The poems in Gun/Shy deal with the emotional weight of making do. Tinged with both the regrets and wisdom of aging, Jim Daniels's poems measure the wages of love in a changing world with its vanishing currency. He explores the effects of family work-putting children to bed, leading parents to their final resting places-and what is lost and gained in those exertions. Childhood and adolescence are examined, through both looking back on his own childhood and on that of his children. While his personal death count rises, Daniels reflects on his own mortality. He finds solace in small miracles-his mother stretching the budget to feed five children with ""hamburger surprise"" and potato skins, his children collecting stones and crabapples as if they were gold coins. Daniels, as he always has, carries the anchor of Detroit with him, the weight both a comfort and a burden. He explores race, white privilege, and factory work. Eight Mile Road, a fraught border, pulses with division, and the echoes of music, singing through Detroit's soiled but solid heart, resonate in these poems. His first long poem in many years, ""Gun/Shy,"" centers the book. Through the personas of several characters, Daniels dives into America's gun culture and the violent gulf between the fearful and the feared. Throughout, he seeks connection in likely and unlikely places: a river rising after spring rain and searchlights crossing the night sky. Comets and cloudy skies. Cement ponds and the Garden of Eden. Adolescence and death. Wounds physical and psychic. Disguises and more disguises. These are the myths we memorize to help us sleep at night, those that keep us awake and trembling. Daniels's accessible language, subtlety, and deftness make this collection one that belongs on every poetry reader's shelf.

Mary Douglas's seminal work Purity and Danger (Routledge, 1966) continues to be indispensable reading for both students and scholars today. Marking the 50th anniversary of Douglas's classic, the present volume sheds fresh light upon themes raised by Douglas by drawing on recent developments in the social sciences and humanities, as well as current empirical research. In presenting new perspectives on the topic of purity and impurity, the volume integrates work in anthropology and sociology with contemporary ideas from religious studies, cognitive science and the arts. Containing contributions from both established and emerging scholars, including protegees of Douglas herself, Purity and Danger Now is an essential volume for those working on purity and impurity across the full spectrum of the social sciences and humanities.

This book engages with the changing ways in which we, as a society and culture, look upon and interact with animals, stressing how much animals differ among themselves. An invitation to appreciate the peculiar role of animals in telling important if uncomfortable truths about who we are and where we are heading - namely, towards a world so much poorer in cultural, moral, and biological diversity - as a result of the ongoing decimation of so many other species. Drawing on a variety of thought ranging from that of Midgley, Plumwood, and Murdoch to Levinas, Derrida, and Habermas, from ecophilosophers to conservation biologists, Animal Lives and Why They Matter asks how we have come to this, and what an alternative, less destructive approach to our now precarious coexistence with animals might look like. Spanning the disciplines of philosophy, psychology, and anthropology, this enquiry into various cross-species relationships and encounters will appeal to scholars and students across the humanities and social sciences with interests in philosophy, ethics, human-animal interaction, and environmental thought.

Connecting Practices develops a distinctive method of conceptualising significant trends and global issues including environmental sustainability and inequalities in wealth and health, arguing that these are outcomes of the ways in which social practices interact and combine across space and time. Engaging with the question of how connections are made between practices and how past and present combinations make some futures more likely than others, this book brings practice theory to bear on large problems in society. Richly illustrated with examples from the spreading of germs to the history of shipping containers, this powerful analysis of how societies hang together and how they change will appeal to scholars and students of sociology and social theory.

Alterity or otherness is a central notion in cultural anthropology and philosophy, as well as in other disciplines. While anthropology, with its aim of understanding cultural difference, tends to take otherness as a fact, there have been vigorous attempts in contemporary philosophy, particularly in phenomenology, to answer the fundamental question: What is the Other? This book brings the two approaches to otherness - the hermeneutical pragmatics of anthropology, and the radical reflection of philosophy - together, with the goal of enriching one through the other. The philosophy of the German phenomenologist Bernhard Waldenfels, up to now little known to anthropologists, has a central position in this undertaking. Waldenfels's concept of a responsivity to the Other offers to cultural anthropology the possibility of a philosophical engagement with the Other that does not contradict the project of making sense of concrete empirical others. The book illustrates the fertility of this new approach to alterity through a broad spectrum of themes, ranging from reflections on theory formation, via discussions of race and human-animal relations, to personal meditations on experiences of alterity.

