"White Skin/Black Masks" focuses on the fiction and travel writings of Henry Rider Haggard and Rudyard Kipling. Close friends as well as prominent figures of imperial and colonial myth-making, Haggard and Kipling were praised for their alleged knowledge of and ability to speak from within the "native" cultures of Africa and India. Narrators and characters in their fiction attest to a persistent fascination with the body-image of the "Other." Kipling's fiction in particular deals with disguise and physical transformation through the use of costume. This book addresses the psychic processes of negation, projection and reappropriation in the dynamics of pleasure/unpleasure and mastery/defense found in the work of these two writers. It also seeks to provide a historical context for understanding how these forces emerged from and were played out in contemporary society.
The fascination with exotic cultures and the crossing of cultural boundaries provides some of the most striking ways in which a colonizing culture articulates its self-identity and authority. "White Skin/Black Masks" employs the most recent thinking in psychoanalysis, anthropology and colonial discourse theory to analyze the manner in which fantasy and fabulation is always caught up in networks of desire and power.

The first part of this volume deals with the changes and continuities in historical approaches over the last fifty years, with three further sections focusing on initial contacts, formal presences, and informal presences. Emphasis has been placed on the major European players in Asia and Africa before 1800 - the Portuguese, Dutch and English, without neglecting the role played by the French, Spanish, Scandinavians and others.

Empire is an evocative, yet little examined, word. It can mean the domination of vast territories, a Christian world order, a corrupt form of government, or a humanitarian endeavour. Historians relegate the concept of empire to the pre-modern world, identifying the state as the characteristic political form of the modern world. This book examines the range of meanings attributed to the concept of empire in the medieval and early modern world, demonstrating how the concepts of empire and state developed in parallel, not sequentially.

"Imperialism" is a trans-national and trans-historical phenomenon; it occurs neither in limited areas nor at one specific moment. In cultures from across the world theatrical performance has long been a site both for the representation and support of imperialism and resistance and rebellion against it. "Imperialism and Theatre" is a groundbreaking collection which explores the questions of why and how theater was selected within imperial cultures for the representation of the concerns of both the colonizers and the colonized.
Gathering together fifteen noted scholars and theatre practitioners, this collection spans global and historical boundaries and presents a uniquely comprehensive study of post-colonial drama. The essays engage in current theoretical issues while shifting the focus from the printed text to theatre as a cultural formation and locus of political force. A compelling and extremely timely work, "Imperialism and Theatre" reveals fascinating new dimensions to the post-colonial debate.
Contributors: Nora Alter; Sudipto Chatterjee; Mary Karen Dahl; Alan Filewood; Donald H. Frischmann; Rhonda Garelick; Helen Gilbert; Michael Hays; Loren Kruger; Josephine Lee; Robert Eric Livingston; J.S. Peters; Michael Quinn; Edward Said; Elaine Savory

A leading light of the anti-colonial revolts of the 1960s and '70s, Frantz Fanon also prophetically explored the dangers of post-colonial power. Voices of Liberation: Frantz Fanon is a rich exploration of Fanon's life and times, combining interviews with those who fought alongside him with selections from his work. This book gives and giving new insight into the extraordinary life and ideas of one of the twentieth century's most important revolutionaries. Leo Zeilig is a lecturer at the Institute of Commonwealth Studies, University of London; Senior Visiting Fellow, South African Research Chair in Social Change; Faculty of Humanities, University of Johannesburg; and editor of Class Struggle and Resistance in Africa. Mireille Fanon-Mendes-France is the president of the Frantz Fanon Foundation and the daughter of Frantz Fanon.

By distinguishing between classical Marxist and neo-Marxist approaches to imperialism, this volume challenges generally accepted views on the relationship between these two branches of Marxist thought, reaffirming the principles and tools of fundamental Marxism as essential for understanding and explaining the internationalization of capitalist economic life. Together, original source materials and Polychroniou's highly readable analysis present a commentary both outlining and clarifying essential ideas contained in Marxist writings from the late 19th century to the present. Marxist Perspectives on Imperialism also identifies current political and economic issues to which authentic Marxist concepts can be applied.

