The term 'globalization' generally refers to the homogenization of cultures across the world due to Western encroachment. However, as this book explains, the process is far more subtle, complex and uneven. Taking as its starting point the fundamental question of whether globalization exists, Living with Globalization provides a lively discussion of one of the most used and abused concepts in the twenty-first century. If globalization is a valid construct, it manifests itself in lived experience, not in abstract theories. Examining the ways in which globalization is contributing to patterns of conflict, Living with Globalization explores a variety of case studies, ranging from 9/11 to identity formation. The book reveals the complex ramifications of globalization on society, government and everyday lives.

In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin, and the escalation of suicide bombings and retaliations in the region. During this tumultuous time, numerous collaborations between Israeli and Palestinian musicians coalesced into a significant musical scene informed by these extremes of hope and despair on both national and personal levels. Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, as well as the collaborative projects of Israeli artist Yair Dalal, Playing Across a Divide demonstrates the possibility of musical alternatives to violent conflict and hatred in an intensely contested, multicultural environment. These artists' music drew from Western, Middle Eastern, Central Asian, and Afro-diasporic musical practices, bridging differences and finding innovative solutions to the problems inherent in combining disparate musical styles and sources. Creating this new music brought to the forefront the musicians' contrasting assumptions about sound production, melody, rhythm, hybridity, ensemble interaction, and improvisation. Author Benjamin Brinner traces the tightly interconnected field of musicians and the people and institutions that supported them as they and their music circulated within the region and along international circuits. Brinner argues that the linking of Jewish and Arab musicians' networks, the creation of new musical means of expression, and the repeated enactment of culturally productive musical alliances provide a unique model for mutually respectful and beneficial coexistence in a chronically disputed land.

Using some of his landmark publications on kinship, along with a new introduction, chapter and conclusion, Robert Parkin discusses here the changes in kinship terminologies and marriage practices, as well as the dialectics between them. The chapters also focus on a suggested trajectory, linking South Asia and Europe and the specific question of the status of Crow-Omaha systems. The collection culminates in the argument that, whereas marriage systems and practices seem infinitely varied when examined from a very close perspective, the terminologies that accompany them are much more restricted.

Using a theoretical approach and a critical summary, combining the perspectives in the postcolonial theory, psychoanalysis and narratology with the tools of hermeneutics and deconstruction, this book argues that Jean Rhys's work can be subsumed under a poetics of cultural identity and hybridity. It also demonstrates the validity of the concept of hybridization as the expression of identity formation; the cultural boundaries variability; the opposition self-otherness, authenticity-fiction, trans-textuality; and the relevance of an integrated approach to multiple cultural identities as an encountering and negotiation space between writer, reader and work. The complexity of ontological and epistemological representation involves an interdisciplinary approach that blends a literary interpretive approach to social, anthropological, cultural and historical perspectives. The book concludes that in the author's fictional universe, cultural identity is represented as a general human experience that transcends the specific conditionalities of geographical contexts, history and culture. The construction of identity by Jean Rhys is represented by the dichotomy of marginal identity and the identification with a human ideal designed either by the hegemonic discourse or metropolitan culture or by the dominant ideology. The identification with a pattern of cultural authenticity, of racial, ethnic, or national purism is presented as a purely destructive cultural projection, leading to the creation of a static universe in opposition to the diversity of human feelings and aspirations. Jean Rhys's fictional discourse lies between "the anxiety of authorship" and "the anxiety of influence" and shows the postcolonial era of uprooting and migration in which the national ownership diluted the image of a "home" ambiguous located at the boundary between a myth of origins and a myth of becoming. The relationship between the individual and socio-cultural space is thus shaped in a dual hybrid position.

Traces the anthropological and ethnological theories of the ancient Greeks and Romans from the creation of the world to the invention of the Americas. In ancient Greek and Roman thinking, whether the world is flat or spherical it will have imaginary boundaries and liminal areas where the norms of nature and culture are thought to break down. Analogies are constantly drawn between 'primitive' peoples at the 'edges of the world' and 'primitive' people in prehistory. Distance, both in time and space, leads to difference, and the idea that strange things happen out there or happened back then dominates Greek and Roman thinking on other cultures. This book examines ancient ideas of the creation of the world, the beginnings of life and origin of species, humans and animals, utopias and blessed islands, and 'barbarian' cultures beyond the Mediterranean world, before going on to trace the influence of ancient anthropological and ethnological thought on the Middle Ages and the Renaissance. We begin with primordial chaos and end with the invention of the Americas, taking in on the way many strange creatures, among them the noble or ignoble savages of Britain, Gaul and Ireland, the Man-faced Ox-creatures of Empedocles, the Dog-heads of India, the Amazons, Centaurs, Columbus, and the Tupinamba of Brazil.

