Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed include:
* the interactions of post-colonial and performance theories
* the post-colonial re-stagings of language and history
* the specific enactments of ritual and carnival
* the theatrical citations of the post-colonial body
Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.

eBook available with sample pages: 020342106X

Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include:
* the interactions of post-colonial and performance theories
* the post-colonial re-stagings of language and history
* the specific enactments of ritual and carnival
* the theatrical citations of the post-colonial body
Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.

This book explores and analyzes developments in the military institution, military engagements as well as the larger security environment of (including non-war violence and maritime regions linking to) the Portuguese Empire in India. These developments occurred under the onslaught of the early modern globalization. The research shows that far from being dilapidated or archaic, the Portuguese colonial military there kept up with some developments in technology and organization in a competitive environment. Although the colonial military was not the most important reason in accounting for the survival of the Portuguese Estado da India, nor was the military profession the most lucrative occupation, the Portuguese experience gave indication of how a colonial state and society was able to survive against coalescing threats from the position of weakness. Located in the period and geographical region of the wax and waning of the Mughal and Maratha empires, Portuguese India was not necessarily a more violent place than the surrounding territories although resistance to and uprising against the Portuguese was usually underestimated. Beginning from the attempt at political and military centralization (and standardization) in the eighteenth century, the abolition of the army of the Estado da India in the nineteenth marked nominally the end of an era that may have a reverberation on the pacifist perception of Goa today.

Memories of the Maghreb explores how the Spanish colonization of North Africa at the turn of the twentieth century continues to haunt Spain's efforts to articulate a national identity that can accommodate both the country's diversity, brought about by immigration from its old colonies, and the postnational demands of its integration in the European Union. Campoy-Cubillo analyzes Spanish contemporary cultural production about the Spanish Protectorate of Morocco, following a cultural studies approach to describe the material conditions that contributed to the development of Spanish colonial discourse and its rearticulation in contemporary Spain.

This Palgrave Pivot combines anthropological, biographical and autoethnographic perspectives onto imperial intimacies, the transgenerational transmission of colonial and familial trauma, and violence in two kinds of household: the Chinese family in British Hong Kong and wider imperial Asia, and the Anglo-Chinese family in England. Conjoining approaches from literary anthropology, the historiography of Anglo-Chinese relations, and perspectives on colonial trauma, it highlights the relative neglect of women's stories in customary Chinese readings, colonial accounts, and an ancestral family record from 1800 to the present. Offering an alternative view of family history, this book links the body as a dwelling for assaults on the ability to breathe-through tuberculosis, opium smoking, asthma, and panic-with the physical home that is assaulted in turn by bombs, killing, intimate betrayals, and fatal respiratory illness. The COVID-19 "pandemic of breathlessness" serves as mnemonic both for state repression, and for the reprisal of historical fears of suffocation and dying. These phenomena converge under an analytic concept the author calls respiratory politics.

"White Skin/Black Masks" focuses on the fiction and travel writings of Henry Rider Haggard and Rudyard Kipling. Close friends as well as prominent figures of imperial and colonial myth-making, Haggard and Kipling were praised for their alleged knowledge of and ability to speak from within the "native" cultures of Africa and India. Narrators and characters in their fiction attest to a persistent fascination with the body-image of the "Other." Kipling's fiction in particular deals with disguise and physical transformation through the use of costume. This book addresses the psychic processes of negation, projection and reappropriation in the dynamics of pleasure/unpleasure and mastery/defense found in the work of these two writers. It also seeks to provide a historical context for understanding how these forces emerged from and were played out in contemporary society.
The fascination with exotic cultures and the crossing of cultural boundaries provides some of the most striking ways in which a colonizing culture articulates its self-identity and authority. "White Skin/Black Masks" employs the most recent thinking in psychoanalysis, anthropology and colonial discourse theory to analyze the manner in which fantasy and fabulation is always caught up in networks of desire and power.

The first part of this volume deals with the changes and continuities in historical approaches over the last fifty years, with three further sections focusing on initial contacts, formal presences, and informal presences. Emphasis has been placed on the major European players in Asia and Africa before 1800 - the Portuguese, Dutch and English, without neglecting the role played by the French, Spanish, Scandinavians and others.

