In "Writing Ethnographic Fieldnotes", Robert M. Emerson, Rachel I. Fretz, and Linda L. Shaw present a series of guidelines, suggestions, and practical advice for creating useful fieldnotes in a variety of settings, demystifying a process that is often assumed to be intuitive and impossible to teach. Using actual unfinished notes as examples, the authors illustrate options for composing, reviewing, and working fieldnotes into finished texts. They discuss different organizational and descriptive strategies and show how transforming direct observations into vivid descriptions results not simply from good memory but from learning to envision scenes as written. A good ethnographer, they demonstrate, must learn to remember dialogue and movement like an actor, to see colors and shapes like a painter, and to sense moods and rhythms like a poet. This new edition reflects the extensive feedback the authors have received from students and instructors since the first edition was published in 1995. As a result, they have updated the race, class, and gender section, created new sections on coding programs and revising first drafts, and provided new examples of working notes. An essential tool for budding social scientists, the second edition of "Writing Ethnographic Fieldnotes" will be invaluable for a new generation of researchers entering the field.

Across post-industrial societies worldwide, the creative industries are increasingly seen as a key economic driver. These industries - including fields as diverse as advertising, art, computer games, crafts, design, fashion, film, museums, music, performing arts, publishing, radio, theatre and TV - are built upon individual creativity and innovation and have the potential to create wealth and employment through the mechanism of intellectual property. Creative Industries: Critical Readings brings together the key writings - drawing on both journals and books - to present an authoritative and wide-ranging survey of this emerging field of study. The set is presented with an introduction and the writings are divided into four volumes, organized thematically: Volume 1: Concepts - focuses on the concept of creativity and the development of government and industry interest in creative industries; Volume 2: Economy - maps the role and function of creative industries in the economy at large; Volume 3: Organization - examines the ways in which creative institutions organize themselves; and Volume 4: Work - addresses issues of creative work, labour and careers This major reference work will be invaluable to scholars in economics, cultural studies, sociology, media studies and organization studies.

Wilder Lives uses ideas of `wildness' and `rewilding' to rethink human relationships with our environments in challenging but affirming ways. If the Earth is indeed 4.5 billion years old, as scientists currently tell us, recognisably human life has only been around since the last Ice Age, and as a species we have single-handedly destroyed our planet's ecosystems in the short space of a few hundred years, then we urgently need to reconsider and redefine our identities and behaviours. Can `thinking wild' help? Can it provide different ways of seeing, engaging, being human? Can we think of `wildness' as something that may exist in gradations, or as quality rather than absolute value, and as something that has important ethical as well as biological dimensions? Can it lead us to a `world view locating humans in a satisfactory residence on this historic and storied Earth', as Holmes Rolston (1988) suggests? Brown's argument in this book is wide-ranging, inquiring, challenging, but finally inspiring, and takes us through such questions as wildness and conservation, wild cities, rewilding language, wildness and food, wild animals, wild margins, and wildness in the ethics of human-animal relations

This new Yearbook addresses the question of how policy, place, and organization are made to matter for a new research field to emerge. Bringing together leading historians, sociologists, and organizational researchers on science and technology, the volume answers this question by offering in-depth case studies and comparative perspectives on multiple research fields in their nascent stage, including molecular biology and materials science, nanotechnology, and synthetic biology. The Yearbook brings to bear the lessons of constructivist ethnography and the "practice turn" in Science and Technology Studies (STS) more broadly on the qualitative, comparative, and critical inquiry of new research fields. In doing so, it offers unprecedented insights into the complex interplay of national research policies, regional clusters, particular research institutions, and novel research practices in and for any emerging field of (techno-)science. It systematically investigates national and regional differences, including the variable mobilization of such differences, and probes them for organizational topicality and policy relevance.

The Masks of God is the summation of Joseph Campbell's lifelong study of the origins and function of myth. In volume 2 of the series, Oriental Mythology, Campbell examines Eastern mythology as it developed in the distinctive religions of Egypt, India, China and Japan. While Western religions dwell on good and evil, Eastern religions focus on the promise of eternal life. Oriental Mythology explores how Eastern religions came to manifest their varying modes of thought and expression. The Masks of God traces mankind's history as a search for meaning through ideas, themes and quests of culture and religion.

