During the past decade, there has been an outpouring of books on 'the body' in society, but none has focused as specifically on physical culture - that is, cultural practices such as sport and dance within which the moving physical body is central. Questions are raised about the character of the body, specifically the relation between the 'natural' body, the 'constructed' body and the 'alien' or 'virtual' body. The themes of the book are wide in scope, including: physical culture and the fascist body sport and the racialised body sport medicine, health and the culture of risk the female Muslim sporting body, power, and politics experiencing the disabled sporting body embodied exhibitions of striptease and sport the social logic of sparring sport, girls and the neoliberal body. Physical Culture, Power, and the Body aims to break down disciplinary boundaries in its theoretical approaches and its readership. The author's muli-disciplinary backgrounds, demonstrate the widespread topicality of physical culture and the body.

They are essential to every major archaeological excavation but rarely acknowledged by the visiting researchers once the artifacts have been shipped. As part of the innovative, multivocal output from the famous Turkish Neolithic site of Catalhoeyuk, we hear from one of the site guards, Sadrettin Dural, who tells the story of the excavation from the point of view of the "Other." He offers tales of the strange habits of archaeologists, describes the local in-fighting that scholars never see, and explains how scientists can be protected from the Yatirs, spirits of the dead who guard the mound. Ian Hodder, director of the Catalhoeyuk project, provides explanatory notes for the reader and an interview with the author, exploring indigenous interpretations of ancient sites and the archaeologists who excavate them. For the archaeologist, this offers a revolutionary new viewpoint on their work. For the cultural anthropologist, Dural's role as site guard is only a small part of his life as a Turkish villager. The author recounts the daily lived experience of one man in a contemporary Turkish village, including changing economic strategies for supporting his family, brushes with the law, trips to the beach and the city, and Turkish phone sex.

This innovative work by the noted scholar, diplomat, legal expert and writer Francis Deng moves the study of negotiation out of the limited traditional context of industrial relations and resituates it in a broader cultural framework, that includes the values and patterns of behaviour relevant to negotiating both personal and international diplomatic relations, and embraces both tribal culture and the complexities of international foreign affairs. Negotiation, the management of human relations in order to facilitate cooperation and the harmonisation of incompatible or conflictual positions, is a vitally important concern in contemporary life. Deng draws upon his own wide experience to explore the ways in which personal initiatives, fundamental cultural values and political factors can contribute towards the improvement of interpersonal and intergroup relations at the local, national and global levels. This unique work includes elements of traditional Sudanese Dinka culture that have shaped Deng's own perspective. The wealth of the author's experience, and the narrative strength of the negotiating stories he presents, greatly enrich our understanding of societies, and present a policy-oriented personalised approach to the cultural dimension of conflict management and resolution in future that has wide relevance. This is an exceptional work by one of the most remarkable cultural experts of our time.

It has been claimed that the natural sciences have abstracted for themselves a 'material world' set apart from human concerns, and social sciences, in their turn, constructed 'a world of actors devoid of things'. While a subject such as archaeology, by its very nature, takes objects into account, other disciplines, such as psychology, emphasize internal mental structures and other non-material issues. This book brings together a team of contributors from across the social sciences who have been taking 'things' more seriously to examine how people relate to objects. The contributors focus on every day objects and how these objects enter into our activities over the course of time. Using a combination of different theoretical approaches, including actor network theory, ecological psychology, cognitive linguistics and science and technology studies, the book argues against the standard notion of objects and their properties as inert and meaningless and argues for the need to understand the relations between people and objects in terms of process and change.

