This is a broad ranging introduction to twenty-first-century anarchism which includes a wide array of theoretical approaches as well as a variety of empirical and geographical perspectives. The book demonstrates how the anarchist imagination has influenced the humanities and social sciences including anthropology, art, feminism, geography, international relations, political science, postcolonialism, and sociology. Drawing on a long historical narrative that encompasses the 'waves' of anarchist movements from the classical anarchists (1840s to 1940s), post-war wave of student, counter-cultural and workers' control anarchism of the 1960s and 1970s to the DIY politics and Temporary Autonomous Zones of the 1990s right up to the Occupy! Movement and beyond, the aim of this volume is to cover the humanities and the social sciences in an era of anarchist revival in academia. Anarchist philosophy and anarchistic methodologies have re-emerged in a range of disciplines from Organization Studies, to Law, to Political Economy to Political Theory and International Relations, and Anthropology to Cultural Studies. Anarchist approaches to freedom, democracy, ethics, violence, authority, punishment, homelessness, and the arbitration of justice have spawned a broad array of academic publications and research projects. But this volume remembers an older story, in other words, the continuous role of the anarchist imagination as muse, provocateur, goading adversary, and catalyst in the stimulation of research and creative activity in the humanities and social sciences from the middle of the nineteenth century to today. This work will be essential reading for scholars and students of anarchism, the humanities, and the social sciences.

This is a broad ranging introduction to twenty-first-century anarchism which includes a wide array of theoretical approaches as well as a variety of empirical and geographical perspectives. The book demonstrates how the anarchist imagination has influenced the humanities and social sciences including anthropology, art, feminism, geography, international relations, political science, postcolonialism, and sociology. Drawing on a long historical narrative that encompasses the 'waves' of anarchist movements from the classical anarchists (1840s to 1940s), post-war wave of student, counter-cultural and workers' control anarchism of the 1960s and 1970s to the DIY politics and Temporary Autonomous Zones of the 1990s right up to the Occupy! Movement and beyond, the aim of this volume is to cover the humanities and the social sciences in an era of anarchist revival in academia. Anarchist philosophy and anarchistic methodologies have re-emerged in a range of disciplines from Organization Studies, to Law, to Political Economy to Political Theory and International Relations, and Anthropology to Cultural Studies. Anarchist approaches to freedom, democracy, ethics, violence, authority, punishment, homelessness, and the arbitration of justice have spawned a broad array of academic publications and research projects. But this volume remembers an older story, in other words, the continuous role of the anarchist imagination as muse, provocateur, goading adversary, and catalyst in the stimulation of research and creative activity in the humanities and social sciences from the middle of the nineteenth century to today. This work will be essential reading for scholars and students of anarchism, the humanities, and the social sciences.

Anarchism 1914-18 is the first systematic analysis of anarchist responses to the First World War. It examines the interventionist debate between Peter Kropotkin and Errico Malatesta which split the anarchist movement in 1914 and provides a historical and conceptual analysis of debates conducted in European and American movements about class, nationalism, internationalism, militarism, pacifism and cultural resistance. Contributions discuss the justness of war, non-violence and pacifism, anti-colonialism, pro-feminist perspectives on war and the potency of myths about the war and revolution for the reframing of radical politics in the 1920s and beyond. Divisions about the war and the experience of being caught on the wrong side of the Bolshevik Revolution encouraged anarchists to reaffirm their deeply-held rejection of vanguard socialism and develop new strategies that drew on a plethora of anti-war activities. -- .

This book explores cosmopolitanism's radical dynamic as expressed in the struggles from below, all over the world, against exclusion and domination, pointing to the horizon of another world that appears possible. It shows that cosmopolitanism emerges negatively through disaffiliation from the given forms of belonging and by questioning of the existing meanings and unjust practices. Through a radical critique, cosmopolitanism goes to the roots of the existing world order based on the nation-state, exposes its exclusionary structure, and brings instead the idea of a World Republic where No One Is Illegal and where all are equal citizens of the world. Caraus captures this radical dynamic in a cluster of novel concepts, such as 'cosmopolitanism of dissent', 'post-foundational cosmopolitanism', 'cosmopolitan ontology', 'institution of critique', 'radical cosmopolitical love', all integrated into an approach of a militant and radical cosmopolitics that reclaims the legacy of the first cosmopolitan stance of the Ancient Cynics.

