization, and forced assimilation, American Indians face a unique set of rhetorical exigencies in US public culture. Decolonizing Native American Rhetoric brings together critical essays on the cultural and political rhetoric of American indigenous communities, including essays on the politics of public memory, culture and identity controversies, stereotypes and caricatures, mascotting, cinematic representations, and resistance movements and environmental justice. This volume brings together recognized scholars and emerging voices in a series of critical projects that question the intersections of civic identity, including how American indigenous rhetoric is complicated by or made more dynamic when refracted through the lens of gender, race, class, and national identity. The authors assembled in this project employ a variety of rhetorical methods, theories, and texts committed to the larger academic movement toward the decolonization of Western scholarship. This project illustrates the invaluable contributions of American Indian voices and perspectives to the study of rhetoric and political communication.

Describing the fate of South Africa's drive, which began in 1949, to associate itself with Britain, France, Portugal and Belgium in an African defence pact, this book describes how South Africa had to settle for an entente rather than an alliance, and how even this had been greatly emasculated by 1960. In light of this case, the book considers the argument that ententes have the advantages of alliances without their disadvantages and concludes that this is exaggerated. There is also discussion of the background to the "fourth" secret Simonstown Agreement. Other books by the author include "The Politics of the South Africa Run: European Shipping and Pretoria", "Return to the UN" and "International Politics".

This book is based on original research into intimidation and violence directed at civilians by combatants during the revolutionary period in Ireland, considering this from the perspectives of the British, the Free State and the IRA. The book combines qualitative and quantitative approaches, and focusses on County Kerry, which saw high levels of violence. It demonstrates that violence and intimidation against civilians was more common than clashes between combatants and that the upsurge in violence in 1920 was a result of the deployment of the Black and Tans and Auxiliaries, particularly in the autumn and winter of that year. Despite the limited threat posed by the IRA, the British forces engaged in unprecedented and unprovoked violence against civilians. This study stresses the increasing brutality of the subsequent violence by both sides. The book shows how the British had similar methods and views as contemporary counter-revolutionary groups in Europe. IRA violence, however, was, in part, an attempt to impose homogeneity as, beneath the Irish republican narrative of popular approval, there lay a recognition that universal backing was never in fact present. The book is important reading for students and scholars of the Irish revolution, the social history of Ireland and inter-war European violence.

In "Howards End," Forster remarks that the Imperialist "hopes to inherit the earth" and with the strong temptation he has to acclaim it "as a superyeoman, who carries his country's virtue overseas." He then adds: "But the Imperialist is not what he thinks or seems." He is a destroyer. He prepares the way for cosmopolitanism, and though his ambitions may be fulfilled the earth that he inherits will be grey." This simple notion is masterly expressed in "A Passage to India," which provides a rich diversity of historical contexts and implies political imperatives urging us to rethink the complex relationship between East and West not as simple confrontation but rather as deeply rooted in cultural differences far beyond the realm of imperialist sensibility. With the support of material by Forster published here for the first time, this volume explores the realm of Forster's politics and imperialism.

A growing number of historians, political commentators, and cultural critics have sought to analyse Ireland's past and present in colonial terms. For some, including Irish Republicans, it is the only proper framework for understanding Ireland. Others reject the very use of the colonial label for Ireland's history; while using the term for the present can arouse outrage, especially amongst Ulster Unionists. This book evaluates and analyses these controversies, which range from debates over the ancient and medieval past to those in current literary and postcolonial theory. Scholarly, at times polemical, it is the most comprehensive study of these themes ever to appear. It will undoubtedly arouse sharp controversy.

