This is an annotated edition of a traditional song text, written in the Zhuang character script. The Brigands' Song is part of a living tradition, sung antiphonally by two male and two female singers. The song is probably unique in presenting the experiences of ordinary men and women during wartime in pre-modern China. The narrative relates how the men are sent off to war, fighting as native troops on behalf of the Chinese imperial armies. The song dates from the Ming dynasty and touches on many topics of historical significance, such as the use of firearms and other operational details.

Michael Longley and Seamus Heaney's lives and careers have been intertwined since the 1960s, when they participated in the Belfast Group of creative writers and later edited the literary journal Northern Review. In Poetry and Peace: Michael Longley, Seamus Heaney, and Northern Ireland, Richard Rankin Russell explores Longley's and Heaney's poetic fidelity to the imagination in the midst of the war in Northern Ireland and their creation, through poetry, of a powerful cultural and sacred space. This space, Russell argues, has contributed to cultural and religious dialogue and thus helped enable reconciliation after the years of the Troubles. The first chapter examines the influence of the Belfast Group on Longley and Heaney's shared aesthetic of poetry. Successive chapters analyze major works by both poets. Russell offers close readings of poems in the context of the poets' cultural and political concerns for the province. He concludes by showing how thoroughly their poetic language has entered the cultural, educational, and political discourse of contemporary Northern Ireland as it pursues the process of peace.

The Angel and the Cholent: Food Representation from the Israel Folktale Archives by Idit Pintel-Ginsberg, translated into English for the first time from Hebrew, analyzes how food and foodways are the major agents generating the plots of several significant folktales. The tales were chosen from the Israel Folktales Archives' (IFA) extensive collection of twenty-five thousand tales. In looking at the subject of food through the lens of the folktale, we are invited to consider these tales both as a reflection of society and as an art form that discloses hidden hopes and often subversive meanings. The Angel and the Cholent presents thirty folktales from seventeen different ethnicities and is divided into five chapters. Chapter 1 considers food and taste-tales included here focus on the pleasure derived by food consumption and its reasonable limits. The tales in Chapter 2 are concerned with food and gender, highlighting the various and intricate ways food is used to emphasize gender functions in society, the struggle between the sexes, and the love and lust demonstrated through food preparations and its consumption. Chapter 3 examines food and class with tales that reflect on how sharing food to support those in need is a universal social act considered a ""mitzvah"" (a Jewish religious obligation), but it can also become an unspoken burden for the providers. Chapter 4 deals with food and kashrut-the tales included in this chapter expose the various challenges of ""keeping kosher,"" mainly the heavy financial burden it causes and the social price paid by the inability of sharing meals with non-Jews. Finally, Chapter 5 explores food and sacred time, with tales that convey the tension and stress caused by finding and cooking specific foods required for holiday feasts, the Shabbat and other sacred times. The tales themselves can be appreciated for their literary quality, humor, and profound wisdom. Readers, scholars, and students interested in folkloristic and anthropological foodway studies or Jewish cultural studies will delight in these tales and find the editorial commentary illuminating.

"One of the season's most talked about cultural studies" ("Los Angeles" "Times")--an incisive and irreverent appreciation of nerds that combines history, sociology, psychology, and memoir from noted journalist and self-proclaimed nerd Ben Nugent.
Most people know a nerd when they see one, but yet can't define just what a nerd is exactly. "American Nerd: The Story of My People "gives readers the history of" "the concept of nerdiness and its related subcultures. What makes Dr. Frankenstein the archetypal nerd? Where did the modern jock come from? When and how did being a self-described nerd become trendy? As the nerd emerged in the nineteenth century, and popped up again and again in college humor journals and sketch comedy, our culture obsessed over the phenomenon.
"Part history, part memoir, and all funny" ("GQ"), "American Nerd" is critically acclaimed writer Benjamin Nugent's entertaining fact-finding mission. He seeks the best definition of nerd and illuminates the common ground between nerd subcultures that might seem unrelated: high-school debate team kids and ham radio enthusiasts, medieval reenactors and pro-circuit videogame players. Why do the same people who like to work with computers also enjoy playing Dungeons & Dragons? How are those activities similar? This clever, enlightening book will appeal to the nerd (and anti-nerd) that lives inside everyone.