Empire is an evocative, yet little examined, word. It can mean the domination of vast territories, a Christian world order, a corrupt form of government, or a humanitarian endeavour. Historians relegate the concept of empire to the pre-modern world, identifying the state as the characteristic political form of the modern world. This book examines the range of meanings attributed to the concept of empire in the medieval and early modern world, demonstrating how the concepts of empire and state developed in parallel, not sequentially.

"Imperialism" is a trans-national and trans-historical phenomenon; it occurs neither in limited areas nor at one specific moment. In cultures from across the world theatrical performance has long been a site both for the representation and support of imperialism and resistance and rebellion against it. "Imperialism and Theatre" is a groundbreaking collection which explores the questions of why and how theater was selected within imperial cultures for the representation of the concerns of both the colonizers and the colonized.
Gathering together fifteen noted scholars and theatre practitioners, this collection spans global and historical boundaries and presents a uniquely comprehensive study of post-colonial drama. The essays engage in current theoretical issues while shifting the focus from the printed text to theatre as a cultural formation and locus of political force. A compelling and extremely timely work, "Imperialism and Theatre" reveals fascinating new dimensions to the post-colonial debate.
Contributors: Nora Alter; Sudipto Chatterjee; Mary Karen Dahl; Alan Filewood; Donald H. Frischmann; Rhonda Garelick; Helen Gilbert; Michael Hays; Loren Kruger; Josephine Lee; Robert Eric Livingston; J.S. Peters; Michael Quinn; Edward Said; Elaine Savory

By distinguishing between classical Marxist and neo-Marxist approaches to imperialism, this volume challenges generally accepted views on the relationship between these two branches of Marxist thought, reaffirming the principles and tools of fundamental Marxism as essential for understanding and explaining the internationalization of capitalist economic life. Together, original source materials and Polychroniou's highly readable analysis present a commentary both outlining and clarifying essential ideas contained in Marxist writings from the late 19th century to the present. Marxist Perspectives on Imperialism also identifies current political and economic issues to which authentic Marxist concepts can be applied.

A review of Marx's views on capitalist production relations and expansion opens the discussion and defines criteria for evaluating analyses which follow. Studies by classical Marxists such as Hilferding, Bukharin, and Lenin are then contrasted to the neo-Marxist writings of Baran, Frank, and Wallerstein, among others. Polychroniou's defense of orthodox Marxism strengthens as he turns his attention to the practical uses of Marxist ideology to topics of international concern. His conclusions clarify a complex topic and provide political economists, sociologists, and political scientists with a clear explanation of the theoretical and methodological contours of Marxist thought on capitalist imperialism.

A leading light of the anti-colonial revolts of the 1960s and '70s, Frantz Fanon also prophetically explored the dangers of post-colonial power. Voices of Liberation: Frantz Fanon is a rich exploration of Fanon's life and times, combining interviews with those who fought alongside him with selections from his work. This book gives and giving new insight into the extraordinary life and ideas of one of the twentieth century's most important revolutionaries. Leo Zeilig is a lecturer at the Institute of Commonwealth Studies, University of London; Senior Visiting Fellow, South African Research Chair in Social Change; Faculty of Humanities, University of Johannesburg; and editor of Class Struggle and Resistance in Africa. Mireille Fanon-Mendes-France is the president of the Frantz Fanon Foundation and the daughter of Frantz Fanon.

Opposing the orthodoxies of establishment postcolonialism, Beyond Postcolonial Theory posits acts of resistance and subversion by people of color as central to the unfolding dialogue with Western hegemony. The testimonies and signifying practices of Rigoberta Menchu, C.L.R. James, various "minority" writers in the United States, and intellectuals from Africa, Latin America, and Asia are counterposed against the dogmas of contingency, borderland nomadism, panethnicity, and the ideology of identity politics and transcultural postmodern pastiche. Reappropriating ideas from Gramsci, Bakhtin, Althusser, Freire, and others in the radical democratic tradition, San Juan deploys them to recover the memory of national liberation struggles (Fanon, Cabral, Che Guevara) on the face of the triumphal march of globalized capitalism.