Curating Dramaturgies investigates the transformation of art and performance and its impact on dramaturgy and curatorship. Addressing contexts and processes of the performing arts as interconnecting with visual arts, this book features interviews with leading curators, dramaturgs and programmers who are at the forefront of working in, with, and negotiating the daily practice of interdisciplinary live arts. The book offers a view of praxis that combines perspectives on theory and practice and looks at the way that various arts institutions, practitioners and cultural agents have been working to change the way that art and performance have developed and experienced by spectators in the last decade. Curating Dramaturgies argues that cultural producers and scholars are becoming more cognizant of this overlapping and transforming field. The introductory essay by the editors explores the rise of interdisciplinary live arts and its ramifications in cultural and political terms. This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidatingthe ever-evolving field of the visual arts and performance.

A rich and fascinating ethnography of domestic architecture and activities among the high caste Chhetris of Kholagaun in Nepal, this book focuses on the spatial organization, everyday activities and ritual performances that generate and display Chhetri houses as 'mandalas', sacred diagrams that are both maps of the cosmos and machines for revelation. Describing the orientation and layout of the Chhetri house and surrounding compound; it shows how the orientation and distribution of everyday social activities with the domestic mandala shape people's experience of the enigmas of their lifeworld as householders; and analyses the double significance of rituals that take place in the domestic mandala. By treating the Nepali house as more than just the background of people's everyday life, the author reveals the Chhetri everyday lifeworld as a revelation of Hindu tantric cosmology, its enigmatic illusion, and the path to liberation from it. The themes addressed in the book make a unique contribution to the fields of anthropology, architecture and human geography.

This book explores how Chinese communities in the United States and Germany create and disseminate a sense of diasporic Chinese identity. The book not only compares the local conditions of Chinese communities in the two locations, but also moves to a global dimension to track the Chinese transnational imaginary. The book analyzes three strategies which overseas Chinese use to articulate their identities as diasporic subjects: (1) being more American/German, (2) being more Chinese, and (3) hybridizing and commodifying Chinese culture through trans-cultural performances. These three strategies are not mutually exclusive, and they often intersect and supplement each other in unexpected ways. The author analyzes how the everyday lives of overseas Chinese connect with global and local factors, and how these experiences contribute to the formation of a global Chinese identity.

With the rise of nationalism in the Republic of Korea, music has come to play a central role in the discourse of identity. This volume asks what Koreans consider makes music Korean, and how meaning is ascribed to musical creation. Keith Howard explores specific aspects of creativity that are designed to appeal to a new audience that is increasingly westernized yet proud of its indigenous heritage - updates of tradition, compositions, and collaborative fusions. He charts the development of the Korean music scene over the last 25 years and interprets the debates, claims and statistics by incorporating the voices of musicians, composers, scholars and critics. Koreanness is a brand identity with a discourse founded on heritage, hence Howard focuses on music that is claimed to link to tradition, and on music compositions where indigenous identity is consciously incorporated. The volume opens with SamulNori, a percussion quartet known throughout the world that was formed in 1978 but is rooted in local and itinerant bands stretching back many centuries. Parallel developments in vocal genres, folksongs and p'ansori ('epic storytelling through song') are considered, then three chapters explore compositions written both for western instruments and for Korean instruments, and designed both for Korean and international audiences. Over time, Howard shows how the two musical worlds - kugak, traditional music, and yangak, western music - have collided, and how fusions have emerged. This volume documents how identity has been negotiated by musicians, composers and audiences. Until recently, references to tradition were common and, by critics and musicologists, required. Western music increasingly encroached on the market for Korean music and doubts were raised about the future of any music identifiably Korean. Today, Korean musical production exudes a resurgent confidence as it amalgamates Korean and western elements, as it arranges and incorporates the old in the new, and as it creates a music suitable for the contemporary world.

In our contemporary post-modern world, popular forms of spirituality are increasingly engaging with notions of re-enchantment - of self and community. Not only are narratives of re-enchantment appearing in popular culture at the personal and spiritual level, but also they are often accompanied by a pragmatic approach that calls for political activism and the desire to change the world to incorporate these new ideas. Drawing on case studies of particular groups, including pagans, witches, radical faeries, post-modern tourists, and queer and goddess groups, contributors from Australia, the UK and North America discuss various forms of spirituality and how they contribute to self-knowledge, identity, and community life. The book documents an emerging engagement between new quasi-religious groups and political action, eco-paganism, post-colonial youth culture and alternative health movements to explore how social change emerges.

