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Books > Social sciences > Politics & government > Political ideologies > Anarchism
-- James Der Derian, University of Massachusetts
You might think that anarchism and management are opposed, but this
book shows how engaging with the long history of anarchist ideas
allows us to understand the problems of contemporary organizing
much more clearly. Anarchism is a theory of organizing, and in
times when global capitalism is in question, we need new ideas more
than ever. The reader of this book will learn how anarchist ideas
are relevant to today's management problems. In a series of
student-friendly short chapters on contemporary topics, the authors
challenge the common sense that has allowed particular forms of
organization and market to become globally dominant. Do we always
need leaders? Is technological change always a good thing? Are
markets the best way to arrange forms of exchange? This challenging
book is essential for anyone who wants to understand what is wrong
with business school theory and what we might do about it. For
students and teachers of management, the standard textbook
reproduces the dominant ideas about the way that business should be
done. This book turns those ideas on their head, asking awkward
questions about authority, technology and markets and demanding
that its readers think hard about whether they want to reproduce
those ideas too. Students of management, like everyone else, know
that the current global system is broken but they don't know what
they can do about it. This unique book uses 200 years of anarchist
ideas to give readers a clear guide for building the organizations
and businesses of the future and places choice and responsibility
at the centre of making a new world for people and the planet.
This book explores a variety of forms of radical political
subjectivity. It takes its cue from the 2011 uprisings in the
Middle East and North Africa, the Occupy Movement and the European
Anti-Austerity Movement, alongside the wider opposition to
authoritarian and neoliberal forms of governance from which they
sprang, in order to ask an urgent series of questions about the
subject of radical politics: Who or what is it that engages in
resistance? Who or what should they be? And how are we to negotiate
the many complexities of that second question? The contributions,
drawing on a wide range of theoretical traditions, offer a rich
series of provocations towards new ways of conceptualising,
evaluating and imagining radical political praxis. They engage
different kinds of subjects, including protestors, dancers,
self-burners, academics, settlers and humans, in order to think
through the ways in which contemporary subjects are constituted
within and work to unsettle dominant relations of power. Together,
the chapters open up spaces to think about how political and
intellectual commitment to social change can be enlivened through
attention to the subject of radical politics. This book was
published as a special issue of Globalizations.
This is a broad ranging introduction to twenty-first-century
anarchism which includes a wide array of theoretical approaches as
well as a variety of empirical and geographical perspectives. The
book demonstrates how the anarchist imagination has influenced the
humanities and social sciences including anthropology, art,
feminism, geography, international relations, political science,
postcolonialism, and sociology. Drawing on a long historical
narrative that encompasses the 'waves' of anarchist movements from
the classical anarchists (1840s to 1940s), post-war wave of
student, counter-cultural and workers' control anarchism of the
1960s and 1970s to the DIY politics and Temporary Autonomous Zones
of the 1990s right up to the Occupy! Movement and beyond, the aim
of this volume is to cover the humanities and the social sciences
in an era of anarchist revival in academia. Anarchist philosophy
and anarchistic methodologies have re-emerged in a range of
disciplines from Organization Studies, to Law, to Political Economy
to Political Theory and International Relations, and Anthropology
to Cultural Studies. Anarchist approaches to freedom, democracy,
ethics, violence, authority, punishment, homelessness, and the
arbitration of justice have spawned a broad array of academic
publications and research projects. But this volume remembers an
older story, in other words, the continuous role of the anarchist
imagination as muse, provocateur, goading adversary, and catalyst
in the stimulation of research and creative activity in the
humanities and social sciences from the middle of the nineteenth
century to today. This work will be essential reading for scholars
and students of anarchism, the humanities, and the social sciences.