Partner of one of the most infamous anarchists of her time, Johann Most, Helene Minkin joined the anarchist movement after emigrating from Russia in 1888 with her father and sister. Framed as a reaction and corrective to Emma Goldman's "Living My Life," Minkin's memoir provides a unique account of turn-of-the-century anarchism and immigrant life in the United States. Published in the Yiddish-language newspaper "Forverts" in 1932, this is its first English translation.

Tom Goyens teaches American history at Salisbury University in Maryland. He is the author of "Beer and Revolution: The German Anarchist Movement in New York City, 1880-1914."

Alternatives to Democracy in Twentieth-Century Europe: Collectivist Visions of Modernity, examines the historical examples of Soviet Communism, Italian Fascism, German Nazism, and Spanish Anarchism, suggesting that, in spite of their differences, they had some key features in common, in particular their shared hostility to individualism, representative government, laissez faire capitalism, and the decadence they associated with modern culture. But rather than seeking to return to earlier ways of working these movements and regimes sought to design a new future - an alternative future - that would restore the nation to spiritual and political health. The Fascists, for their part, specifically promoted palingenesis, which is to say the spiritual rebirth of the nation. The book closes with a long epilogue, in which I defend liberal democracy, highlighting its strengths and advantages. In this chapter, the author identifies five key choke points, which would-be authoritarians typically seek to control, subvert, or instrumentalize: electoral rules, the judiciary, the media, hate speech, and surveillance, and look at the cases of Viktor Orban's Hungary, Jaroslaw Kaczynski's Poland, and Donald Trump's United States.

This edited volume reassesses the ongoing transnational turn in anarchist and syndicalist studies, a field where the interest in cross-border connections has generated much innovative literature in the last decade. It presents and extends up-to-date research into several dynamic historiographic fields, and especially the history of the anarchist and syndicalist movements and the notions of transnational militancy and informal political networks. Whilst restating the relevance of transnational approaches, especially in connection with the concepts of personal networks and mediators, the book underlines the importance of other scales of analysis in capturing the complexities of anarchist militancy, due to both their centrality as a theme of reflection for militants, and their role as a level of organization. Especially crucial is the national level, which is often overlooked due to the internationalism which was so central to anarchist ideology. And yet, as several chapters highlight, anarchist discourses on the nation (as opposed to the state), patriotism and even race, were more nuanced than is usually assumed. The local and individual levels are also shown to be essential in anarchist militancy.

What are the core features of an anarchist ethics? Why do some anarchisms identify themselves as anti-moral or amoral? And what are the practical outcomes of ethical analysis for anarchist and post-anarchist practice? This book shows how we can identify and evaluate different forms of anarchism through their ethical principles, and we can identify these ethics in the evolving anarchist organizations, tactics and forms of critique. The book outlines the various key anarchist positions, explaining how the identification of their ethical positions provides a substantive basis to classify rival traditions of thought. It describes the different ideological structures of anarchism in terms of their conceptual organization integrated into their main material practices, highlighting that there is no singular anarchism. It goes on to assess distinctive approaches for identifying and categorizing anarchism, and argues that it is best viewed not as a movement that prioritizes rights and liberal accounts of autonomy, or that prescribes specific revolutionary goals, but as a way to challenge hierarchies of power in the generation of social goods. Finally, the book uses case studies from contemporary issues in educational practice and pertinent political conflicts to demonstrate the practical applicability of a virtue approaches to anarchism.

This collection of 13 essays addresses and explores Deleuze and Guattari's relationship to the notion of anarchism: in the diverse ways that they conceived of and referred to it throughout their work, and also more broadly in terms of the spirit of their philosophy and in their critique of capitalism and the State. Both Deleuze and Guattari were deeply affected by the events of May '68 and an anarchist sensibility permeates their philosophy. However, they never explicitly sustained a discussion of anarchism in their work. Their concept of anarchism is diverse and they referred to in very different senses throughout their writings. This is the first collection to bring Deleuze and Guattari together with anarchism in a focused and sustained way.