As China strengthens its links with its neighbours through its Belt and Road initiative, there is growing interest in the indigenous peoples of China's western and southwestern borderlands. This book, based on extensive original research, considers the indigenous peoples of Yunnan province, which is a major gateway between China and the countries of south and south-east Asia. Unlike many books on China's indigenous peoples which are written by foreigners who have lived for a while in China, this book is comprised of the work of Chinese scholars, many of them members of ethnic minorities themselves, and considers the issues from a Chinese perspective.

Carnival has been described as one of the foundational elements of European culture, bearing an emblematic and iconic status as the festive phenomenon par excellence. Its origins are partly obscure, but its stratified and complex history, rich symbolic diversity, and sundry social configurations make it an exceptional object of cultural analysis. The product of more than 12 years of research, this book is the first comparative historical anthropology of popular European Carnival in the English language, with a focus on its symbolic, religious, and political dimensions and transformations throughout the centuries. It builds on a variety of theories of social change and social structures, questioning existing assumptions about what folklore is and how cultural gaps and differences take shape and reproduce through ritual forms of collective action. It also challenges recent interpretations about the performative and political dimension of European festive culture, especially in its carnivalesque declension. While presenting and exploring the most important features and characteristics of European pre-modern Carnival and discussing its origins and developments, this thorough study offers fresh evidence and up-to-date analyses about its transversal and long-lasting significance in European societies.

This book formulates a new pedagogy of death with regard to Northeast India and shows how this pedagogy offers an understanding of alternative knowledge systems and epistemes. In documenting a range of customs and practices pertaining to death, dying and the afterlife among the diverse ethnic communities of Northeast India, the book offers new soteriological, epistemological, sociological and phenomenological perspectives on death. Through an examination of these eschatological practices and their anthropological, theological and cultural moorings, the book aims to reach an understanding of notions of indigeneity with regard to Northeast India. The contributors to this book draw upon a range of subjects— from songs, literary texts, monuments, relics and funerary objects to biographies to folktales to stories of spirit possessions and supernatural encounters. It collates the research of scholars primarily from Northeast India, but also from Eastern India and offers an interdisciplinary analysis of these various belief systems and practices. This book will of interest to those researchers and scholars interested in South Asia in general and Northeast India in particular, and also to those interested in the social anthropology of religion, cultural studies, indigenous studies, folklore studies and Himalayan studies.

Silence is crucial to our social world. Responding to the growing scholarly interest in social sciences and humanities for more in-depth engagements with social silence, this book explores what it means to trace silences and to include traces of silences in our scholarly representations. What qualifies as silence, and how does it relate to articulation, to voice, visibility and representation? How can silences be sensed and experienced viscerally as well as narratively? And how do we think with and interpret silences in the face of potential unknowability? Grounded in ethnographic research in the Netherlands, Israel, Turkey, China, and Indonesia, the chapters all contribute to a theorization of silence that embraces multivocality, unintelligibility and uncertainty of interpretation. As a collection of cutting-edge scholarly work at the intersection of anthropology and history, Tracing Silences argues for an in-depth engagement with the unspeakable and unspoken, through a range of modes and methods, and in the historical, social, and political ways in which they emerge and are enacted in the particularities of people's lives. This book will be of interest to scholars and students of history, anthropology, sociology, political science and archival studies. The chapters in this book were originally published as a special issue of History and Anthropology.

Ever since its emergence in colonial-era Cuba, Afro-Cuban Santeria (or Lucumi) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. Originally published in 2003 Santeria Enthroned combines art, history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression. Focusing on the royal throne as a potent metaphor in Santeria belief and practice it shows how negotiations among ideologically competing interests have shaped the religion's symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina's Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria. Throughout, the book argues for a theoretical perspective on culture as a field of potential strategies and "usuable pasts" that actors draw upon to craft new forms and identities - a perspective that will be invaluable to all students of the African Diaspora.

