Nicolas Walter helped create the surge of political dissent that came to Britain in the 1960s and 70s. For forty years he was a contributor to the anarchist press, principally Freedom and its companion periodicals Anarchy and The Raven. He was active in many groups including the "Spies for Peace" and the Rationalist Press Association, editing The New Humanist. This volume selects from his extensive writings on anarchist history and theory. This book is a virtual history of anarchism, reaching from its prehistory in the American Revolution to the work of Murray Bookchin and Colin Ward

In this updated collection of essays, Zerzan explores the understanding of how we got here and the actual depth of the human plight to struggle for a qualitatively better reality. Originally published in 1994, this edition includes all-new material from the well regarded philosopher.

Penned by Chilean anarchist Jeszs Sepzlveda, "The Garden of Peculiarities is a substantial 21st-century anarchist essay. Previously published in Spanish and Portuguese, it makes the case for neo-primitivism, or green anarchy, as the best tool for activists battling mega-corporate globalization. Written in terse, pointed prose, the book thoughtfully analyzes the deficiencies of postindustrial culture and explores the best human and plant-centered alternatives for dealing with them.

Jewish anarchism has long been marginalized in histories of anarchist thought and action. Anna Elena Torres and Kenyon Zimmer edit a collection of essays which recovers many aspects of this erased tradition. Contributors bring to light the presence and persistence of Jewish anarchism throughout histories of radical labor, women's studies, political theory, multilingual literature, and ethnic studies. These essays reveal an ongoing engagement with non-Jewish radical cultures, including the translation practices of the Jewish anarchist press. Jewish anarchists drew from a matrix of secular, cultural, and religious influences, inventing new anarchist forms that ranged from mystical individualism to militantly atheist revolutionary cells. With Freedom in Our Ears brings together more than a dozen scholars and translators to write the first collaborative history of international, multilingual, and transdisciplinary Jewish anarchism.

Sculptors Against the State considers the relation of anarchist ideology to avant-garde sculpture through an examination of three iconic artists whose work transformed European modernism: Umberto Boccioni, Jacob Epstein, and Henri Gaudier-Brzeska. Addressing such complex subjects as sexual liberation, homosexuality, the history of emotions, the ethics of violence, and tactics of nonviolent resistance, Mark Antliff demonstrates how sculptural processes were shaped by forms of anarchism calculated to foster a radical community. The anarchist view that the State is a state of mind and a set of social relationships is a central theme Antliff uses to explore not only the art of Boccioni, Epstein, and Gaudier-Brzeska but the associated aesthetics of radical luminaries such as Oscar Wilde, F. T. Marinetti, and Ezra Pound. Taking Boccioni’s Unique Forms of Continuity in Space, Epstein’s Tomb of Oscar Wilde, and Gaudier-Brzeska’s Hieratic Head of Ezra Pound as a starting point, Antliff argues that these sculptors saw the arts as a radical catalyst for an entirely new constellation of interpersonal relations and psychological dispositions—ones antithetical to those propagated by the State. Powerfully argued and informed by extensive archival research, Sculptors Against the State provides a new understanding of these artists, even as it sheds light on why contemporary anarchist theory is necessary for understanding the profound cultural impact modernism had during the twentieth century. Antliff’s work will be of interest to students and scholars of modernist art and literature, and particularly those who study the intersections between artistic practice and politics.

What shape can radical politics take today in a time abandoned by the great revolutionary projects of the past? In light of recent uprisings around the world against the neoliberal capitalist order, Saul Newman argues that anarchism - or as he calls it postanarchism - forms our contemporary political horizon. In this book, Newman develops an original political theory of postanarchism; a form of anti-authoritarian politics which starts, rather than finishes, with anarchy. He does this by asking four central questions: who are we as subjects; how do we resist; what is our relationship to violence; and, why do we obey? By drawing on a range of heterodox thinkers including La Boetie, Sorel, Benjamin, Stirner and Foucault, the author not only investigates the current conditions for radical political thought and action, but proposes a new form of politics based on what he calls ontological anarchy and the desire for autonomous life. Rather than seeking revolutionary emancipation or political hegemony, we should affirm instead the non-existence of power and the ever-present possibilities of freedom. As the tectonic plates of our time are shifting, revealing the nihilism and emptiness of our political and economic order, postanarchism's disdain for power in all its forms offers us genuine emancipatory potential.

2014 Reprint of 1902 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. This work is a landmark anarchist text by Peter Kropotkin, and arguably one of the most influential and positive statements of the anarchist political philosophy. It is viewed by many as the central work of his writing career. It was first published in book form in 1898 in New York and London. Here Kropotkin shares his vision of a more harmonious way of living based on cooperation instead of competition. To a large degree, Kropotkin's emphasis is on local organization, local production obviating the need for central government. Kropotkin's vision is also on agriculture and rural life, making it a contrasting perspective to the largely industrial thinking of communists and socialists. Kropotkin's focus on local production leads to his view that communities should strive for self-sufficiency, the production of a community's own goods and food, thus making import and export unnecessary. To these ends, Kropotkin advocates irrigation and growth under glass and in fields to boost local food production. This work has been widely influential for anarchists and non-anarchist alike, and Kropotkin's deductions are as controversial and revolutionary today as they were when he formulated them.

