Until recently, the work of Jean-Paul Sartre seemed to have faded out of fashion. Existentialism was replaced by structuralism and poststructuralism, and Sartrean philosophy was relegated to anthologies. In France and the United States, real confrontation with his work has been virtually missing. This collection of essays addresses this absence by shedding light on Sartre's contribution to critical trends that have been developing over the last twenty years, including feminism, gender studies and post-colonial studies. In addition, the essays combine to reassess Sartre's importance in such traditional fields as literature, philosophy and psychoanalysis. An essential, comprehensive volume of work, Situating Sartre in Twentieth-Century Thought and Culture updates and expands the scope of Sartrean studies.

This book is a journey through almost forty years of practice. Each chapter is independent of the others and develops around a specific theme: psychoanalysis in France, the transference, fathers today, psychic bisexuality, the sick body, human destructivity, and so on. The underlying thread is none the less the question of knowing how the drive operates between the biological body and mental functioning consisting of representations and affects, and, especially, how it gives rise to thinking.If thinking is an "act of the flesh", as the author asserts, how can we refine our understanding of the vicissitudes of the "mysterious leap from the mind to the body"? Furthermore, how does Freudian metapsychology still help us today in our encounters with patients? Contemporary clinical practice is sometimes bewildering: acts, violence, pain, and somatization often replace neurotic conflicts and speech. The clinical stories related here have the aim of showing that a psychoanalysis rooted in the Freudian corpus is still alive and can continue to offer creative responses today.

This book provides a psychoanalytic perspective on female psychology and includes articles with divergent theoretical viewpoints. It is useful for both research and clinical study and may also provide a bridge to scholars, teachers, and clinicians outside of psychoanalysis itself.

This book focuses the collective attention of psychotherapists, the legal community, social scientists, and ethicists on the moral, legal, and clinical problems of confidentiality in psychotherapeutic practice. By providing timely and important interdisciplinary contributions, the book opens the way to understanding, if not resolving, the conflicting interests and values at stake in the debate on confidentiality.

C. G. Jung understood the anima in a wide variety of ways but especially as a multifaceted archetype and as a field of energy. In Anima and Africa: Jungian Essays on Psyche, Land, and Literature, Matthew A. Fike uses these principles to analyze male characters in well-known British, American, and African fiction. Jung wrote frequently about the Kore (maiden, matron, crone) and the "stages of eroticism" (Eve, Mary, Helen, Sophia). The feminine principle's many aspects resonate throughout the study and are emphasized in the opening chapters on Ernest Hemingway, Henry Rider Haggard, and Olive Schreiner. The anima-as-field can be "tapped" just as the collective unconscious can be reached through nekyia or descent. These processes are discussed in the middle chapters on novels by Laurens van der Post, Doris Lessing, and J. M. Coetzee. The final chapters emphasize the anima's role in political/colonial dysfunction in novels by Barbara Kingsolver, Chinua Achebe/Nadine Gordimer, and Aphra Behn. Anima and Africa applies Jung's African journeys to literary texts, explores his interest in Haggard, and provides fresh insights into van der Post's late novels. The study discovers Lessing's use of Jung's autobiography, deepens the scholarship on Coetzee's use of Faust, and explores the anima's relationship to the personal and collective shadow. It will be essential reading for academics and scholars of Jungian and post-Jungian studies, literary studies, and postcolonial studies, and will also appeal to analytical psychologists and Jungian psychotherapists in practice and in training.

A Beholder's Share demonstrates how a sense of reality is evoked in the unpredictable space between imagination and adaptation. The world calls forth something in each of us-a beholder's share-which in turn calls forth something in the world. Though usually viewed as opposites, imagination and reality make uneasy but necessary bedfellows. Part I of A Beholder's Share shows how fantasy generates novelty by creating versions of what is already known, while imagination allows what seems familiar to be seen afresh. Goldman's essays offer unexpected takes on common clinical encounters: clashes of belief, the search for generational dialogue, the awkward discomfort of feeling like a fake, the problem of how and when to end analysis, the strains of working with psychotic anxieties. Part II, 'Winnicott's Living Legacy,' illuminates Winnicott's preoccupation with difficulties inherent in contact with reality. These chapters bring to life Winnicott's personal struggle with an area of experience his own two analyses failed to touch, the tangled relationship with Masud Khan, his recognition of dissociation as "a queer kind of truth," and how Romantic poets shaped Winnicott's view of what is felt as real. Bringing together Dodi Goldman's seminal and new writings, A Beholder's Share will appeal to psychoanalysts and psychoanalytic psychotherapists, as well as students and teachers of the arts, literature, and humanities.