The Masks of God is the summation of Joseph Campbell's lifelong study of the origins and function of myth. In volume 3 of the series, Occidental Mythology, Campbell examines the themes that underlie the art, worship and literature of the Western world. Occidental Mythology traces European consciousness from the Levantine earth-goddesses of the Bronze Age and the subsequent tribal invasions that shaped Judaic and Greek myth before examining the influence of Persia, Rome, Islam and Christian Europe on ancient beliefs. The Masks of God traces mankind's history as a search for meaning through ideas, themes and quests of culture and religion.

The Masks of God is the summation of Joseph Campbell's lifelong study of the origins and function of myth. In volume 1 of the series, Primitive Mythology, Campbell examines the primitive roots of spiritual beliefs among our ancient ancestors. Drawing on anthropology, archaeology and psychology Primitive Mythology confirms the fundamental unity of mankind (not only biologically but in shared spiritual history). The Masks of God traces mankind's history as a search for meaning through ideas, themes and quests of culture and religion.

The age-old practice of sitting down to a family meal is undergoing unprecedented change as rising world affluence and trade, along with the spread of global food conglomerates, transform eating habits worldwide. HUNGRY PLANET profiles 30 families from around the world--including Bosnia, Chad, Egypt, Greenland, Japan, the United States, and France--and offers detailed descriptions of weekly food purchases; photographs of the families at home, at market, and in their communities; and a portrait of each family surrounded by a week's worth of groceries. Featuring photo-essays on international street food, meat markets, fast food, and cookery, this captivating chronicle offers a riveting look at what the world really eats.
The paperback edition of the 2006 James Beard Book of the Year featuring a photojournalistic survey of 30 families from 24 countries and the food they eat during the course of one week. Winner of the 2006 James Beard Award for writings on food, finalist for the 2006 IACP Cookbook Award for food reference/technical, and winner of the 2005 Harry Chapin Media Award. Includes more than 300 photographs plus essays on the politics of food by Marion Nestle, Michael Pollan, Charles C. Mann, Alfred W. Crosby, Francine R. Kaufman, Corby Kummer, and Carl Safina. The hardcover edition has sold 40,000 copies.Awards
2006 James Beard Cookbook of the YearThe Splendid Table Book of the Year
2005 Harry Chapin Media Award
finalist for the 2006 IACP Cookbook Award
Reviews"The photos are at once charming and astonishing in their honesty."--Milwaukee Journal Sentinel"A treasure trove of information . . . The photographs alone are worth the price of admission."--Travel Girl"Arresting, beautiful, enlightening and infinitely human, this is a collection of full-page photos of families around the world surrounded by what they eat in a single week -- from Bhutan to San Antonio. Read the illuminating statistics and the essays. This is a book for the family and for the classroom. You won't see the same old "aren't we better than them" attitude, nor will you be shamed. This book reminds us that what we eat is the simplest, yet most profound, thread that ties us together."--Lynne Rossetto Kasper, Host of American Public Media's Public Radio Program, The Splendid Table."the politics of food at its most poignant and provocative. A coffee table book that will certainly make coffee interesting." -Washington Post"While the photos are extraordinary--fine enough for a stand-alone volume--it's the questions these photos ask that make this volume so gripping. This is a beautiful, quietly provocative volume." -Publishers Weekly, starred review"This book of portraits reveals a planet of joyful individuality, dispiriting sameness, and heart-breaking disparity. It's a perfect gift for the budding anti-globalists on your list" -Bon Appetit" A] unique photographic study of global nutrition" -USA Today"Grabs your attention for the startlingly varied stories it tells about how people feed themselves around the world. Its contents are based on detailed research, beautifully photographed, presented with often disturbing clarity." -Associated Press"The world's kitchens open to Peter Menzel and Faith D'Aluisio, the intrepid couple who created the series of books called Material World.... As always with this couple's terse, lively travelogues, politics and the world economy are never far from view." -New York Times Book Review "illuminating, thought-provoking, and gloriously colorful" -Saveur magazine"Richly colored and quietly composed photographs....Hungry Planet is not a book about obesity or corporate villains; it's something much grander. Its premise is simple to the point of obvious and powerful to the point of art." -Salon.com"A fascinating nutritional and gustatory tour." -San Jose Mercury News"A grand culinary voyage through our modern world...a lushly illustrated anthropological study." -San Francisco Bay Guardian"The talked-about book of the season...the stories are fascinating." -Detroit Free Press"Unique and engaging" -Delta Airlines Sky magazine