The contributors to this volume examine the aspects of the cultural associations, symbolic interpretations and emotional significance of the idea of empire and, to some extent, with the post-imperial consequences. Collectively and cumulatively, their view is that sport was an important instrument of imperial cultural association and subsequent cultural change, promoting at various times and in various places imperial unity, national identity, social reform, recreational development and post-imperial goodwill.

A study of Britain's imperial policy in the Middle East over oil, finance and defence. This book brings together different accounts of British policy in the early 20th century, particularly in the Ottoman Empire, to reflect a consistent pattern of preoccupation, policy-making and diplomacy.

This book investigates how decolonising the curriculum might work in English studies - one of the fields that bears the most robust traces of its imperial and colonial roots - from the perspective of the semi-periphery of the academic world- system. It takes the University of Lisbon as a point of departure to explore broader questions of how the field can be rethought from within, through Anglophone (post)coloniality and an institutional location in a department of English, while also considering forces from without, as the arguments in this book issue from a specific, liminal positionality outside the Anglosphere. The first half of the book examines the critical practice of and the political push for decolonising the university and the curriculum, advancing existing scholarship with this focus on semi-peripheral perspectives. The second half comprises two theoretically-informed and classroom-oriented case studies of adaptation of the literary canon, a part of model syllabi that are designed to raise awareness of and encourage an understanding of a global, pluriversal literary history.

Settlers at the end of empire traces the development of racialised migration regimes in South Africa, Rhodesia (present-day Zimbabwe) and the United Kingdom from the Second World War to the end of apartheid in 1994. While South Africa and Rhodesia, like other settler colonies, had a long history of restricting the entry of migrants of colour, in the 1960s under existential threat and after abandoning formal ties with the Commonwealth they began to actively recruit white migrants, the majority of whom were British. At the same time, with the 1962 Commonwealth Immigrants Act, the British government began to implement restrictions aimed at slowing the migration of British subjects of colour. In all three nations, these policies were aimed at the preservation of nations imagined as white, revealing the persistence of the racial ideologies of empire across the era of decolonisation. -- .

This book explores how modern Nigerian fiction is rooted in writers' understanding of their identity and perception of Nigeria as a country and home. Surveying a broad range of authors and texts, the book shows how these fictionalized representations of Nigeria reveal authentic perceptions of Nigeria's history and culture today. Many of the lessons in these works of literature provide cautionary tales and critiques of Nigeria, as well as an examination of the lasting impact of colonialism. Furthermore, the book presents the nation as both the framework and subject of its narrative. By conducting literary analyses of Nigerian fiction with historical reference points, this work demonstrates how Nigerian literature can convey profound themes and knowledge that resonates with audiences, teaching Nigerians and non-Nigerians about the colonial and postcolonial experience. The chapters cover topics on nationhood, women's writing, postcolonial modernity, and Nigerian literature in the digital age.

Hydrocriticism and Colonialism in Latin America is organized around the critical and theoretical "turn" known as hydro-criticism, an innovative approach to the study of the ways in which bodies of water (oceans, seas, rivers, archipelagos, lakes, etc.) impact the study of history, culture, and society. This volume proposes a hydro-critical approach to issues related to the colonial period. The analysed texts demonstrate not only the presence of water and oceanic trajectories as metaphorical devices, but the inherent implication of navigation, ports, islandic territories, drainage systems, floodings and the like in configuration of collective imaginaries, from colonial times to the present. This book encompasses studies of the decisive role water played in the world view from/about the "New World" since the discovery, both for the monarchy and the church, and the impact of oceanic journeys for the advancement of colonization and slavery. In chapters that combine historical, linguistic, literary and ethnographic approaches, this volume constitutes an attempt to expand the scope and methodology of colonial studies. At the same time, the continuity of maritime perspectives reaches the analysis of contemporary literature, thus demonstrating the importance of this critical paradigm for the study of Caribbean cultures. In this respect, studies particularly illuminate the connection between popular beliefs and oceanic dimensions, as well as on issues of gender and ethnicity.