Toy Story and the Inner World of the Child offers the first comprehensive analysis of the role of toys and play within the development of film and animation. The author takes the reader on a journey through the complex interweaving of the animation industry with inner world processes, beginning with the early history of film. Karen Cross explores digital meditations through an in-depth analysis of the Pixar Studios and the making of the Toy Story franchise. The book shows how the Toy Story functions as an outlet for exploring fears and anxieties relating to new technologies and industrial processes and the value of taking a psycho-cultural approach to recent controversies surrounding the film industry, particularly its cultural and sexual politics. The book is key reading for film and animation scholars as well as those who are interested in applications of psychoanalysis to popular culture and children's media.

Doing Things Differently celebrates the work of Donald Meltzer, who was such a lively force in the training of child psychotherapists at the Tavistock Clinic for many years. The book represents the harvest of Meltzer's thinking and teaching, and covers such topics as dimensionality in primitive states of mind, dreaming, supervision, and the claustrum.

The greater part of this book focuses on a critical analysis of the logics and ways of thinking supporting both explicit and implicit theories of sexual difference and the masculine/feminine pair. These theories may be private or collective; conscious, preconscious, or unconscious. They impact heavily on interpretations and constructions made in analytic practice, while they also affect transference-countertransference patterns. This conceptual analysis reviews the Freudian oeuvre as well as the work of other significant authors, post-Freudian and contemporary, that have contributed specifically to this topic. The concept of sexual difference contains a persistent problem: binary, dichotomous thinking and its blind spots and aporias. For this reason, the author has turned to other epistemologies that offer novel forms to think about the same problems, such as the paradigm of hyper-complexity, as well as thinking at intersections and limits between different categories.

Can psychoanalysis offer a new computer model? Can computer designers help psychoanalysts to understand their theory better?In contemporary publications human psyche is often related to neural networks. Why? The wiring in computers can also be related to application software. But does this really make sense?

Artificial Intelligence has tried to implement functions of human psyche. The reached achievements are remarkable; however, the goal to get a functional model of the mental apparatus was not reached. Was the selected direction incorrect?The editors are convinced: yes, and they try to give answers here. If one accepts that the brain is an information processing system, then one also has to accept that computer theories can be applied to the brain s functions, the human mental apparatus.

The contributors of this book - Solms, Panksepp, Sloman and many others who are all experts in computer design, psychoanalysis and neurology are united in one goal: finding synergy in their interdisciplinary fields."

The term 'psychoanalytical process', though occurring but rarely in Freud's works, has become firmly established nowadays despite being hard to define, explain, or pin down in conceptual or meta-psychological terms. Although it is often employed as equivalent to 'psychoanalytic work', currents of thought that draw on the idea display a certain ambivalence, for it can relate both to a theory of treatment (the practice of analysis) and to a theory of mind (a theory of psychic functioning). Before developing his own original perspectives about the consequences of the heterogeneity of psychic functioning, the author examines how various practitioners have approached this subject since Freud. He shows how each has shed useful new light on this issue, leading to a diversity of points of view, thereby justifying the idea of the 'process' within psychoanalytic treatment.

This book explores family interaction and family psychoanalysis from varying standpoints used around the world. It illustrates these with extensive clinical cases discussed from varying perspectives. The book is the first in a series of volumes from the International Psychoanalytical Association's Working Group on Family and Couple Psychoanalysis, drawn from its ongoing research into comparative theories and methods of working analytically with families and couples, and with varying types of family structure. It also applies lessons from family psychoanalysis to analytic theory and to the practice of individual psychoanalysis.

First published in 1982. Routledge is an imprint of Taylor & Francis, an informa company.

This volume presents the concepts of schizoanalysis and ecosophy as Felix Guattari and Gilles Deleuze understood them, in interviews and analyses by their contemporaries and followers. This accessible yet authoritative introduction is written by distinguished specialists, combining testimonies from some of Guattari's colleagues at the La Borde psychiatric clinic where he practiced, with expository essays on his main ideas, schizoanalysis and ecosophy, as well as his relations with Lacan. The last section of the book deals with the subsequent creative application of those ideas by his philosophical and psychoanalytic followers situated within the contemporary moment. This collection also provides the crucial historical context of France at the time Guattari was developing his concepts, including the role of the Maoists and the significance of the political situation in Algeria.

Reading Klein provides an introduction to the work of one of the twentieth century's greatest psychoanalysts, known in particular for her contribution in developing child analysis and for her vivid depiction of the inner world. This book makes Melanie Klein's works highly accessible, providing both substantial extracts from her writings, and commentaries by the authors exploring their significance. Each chapter corresponds to a major field of Klein's work outlining its development over almost 40 years. The first part is concerned with her theoretical and clinical contributions. It shows Klein to be a sensitive clinician deeply concerned for her patients, and with a remarkable capacity to understand their unconscious anxieties and to revise our understanding of the mind. The second part sets out the contribution of her ideas to morality, to aesthetics and to the understanding of society, introducing writing by her associates as well as herself. The book provides a lucid account of Klein's published writing, presented by two distinguished writers who know her work well and have made creative use of it in their own clinical and extra-clinical writing. Its aim is to show how substantial her contribution to psychoanalytic thinking and clinical practice was, and how indispensable it remains to understanding the field of psychoanalysis. Reading Klein will be a highly valuable resource for students, trainees in psychoanalysis, psychoanalytic practitioners and all who are interested in Melanie Klein and her legacy.