As one of Britain's most original thinkers and writers Colin Ward wrote extensively about positive and practical examples from the past and present of the anarchist spirit or the 'social principle' in everyday life. This volume is the first scholarly work dedicated to examining the significance of his distinctive and highly relevant contributions to the areas of education, children and the environment. In each chapter, international contributors from academic and activist backgrounds offer cross-disciplinary and critical perspectives on Ward's work and its relevance to contemporary debates. The book is divided into four key areas: The Sand Box of the City Adventures in Education Reflections on Practice Mobilisations. This book will appeal to academics and professionals interested in the condition of childhood and youth today. It will prove useful for postgraduates and professionals undertaking further professional development, and is relevant to anyone studying, researching or working in fields relating to children, education and the environment not just in the UK but beyond.

This text seeks to show that anarchy, as the absence of government, is neither chaos nor some Utopian dream, but a system which has characterized much of the human past.

Powerful, penetrating, prophetic essays on direct action, role of minorities, prison reform, puritan hypocrisy, violence, etc.

You might think that anarchism and management are opposed, but this book shows how engaging with the long history of anarchist ideas allows us to understand the problems of contemporary organizing much more clearly. Anarchism is a theory of organizing, and in times when global capitalism is in question, we need new ideas more than ever. The reader of this book will learn how anarchist ideas are relevant to today's management problems. In a series of student-friendly short chapters on contemporary topics, the authors challenge the common sense that has allowed particular forms of organization and market to become globally dominant. Do we always need leaders? Is technological change always a good thing? Are markets the best way to arrange forms of exchange? This challenging book is essential for anyone who wants to understand what is wrong with business school theory and what we might do about it. For students and teachers of management, the standard textbook reproduces the dominant ideas about the way that business should be done. This book turns those ideas on their head, asking awkward questions about authority, technology and markets and demanding that its readers think hard about whether they want to reproduce those ideas too. Students of management, like everyone else, know that the current global system is broken but they don't know what they can do about it. This unique book uses 200 years of anarchist ideas to give readers a clear guide for building the organizations and businesses of the future and places choice and responsibility at the centre of making a new world for people and the planet.

This volume examines historical and contemporary engagements of anarchism and literary production. Anarchists have used literary production to express opposition to values and relations characterizing advanced capitalist (and socialist) societies while also expressing key aspects of the alternative values and institutions proposed within anarchism. Among favoured themes are anarchist critiques of corporatization, prisons and patriarchal relations as well as explorations of developing anarchist perspectives on revolution, ecology, polysexuality and mutual aid.A key component of anarchist perspectives is the belief that means and ends must correspond. Thus in anarchist literature as in anarchist politics, a radical approach to form is as important as content. Anarchist literature joins other critical approaches to creative production in attempting to break down divisions between readers and writer, audience and artist, encouraging all to become active participants in the creative process. Dr Shantz teaches at the Kwantlen Polytechnic University, Vancouver, BC.

A study of communities in the Horn of Africa where reciprocity is a dominant social principle, offering a concrete countermodel to the hierarchical state. Over the course of history, people have developed many varieties of communal life; the state, with its hierarchical structure, is only one of the possibilities for society. In this book, leading anthropologist Hermann Amborn identifies a countermodel to the state, describing communities where reciprocity is a dominant social principle and where egalitarianism is a matter of course. He pays particular attention to such communities in the Horn of Africa, where nonhierarchical, nonstate societies exist within the borders of a hierarchical structured state. This form of community, Amborn shows, is not a historical forerunner to monarchy or the primitive state, nor is it obsolete as a social model. These communities offer a concrete counterexample to societies with strict hierarchical structures. Amborn investigates social forms of expression, ideas, practices, and institutions that oppose the hegemony of one group over another, exploring how conceptions of values and laws counteract tendencies toward the accumulation of power. He examines not only how the nonhegemonic ethos is reflected in law but also how anarchic social formations can exist. In the Horn of Africa, the autonomous jurisdiction of these societies protects against destructive outside influences, offers a counterweight to hegemonic violence, and contributes to the stabilization of communal life. In an era of widespread dissatisfaction with Western political systems, Amborn's study offers an opportunity to shift from traditional theories of anarchism and nonhegemony that project a stateless society to consider instead stateless societies already in operation.