The tea ceremony and the martial arts are intimately linked in the popular and historical imagination with Zen Buddhism, and Japanese culture. They are commonly interpreted as religio-aesthetic pursuits which express core spiritual values through bodily gesture and the creation of highly valued objects. Ideally, the experience of practising the Zen arts culminates in enlightenment. This book challenges that long-held view and proposes that the Zen arts should be understood as part of a literary and visual history of representing Japanese culture through the arts. Cox argues that these texts and images emerged fully as systems for representing the arts during the modern period, produced within Japan as a form of cultural nationalism and outside Japan as part of an orientalist discourse. Practitioners' experiences are in fact rarely referred to in terms of Zen or art, but instead are spatially and socially grounded. Combining anthropological description with historical criticism, Cox shows that the Zen arts are best understood in terms of a dynamic relationship between an aesthetic discourse on art and culture and the social and embodied experiences of those who participate in them.

Popular music has traditionally served as a rallying point for voices of opposition, across a huge variety of genres. This volume examines the various ways popular music has been deployed as anti-establishment and how such opposition both influences and responds to the music produced. Implicit in the notion of resistance is a broad adversarial hegemony against which opposition is measured. But it would be wrong to regard the music of popular protest as a kind of dialogue in league against 'the establishment'. Convenient though they are, such 'us and them' arguments bespeak a rather shop-worn stance redolent of youthful rebellion. It is much more fruitful to perceive the relationship as a complex dialectic where musical protest is as fluid as the audiences to which it appeals and the hegemonic structures it opposes. The book's contemporary focus (largely post-1975) allows for comprehensive coverage of extremely diverse forms of popular music in relation to the creation of communities of protest. Because such communities are fragmented and diverse, the shared experience and identity popular music purports is dependent upon an audience collectivity that is now difficult to presume. In this respect, The Resisting Muse examines how the forms and aims of social protest music are contingent upon the audience's ability to invest the music with the 'appropriate' political meaning. Amongst a plethora of artists, genres, and themes, highlights include discussions of Aboriginal rights and music, Bauhaus, Black Sabbath, Billy Bragg, Bono, Cassette culture, The Capitol Steps, Class, The Cure , DJ Spooky, Drum and Bass, Eminem, Farm Aid, Foxy Brown, Folk, Goldie, Gothicism, Woody Guthrie, Heavy Metal, Hip-hop, Independent/home publishing, Iron Maiden, Joy Division, Jungle, Led Zeppelin, Lil'Kim, Live Aid, Marilyn Manson, Bob Marley, MC Eiht, Minor Threat, Motown, Queen Latifah, Race, Rap, Rastafarianism, Reggae, The Roots, Diana Ross, Rush, Salt-n-Pepa, 7 Seconds, Roxanne Shante, Siouxsie and the Banshees, The Sisters of Mercy, Michelle Shocked, Bessie Smith, Straight edge Sunrize Band, Bunny Wailer, Wilco, Bart Willoughby, Wirrinyga Band, Zines.

The first full-length ethnographic study of its kind, Highland Homecomings examines the role of place, ancestry and territorial attachment in the context of a modern age characterized by mobility and rootlessness. With an interdisciplinary approach, speaking to current themes in anthropology, archaeology, history, historical geography, cultural studies, migration studies, tourism studies, Scottish studies, Paul Basu explores the journeys made to the Scottish Highlands and Islands to undertake genealogical research and seek out ancestral sites. Using an innovative methodological approach, Basu tracks journeys between imagined homelands and physical landscapes and argues that through these genealogical journeys, individuals are able to construct meaningful self-narratives from the ambiguities of their diasporic migrant histories, and recover their sense of home and self-identity. This is a significant contribution to popular and academic Scottish studies literature, particularly appealing to popular and academic audiences in USA, Canada, Australia, New Zealand and Scotland