In the wake of structural adjustment programs in the 1980s and health reforms in the 1990s, the majority of sub-Saharan African governments spend less than ten dollars per capita on health annually, and many Africans have limited access to basic medical care. Using a community-level approach, anthropologist Ellen E. Foley analyzes the implementation of global health policies and how they become intertwined with existing social and political inequalities in Senegal. ""Your Pocket Is What Cures You"" examines qualitative shifts in health and healing spurred by these reforms, and analyzes the dilemmas they create for health professionals and patients alike. It also explores how cultural frameworks, particularly those stemming from Islam and Wolof ethnomedicine, are central to understanding how people manage vulnerability to ill health. While offering a critique of neoliberal health policies, ""Your Pocket Is What Cures You"" remains grounded in ethnography to highlight the struggles of men and women who are precariously balanced on twin precipices of crumbling health systems and economic decline. Their stories demonstrate what happens when market-based health reforms collide with material, political, and social realities in African societies.

Bodies of Truth offers an intimate account of how apartheid victims deal with the long-term effects of violence, focusing on the intertwined themes of embodiment, injury, victimhood, and memory. In 2002, victims of apartheid-era violence filed suit against multinational corporations, accusing them of aiding and abetting the security forces of the apartheid regime. While the litigation made its way through the U.S. courts, thousands of victims of gross human rights violations have had to cope with painful memories of violence. They have also confronted an official discourse claiming that the Truth and Reconciliation Commission of the 1990s sufficiently addressed past injuries. This book shows victims' attempts to emancipate from their experiences by participating in legal actions, but also by creating new forms of sociality among themselves and in relation to broader South African society. Rita Kesselring's ethnography draws on long-term research with members of the victim support group Khulumani and critical analysis of legal proceedings related to apartheid-era injury. Using juridical intervention as an entry point into the question of subjectivity, Kesselring asks how victimhood is experienced in the everyday for the women and men living on the periphery of Cape Town and in other parts of the country. She argues that the everyday practices of the survivors must be taken up by the state and broader society to allow for inclusive social change in a post-conflict setting.

Our Origins, fourth edition, helps students engage with the "big picture" of human evolution. Innovative media, photorealistic art, rigorously current content, new animations, new custom-produced Anthropology Matters videos, and InQuizitive adaptive learning deliver everything needed to teach a state-of-the-art class.

"I Swear I Saw This" records visionary anthropologist Michael Taussig's reflections on the fieldwork notebooks he kept through forty years of travels in Colombia. Taking as a starting point a drawing he made in Medellin in 2006 - as well as its caption, "I Swear I Saw This" - Taussig considers the fieldwork notebook as a type of modernist literature and the place where writers and other creators first work out the imaginative logic of discovery. Notebooks mix the raw material of observation with reverie, juxtaposed, in Taussig's case, with drawings, watercolors, and newspaper cuttings, which blend the inner and outer worlds in a fashion reminiscent of Brion Gysin and William Burroughs' surreal cut-up technique. Focusing on the small details and observations that are lost when writers convert their notes into finished pieces, Taussig calls for new ways of seeing and using the notebook as form. Memory emerges as a central motif in "I Swear I Saw This" as he explores his penchant to inscribe new recollections in the margins or directly over the original entries days or weeks after an event. This palimpsest of after thoughts leads to ruminations on Freud's analysis of dreams, Proust's thoughts on the involuntary workings of memory, and Benjamin's theories of history-fieldwork, Taussig writes, provokes childhood memories with startling ease. "I Swear I Saw This" exhibits Taussig's characteristic verve and intellectual audacity, here combined with a revelatory sense of intimacy. He writes, "drawing is thus a depicting, a hauling, an unravelling, and being impelled toward something or somebody." Readers will exult in joining Taussig once again as he follows the threads of a tangled skein of inspired associations.

