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Books > Arts & Architecture > Industrial / commercial art & design > Product design
A history of color and commerce from haute couture to automobile
showrooms to interior design. When the fashion industry declares
that lime green is the new black, or instructs us to "think pink!,"
it is not the result of a backroom deal forged by a secretive cabal
of fashion journalists, designers, manufacturers, and the editor of
Vogue. It is the latest development of a color revolution that has
been unfolding for more than a century. In this book, the
award-winning historian Regina Lee Blaszczyk traces the
relationship of color and commerce, from haute couture to
automobile showrooms to interior design, describing the often
unrecognized role of the color profession in consumer culture.
Blaszczyk examines the evolution of the color profession from 1850
to 1970, telling the stories of innovators who managed the color
cornucopia that modern artificial dyes and pigments made possible.
These "color stylists," "color forecasters," and "color engineers"
helped corporations understand the art of illusion and the
psychology of color. Blaszczyk describes the strategic burst of
color that took place in the 1920s, when General Motors introduced
a bright blue sedan to compete with Ford's all-black Model T and
when housewares became available in a range of brilliant hues. She
explains the process of color forecasting-not a conspiracy to
manipulate hapless consumers but a careful reading of cultural
trends and consumer taste. And she shows how color information
flowed from the fashion houses of Paris to textile mills in New
Jersey. Today professional colorists are part of design management
teams at such global corporations as Hilton, Disney, and Toyota.
The Color Revolution tells the history of how colorists help
industry capture the hearts and dollars of consumers.
Offers an updated, comprehensive examination of design research,
celebrating a plurality of voices and range of conceptual,
methodological, technological and theoretical approaches evident in
contemporary design research. Examines the nature and process of
design research, the purpose of design research, and how one might
embark on design research. Explores how leading design researchers
conduct their design research through formulating and asking
questions in novel ways, and the creative methods and tools they
use to collect and analyse data.
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