What would an artefact-based anthropology look like if it were not about material culture? And could such a project aspire, not to create a new sub-genre within the discipline, but to reconfigure anthropologys analytic methodologies more generally? Thinking Through Things is an ambitious foray by a group of young anthropologists who share common concerns about the place of objects and materiality in their interpretive struggles. More than simply a critique of existing anthropological reasoning, the volume puts forward a positive programme for the re-fashioning of anthropological endeavours. Testing the limit of the persistent analytical assumption that meanings are fundamentally distinct from their material manifestations, Thinking Through Things attempts to explore the consequences of an apparently counter-intuitive analytic possibility: that artifacts might be treated as sui generis meanings.

Spirit Possession and Communication in Religious and Cultural Contexts explores the phenomenon of spirit possession, focusing on the religious and cultural functions it serves as a means of communication. Drawing on the multidisciplinary expertise of philosophers, anthropologists, historians, linguists, and scholars of religion and the Bible, the volume investigates the ways that spirit possession narratives, events, and rituals are often interwoven around communicative acts, both between spiritual and earthly realms and between members of a community. This book offers fresh insight into the enduring cultural and religious significance of spirit possession. It will be an important resource for scholars from a diverse range of disciplines, including religion, anthropology, history, linguistics, and philosophy.

The impasse currently affecting human rights as a language used to express struggles for dignity is, to a large extent, a reflection of the epistemological and political exhaustion which blights the global North. Since the global hegemony of human rights as a language for human dignity is nowadays incontrovertible, the question of whether it can be used in a counter-hegemonic sense remains open. Inspired by struggles from all corners of the world that reveal the potential but, above all, the limitations of human rights, this book offers a highly conditional response. The prevailing notion of human rights today, as the hegemonic language of human dignity, can only be resignified on the basis of answers to simple questions: why does so much unjust human suffering exist that is not considered a violation of human rights? Do other languages of human dignity exist in the world? Are these other languages compatible with the language of human rights? Obviously, we can only find satisfactory answers to these questions if we are able to envisage a radical transformation of what is nowadays known as human rights. Herein lies the challenge posed by the Epistemologies of the South: reconciling human rights with the different languages and forms of knowledge born out of struggles for human dignity.

LONGLISTED FOR THE NATIONAL BOOK AWARD 'With intelligence and care (as well as with a trove of sometimes heartbreaking and sometimes heart-opening true stories) Heather McGhee shows us what racism has cost all of us' - Elizabeth Gilbert Picked for the Financial Times Summer Books by Gillian Tett What would make a society drain its public swimming baths and fill them with concrete rather than opening them to everyone? Economics researcher Heather McGhee sets out across America to learn why white voters so often act against their own interests. Why do they block changes that would help them, and even destroy their own advantages, whenever people of colour also stand to benefit? Their tragedy is that they believe they can't win unless somebody else loses. But this is a lie. McGhee marshals overwhelming economic evidence, and a profound well of empathy, to reveal the surprising truth: even racists lose out under white supremacy. And US racism is everybody's problem. As McGhee shows, it was bigoted lending policies that laid the ground for the 2008 financial crisis. There can be little prospect of tackling global climate change until America's zero-sum delusions are defeated. The Sum of Us offers a priceless insight into the workings of prejudice, and a timely invitation to solidarity among all humans, 'to piece together a new story of who we could be to one another'.

Evolving for centuries in relative isolation, sport in Japan developed a unique character reflective of Japanese culture and society. In recent decades, Japan's drive towards cultural and economic modernization has consciously incorporated a modernization of its sports cultures. "Japan, Sport and Society" provides insights into this process, revealing the tensions between continuity and change, tradition and modernity, the local and the global in a culture facing the new economic and political realities of our modern world. The book explores three broad areas of interest:
- sport and modern society in Japan
- current issues in social reconstruction and reproduction through sport
- modernization, globalization and sport in Japan
Providing unprecedented access to new work from Japanese scholars, and raising key questions of globalization and cultural identity, this text represents a fascinating resource for students and researchers of sport and society.