Anarchism is by far the least broadly understood ideology and the least studied academically. Though highly influential, both historically and in terms of recent social movements, anarchism is regularly dismissed. Anarchism: A Conceptual Approach is a welcome addition to this growing field, which is widely debated but poorly understood. Occupying a distinctive position in the study of anarchist ideology, this volume - authored by a handpicked group of established and rising scholars - investigates how anarchists often seek to sharpen their message and struggle to determine what ideas and actions are central to their identity. Moving beyond defining anarchism as simply an ideology or political theory, this book examines the meanings of its key concepts, which have been divided into three categories: Core, Adjacent, and Peripheral concepts. Each chapter focuses on one important concept, shows how anarchists have understood the concept, and highlights its relationships to other concepts. Although anarchism is often thought of as a political topic, the interdisciplinary nature of Anarchism: A Conceptual Approach makes it of interest to students and scholars across the social sciences, liberal arts, and the humanities.

"How can we get free? How can we free ourselves, our communities, our environments, our society? And what will this freedom look like? While the present moment holds incredible possibilities to organize for our collective liberation, there are powerful forces readily willing and able to summons all available weapons of repression to contain and suppress revolutionary movements.... "The question of freedom is central to all revolutionary movements. It is at the root of everyday struggles against white supremacist colonialism, heteropatriarchy, capitalism, the authoritarian state, and every other form of systemic oppression. But we have to ask, again, what will freedom look like? Often, the realities we each face constrain the ways we can answer this question, so we ask it in pieces: How do we provide for each other? How do we protect, nurture, care, love, and create? How do we liberate ourselves from the hardships of enclosure, exploitation, and dependency that are imposed on our minds, bodies, communities, and environments? How do we free our sense of freedom, so it is not a set of individual and extractive privileges, but is instead the grounding for a communal form of abundance?" By laying bare the mechanisms of capitalism, imperialism, settler colonialism, climate catastrophe, heteropatriarchy, white supremacy, exploitation and dispossesion, and a range of other oppressive structures and countering them with a historical account of revolutionary movements from around the world, Organizing for Autonomy offers a brazen and determined articulation of a world that centers community, love, and justice. With an unparalleled breadth and by synthesizing innumerable sources of revolutionary thought and history, CounterPower presents the result of years of inquiry, struggle, and resistance. Bold, fearless, and radically original, Organizing for Autonomy imagines a decolonized, communist, alternative world order that is free from oppressive structures, state violence, and racial capitalism and helps us to get there.

When The Hunger Games series began in 2008, many commentators lumped it in with other young adult genre fiction. But The Hunger Games was always more political. It's since become the defining story for a generation that's grown up with economic crisis and never ending war. An uber-rich ruling class gorge themselves in their gleaming high-tech Capitol, while working people are left behind to survive in exploited districts. Revolution is a forgotten hope kept at bay by brutal policing, aching poverty, and rigid class segregation. Suzanne Collins' dark vision has only become more relevant as The Hunger Games generation are thrown into an arena of increasingly brutal competition from which it seems like there is no escape, amid the climate crisis, global pandemics, rampant inequality, authoritarianism, media misinformation, and violence and cruelty as TV spectacle. It's no wonder the story continues to resonate. Stay Alive uses the story to shed light on our own age of extreme inequalities and climate collapse, in which elites use state power, compliant media, and violent spectacle to pacify their populations. The elite endgame is leading us towards our own version of Panem, an authoritarian state order we'll call Capitolism. The world is catching fire. Elites have no intention of burning with us. And yet there is hope, which Michael Harris finds for his readers in revolution and radical solidarity, in the anti-authoritarian, empathetic, cooperative politics of a generation that has no choice but to rebel.