This is a broad ranging introduction to twenty-first-century
anarchism which includes a wide array of theoretical approaches as
well as a variety of empirical and geographical perspectives. The
book demonstrates how the anarchist imagination has influenced the
humanities and social sciences including anthropology, art,
feminism, geography, international relations, political science,
postcolonialism, and sociology. Drawing on a long historical
narrative that encompasses the 'waves' of anarchist movements from
the classical anarchists (1840s to 1940s), post-war wave of
student, counter-cultural and workers' control anarchism of the
1960s and 1970s to the DIY politics and Temporary Autonomous Zones
of the 1990s right up to the Occupy! Movement and beyond, the aim
of this volume is to cover the humanities and the social sciences
in an era of anarchist revival in academia. Anarchist philosophy
and anarchistic methodologies have re-emerged in a range of
disciplines from Organization Studies, to Law, to Political Economy
to Political Theory and International Relations, and Anthropology
to Cultural Studies. Anarchist approaches to freedom, democracy,
ethics, violence, authority, punishment, homelessness, and the
arbitration of justice have spawned a broad array of academic
publications and research projects. But this volume remembers an
older story, in other words, the continuous role of the anarchist
imagination as muse, provocateur, goading adversary, and catalyst
in the stimulation of research and creative activity in the
humanities and social sciences from the middle of the nineteenth
century to today. This work will be essential reading for scholars
and students of anarchism, the humanities, and the social sciences.
Anarchism 1914-18 is the first systematic analysis of anarchist
responses to the First World War. It examines the interventionist
debate between Peter Kropotkin and Errico Malatesta which split the
anarchist movement in 1914 and provides a historical and conceptual
analysis of debates conducted in European and American movements
about class, nationalism, internationalism, militarism, pacifism
and cultural resistance. Contributions discuss the justness of war,
non-violence and pacifism, anti-colonialism, pro-feminist
perspectives on war and the potency of myths about the war and
revolution for the reframing of radical politics in the 1920s and
beyond. Divisions about the war and the experience of being caught
on the wrong side of the Bolshevik Revolution encouraged anarchists
to reaffirm their deeply-held rejection of vanguard socialism and
develop new strategies that drew on a plethora of anti-war
activities. -- .
This book explores cosmopolitanism's radical dynamic as expressed
in the struggles from below, all over the world, against exclusion
and domination, pointing to the horizon of another world that
appears possible. It shows that cosmopolitanism emerges negatively
through disaffiliation from the given forms of belonging and by
questioning of the existing meanings and unjust practices. Through
a radical critique, cosmopolitanism goes to the roots of the
existing world order based on the nation-state, exposes its
exclusionary structure, and brings instead the idea of a World
Republic where No One Is Illegal and where all are equal citizens
of the world. Caraus captures this radical dynamic in a cluster of
novel concepts, such as 'cosmopolitanism of dissent',
'post-foundational cosmopolitanism', 'cosmopolitan ontology',
'institution of critique', 'radical cosmopolitical love', all
integrated into an approach of a militant and radical cosmopolitics
that reclaims the legacy of the first cosmopolitan stance of the
Ancient Cynics.
A vibrant, deeply human portrait of a woman dedicated to fierce
protest against the tyranny of institutions over individuals, by
the celebrated author Emma Goldman is the story of a modern radical
who took seriously the idea that inner liberation is the first
business of social revolution. Her politics, from beginning to end,
was based on resistance to that which thwarted the free development
of the inner self. The right to stay alive in one's senses, to
enjoy freedom of thought and speech, to reject the arbitrary use of
power-these were key demands in the many public protest movements
she helped mount. Anarchist par excellence, Goldman is one of the
memorable political figures of our time, not because of her gift
for theory or analysis or even strategy, but because some
extraordinary force of life in her burned, without rest or respite,
on behalf of human integrity-and she was able to make the thousands
of people who, for decades on end, flocked to her lectures, feel
intimately connected to the pain inherent in the abuse of that
integrity. To hear Emma describe, in language as magnetic as it was
illuminating, what the boot felt like on the neck, was to
experience the mythic quality of organized oppression. As the women
and men in her audience listened to her, the homeliness of their
own small lives became invested with a sense of drama that acted as
a catalyst for the wild, vagrant hope that things need not always
be as they were. All you had to do, she promised, was resist. In
time, she herself would become a world-famous symbol for the spirit
of resistance to the power of institutional authority over the lone
individual. In Emma Goldman, Vivian Gornick draws a surpassingly
intimate and insightful portrait of a woman of heroic proportions
whose performance on the stage of history did what Tolstoy said a
work of art should do: it made people love life more.
