Over the last twenty years, art has become more accessible than ever before. A painter can post their latest creation on Instagram and wait as the likes pile up; a budding filmmaker can shoot a clip on their iPhone, then upload it to YouTube for thousands to view. The digital landscape has fundamentally altered what it means to be creative, as well as how consumers interact with artistic production both economically and curatorially. William Deresiewicz, a leading critic of contemporary culture in America, argues that we are in the midst of an epochal transformation within art. Whereas the nineteenth century considered artists to be craftsmen and the twentieth century treated them as professionals, artists today are uniquely dependent upon themselves. The internet, along with decreases in art funding and the growing prevalence of gig economies, has forced artists to become responsible for every aspect of their work, from conception to promotion, from sales to legacy. In The Death of the Artist, Deresiewicz profiles those struggling to make a living through the arts, from the twenty-something college novelist with a multi-hyphenated job title to the midlife painter who must utilise social media to stay relevant. Deresiewicz shows what the birth of the "creative entrepreneur" signifies about our evolving society at large and what might be done to keep artists thriving, because we need them.

There is a growing body of work on white farmers in Zimbabwe. Yet the role played by white women - so-called `farmers' wives' - on commercial farms has been almost completely ignored, if not forgotten. For all the public role and overt power ascribed to white male farmers, their wives played an equally important, although often more subtle, role in power and labour relations on white commercial farms. This `soft power' took the form of maternalistic welfare initiatives such as clinics, schools, orphan programmes and women's clubs, most overseen by a `farmer's wife'. Before and after Zimbabwe's 1980 independence these played an important role in attracting and keeping farm labourers, and governing their behaviour. After independence they also became crucial to the way white farmers justified their continued ownership of most of Zimbabwe's prime farmland. This book provides the first comprehensive analysis of the role that farm welfare initiatives played in Zimbabwe's agrarian history. Having assessed what implications such endeavours had for the position and well-being of farmworkers before the onset of `fast-track' land reform in the year 2000, Hartnack examines in vivid ethnographic detail the impact that the farm seizures had on the lives of farmworkers and the welfare programmes which had previously attempted to improve their lot.

In analyzing the obstacles to democratization in post- independence Africa, Mahmood Mamdani offers a bold, insightful account of colonialism's legacy-a bifurcated power that mediated racial domination through tribally organized local authorities, reproducing racial identity in citizens and ethnic identity in subjects. Many writers have understood colonial rule as either "direct" (French) or "indirect" (British), with a third variant-apartheid-as exceptional. This benign terminology, Mamdani shows, masks the fact that these were actually variants of a despotism. While direct rule denied rights to subjects on racial grounds, indirect rule incorporated them into a "customary" mode of rule, with state-appointed Native Authorities defining custom. By tapping authoritarian possibilities in culture, and by giving culture an authoritarian bent, indirect rule (decentralized despotism) set the pace for Africa; the French followed suit by changing from direct to indirect administration, while apartheid emerged relatively later. Apartheid, Mamdani shows, was actually the generic form of the colonial state in Africa. Through case studies of rural (Uganda) and urban (South Africa) resistance movements, we learn how these institutional features fragment resistance and how states tend to play off reform in one sector against repression in the other. Reforming a power that institutionally enforces tension between town and country, and between ethnicities, is the key challenge for anyone interested in democratic reform in Africa.

J.D. Lewis-Williams, a leading South African archaeologist and ethnographer, examines the complex myths of the San-Bushmen to create a larger theory of how myth is used in cultures worldwide. Exploring ethnographic, archival and archaeological lines of research, he extracts the `nuggets', the far-reaching but often unspoken words and concepts of language and understanding that are opaque to outsiders, to establish a more nuanced theory of the role of these myths in the thought-world and social circumstances of the San. The book draws from the author's own work, the unique 19th-century Bleek & Lloyd archive, more recent ethnographic work, and San rock art and includes well-known San stories such as The broken string, Mantis dreams, and Creation of the eland.

From the New York Times bestselling author of Everything Happens for a Reason: And Other Lies I've Loved, a fascinating look at the world of Christian women celebrities Since the 1970s, an important new figure has appeared on the center stage of American evangelicalism-the celebrity preacher's wife. Although most evangelical traditions bar women from ordained ministry, many women have carved out unofficial positions of power in their husbands' spiritual empires or their own ministries. The biggest stars-such as Beth Moore, Joyce Meyer, and Victoria Osteen-write bestselling books, grab high ratings on Christian television, and even preach. In this engaging book, Kate Bowler offers a sympathetic and revealing portrait of megachurch women celebrities, showing how they must balance the demands of celebrity culture and conservative, male-dominated faiths.