This is the first global study of the single most important intellectual and artistic movement in Brazilian cultural history before Modernism. The Indianist movement, under the direct patronage of the Emperor Pedro II, was a major pillar of the Empire's project of state-building, involving historians, poets, playwrights and novelists in the production of a large body of work extending over most of the nineteenth century. Tracing the parallel history of official indigenist policy and Indianist writing, Treece reveals the central role of the Indian in constructing the self-image of state and society under Empire. He aims to historicize the movement, examining it as a literary phenomenon, both with its own invented traditions and myths, and standing at the interfaces between culture and politics, between the Indian as imaginary and real. As this book demonstrates, the Indianist tradition was not merely an example of Romantic exoticism or escapism, recycling infinite variations on a single model of the Noble Savage imported from the European imaginary. Instead, it was a complex, evolving tradition, inextricably enmeshed with the contemporary political debates on the status of the indigenous communities and their future within the post-colonial state. These debates raised much wider questions about the legacy of colonial rule-the persistence of authoritarian models of government, the social and political marginalization of large numbers of free but landless Brazilians, and above all the maintenance of slavery. The Indianist "stage" offered the Indian alternately as tragic victim and exile, as rebel and outlaw, as alien to the social pact, as mother or protector of the post-colonial Brazilianfamily, or as self-sacrificing ally and "voluntary slave."

"CA(c)saire's essay stands as an important document in the development of third world consciousness--a process in which [he] played a prominent role."
"--Library Journal"

This classic work, first published in France in 1955, profoundly influenced the generation of scholars and activists at the forefront of liberation struggles in Africa, Latin America, and the Caribbean. Nearly twenty years later, when published for the first time in English, Discourse on Colonialism inspired a new generation engaged in the Civil Rights, Black Power, and anti-war movements and has sold more than 75,000 copies to date.

AimA(c) CA(c)saire eloquently describes the brutal impact of capitalism and colonialism on both the colonizer and colonized, exposing the contradictions and hypocrisy implicit in western notions of "progress" and "civilization" upon encountering the "savage," "uncultured," or "primitive." Here, CA(c)saire reaffirms African values, identity, and culture, and their relevance, reminding us that "the relationship between consciousness and reality are extremely complex. . . . It is equally necessary to decolonize our minds, our inner life, at the same time that we decolonize society." An interview with CA(c)saire by the poet RenA(c) Depestre is also included.

This text analyzes how writing over the period of a century justified and was affected by the introduction and extension of British domination of India, demonstrating the link between written representations and the ideological, economic and political climate, and debates. By showing how the representations of Britons in India, Indian religion and Indian society and government evolved over the period 1740 to 1840, the book fills the gap between the early colonial "exotic East" and the later "primitive subject nation" perceptions.

This book explores Roman love elegy from postcolonial perspectives, arguing that the tropes, conventions, and discourses of the Augustan genre serve to reinforce the imperial identity of its elite, metropolitan audience. Love elegy presents the phenomena and discourses of Roman imperialism-in terms of visual spectacle (the military triumph), literary genre (epic in relation to elegy), material culture (art and luxury goods), and geographic space-as intersecting with ancient norms of gender and sexuality in a way that reinforces Rome's dominance in the Mediterranean. The introductory chapter lays out the postcolonial frame, drawing from the work of Edward Said among other theorists, and situates love elegy in relation to Roman Hellenism and the varied Roman responses to Greece and its cultural influences. Four of the six subsequent chapters focus on the rhetorical ambivalence that characterizes love elegy's treatment of Greek influence: the representation of the domina or mistress as simultaneously a figure for 'captive Greece' and a trope for Roman imperialism; the motif of the elegiac triumph, with varying figures playing the triumphator, as suggestive of Greco-Roman cultural rivalry; Rome's competing visions of an Attic and an Asiatic Hellenism. The second and the final chapter focus on the figures of Osiris and Isis, respectively, as emblematic of Rome's colonialist and ambivalent representation of Egypt, with the conclusion offering a deconstructive reading of elegy's rhetoric of orientalism.

In February 1937, following an abortive attack by a handful of insurgents on Mussolini's High Command in Italian-occupied Ethiopia, 'repression squads' of armed Blackshirts and Fascist civilians were unleashed on the defenceless residents of Addis Ababa. In three terror-filled days and nights of arson, murder and looting, thousands of innocent and unsuspecting men, women and children were roasted alive, shot, bludgeoned, stabbed to death, or blown to pieces with hand-grenades. Meanwhile the notorious Viceroy Rodolfo Graziani, infamous for his atrocities in Libya, took the opportunity to add to the carnage by eliminating the intelligentsia and nobility of the ancient Ethiopian empire in a pogrom that swept across the land. In a richly illustrated and ground-breaking work backed up by meticulous and scholarly research, Ian Campbell reconstructs and analyses one of Fascist Italy's least known atrocities, which he estimates eliminated 19-20 per cent of the capital's population.He exposes the hitherto little known cover-up conducted at the highest levels of the British government, which enabled the facts of one of the most hideous civilian massacres of all time to be concealed, and the perpetrators to walk free.