A review of Marx's views on capitalist production relations and expansion opens the discussion and defines criteria for evaluating analyses which follow. Studies by classical Marxists such as Hilferding, Bukharin, and Lenin are then contrasted to the neo-Marxist writings of Baran, Frank, and Wallerstein, among others. Polychroniou's defense of orthodox Marxism strengthens as he turns his attention to the practical uses of Marxist ideology to topics of international concern. His conclusions clarify a complex topic and provide political economists, sociologists, and political scientists with a clear explanation of the theoretical and methodological contours of Marxist thought on capitalist imperialism.

Opposing the orthodoxies of establishment postcolonialism, Beyond Postcolonial Theory posits acts of resistance and subversion by people of color as central to the unfolding dialogue with Western hegemony. The testimonies and signifying practices of Rigoberta Menchu, C.L.R. James, various "minority" writers in the United States, and intellectuals from Africa, Latin America, and Asia are counterposed against the dogmas of contingency, borderland nomadism, panethnicity, and the ideology of identity politics and transcultural postmodern pastiche. Reappropriating ideas from Gramsci, Bakhtin, Althusser, Freire, and others in the radical democratic tradition, San Juan deploys them to recover the memory of national liberation struggles (Fanon, Cabral, Che Guevara) on the face of the triumphal march of globalized capitalism.

This study explores the shared history of the French empire from the perspective of material culture in order to re-evaluate the participation of colonial, Creole, and indigenous agency in the construction of imperial spaces. The decentred approach to a global history of the French colonial realm allows a new understanding of power relations in different locales. Providing case studies from four parts of the French empire, the book draws on illustrative evidence from the French archives in Aix-en-Provence and Paris as well as local archives in each colonial location. The case studies, in the Caribbean, Canada, Africa, and India, each examine building projects to show the mixed group of planners, experts, and workers, the composite nature of building materials, and elements of different 'glocal' styles that give the empire its concrete manifestation. -- .

The contributors to this volume examine the aspects of the cultural associations, symbolic interpretations and emotional significance of the idea of empire and, to some extent, with the post-imperial consequences. Collectively and cumulatively, their view is that sport was an important instrument of imperial cultural association and subsequent cultural change, promoting at various times and in various places imperial unity, national identity, social reform, recreational development and post-imperial goodwill.

A study of Britain's imperial policy in the Middle East over oil, finance and defence. This book brings together different accounts of British policy in the early 20th century, particularly in the Ottoman Empire, to reflect a consistent pattern of preoccupation, policy-making and diplomacy.

This book investigates how decolonising the curriculum might work in English studies - one of the fields that bears the most robust traces of its imperial and colonial roots - from the perspective of the semi-periphery of the academic world- system. It takes the University of Lisbon as a point of departure to explore broader questions of how the field can be rethought from within, through Anglophone (post)coloniality and an institutional location in a department of English, while also considering forces from without, as the arguments in this book issue from a specific, liminal positionality outside the Anglosphere. The first half of the book examines the critical practice of and the political push for decolonising the university and the curriculum, advancing existing scholarship with this focus on semi-peripheral perspectives. The second half comprises two theoretically-informed and classroom-oriented case studies of adaptation of the literary canon, a part of model syllabi that are designed to raise awareness of and encourage an understanding of a global, pluriversal literary history.

Settlers at the end of empire traces the development of racialised migration regimes in South Africa, Rhodesia (present-day Zimbabwe) and the United Kingdom from the Second World War to the end of apartheid in 1994. While South Africa and Rhodesia, like other settler colonies, had a long history of restricting the entry of migrants of colour, in the 1960s under existential threat and after abandoning formal ties with the Commonwealth they began to actively recruit white migrants, the majority of whom were British. At the same time, with the 1962 Commonwealth Immigrants Act, the British government began to implement restrictions aimed at slowing the migration of British subjects of colour. In all three nations, these policies were aimed at the preservation of nations imagined as white, revealing the persistence of the racial ideologies of empire across the era of decolonisation. -- .

This book explores how modern Nigerian fiction is rooted in writers' understanding of their identity and perception of Nigeria as a country and home. Surveying a broad range of authors and texts, the book shows how these fictionalized representations of Nigeria reveal authentic perceptions of Nigeria's history and culture today. Many of the lessons in these works of literature provide cautionary tales and critiques of Nigeria, as well as an examination of the lasting impact of colonialism. Furthermore, the book presents the nation as both the framework and subject of its narrative. By conducting literary analyses of Nigerian fiction with historical reference points, this work demonstrates how Nigerian literature can convey profound themes and knowledge that resonates with audiences, teaching Nigerians and non-Nigerians about the colonial and postcolonial experience. The chapters cover topics on nationhood, women's writing, postcolonial modernity, and Nigerian literature in the digital age.