Coming into existence amid a wave of optimism in 2011, South Sudan has since slid into violence and conflict. Even in the face of escalating civil war, however, the people of the country continue to fight for justice, despite a widespread culture of corruption and impunity. Drawing on extensive new research, Rachel Ibreck examines people's lived experiences as they navigate South Sudan's fledgling justice system, as well as the courageous efforts of lawyers, activists, and ordinary citizens to assert their rights and hold the government to account. In doing so, the author reveals how justice plays out in a variety of settings, from displacement camps to chiefs' courts, and in cases ranging from communal land disputes to the country's turbulent peace process. Based on a collaborative research project carried out with South Sudanese activists and legal practitioners, the book also demonstrates the value of conducting researching with, rather than simply about those affected by conflict. At heart, this is a people's story of South Sudan - what works in this troubled country is what people do for themselves.

A fascinating comparative account of sacred languages and their role in and beyond religion written for a broad, interdisciplinary audience Sacred languages have been used for foundational texts, liturgy, and ritual for millennia, and many have remained virtually unchanged through the centuries. While the vital relationship between language and religion has been long acknowledged, new research and thinking across an array of disciplines including religious studies, sociolinguistics, sociology, linguistics, and even neurolinguistics has resulted in a renewed interest in the area. This fascinating and informative book draws on Christian, Islamic, Hindu, Judaic, and Buddhist traditions to provide a concise and accessible introduction to the phenomenon of sacred languages. The book takes a strongly comparative, wide-ranging approach to exploring ways in which ancient religious languages, such as Latin, Pali, Church Slavonic, and Hebrew continue to shape the beliefs and practices of religious communities around the world. Informed by both comparative religion and sociolinguistics, it traces the histories of sacred languages, the myths and doctrines that explain their origin and value, the various ways they are used, the sectarian debates that shadow them, and the technological innovations that propel them forward in the twenty-first century. * A comprehensive but succinct account of the role and importance of language within religion * Takes an interdisciplinary approach which will appeal to students and scholars across an array of disciplines, including religious studies, sociology of religion, sociolinguistics, and linguistics * Provides a strongly comparative exploration, drawing on Christian, Islamic, Hindu, Judaic, and Buddhist traditions * Uses numerous examples and ties historic debates with contemporary situations * Satisfies the rapidly growing demand for books on the subject among both academics and general readers Sacred Languages of the World is a must-read for students of religion and language, scripture, religious literacy, education and language, the sociology of religion, sociolinguistics. It will also have strong appeal among general readers with an interest comparative religion, history, cultural criticism, communication studies, and more.

In this brilliantly evocative ethnography, Francio Guadeloupe probes the ethos and attitude created by radio disc jockeys on the binational Caribbean island of Saint Martin/Sint Maarten. Examining the intersection of Christianity, calypso, and capitalism, Guadeloupe shows how a multiethnic and multireligious island nation, where livelihoods depend on tourism, has managed to encourage all social classes to transcend their ethnic and religious differences. In his pathbreaking analysis, Guadeloupe credits the island DJs, whose formulations of Christian faith, musical creativity, and capitalist survival express ordinary people's hopes and fears and promote tolerance.

Over the past few decades, Daoism has become a recognizable part of Western "alternative" spiritual life. Now, that Westernized version of Daoism is going full circle, traveling back from America and Europe to influence Daoism in China. Dream Trippers draws on more than a decade of ethnographic work with Daoist monks and Western seekers to trace the spread of Westernized Daoism in contemporary China. David A. Palmer and Elijah Siegler take us into the daily life of the monastic community atop the mountain of Huashan and explore its relationship to the socialist state. They follow the international circuit of Daoist "energy tourism," which connects a number of sites throughout China, and examine the controversies around Western scholars who become practitioners and promoters of Daoism. Throughout are lively portrayals of encounters among the book's various characters Chinese hermits and monks, Western seekers, and scholar-practitioners as they interact with each other in obtuse, often humorous, and yet sometimes enlightening and transformative ways. Dream Trippers untangles the anxieties, confusions, and ambiguities that arise as Chinese and American practitioners balance cosmological attunement and radical spiritual individualism in their search for authenticity in a globalized world.