Since its release shortly after the famous March on Washington in 1963, They and We has been a leading text in the field of racial and ethnic relations in the United States. The tradition continues. They and We, 6th edition, presented in the form of twelve linked essays plus an epilogue, offers a jargon-free introduction to the critical study of America's people, their origins and encounters. In addition to a four chapter section devoted to the social history of our diverse population, the author examines the roots of prejudice, patterns of discrimination, the meaning of "minority status," and the issues of power, politics, and pluralism. Particular attention is paid to continuing struggles for group rights among those most beleaguered, reactions to the dramatic increases in immigration from Asia and Latin America and the resurgence of nativism among those who once again feel threatened by "alien" forces, recent political crises such as occurred in the aftermath of the attack on the World Trade Towers and the Pentagon on September 11, 2001, and the war and occupation in Iraq, and continuing debates over multiculturalism. Every chapter has been updated and, where appropriate, changed or added to in light of new challenges and new perspectives. Those familiar with this sociological classic will be pleased to note that Peter Rose's approach to this subject continues to be grounded in his sensitive and engaging approach to the consideration and assessment of troubling issues. Others will come to appreciate this orientation. And all will benefit from the explication of key concepts, the clarity of exposition, and the comprehensiveness of coverage - from the observations of the French visitor Alexis de Tocqueville to contemporary Critical Race Theorists -- in what is still a rather small book.

A leading expert shows how, by learning from refugee teachers and students, we can create for displaced children-and indeed all children-better schooling and brighter futures. Half of the world's 26 million refugees are children. Their formal education is disrupted, and their lives are too often dominated by exclusion and uncertainty about what the future holds. Even kids who have the opportunity to attend school face enormous challenges, as they struggle to integrate into unfamiliar societies and educational environments. In Right Where We Belong, Sarah Dryden-Peterson discovers that, where governments and international agencies have been stymied, refugee teachers and students themselves are leading. From open-air classrooms in Uganda to the hallways of high schools in Maine, new visions for refugee education are emerging. Dryden-Peterson introduces us to people like Jacques-a teacher who created a school for his fellow Congolese refugees in defiance of local laws-and Hassan, a Somali refugee navigating the social world of the American teenager. Drawing on more than 600 interviews in twenty-three countries, Dryden-Peterson shows how teachers and students are experimenting with flexible forms of learning. Rather than adopt the unrealistic notion that all will soon return to "normal," these schools embrace unfamiliarity, develop students' adaptiveness, and demonstrate how children, teachers, and community members can build supportive relationships across lines of difference. It turns out that policymakers, activists, and educators have a lot to learn from displaced children and teachers. Their stories point the way to better futures for refugee students and inspire us to reimagine education broadly, so that children everywhere are better prepared to thrive in a diverse and unpredictable world.

Based on twelve months of in-depth ethnographic research in Japan with retailers, customers, wholesalers, writers and craftspeople, Selling the Kimono is a journey behind the scenes of a struggle to adapt to difficult economic conditions and declining demand for the kimono. The kimono is an iconic piece of clothing, instantly recognised as a symbol of traditional Japanese culture. Yet, little is known about the industry that makes and sells the kimono, in particular the crisis this industry is currently facing. Since the 1970s, kimono sales have dropped dramatically, craftspeople are struggling to find apprentices, and retailers have closed up shop. Illuminating recent academic investigations into the lived experience of economic crisis, this volume presents a story of an industry in crisis, and the narratives of hope, creativity and resilience that have emerged in response. The ethnographic depth and theoretical contribution to understanding the effects of economic crisis and the transformation of traditional culture will be of broad interest to students, academics and the general public.