This book explores the people of the Kikori River Delta, in the Gulf of Papua, as established historical agents of intercultural exchange. One hundred years after they were made, Frank Hurley's colonial-era photographic reproductions are returned to the descendants of the Kerewo and Urama peoples, whom he photographed. The book illuminates how the movement, use, and exchange of objects can produce distinctive and unrecognised forms of value. To understand this exchange, a nuanced history of the conditions of the exchange is necessary, which also allows a reconsideration of the colonial legacies that continue to affect the social and political worlds of people in the twenty-first century.

This is an examination of the response of British policy makers to the collapse of belief in racial superiority, and with it the ideological basis of empire, following the fall of Singapore in 1942. The book studies the Anglo American debate in which British officials, led by Lord Hailey, countered American criticisms of imperial rule by emphasizing economic development and peace keeping as new, non-racial justifications for western authority. These are themes that have retained a powerful resonance in the post-war world.

This book examines the lives and tenures of all the consorts of the Tudor and Stuart monarchs of England between 1485 and 1714, as well as the wives of the two Lords Protector during the Commonwealth. The figures in Tudor and Stuart Consorts are both incredibly familiar-especially the six wives of Henry VIII-and exceedingly unfamiliar, such as George of Denmark, the husband of Queen Anne. These innovative and authoritative biographies recognise the important role consorts played in a period before constitutional monarchy: in addition to correcting popular assumptions that are based on limited historical evidence, the chapters provide a fuller picture of the role of consort that goes beyond discussions of exceptionalism and subversion. This volume and its companions reveal the changing nature of English consortship from the Norman Conquest to today.

Leprosy in Colonial South India is not only a history of a disease, it is also a history of colonial power in 19th-century British India as seen through the lens of British medical and legal encounters with leprosy and its sufferers. The book offers a detailed examination of the contribution of leprosy treatment and legislative measures to negotiated relationships between indigenous and British medicine and the colonial impact on indigenous class formation, while asserting the agency of the poor and vagrant leprous classes in their own history.

In Representing Empire Ying Xiong examines Japanese-language colonial literature written by Japanese expatriate writers in Taiwan and Manchuria. Drawing on a wide range of Japanese and Chinese sources, Representing Empire reveals not only a nuanced picture of Japanese literary terrain but also the interplay between imperialism, nationalism, and Pan-Asianism in the colonies. While the existing literature on Japanese nationalism has largely remained within the confines of national history, by using colonial literature as an example, Ying Xiong demonstrates that transnational forces shaped Japanese nationalism in the twentieth century. With its multidisciplinary and comparative approach, Representing Empire adds to a growing body of literature that challenges traditional interpretations of Japanese nationalism and national literary canon. "Representing Empire is an outstanding accomplishment, at once making clearer and complicating our understandings of the literary worlds of Manchuria and Taiwan, and the greater imperial empire within which all were transformed. ... add[s] substantially to the ways in which Japan's empire and twentieth century East Asian history more generally might be interpreted." Norman Smith, University of Guelph, Modern Chinese Literature and Culture Resource Center Publication (February, 2015)

An innovative study of labor relations, particularly the interactions of recruitment agents and migrant workers, in the mining concessions of Wassa, Gold Coast Colony, 1879 to 1909. Recent years have seen renewed interest in the historical study of labor in Africa. Unlike those of the past, these new studies are rooted in the recognition of Africa's dynamic, expansive, and productive informal sector. While this book focuses on one of West Africa's earliest large-scale industries, namely the Wassa gold mines in the southwest Gold Coast, it is not solely concerned with the traditional working class. Rather, it explores the plurality oflabor relations that characterized the mining concessions during the period 1879 to 1909, including the presence of migrants from various parts of West Africa as well as casual and tributary laborers, both male and female. In capturing the phenomenon of labor mobility as it played out in Wassa, Mediators, Contract Men, and Colonial Capital presents one of the fullest accounts of the labor agents who regularly brought groups of migrant laborers to the mines. The narrative discusses these agents' means of employment and roles in the informalization and indentureship of labor; in addition, it explores the regional dynamics of the recruitment machinery and confronts issues of coercion and choice. Scholars interested in African history, global labor history, economic history, and women's work in Africa will find much of value in this innovative study. Cassandra Mark-Thiesen is aResearch Fellow of the Swiss National Science Foundation (Marie-Heim Voegtlin Grant) in the history department of the University of Basel.