'Thubron on top form. Richly detailed, immaculately written and full of insights and encounters that bring a complex corner of the world to life' MICHAEL PALIN 'A masterpiece' WILLIAM DALRYMPLE 'Unforgettable' ANTONY BEEVOR As read on BBC Radio 4's Book of the Week _______________ A dramatic and ambitious new journey from our greatest travel writer. Rising in the Mongolian mountains and flowing through Siberia to the Pacific, the Amur River forms the tense border between Russia and China. This is the most densely fortified frontier on Earth. In his eightieth year, Colin Thubron takes a dramatic and often treacherous journey from the Amur's secret source to its giant mouth, covering almost 3,000 miles. Harassed by injury and by arrest from the local police, he makes his way along both the Russian and Chinese shores. By the time he reaches the river's desolate end, a whole, pivotal world has come alive. _______________ 'An epic journey along a frozen, fraught frontier... Fascinating' The Times 'This book is a triumph' Daily Telegraph A Financial Times, Sunday Telegraph and Spectator Book of the Year Winner of the Stanford Dolman Travel Book of the Year Award 2022

Anthropologist Donald Joralemon asks whether America is really, as many scholars claim, a death-denying culture that prefers to quarantine the sick in hospitals and the elderly in nursing homes. His answer is a reasoned "no." In his view, Americans are merely struggling to find cultural scripts for the exceptional conditions of dying that our social world and medical technologies have thrust upon us. The book: is written in the first-person for a broad audience by a senior anthropologist, making it an authoritative yet accessible textbook for courses on death and dying and American culture; includes contemporary debates about highly visible cases, the definition of death, the status of human remains, aging, and the medicalization of grief; demonstrates persuasively that arguments over death and dying are in fact arguments about what it means to be human in modern America.

Anthropologist Donald Joralemon asks whether America is really, as many scholars claim, a death-denying culture that prefers to quarantine the sick in hospitals and the elderly in nursing homes. His answer is a reasoned "no." In his view, Americans are merely struggling to find cultural scripts for the exceptional conditions of dying that our social world and medical technologies have thrust upon us. The book: is written in the first-person for a broad audience by a senior anthropologist, making it an authoritative yet accessible textbook for courses on death and dying and American culture; includes contemporary debates about highly visible cases, the definition of death, the status of human remains, aging, and the medicalization of grief; demonstrates persuasively that arguments over death and dying are in fact arguments about what it means to be human in modern America.

Diversity in the United States: A Cultural History of the Past Century is a cultural history of diversity in the United States over the past one hundred years. Diversity-defined here as Americans of different racial, ethnic, and religious backgrounds-is currently very much in the national conversation. The book explores diversity in a historical context, bringing a much-needed perspective on what is a passionate theme in contemporary American society. Told chronologically and divided into five twenty-year eras, the book sheds new light on the important role that diversity has played in our national identity. The subject is parsed through the voices of intellectuals and journalists who have weighed in on its many different dimensions. The primary argument of the work is that the concept of diversity has functioned as a key site of both congruence and division in the United States for the past one hundred years, providing a sense of who we are as a people while at the same time exposing inequities based on race, ethnicity, and religion. Both an academic audience and the many readers of non-fiction will find the book to be a valuable and insightful resource.

1. The book demonstrates how art, history and cultural heritage can help to create a climate-literate public that responds to environmental issues and climate change in an informed way. 2. Sutton shows how arts and humanities approaches to environmental and climate change can engage a far wider public in learning, conversation and action than science can alone. This will make the book most interesting to readers looking for ways to broaden engagement with environmental and climate issues. The ideas shared within the book should also act as inspiration for a broad spectrum of practitioners, particularly those writing, designing, and curating public engagement materials in museums and for the media. 3. Unlike competing titles, the proposed book references the growing body of broad-reaching material (instead of focusing on single-topic research (archaeology), or a single genre of museums (science or natural history)). Unlike other titles, it also collects usually isolated and distinctive examples into one publication.

In an era of rapid technological change, are qualitative researchers taking advantage of new and innovative ways to gather, analyse and share community narratives? Sharing Qualitative Research presents innovative methods for harnessing creative storytelling methodologies and technologies that help to inspire and transform readers and future research. In exploring a range of collaborative and original social research approaches to addressing social problems, this text grapples with the difficulties of working with communities. It also offers strategies for working ethically with narratives, while also challenging traditional, narrower definitions of what constitutes communities. The book is unique in its cross-disciplinary spectrum, community narratives focus and showcase of arts-based and emerging digital technologies for working with communities. A timely collection, it will be of interest to interdisciplinary researchers, undergraduate and postgraduate students and practitioners in fields including anthropology, ethnography, cultural studies, community arts, literary studies, social work, health and education.

Originally published in 1914, this text describes L.T. Headland and his wife's experience in China in the early twentieth century. With a focus on home life this study explores issues such as children, marriage and education as well as food, religion and concubinage as well as presenting anecdotes and personal stories from the families Headland interacted with. This title will be of interest to students of Asian Studies and Anthropology.

- The first sustained scholarly study of black horror films, now updated to include the last decade. - Tells a unique social history of African Americans through changing representation in horror films. - Chronological, decade-by-decade survey of black horror films from mainstream Hollywood, to art-house and independent films.

This collection of previously out-of-print titles brings togther some key texts from the early study of the anthropology of religion. An important reference collection, these books will prove invaluable to students of religion and anthropology.