Mobility has become a prominent feature in African societies: Populations all over Africa are both mobile and politically and economically marginal. Yet these populations are actively engaged in maintaining social networks across localities. Mobilities, ICTs and marginality in Africa looks at the dramatic changes brought about in socially marginal populations by new ICTs in general and mobile phones in particular. The book aims to situate the cultural, social and, in some cases, transnational context of ICT appropriation and virtual connectivity so as to reposition Africans from various countries and contexts as active agents of social change. The intricacies of local ICT use and the dynamics of mobility in the African context enables us to better understand material cultures, relationships between people, new media and social networking. Equally explored in relation to ICTs are the social and spatial dynamics of communication, association and belonging across spaces - particularly physical borders, social boundaries and confines and possibilities informed by the habitus of bodies and practices. Mobilities, ICTs and marginality in Africa is rich in theoretically informed case studies that lend themselves to comparative perspectives and to ethnographies from beyond Africa.

When people do things with words, how do we know what they are doing? Many scholars have assumed a category of things called actions: 'requests', 'proposals', 'complaints', 'excuses'. The idea is both convenient and intuitive, but as this book argues, it is a spurious concept of action. In interaction, a person's primary task is to decide how to respond, not to label what someone just did. The labeling of actions is a meta-level process, appropriate only when we wish to draw attention to others' behaviors in order to quiz, sanction, praise, blame, or otherwise hold them to account. This book develops a new account of action grounded in certain fundamental ideas about the nature of human sociality: that social conduct is naturally interpreted as purposeful; that human behavior is shaped under a tyranny of social accountability; and that language is our central resource for social action and reaction.

Between 1918 and 1933, the masses became a decisive preoccupation of European culture, fueling modernist movements in art, literature, architecture, theater, and cinema, as well as the rise of communism and fascism and experiments in radical democracy.

Spanning aesthetics, cultural studies, intellectual history, and political theory, this volume unpacks the significance of the shadow agent known as "the mass" during a critical period in European history. It follows its evolution into the preferred conceptual tool for social scientists, the ideal slogan for politicians, and the chosen image for artists and writers trying to capture a society in flux and a people in upheaval. This volume is the second installment in Stefan Jonsson's epic study of the crowd and the mass in modern Europe, building on his work in "A Brief History of the Masses," which focused on monumental artworks produced in 1789, 1889, and 1989.

A World of Many Worlds is a search into the possibilities that may emerge from conversations between indigenous collectives and the study of science's philosophical production. The contributors explore how divergent knowledges and practices make worlds. They work with difference and sameness, recursion, divergence, political ontology, cosmopolitics, and relations, using them as concepts, methods, and analytics to open up possibilities for a pluriverse: a cosmos composed through divergent political practices that do not need to become the same. Contributors. Mario Blaser, Alberto Corsin Jimenez, Deborah Danowski, Marisol de la Cadena, John Law, Marianne Lien, Isabelle Stengers, Marilyn Strathern, Helen Verran, Eduardo Viveiros de Castro

This second edition of Gary S. Becker's "The Economics of Discrimination" has been expanded to include three further discussions of the problem and an entirely new introduction which considers the contributions made by others in recent years and some of the more important problems remaining.
Mr. Becker's work confronts the economic effects of discrimination in the market place because of race, religion, sex, color, social class, personality, or other non-pecuniary considerations. He demonstrates that discrimination in the market place by any group reduces their own real incomes as well as those of the minority.
The original edition of "The Economics of Discrimination" was warmly received by economists, sociologists, and psychologists alike for focusing the discerning eye of economic analysis upon a vital social problem--discrimination in the market place.
"This is an unusual book; not only is it filled with ingenious theorizing but the implications of the theory are boldly confronted with facts. . . . The intimate relation of the theory and observation has resulted in a book of great vitality on a subject whose interest and importance are obvious."--M.W. Reder, "American Economic Review"
"The author's solution to the problem of measuring the motive behind actual discrimination is something of a "tour de force," . . . Sociologists in the field of race relations will wish to read this book."--Karl Schuessler, "American Sociological Review"