This book explores the people of the Kikori River Delta, in the Gulf of Papua, as established historical agents of intercultural exchange. One hundred years after they were made, Frank Hurley's colonial-era photographic reproductions are returned to the descendants of the Kerewo and Urama peoples, whom he photographed. The book illuminates how the movement, use, and exchange of objects can produce distinctive and unrecognised forms of value. To understand this exchange, a nuanced history of the conditions of the exchange is necessary, which also allows a reconsideration of the colonial legacies that continue to affect the social and political worlds of people in the twenty-first century.

This is an examination of the response of British policy makers to the collapse of belief in racial superiority, and with it the ideological basis of empire, following the fall of Singapore in 1942. The book studies the Anglo American debate in which British officials, led by Lord Hailey, countered American criticisms of imperial rule by emphasizing economic development and peace keeping as new, non-racial justifications for western authority. These are themes that have retained a powerful resonance in the post-war world.

This book examines the lives and tenures of all the consorts of the Tudor and Stuart monarchs of England between 1485 and 1714, as well as the wives of the two Lords Protector during the Commonwealth. The figures in Tudor and Stuart Consorts are both incredibly familiar-especially the six wives of Henry VIII-and exceedingly unfamiliar, such as George of Denmark, the husband of Queen Anne. These innovative and authoritative biographies recognise the important role consorts played in a period before constitutional monarchy: in addition to correcting popular assumptions that are based on limited historical evidence, the chapters provide a fuller picture of the role of consort that goes beyond discussions of exceptionalism and subversion. This volume and its companions reveal the changing nature of English consortship from the Norman Conquest to today.

Leprosy in Colonial South India is not only a history of a disease, it is also a history of colonial power in 19th-century British India as seen through the lens of British medical and legal encounters with leprosy and its sufferers. The book offers a detailed examination of the contribution of leprosy treatment and legislative measures to negotiated relationships between indigenous and British medicine and the colonial impact on indigenous class formation, while asserting the agency of the poor and vagrant leprous classes in their own history.

In Representing Empire Ying Xiong examines Japanese-language colonial literature written by Japanese expatriate writers in Taiwan and Manchuria. Drawing on a wide range of Japanese and Chinese sources, Representing Empire reveals not only a nuanced picture of Japanese literary terrain but also the interplay between imperialism, nationalism, and Pan-Asianism in the colonies. While the existing literature on Japanese nationalism has largely remained within the confines of national history, by using colonial literature as an example, Ying Xiong demonstrates that transnational forces shaped Japanese nationalism in the twentieth century. With its multidisciplinary and comparative approach, Representing Empire adds to a growing body of literature that challenges traditional interpretations of Japanese nationalism and national literary canon. "Representing Empire is an outstanding accomplishment, at once making clearer and complicating our understandings of the literary worlds of Manchuria and Taiwan, and the greater imperial empire within which all were transformed. ... add[s] substantially to the ways in which Japan's empire and twentieth century East Asian history more generally might be interpreted." Norman Smith, University of Guelph, Modern Chinese Literature and Culture Resource Center Publication (February, 2015)

An innovative study of labor relations, particularly the interactions of recruitment agents and migrant workers, in the mining concessions of Wassa, Gold Coast Colony, 1879 to 1909. Recent years have seen renewed interest in the historical study of labor in Africa. Unlike those of the past, these new studies are rooted in the recognition of Africa's dynamic, expansive, and productive informal sector. While this book focuses on one of West Africa's earliest large-scale industries, namely the Wassa gold mines in the southwest Gold Coast, it is not solely concerned with the traditional working class. Rather, it explores the plurality oflabor relations that characterized the mining concessions during the period 1879 to 1909, including the presence of migrants from various parts of West Africa as well as casual and tributary laborers, both male and female. In capturing the phenomenon of labor mobility as it played out in Wassa, Mediators, Contract Men, and Colonial Capital presents one of the fullest accounts of the labor agents who regularly brought groups of migrant laborers to the mines. The narrative discusses these agents' means of employment and roles in the informalization and indentureship of labor; in addition, it explores the regional dynamics of the recruitment machinery and confronts issues of coercion and choice. Scholars interested in African history, global labor history, economic history, and women's work in Africa will find much of value in this innovative study. Cassandra Mark-Thiesen is aResearch Fellow of the Swiss National Science Foundation (Marie-Heim Voegtlin Grant) in the history department of the University of Basel.