The Encounter Never Ends offers a thoughtful meditation on the relationship between fieldwork and anthropological knowledge through the analysis of Tamil ritual practice in a South Indian village. Isabelle Clark-Deces revisits field notes taken more than fifteen years earlier, and reveals what she intended when she took the notes, what she came to understand and record, and why she proceeded to ignore her ethnography until recently. Returning to these notes with fresh eyes and matured experience, Clark-Deces gains insight into Tamil rural society that complicates anthropological analyses of the Indian village. She realizes that the village she lived in was neither a community nor a system but rather a loose hodgepodge of caste groups and advises that the social order is not necessarily the best place to start looking for important insights into the ways in which cultures construe ritual action. Drawing on the recent work of Don Handelman to discuss the two Tamil ritual complexes recovered from her field notes, a drought removal ritual and a post-funeral ceremony, the author shows how they articulate complex notions regarding knowledge, reflexivity, and action. Throughout, the author shares her own story, including the mixture of frustration and fascination she felt while conducting fieldwork, illustrating how extraordinarily difficult ethnographic description is.

To date, there has been no published textbook which takes into account changing sociolinguistic dynamics that have influenced South African society. Multilingualism and Intercultural Communication breaks new ground in this arena. The scope of this book ranges from macro-sociolinguistic questions pertaining to language policies and their implementation (or non-implementation) to micro-sociolinguistic observations of actual language-use in verbal interaction, mainly in multilingual contexts of Higher Education (HE). There is a gradual move for the study of language and culture to be taught in the context of (professional) disciplines in which they would be used, for example, Journalism and African languages, Education and African languages, etc. The book caters for this growing market. Because of its multilingual nature, it caters to English and Afrikaans language speakers, as well as the Sotho and Nguni language groups - the largest languages in South Africa [and also increasingly used in the context of South African Higher Education]. It brings together various inter-linked disciplines such as Sociolinguistics and Applied Language Studies, Media Studies and Journalism, History and Education, Social and Natural Sciences, Law, Human Language Technology, Music, Intercultural Communication and Literary Studies. The unique cross-cutting disciplinary features of the book will make it a must-have for twenty-first century South African students and scholars and those interested in applied language issues.

A type of folklore, myth is central to all cultures. Myths convey serious truths learned over generations and provide practical advice for living within a society. And while many myths go back to antiquity, they are also an important part of popular culture. Because they are so fundamental to civilization, myths are studied in a range of disciplines and at all levels. This reference is a comprehensive but convenient introduction to the role of myth in world cultures. Written by a leading authority, this handbook is of use to high school students, undergraduates, and general readers. It defines and classifies types of myth and provides numerous examples, many of which illustrate the significance of myth to contemporary society. In addition, it surveys the history of the study of myth and overviews critical approaches. It examines the relation of myths to larger contexts, such as politics, religion, and popular culture. The volume closes with a bibliography of print and electronic resources and a glossary.

Essay on Islamization is a study of the Islamization of all Muslim societies and their conversion to orthodox Islam which, with its chapels, soldier monks and holy war, leads to fundamentalism as well as to a moral puritanism. Cherkaoui gauges the importance of this global phenomenon by analyzing the empirical data of some sixty Muslim and non-Muslim societies. He also conducts two ethnographic surveys to identify the metamorphoses of Muslim religious practices and their causes.

The author had identified six 'Foundations Pillars' that are the essential and minimum requirements for all nations, to ensure development and improvements for all their citizenry. These are appropriate building blocks, regardless of the type of government the nation has, or the level of industrialisation and progress of their economy. This book focuses on India; it provides a dimension to the already ignited and meaningful discussion and debate for the 2014 Indian General Elections. It focuses on national and regional level issues to identify longer-term sustainable changes that are required for the essential improvements in India, for the benefit of all its citizens. Building on the principle of Ashoka's Pillar and stone inscribed edicts found across South Asia, this book aims to engage citizens to the key priorities and importance of the six 'Foundation Pillars' that form the basis of national transformational changes that are necessary to ensure improvements for all our citizens. Using the analogy of a house, a house we name India, these priorities form the six 'Foundation Pillars' on which the new 'House of India' can be built, they are the necessary components before citizens can the build a new Indian super-structure 'house' above ground. The weaker these 'Foundation Pillars', the greater the chance of unevenness and movement, and consequently, that the building blocks above ground will crack, damage and eventually either need rebuilding or redesigning. The Indian approach, in many aspects follows behaviour of 'build-neglect-rebuild', where they build something, not necessarily to last, but sufficient for a period, neglect it, and then have to rebuild it, as by that time it is beyond repair. This is where the author believes India is at the moment, and this case study focuses on what citizens could do to change this for their benefit.

Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.

"Genes, Culture, and Human Evolution: A Synthesis"is a textbook on human evolution that offers students a unique combination of cultural anthropology and genetics.
Written by two geneticists---including a world-renowned scientist and founder of the Human Genome Diversity Project---and a socio-cultural anthropologist.
Based on recent findings in genetics and anthropology that indicate the analysis of human culture and evolution demands an integration of these fields of study.
Focuses on evolution---or, rather, co-evolution---viewed from the standpoint of genes and culture, and their inescapable interactions.
Unifies cultural and genetic concepts rather than rehashing nonempirical sociobiological musings.
Demonstrates that empirical genetic evidence, based on modern DNA analysis and population studies, provides an excellent foundation for understanding human cultural diversity.

This book documents and interprets the trajectory of ethnographic museums in Tunisia from the colonial to the post-revolutionary period, demonstrating changes and continuities in role, setting and architecture across shifting ideological landscapes. The display of everyday culture in museums is generally looked down upon as being kitsch and old-fashioned. This research shows that, in Tunisia, ethnographic museums have been highly significant sites in the definition of social identities. They have worked as sites that diffuse social, economic and political tensions through a vast array of means, such as the exhibition itself, architecture, activities, tourism, and consumerism. The book excavates the evolution of paradigms in which Tunisian popular identity has been expressed through the ethnographic museum, from the modernist notion of 'indigenous authenticity' under colonial time, to efforts at developing a Tunisian ethnography after Independence, and more recent conceptions of cultural diversity since the revolution. Based on a combination of archival research in Tunisia and in France, participant observation and interviews with past and present protagonists in the Tunisian museum field, this research brings to light new material on an understudied area.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture-the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large. A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

In 1996 on the banks of the Columbia River a 9,300-year old skeleton was found that would become the impetus for the first legal assault on the Native American Graves Protection and Repatriation Act (NAGPRA). The Kennewick Man, as it came to be called, put to test whether the American Indian tribes of the area were culturally affiliated with the skeleton as they claim and their oral traditions affirm, or whether the skeleton was affiliated with a people who are no longer present. At the same time, another 9,000-year old skeleton was found in the storage facility of the Nevada State Museum, where it had gone unnoticed for the past 50 years. Like the Kennewick Man, the Spirit Cave Mummy also brought to fore the question of cultural affiliation between contemporary American Indian tribes of the western Great Basin and those people who resided in the area during the Late Pleistocene and Early Holocene. Cultural anthropologist Peter N. Jones tackles these contentious questions in this landmark study, Respect for the Ancestors. For the first time in a single work, the question of cultural affiliation between the present-day American Indians of the American West and the people of the distant past is examined using multiple lines of evidence. Out of this comprehensive study, a picture of continuous cultural evolution and adaptation between the peoples of the ancient past and those of the present-day emerges from the evidence. Further, important implications for the field of anthropology are discussed as a result of this benchmark study. Anyone working in the American West today will benefit from this book.

The longevity of the Esperanza Peace and Justice Center in San Antonio, Texas, suggests that it is possible for a social change organization to simultaneously address racism, classism, sexism, homophobia, imperialism, environmental justice, and peace-and to succeed. Activism, Alliance Building, and the Esperanza Peace and Justice Center uses ethnographic research to provide an instructive case study of the importance and challenges of confronting injustice in all of its manifestations. Through building and maintaining alliances, deploying language strategically, and using artistic expression as a central organizing mechanism, The Esperanza Peace and Justice Center demonstrates the power of multi-issue organizing and intersectional/coalitional consciousness. Interweaving artistic programming with its social justice agenda, in particular, offers Esperanza a unique forum for creative and political expression, institutional collaborations, and interpersonal relationships, which promote consciousness raising, mobilization, and social change. This study will appeal to scholars of communication, Chicana feminism, and ethnography.

The issue of patronage-clientelism has long been of interest in the social sciences. Based on long-term ethnographic research in southern Italy, this book examines the concept and practice of raccomandazione: the omnipresent social institution of using connections to get things done. Viewing the practice both from an indigenous perspective - as a morally ambivalent social fact - and considering it in light of the power relations that position southern Italy within the nesting relations of global Norths and Souths, it builds on and extends past scholarship to consider the nature of patronage in a contemporary society and its relationship to corruption.