A concise history of the significance and global reach of organised anarchism, tracing its spread beyond the borders of Western Europe and North America, to Latin America, the Caribbean, Middle East, Asia, Oceania and Africa. Journalist Michael Schmidt identifies five 'waves' of labour militancy that have defined organised anarchism over the past 150 years, explaining the central features of each.

"It's been a long time since I've read a more interesting, informing, and inspiring book."-Bill Moyers What can we do beyond Occupy Wall Street? Political and economic systems are failing us, and it's time for citizens to create change-individually and collaboratively. In The Leaderless Revolution, Carne Ross sounds a call to action. With dramatic stories from the United States and around the world, Ross's analysis contrasts with the naive, Panglossian optimism of globalization boosters like Thomas Friedman. Uncontrolled economic volatility, perpetual insecurity, rampant inequality, and accelerating climate change are heading us into a dangerous period of prolonged crisis. Ross-a former British diplomat to Iraq who resigned over his nation's involvement in the U.S.-led invasion-draws from his own experiences to offer an empowering new vision of how we can put things right.

2011 Reprint of 1911 Edition. Emma Goldman (1869 - 1940) was an anarchist known for her political activism, writing and speeches. She played a pivotal role in the development of anarchist political philosophy in North America and Europe in the first half of the twentieth century. Anarchism was central to Goldman's view of the world and she is today considered one of the most important figures in the history of anarchism. First drawn to it during the persecution of anarchists after the 1886 Haymarket affair, she wrote and spoke regularly on behalf of anarchism. In the title essay of her book Anarchism and Other Essays, she wrote: "Anarchism, then, really stands for the liberation of the human mind from the dominion of religion; the liberation of the human body from the dominion of property; liberation from the shackles and restraint of government. Anarchism stands for a social order based on the free grouping of individuals for the purpose of producing real social wealth; an order that will guarantee to every human being free access to the earth and full enjoyment of the necessities of life, according to individual desires, tastes, and inclinations."

Anarchy and the Art of Listening is an ethnography of politics as it is practiced on the other side of the spoken word, in the act of listening. James Slotta explores how people in the Yopno Valley of Papua New Guinea cultivate their listening to exercise power, shape their futures, and sustain their communities in the face of ambitious leaders and powerful outside institutions. As in many parts of the global south, missionaries, NGO workers, educators, mining companies, politicians, development experts, and others have sought to transform life in and around the Yopno Valley. But as this book makes clear, people there have not been a passive and pliable audience for these efforts. They have brought their skills as "anarchic listeners" to these encounters, advancing political agendas of their own. To understand political life in the Yopno Valley, we need to look not only at political speech but at the practices that lie on the other side of the word in the act of listening. This, Slotta suggests, is also true well beyond the bounds of the Yopno Valley.

Deleuze and Guattari never identified as anarchists, nor do they seem to know much about its historical development or continued praxis. Yet their individual and collective work belies this apparent and wilful oversight through a steady consideration of revolutionary subjectivity and active political experimentation. Chantelle Gray argues that while we cannot - and should not - attempt to call them anarchists, their work resonates with core anarchist principles such as prefiguration, careful experimentation and emergent strategies aimed at creating a feeling that life is worth living. This involves paying attention to both joyous affects and sad passions, which necessitates the affirmation of all of chance and, from that, fabulating new modes of existence. By bringing together the philosophy of Deleuze and Guattari with the theory and practices of anarchism, this book demonstrates that fabulating the future is nothing short of a noetic act, making reasonable something which initially was senseless.

Caritina Pina Montalvo personified the vital role played by Mexican women in the anarcho-syndicalist movement. Sonia Hernandez tells the story of how Pina and other Mexicanas in the Gulf of Mexico region fought for labor rights both locally and abroad in service to the anarchist ideal of a worldwide community of workers. An international labor broker, Pina never left her native Tamaulipas. Yet she excelled in connecting groups in the United States and Mexico. Her story explains the conditions that led to anarcho-syndicalism's rise as a tool to achieve labor and gender equity. It also reveals how women's ideas and expressions of feminist beliefs informed their experiences as leaders in and members of the labor movement. A vivid look at a radical activist and her times, For a Just and Better World illuminates the lives and work of Mexican women battling for labor rights and gender equality in the early twentieth century.

The anarchist black cat and friends (including a walking round bomb) take on the global arms trade, and militarism, in this latest collection of barbed (and hilarious) anarchist political commentary in the venerable comic strip form.

What is the relevance of anarchism for politics and political theory today? While many have in the past dismissed anarchism, the author contends that anarchism's heretical critique of authority, and its insistence on full equality and liberty, places it at the forefront of the radical political imagination today. With the unprecedented expansion of state power in the name of security, the current 'crisis of capitalism', and the terminal decline of Marxist and social democratic projects, it is time to reconsider anarchism as a form of politics. This book seeks to renew anarchist thought through the concept of postanarchism. This innovative theoretical approach, drawing upon classical anarchist theory, poststructuralism, post-Marxism, critical theory and psychoanalytic approaches, allows for a new engagement with contemporary debates about future directions in radical politics relating to political subjectivity and identity, political organisation, the State, globalisation, liberty and equality today, and the political 'event'.