Global Ancestors is a collection of papers which reflect on modern museological responses to the often complex and emotive relationship that people have with the ancestors and objects which they created. Set out in three broad themes, the first collection of papers explore how indigenous peoples are represented in museums in Panama and China and how more can be gained by working with indigenous communities to further our understanding of the ancestors. The second section examines changes in British and American museological thinking regarding the repatriation of human remains and objects to indigenous peoples, focussing in particular on the impact of legislation on western institutions and the expectations of indigenous communities and alternative religious groups. These issues are explored through case studies involving material from the British Museum and Glasgow Museum. The final section explores the ways in which archaeologists and indigenous communities interact. These chapters illustrate, through case studies from South Africa, Finland and Canada, how both groups have worked together for their mutual benefit or to change the majority viewpoint. Global Ancestors represents the beginnings of a more inclusive and shared understanding between different constituencies and points the way forward to a time when we can consider the ancestors truly global ."

Nature, money, work, care, food, energy, and lives: these are the seven things that have made our world and will shape its future. In making these things cheap, modern commerce has transformed, governed, and devastated Earth. In A History of the World in Seven Cheap Things, Raj Patel and Jason W. Moore present a new approach to analyzing today's planetary emergencies. Bringing the latest ecological research together with histories of colonialism, indigenous struggles, slave revolts, and other rebellions and uprisings, Patel and Moore demonstrate that throughout history, crises have always prompted fresh strategies to make the world cheap and safe for capitalism. At a time of crisis in all seven cheap things, innovative and systemic thinking is urgently required. This book proposes a radical new way of understanding--and reclaiming--the planet in the turbulent twenty-first century.

Hamid Dabashi’s 2007 Iran: A People Interrupted is simultaneously subtle, passionate, polarizing and polemical. A concise account of Iranian history from the early 19th-century onward, Dabashi’s book uses his incisive analytical skills as a basis for creating a persuasive argument against the views of Iran that predominate in the West.

In Dabashi’s view, Western approaches to Iran have been colored time and time again by the assumption that it is somehow trapped between regressive ‘tradition,’ and progressive ‘modernity.’ The reality, he argues, is quite the opposite: Iran has its own distinctive ideology of modernity, which is nevertheless opposed to many Western ideals. In order to prove his point, Dabashi draws on a lifetime’s experience of literary criticism to analyse the relationship between Iran’s intellectual and political elites over two centuries.

His analysis provides the key evidence for his reasoning by teasing out the implicit assumptions that underly the texts and people he examines. Looking beneath the surface of the evidence, Dabashi finds – time and time again – the traces of a uniquely Iranian notion of modernity that is quite at odds with its Western counterpart.

From early department stores in Cape Town to gendered histories of sartorial success in urban Togo, contestations over expense accounts at an apartheid state enterprise, elite wealth and political corruption in Angola and Zambia, the role of popular religion in the political intransigence of Jacob Zuma, funerals of big men in Cameroon, youth cultures of consumption in Niger and South Africa, queer consumption in Cape Town, middle-class food consumption in Durban and the consumption of luxury handcrafted beads, this collection of essays explores the ways in which conspicuous consumption is foregrounded in various African contexts and historical moments.

In 1899, Thorstein Veblen coined the phrase `conspicuous consumption' to describe status-seeking in the obscenely unequal world of late-nineteenth century America. Many of the aspects he described in The Theory of the Leisure Class are still evident in our world today. While Veblen's crude denunciation of material extravagance finds echoes in media exposes about the lifestyles of the rich worldwide, it is particularly recognisable in reporting on Africa. Here, images of conspicuous consumption have long circulated in local and global media as indictments of political corruption and signs of moral depravity.

The essays in Conspicuous Consumption in Africa put Veblen's concept under robust critical scrutiny, drawing on theorists like Mbembe, Guyer and Bayart by way of critique or addition. They delve into the pleasures, stresses and challenges of consuming in its religious, generational, gendered and racialised aspects, revealing conspicuous consumption as a layered set of practices, textures and relations. The authors resist the trap of easy moralisation, pointing to more complex ethical and political registers of analysis and judgement. This volume shows how central and revealing conspicuous consumption can be to fathoming the history of Africa's projects of modernity, and their global lineages and legacies.

In its grounded, up-close case studies, it is likely to feed into current public debates on the nature and future of African societies - South African society in particular.