Andalusian anarchism was a grassroots movement of peasants and
workers that flourished in Cadiz Province, the richest
sherry-producing area in the world, from about 1868 to 1903. This
study focuses on the social and economic context of the movement,
and argues that traditional interpretations of anarchism as
irrational, spontaneous, or millenarian are not justified. The
extensive archival research undertaken for this book leads Temma
Kaplan to a major reinterpretation of the nature of anarchism.
Using the police reports in local archives to reconstruct the lives
of more than three hundred rank-and-file anarchists, Temma Kaplan
shows that the Andalusian movement was highly organized and
dedicated to defending the interests of workers and peasants
through a wide variety of organizations. These included trade
unions, workers' circles, and women's societies, all of which
favored general strikes and insurrections rather than terrorism.
Originally published in 1977. The Princeton Legacy Library uses the
latest print-on-demand technology to again make available
previously out-of-print books from the distinguished backlist of
Princeton University Press. These editions preserve the original
texts of these important books while presenting them in durable
paperback and hardcover editions. The goal of the Princeton Legacy
Library is to vastly increase access to the rich scholarly heritage
found in the thousands of books published by Princeton University
Press since its founding in 1905.
Alternatives to Democracy in Twentieth-Century Europe: Collectivist
Visions of Modernity, examines the historical examples of Soviet
Communism, Italian Fascism, German Nazism, and Spanish Anarchism,
suggesting that, in spite of their differences, they had some key
features in common, in particular their shared hostility to
individualism, representative government, laissez faire capitalism,
and the decadence they associated with modern culture. But rather
than seeking to return to earlier ways of working these movements
and regimes sought to design a new future - an alternative future -
that would restore the nation to spiritual and political health.
The Fascists, for their part, specifically promoted palingenesis,
which is to say the spiritual rebirth of the nation. The book
closes with a long epilogue, in which I defend liberal democracy,
highlighting its strengths and advantages. In this chapter, the
author identifies five key choke points, which would-be
authoritarians typically seek to control, subvert, or
instrumentalize: electoral rules, the judiciary, the media, hate
speech, and surveillance, and look at the cases of Viktor Orban's
Hungary, Jaroslaw Kaczynski's Poland, and Donald Trump's United
States.
This edited volume reassesses the ongoing transnational turn in
anarchist and syndicalist studies, a field where the interest in
cross-border connections has generated much innovative literature
in the last decade. It presents and extends up-to-date research
into several dynamic historiographic fields, and especially the
history of the anarchist and syndicalist movements and the notions
of transnational militancy and informal political networks. Whilst
restating the relevance of transnational approaches, especially in
connection with the concepts of personal networks and mediators,
the book underlines the importance of other scales of analysis in
capturing the complexities of anarchist militancy, due to both
their centrality as a theme of reflection for militants, and their
role as a level of organization. Especially crucial is the national
level, which is often overlooked due to the internationalism which
was so central to anarchist ideology. And yet, as several chapters
highlight, anarchist discourses on the nation (as opposed to the
state), patriotism and even race, were more nuanced than is usually
assumed. The local and individual levels are also shown to be
essential in anarchist militancy.