A significant contribution to the emerging literature on decolonial studies, this concise and forcefully argued volume lays out a groundbreaking interpretation of the "Mandela phenomenon." Contrary to a neoliberal social model that privileges adversarial criminal justice and a rationalistic approach to war making, Sabelo J. Ndlovu-Gatsheni identifies transformative political justice and a reimagined social order as key features of Nelson Mandela's legacy. Mandela is understood here as an exemplar of decolonial humanism, one who embodied the idea of survivor's justice and held up reconciliation and racial harmony as essential for transcending colonial modes of thought.

This book examines the representation of penal colonies both historically and in contemporary culture, across an array of media. Exploring a range of geographies and historical instances of the penal colony, it seeks to identify how the 'penal colony' as a widespread phenomenon is as much 'imagined' and creatively instrumentalized as it pertains to real sites and populations. It concentrates on the range of 'media' produced in and around penal colonies both during their operation and following their closures. This approach emphasizes the role of cross-disciplinary methods and approaches to examining the history and legacy of convict transportation, prison islands and other sites of exile. It develops a range of methodological tools for engaging with cultures and representations of incarceration, detention and transportation. The chapters draw on media discourse analysis, critical cartography, museum and heritage studies, ethnography, architectural history, visual culture including film and comics studies and gaming studies. It aims to disrupt the idea of adopting linear histories or isolated geographies in order to understand the impact and legacy of penal colonies. The overall claim made by the collection is that understanding the cultural production associated with this global phenomenon is a necessary part of a wider examination of carceral imaginaries or 'penal spectatorship' (Brown, 2009) past, present and future. It brings together historiography, criminology, media and cultural studies.

Voices in the Legal Archives in the French Colonial World: "The King is Listening" offers, through the contribution of thirteen original chapters, a sustained analysis of judicial practices and litigation during the first era of French overseas expansion. The overall goal of this volume is to elaborate a more sophisticated "social history of colonialism" by focusing largely on the eighteenth century, extending roughly from 1700 until the conclusion of the Age of Revolutions in the 1830s. By critically examining legal practices and litigation in the French colonial world, in both its Atlantic and Oceanic extensions, this volume of essays has sought to interrogate the naturalized equation between law and empire, an idea premised on the idea of law as a set of doctrines and codified procedures originating in the metropolis and then transmitted to the colonies. This book advances new approaches and methods in writing a history of the French empire, one which views state authority as more unstable and contested. Voices in the Legal Archives proposes to remedy the under-theorized state of France's first colonial empire, as opposed to its post-1830 imperial expressions empire, which have garnered far more scholarly attention. This book will appeal to scholars of French history and the comparative history of European empires and colonialism.

The typical image of the Gezira Scheme, the large-scale irrigation scheme started under British colonial rule in Sudan, is of a centrally planned effort by a central colonial power controlling tenants and cotton production. However, any idea(l)s of planned irrigation and profit in Gezira had to be realized by African farmers and European officials, who both had their own agendas. Projects like Gezira are best understood in terms of continuous negotiations. This book rewrites Gezira's history in terms of colonial control, farmers' actions and resistance, and the broader development debate.

Joseph De Sapio examines how individuals not only understood their contacts with industrial modernity as distinct from the inherited traditional rhythms of the eighteenth century, but how they conceived of their own positions within the increasingly sophisticated political, social, and commercial paradigms of the Victorian years.

The Indian Imagination focuses on literary developments in English both in the colonial and postcolonial periods of Indian history. Six divergent writers—Aurobindo Ghose (Sri Aurobindo), Mulk Raj Anand, Balachandra Rajan, Nissim Ezekiel, Anita Desai, and Arun Joshi—represent a consciousness that has emerged from the confrontation between tradition and modernity. The colonial fantasy of British India was finally dissolved in the first half of this century, only to be succeeded by another fantasy, that of the reinstituted sovereign nation-state. This study argues that the two phases of history—like the two phases of Indian writing in English— together represent the sociohistorical process of colonization and decolonization and the affirmation of identity.