Love and Death are two major facets of the whole of human existence and in The Drama of Love and Death, Carpenter attempts to analyse the interplay of love and death in everyday life. Originally published in 1912, this study focuses on how love and death are perceived and treated in the history of humankind and how these views evolved up until the early twentieth century. This title will be of interest to students of Sociology and Anthropology.

Benjamin Kidd (1858-1916), well-known for his ground-breaking application of social Darwinism in his premier work Social Evolution (1894), was a sociologist and a keen observer of nature. First published posthumously in 1921, A Philosopher with Nature is a collection of Kidd's most profound writings concerning natural habitats. Although the book is not to be considered scientific, Kidd's method of uniting biology and sociology sheds remarkable insights into the animal kingdom. This title is suitable for both students of Anthropology and Sociology.

This book is about people who have been forced resettle because of development projects. It takes stock of recent applied social science research on involuntary resettlement and forms a part of an international discussion on theories of resettlement and what social scientists can do about it.

This book challenges orthodox public perspectives on reproduction. It relies on participant observation, field censuses, interviews, and use of official demographic, epidemiological, and health statistics.

This book is a collection of original case studies describing anthropological knowledge successfully translated into action. It describes the targeted problem or issue, his or her role as an anthropologist, the specific anthropological skills or knowledge used, and the results of the work.

- Provides a cross-disciplinary overview of design theory through the lens of cultural studies, aesthetics and history - Offers a departure from the traditional compartmentalization of practice, history and theory - Engages student readers in contemporary design debates surrounding responsibility, cultural and social awareness and the contexts products are manufactured within.

The recital of The Book of Opening the Mouth and the Liturgy of Funerary Offerings were in use among the Predynastic Egyptians of the later part of the Neolithic Period, before the art of writing had evolved, and continued to exercise a considerable influence on Egyptian religious literature until the time of Roman Empire. The ceremonies were believed to enable the spiritual elements of the deceased to continue their existence. The object of the formulae was the reconstitution of the body and the restoration to it of the heart-soul ('Ba'). This is the first volume of The Book of Opening the Mouth, first published in 1909, which is edited from three copies written in the nineteenth, twentieth and twenty-sixth Dynasties respectively. It is believed they describe faithfully the forms of the rites which originated among the indigenous inhabitants of the Nile Valley.

This volume examines general ethical principles and controversies in the social sciences by looking specifically at the recent three-year revision process to the American Anthropological Association's code of ethics. The book's contributors were members of the task force that undertook that revision and thus have first-hand knowledge of the debates, compromises, and areas of consensus involved in shaping any organization's ethical vision. The book-reflects the broad diversity of opinion, approach, and practice within anthropology and the social sciences;-develops ethical principles that reflect core values rather than the latest ethical controversies;-crafts clear, broad statements, increasing the likelihood that the ethical code will be a meaningful part of the daily discourse of practicing anthropologists;-develops the ethical code as a living document, or a process of experience and debate, subject to future revision and amplification;-provides explanation through internet links and other resources, ensuring that the finished product be relevant and vibrant.

This book presents a philosophical study of the idea of reenchantment and its merits in the interrelated fields of philosophical anthropology, ethics, and ontology. It features chapters from leading contributors to the debate about reenchantment, including Charles Taylor, John Cottingham, Akeel Bilgrami, and Jane Bennett. The chapters examine neglected and contested notions such as enchantment, transcendence, interpretation, attention, resonance, and the sacred or reverence-worthy-notions that are crucial to human self-understanding but have no place in a scientific worldview. They also explore the significance of adopting a reenchanting perspective for debates on major concepts such as nature, naturalism, God, ontology, and disenchantment. Taken together, they demonstrate that there is much to be gained from working with a more substantial and affirmative concept of reenchantment, understood as a fundamental existential orientation towards what is seen as meaningful and of value. The Philosophy of Reenchantment will be of interest to scholars and advanced students in philosophy-especially those working in moral philosophy, metaphysics, philosophy of religion, theology, religious studies, and sociology.

This intellectually vibrant volume is the first collection to deal with Australian celebrity in ways that account for both cultural and gendered specificities, demonstrating how gendered ways of imagining Australia are reinforced and contested in celebrity representations and self-presentations. Gender and Australian Celebrity Culture engages with celebrities across a diverse range of fields - actors, journalists, athletes, comedians, writers, and television personalities - and in doing so critically reflects upon different forms of Australian fame and the media platforms and practices that sustain them. Authors in this volume engage directly with pertinent issues relating to gender and sexuality, including celebrity feminism and the generative capacity of feminist rage; normative femininity and its instability; hegemonic masculinities; and queerness and its (in)visibility. Contributors also intervene in a number of ongoing debates in media and cultural studies more broadly, including those around the politics and affordances of digital media; whiteness and Australia's colonial histories; celebrity labour; and methodologies for celebrity studies. This timely collection urges scholars of celebrity to attend further both to the gendered nature of celebrity culture and to local conditions of production and consumption. This book will be of key interest to researchers and graduate students in cultural studies, television and film studies, digital media studies, critical race and whiteness studies, gender and sexuality studies, and literary studies.