What are the core features of an anarchist ethics? Why do some
anarchisms identify themselves as anti-moral or amoral? And what
are the practical outcomes of ethical analysis for anarchist and
post-anarchist practice? This book shows how we can identify and
evaluate different forms of anarchism through their ethical
principles, and we can identify these ethics in the evolving
anarchist organizations, tactics and forms of critique. The book
outlines the various key anarchist positions, explaining how the
identification of their ethical positions provides a substantive
basis to classify rival traditions of thought. It describes the
different ideological structures of anarchism in terms of their
conceptual organization integrated into their main material
practices, highlighting that there is no singular anarchism. It
goes on to assess distinctive approaches for identifying and
categorizing anarchism, and argues that it is best viewed not as a
movement that prioritizes rights and liberal accounts of autonomy,
or that prescribes specific revolutionary goals, but as a way to
challenge hierarchies of power in the generation of social goods.
Finally, the book uses case studies from contemporary issues in
educational practice and pertinent political conflicts to
demonstrate the practical applicability of a virtue approaches to
anarchism.
This collection of 13 essays addresses and explores Deleuze and
Guattari's relationship to the notion of anarchism: in the diverse
ways that they conceived of and referred to it throughout their
work, and also more broadly in terms of the spirit of their
philosophy and in their critique of capitalism and the State. Both
Deleuze and Guattari were deeply affected by the events of May '68
and an anarchist sensibility permeates their philosophy. However,
they never explicitly sustained a discussion of anarchism in their
work. Their concept of anarchism is diverse and they referred to in
very different senses throughout their writings. This is the first
collection to bring Deleuze and Guattari together with anarchism in
a focused and sustained way.
Charlotte Wilson was the principal founder of Freedom Press, and
the first editor of the anarchist newspaper Freedom, in 1886. She
had been writing about anarchism in the socialist press since 1884,
and like the work of her better-known contemporary Peter Kropotkin,
whom she invited to England to join the Freedom group, her
anarchist writings are scholarly, original, thoughtful and clear.
11 short essays, together with historical and biographical notes by
Nicolas Walter.
As one of Britain's most original thinkers and writers Colin Ward
wrote extensively about positive and practical examples from the
past and present of the anarchist spirit or the 'social principle'
in everyday life. This volume is the first scholarly work dedicated
to examining the significance of his distinctive and highly
relevant contributions to the areas of education, children and the
environment. In each chapter, international contributors from
academic and activist backgrounds offer cross-disciplinary and
critical perspectives on Ward's work and its relevance to
contemporary debates. The book is divided into four key areas: The
Sand Box of the City Adventures in Education Reflections on
Practice Mobilisations. This book will appeal to academics and
professionals interested in the condition of childhood and youth
today. It will prove useful for postgraduates and professionals
undertaking further professional development, and is relevant to
anyone studying, researching or working in fields relating to
children, education and the environment not just in the UK but
beyond.
This text seeks to show that anarchy, as the absence of government,
is neither chaos nor some Utopian dream, but a system which has
characterized much of the human past.
In this updated collection of essays, Zerzan explores the
understanding of how we got here and the actual depth of the human
plight to struggle for a qualitatively better reality. Originally
published in 1994, this edition includes all-new material from the
well regarded philosopher.
Statism and Anarchy is a complete English translation of the last work by the great Russian anarchist Michael Bakunin. It was written in 1873, in the aftermath of the rise of the German Empire and the clash between Bakunin and Karl Marx in the first International. Bakunin assesses the strength of a European state system dominated by Bismarck. Then, in the most remarkable part of the book, he assails the Marxist alternative, predicting that a "dictatorship of the proletariat" will in fact be a dictatorship over the proletariat, and will produce a new class of socialist rulers. Instead, he outlines his vision of an anarchist society and identifies the social forces he believes will achieve an ananarchist revolution. Statism and Anarchy had an immediate influence on the "to the people" movement of Russian populism, and Bakunin's ideas inspired other anarchist movements. This is the only complete and reliable rendition of Statism and Anarchy in English, and in a lucid introduction Marshall Shatz locates Bakunin in his immediate historical and intellectual context, and assesses the impact of his ideas on the wider development of European radical thought. A guide to further reading and a chronology of events are appended as aids to students encountering Bakunin's thought for the first time.
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