An incisive and inspiring call to look beyond capitalism to chart a road map for a planet ravaged by pandemics, climate crisis, and wars. Prompted by trenchant questions by international solidarity organizer Frank Barat, renowned author and activist Vijay Prashad shows that the path toward hope and liberation lies in looking closely at myriad, under covered struggles being waged all across the world by workers in countries such as India, Kenya, Peru, Tunisia, and Argentina. A marvelously global but grassroots perspective. Prashad also examines pressing topics such as debt cancellation, a wealth tax, austerity, the pandemic, the arms industry, the climate crisis, socialism, working-class social movements and much more.

In this thought provoking study, Pieterse breaks with traditional studies of imperialism to present a more balanced view of history, one that examines the logic of liberation as well as the logic of imperialism. We appear to know more and to think more about domination than about liberation, writes the author in the introduction. Does this indicate that in our general perception history is chiefly made from above'? By large compelling forces such as imperialism, capitalism, rather than from beloW' by social movements? Nederveen Pieterse examines imperialism and power on a world scale from above and from below and offers a theoretically developed study of domination and liberation together as the shaping forces of history. Students and scholars of political science and history will find mpire and Emancipation a source of stimulating ideas.

The study begins with a review of the prominent theories of imperialism and emancipation, both political and economic. The book then develops these theoretical perspectives by looking into imperial history. Continuities and discontinuities of imperial history are examined: between the era of the Crusades and later stages, between aristocratic and capitalist aspects, between race' within Europe and beyond, between the British Empire and United State hegemony. In addition, Nederveen Pieterse examines the role of social movements: labour movements in the western world, the Irish struggle, the struggles of the African diaspora, and the resistance of American Indians. Empire and Emancipation breaks with traditional approaches to imperialism to present a more balanced view of history, which considers the interrelations of empire and emancipation.

Europe's rapacious hunger for other people's lands is one of the key shaping forces of our contemporary world. Everything is touched by our colonial past, from the way we see the world to the food we eat. Our contemporary preoccupations and ills - from globalization to humanitarian intervention to international terrorism - have colonialism somewhere in their genetic make-up. The character and policies of contemporary international organizations - from the United Nations to the European Union - have also been deeply affected by the colonial inheritance of their members, whether as perpetrators or "victims". Weaving together the complex strands of history and politics into one compact narrative, this book addresses the key theories of colonialism, examining them against contemporary realities. It goes on to looks at how the different policies of colonisers have had profoundly contradictory effects on the way different empires ended in the 20th century. These endings in turn affected the entire nature of modern day international relations. It also exposes the moral ambiguities of colonialism and the hypocrisies, which underlay colonial policies in the 19th and 20th centuries.

This comprehensive and detailed examination of the challenges faced by the newly independent state of Ukraine argues that its lackluster economic performance during the 1990s was the unfortunate result of a combination of the hasty adoption of public policies not clearly understood and a prolonged struggle to build governmental institutions. With a focus on both how the government used financial repression to balance budgets, dampen inflationary pressures and, at the same time, maintain formal and informal subsidies to state enterprises. It makes original contributions to the debate on economic reform by focusing attention on Ukraine’s critical choices in the areas of state institution-building, fiscal policies and monetary reform, and the government’s preference for financially-repressive policy measures.

This book explores imperial entanglements to reassess the Napoleonic Empire as a missing link-or at least an important chain-in the global and longue duree history of Empires. In recent years Napoleonic studies have, belatedly but resolutely, embraced the transnational historiographical turn, vastly expanding the field's geographical scope. Its canonical chronological boundaries, on the other hand, appear increasingly narrow against this wider backdrop, giving the impression of a parenthetical, almost anachronistic aside from 1799 to 1815. What connects, and what doesn't connect, the Napoleonic Empire to the Age of Empire, remains by and large an open question. Put another way, this book attempts to locate the Napoleonic empire in World History.