Mill's 35 years service in the Examiner's office of the East India Company has been little studied. He was reluctant, because of his official position, to comment publicly on the Company's affairs, but occasionally he put forward views in essays and before parliamentary committees that alert us to important elements in his thought and career. Further, when in the aftermath of the Indian Mutiny a succession of bills was brought forward in parliament to abolish the company, Mill was its chief spokesman in a succession of carefully argued pamphlets. The despatches that he drafted in the India Office are a mine of information about the administration of the British possessions in the sub-continent. This volume provides the first opportunity for students to see this important part of his career in full context. It includes, in scholarly form, all his Indian essays, parliamentary evidence and pamphlets and an appendix supplying an annotated record and location list of his official despatches. The introduction by Martin Moir gives full details of Mill's place in the history of the East India Company, whose administration is explained, and examines Mill's attitudes towards the proper gover

The reader Art and its global histories represents an invaluable teaching tool, offering content ranging from academic essays and excerpts, new translations, interviews with curators and artists, to art criticism. The introduction sets out the state of art history today as it undergoes the profound shift of a 'global turn'. Particular focus is given to British India, which represents a shift from the usual attention paid to Orientalism and French art in this period. The sources and debates on this topic have never before been brought together in a satisfactory way and this book will represent a particularly significant and valuable contribution for postgraduate and undergraduate art history teaching. -- .

This open access book explores the role of religion in England's overseas companies and the formation of English governmental identity abroad in the seventeenth century. Drawing on research into the Virginia, East India, Massachusetts Bay, Plymouth, New England and Levant Companies, it offers a comparative global assessment of the inextricable links between the formation of English overseas government and various models of religious governance across England's emerging colonial empire. While these approaches to governance varied from company to company, each sought to regulate the behaviour of their personnel, as well as the numerous communities and faiths which fell within their jurisdiction. This book provides a crucial reassessment of the seventeenth-century foundations of British imperial governance.

The working life of Sir John Martin (1904-1991), which is the subject of this book, was based on the Colonial Office, serving his belief that "colonial rule was one of the best British gifts to the world". Through his eyes, readers are given a detailed picture of work at the centre of some of the most important events in modern British history, including World War II and the end of empire. Four years after entering the Colonial Office, Martin was seconded for three years' field service in Malaya, and attended the Bangkok Opium Conference, and in 1936 he was called to serve as Secretary to the Palestine Royal Commission. In 1940 he went to 10 Downing Street as Churchill's Private Secretary, where from 1941-45 he was Principal PS with management of the Private Office. After the war, in senior positions in the Colonial Office he was in Malaysia, central Africa, Palestine, Cyprus and Malta, working towards decolonization. It also fell to Martin to represent British colonial policy at the new United Nations. For his last two years before retirement he was High Commissioner for Malta. The book offers insights into the background to all these events and the personalities involved.

Around the world, leading economies are announcing significant progress on climate change. World leaders are queuing up to proclaim their commitment to tackling the climate crisis, pointing to data that shows the progress they have made. Yet the atmosphere is still warming at a record rate, with devastating effects on poverty and precarity in the world's most vulnerable communities. Are we being deceived? Climate change is devastating the planet, and globalisation is hiding it. This book opens our eyes. Carbon colonialism explores the murky practices of outsourcing a country's environmental impact, where emissions and waste are exported from rich countries to poorer ones; a world in which corporations and countries are allowed to maintain a clean, green image while landfills in the world's poorest countries continue to expand, and droughts and floods intensify under the auspices of globalisation, deregulation and economic growth. Taking a wide-ranging, culturally engaged approach to the topic, the book shows how this is not only a technical problem, but a problem of cultural and political systems and structures - from nationalism to economic logic - deeply embedded in our society. -- .