Communication is vital to the prosperity and survival of the community, with the quality of communication amongst its members directly improving or worsening the value of the community. However, with the increase in immigration and relocation of refugees, the need to accommodate diverse cultural groups becomes imperative for the viability and survivability of a community while posing challenges to communication. Intercultural and interfaith dialogue can be used constructively to cultivate, manage, and sustain diversity and wellbeing in particularly deeply divided communities. Intercultural and Interfaith Dialogues for Global Peacebuilding and Stability is a critical research publication that explores the importance of conflict resolution strategies among populations that include a varied amalgamation of cultural and religious backgrounds. With the increasing emphasis on intercultural understanding promoted by governments, civil societies, and international mediators, this book offers relevant remedies for major afflictions in the world today, such as exclusion, marginalization, xenophobia, and racism. It is ideal for government officials, policymakers, activists, diplomats, lawyers, international trade and commerce agencies, religious institutions, academicians, researchers, and students working in a variety of disciplines including political science, international relations, law, communication, sociology, and cultural studies.

Every society thrives on stories, legends and myths. This volume explores the linguistic devices employed in the astoundingly rich narrative traditions in the tropical hot-spots of linguistic and cultural diversity, and the ways in which cultural changes and new means of communication affect narrative genres and structures. It focusses on linguistic and cultural facets of the narratives in the areas of linguistic diversity across the tropics and surrounding areas - New Guinea, Northern Australia, Siberia, and also the Tibeto-Burman region. The introduction brings together the recurrent themes in the grammar and the substance of the narratives. The twelve contributions to the volume address grammatical forms and categories deployed in organizing the narrative and interweaving the protagonists and the narrator. These include quotations, person of the narrator and the protagonist, mirativity, demonstratives, and clause chaining. The contributors also address the kinds of narratives told, their organization and evolution in time and space, under the impact of post-colonial experience and new means of communication via social media. The volume highlights the importance of documenting narrative tradition across indigenous languages.

How does a craft reinvent itself as `traditional' following cultural, social and political upheaval? In the township of Dingshu, Jiangsu province of China, artisans produce zisha or Yixing teapots that have been highly valued for centuries. Yet in twentieth-century socialist imagination, handicrafts were an anomaly in a modern society. The Maoist government had clear ambitions to transform the country by industrialization, replacing craft with mechanized methods of production. Four decades later, some of the same artisans identified as `backward' handicraft producers in the 1950s and made to join workers' cooperatives, were now encouraged to set up private workshops, teach their children and become entrepreneurs. By the 2000s ceramic production in Dingshu is booming and artisans are buying their first cars, often luxury brands. However, many involvements of the Chinese state are apparent, from the control of raw materials, to the inscription of the craft on China's national list of intangible cultural heritage. In this perceptive study, Gowlland argues that this re-evaluation of heritage is no less inherently political than the collectivism of the communist regime. Reflecting that the craft objects, although produced in very different contexts, have remained virtually the same over time and that it is the artisans' subjectivities that have been transformed, he explores the construction of mastery and its relationship to tradition and authenticity, bringing to the fore the social dimension of mastery that goes beyond the skill of simply making things, to changing the way these things are perceived, made and talked about by others.

Via the Smithsonian Institution, an exploration of the growing friction between the research and outreach functions of museums in the 21st century. Describing participant observation and historical research at the Smithsonian's National Museum of Natural History as it prepared for its largest-ever exhibit renovation, Deep Time, the author provides a grounded perspective on the inner-workings of the world's largest natural history museum and the social processes of communicating science to the public. From the introduction: In exhibit projects, the tension plays out between curatorial staff-academic, research, or scientific staff charged with content-and exhibitions, public engagement, or educational staff-which I broadly group together as "audience advocates" charged with translating content for a broader public. I have heard Kirk Johnson, Sant Director of the NMNH, say many times that if you look at dinosaur halls at different museums across the country, you can see whether the curators or the exhibits staff has "won." At the American Museum of Natural History in New York, it was the curators. The hall is stark white and organized by phylogeny-or the evolutionary relationships of species-with simple, albeit long, text panels. At the Field Museum of Natural History in Chicago, Johnson will tell you, it was the "exhibits people." The hall is story driven and chronologically organized, full of big graphic prints, bold fonts, immersive and interactive spaces, and touchscreens. At the Denver Museum of Nature and Science, where Johnson had previously been vice president and chief curator, "we actually fought to a draw." That, he says, is the best outcome; a win on either side skews the final product too extremely in one direction or the other. This creative tension, when based on mutual respect, is often what makes good exhibitions.

What can bones tell us about past lives? Do different bone shapes, sizes, and injuries reveal more about people's genes or about their environments? Reading the Bones tackles this question, guiding readers through one of the most hotly debated topics in bioarchaeology. Elizabeth Weiss assembles evidence from anthropological work, medical and sports studies, occupational studies, genetic twin studies, and animal research. She focuses on skeletal features such as measurements from cross-sectional geometries; entheseal changes, or locations of muscle attachments; osteoarthritis, which has often been thought to result from wear and tear on joints; stress fractures and hernias; and bone facets, which have been thought to come from frequent kneeling, squatting, or weight-bearing. This thorough survey of activity indicators in bones helps us understand which markers are mainly due to human biology and which are truly useful in reconstructing lifestyle patterns of the past.

Chichen Itza, the legendary capital and trading hub of the late Maya civilization, continues to fascinate visitors and researchers with unanswered questions about its people, rulers, rituals, and politics. Addressing many of these current debates, Landscapes of the Itza asks when the city's construction was completed, what the purposes of its famous pyramid and other buildings were, how the city's influence was felt in smaller neighboring settlements, and whether the city maintained strict territorial borders. Special attention is given to the site's visual culture, including its architecture, ceramics, sculptures, and murals. This volume is a much-needed update on recent archaeological and art historical work being done at Chichen Itza, offering new ways of understanding the site and its role in the Yucatan landscape.