What makes one reader look for issues of social conformity in Kafka's "Metamorphosis" while another concentrates on the relationship between Gregor Samsa and his father?

"Self-Analysis in Literary Study" investigates how the psychoanalytic self-analysis enables readers to gain a deeper understanding of literature as well as themselves.

In the past scholars have largely ignored self-analysis as an aid to approaching literature. The contributors in "Self-Analysis in Literary Study" boldly explore how the psyche affects intellectual intellectual discovery in the realm of applied psychoanalysis.

Jeffrey Berman confronts a close friend's suicide through Camus and his student's diaries, kept for an English class. Language, family history, and an attachment to Kafka are addressed in David Bleich's essay. Barbara Ann Schapiro writes of her attraction to Virginia Woolf during her emotional senior year of college. Other essayists include Daniel Rancour-Laferriere, Norman N. Holland, Bernard J. Paris, Steven Rosen, and Michael Steig.

Written for both scholars in the fields of psychology and literature and for a general audience intrigued by self- analysis as a tool for gaining insight, "Self-Analysis in Literary Study" answers traditional questions about literature and raises challenging new ones.

Accessibly written and intends to demonstrate Bion's ideas through 'feeling' rather than logic by using poetry, literature, philosophy and art. Examines topics including the "no-thing", the impact of trauma on development, and the development of and controversy surrounding Bion's concept of O. Examples and clinical case studies used throughout.

This book theorizes five youth television series: "Dawson""'s Creek, Freaks and Geeks, Buffy the Vampire Slayer, Roswell, " and" Smallville "from a psychoanalytic perspective drawing on the meeting ground between Jacques Lacan, Gilles Deleuze, and Felix Guattari. jagodzinski develops the notion of self-refleXivity (as distinct from self-reflection and self reflexion) to identify that aspect of the inhuman within ourselves, namely the order of the drives that these series explore. It is argued that the narratology of the post-Gothic form of "Buffy, Roswell, "and" Smallville" is the structure of paranoid schizophrenia. A hyper-self-reflexivity informs "Dawson's Creek," while "Freaks and Greeks" deals with ethical dilemmas.

Applying ideas drawn from contemporary critical theory this book historicizes psychoanalysis through a new, and significant, theorization of the Gothic. The central premise is that the nineteenth-century Gothic produced a radical critique of accounts of sublimity and Freudian psychoanalysis. This book makes a major contribution to an understanding of both the nineteenth century and the Gothic discourse which challenged the dominant ideas of that period. Writers explored include Mary Shelley, Edgar Allan Poe, Robert Louis Stevenson and Bram Stoker.

Recent years have seen a renewed interest in the work of the French psychoanalyst Jacques Lacan. Philosophers and political theorists have engaged Lacan's concept of the 'Real' in particular, with Slavoj i ek and Alain Badiou deriving profound philosophical and political consequences from what is the most difficult of Lacan's ideas. This is the first book in English to explore in detail the genesis and consequences of Lacan's concept of the 'Real', providing readers with an invaluable key to one of the most influential ideas of modern times.

The current resurgence of interest in the scientific origins of psychoanalysis has overshadowed the artistic and literary models to which Freud had recourse time and again in the development and presentation of his theories. It is this neglected aesthetic wellspring of psychoanalysis to which Harry Trosman calls attention in Freud and the Imaginative World.

Trosman enriches our understanding of psychoanalysis by demonstrating how Freud's cultural and humanistic commitments guided his pursuit of a science of mind. Toward this end, he undertakes a number of challenging tasks: to situate Freud in the formative culture of his time, to adumbrate the human concerns that infromed his work in the natural sciences, and to delineate the multiple "modes of influence" that fostered his creativity. The second part of the book moves from the cultural sources of Freud's creativity to the psychoanalytic contribution to our understanding of art and literature. Here, Trosman focuses on the consumer of art and literature, tracing psychoanalytic perspectives on aesthetic responsiveness from Freud to the present. Trosman's critical review of the da Vinci and Hamlet literature illustrates the limitations as well as the explanatory potential of the two principal genres of applied psychoanalytic work, and leads naturally to the reflective estimation of psychoanalysis and creativity that concludes the work.

Throughout, Trosman is a well-informed and engaging guide, both to the imaginative Freud and to the abundant literature on psychoanalysis and the arts. He documents Freud's continuing indebtedness to the literary models that nourished his theorizing and gave shape to his narrative clinical expositions, even as he takes pains to show how psychoanalysis has, in many ways, outgrown Freud's own reductive explanations of aesthetic phenomena. A skillfully crafted overview, Freud and the Imaginative World is an exemplary introduction to a crucial aspect of the Freudian legacy.