For thousands of years, American Indian cultures have recorded their truths in the narratives and metaphors of oral tradition. Stories, languages, and artifacts, such as glyphs and drawings, all carry Indigenous knowledge, directly contributing to American Indian rhetorical structures that have proven resistant - and sometimes antithetical - to Western academic discourse. It is this tradition that Kimberly G. Wieser seeks to restore in Back to the Blanket, as she explores the rich possibilities that Native notions of relatedness offer for understanding American Indian knowledge, arguments, and perspectives. Back to the Blanket analyzes a wide array of American Indian rhetorical traditions, then applies them in close readings of writings, speeches, and other forms of communication by historical and present-day figures. Wieser turns this pathbreaking approach to modes of thinking found in the oratory of eighteenth-century Mohegan and Presbyterian cleric Samson Occom, visual communication in Laguna Pueblo author Leslie Marmon Silko's Almanac of the Dead, patterns of honesty and manipulation in the speeches of former president George W. Bush, and rhetorics and relationships in the communication of Indigenous leaders such as Ada-gal'kala, Tsi'yugunsi'ni, and Inoli. Exploring the multimodal rhetorics - oral, written, material, visual, embodied, kinesthetic - that create meaning in historical discourse, Wieser argues for the rediscovery and practice of traditional Native modes of communication - a modern-day ""going back to the blanket,"" or returning to Native practices. Her work shows how these Indigenous insights might be applied in models of education for Native American students, in Native American communities more broadly, and in transcultural communication, negotiation, debate, and decision making.

For thousands of years, American Indian cultures have recorded their truths in the narratives and metaphors of oral tradition. Stories, languages, and artifacts, such as glyphs and drawings, all carry Indigenous knowledge, directly contributing to American Indian rhetorical structures that have proven resistant - and sometimes antithetical - to Western academic discourse. It is this tradition that Kimberly G. Wieser seeks to restore in Back to the Blanket, as she explores the rich possibilities that Native notions of relatedness offer for understanding American Indian knowledge, arguments, and perspectives. Back to the Blanket analyzes a wide array of American Indian rhetorical traditions, then applies them in close readings of writings, speeches, and other forms of communication by historical and present-day figures. Wieser turns this pathbreaking approach to modes of thinking found in the oratory of eighteenth-century Mohegan and Presbyterian cleric Samson Occom, visual communication in Laguna Pueblo author Leslie Marmon Silko's Almanac of the Dead, patterns of honesty and manipulation in the speeches of former president George W. Bush, and rhetorics and relationships in the communication of Indigenous leaders such as Ada-gal'kala, Tsi'yugunsi'ni, and Inoli. Exploring the multimodal rhetorics - oral, written, material, visual, embodied, kinesthetic - that create meaning in historical discourse, Wieser argues for the rediscovery and practice of traditional Native modes of communication - a modern-day ""going back to the blanket,"" or returning to Native practices. Her work shows how these Indigenous insights might be applied in models of education for Native American students, in Native American communities more broadly, and in transcultural communication, negotiation, debate, and decision making.

Both natural and cultural selection played an important role in shaping human evolution. Since cultural change can itself be regarded as evolutionary, a process of gene-culture coevolution is operative. The study of human evolution - in past, present and future - is therefore not restricted to biology. An inclusive comprehension of human evolution relies on integrating insights about cultural, economic and technological evolution with relevant elements of evolutionary biology. In addition, proximate causes and effects of cultures need to be added to the picture - issues which are at the forefront of social sciences like anthropology, economics, geography and innovation studies. This book highlights discussions on the many topics to which such generalised evolutionary thought has been applied: the arts, the brain, climate change, cooking, criminality, environmental problems, futurism, gender issues, group processes, humour, industrial dynamics, institutions, languages, medicine, music, psychology, public policy, religion, sex, sociality and sports.

This book takes a new approach to understanding primate conservation research, adding a personal perspective to allow readers to learn what motivates those doing conservation work. When entering the field over a decade ago, many young primatologists were driven by evolutionary questions centered in behavioural ecology. However, given the current environment of cascading extinctions and increasing threats to primates we now need to ensure that primates remain in viable populations in the wild before we can simply engage in research in the context of pure behavioural ecology. This has changed the primary research aims of many primatologists and shifted our focus to conservation priorities, such as understanding the impacts of human activity, habitat conversion or climate change on primates. This book presents personal narratives alongside empirical research results and discussions of strategies used to stem the tide of extinction. It is a must-have for anyone interested in conservation research.

Abstract concepts are often embodied through metaphor. For example, we talk about moving through time in metaphorical terms, as if we were moving through space, allowing us to 'look back' on past events. Much of the work on embodied metaphor to date has assumed a single set of universal, shared bodily experiences that motivate our understanding of abstract concepts. This book explores sources of variation in people's experiences of embodied metaphor, including, for example, the shape and size of one's body, one's age, gender, state of mind, physical or linguistic impairments, personality, ideology, political stance, religious beliefs, and linguistic background. It focuses on the ways in which people's experiences of metaphor fluctuate over time within a single communicative event or across a lifetime. Combining theoretical argument with findings from new studies, Littlemore analyses sources of variation in embodied metaphor and provides a deeper understanding of the nature of embodied metaphor itself.

This compelling narrative explains how Native Americans found themselves time and again betrayed by the ever-expanding white nation of the East, fighting for lands on the edge of the shrinking frontier. Long considered a classic, this edition features an introduction by Dee Brown, author of" Bury My Heart at Wounded Knee."

"A vivid, swiftly paced account of the dispossession of the Plains Indians during the half century after 1840--"The New York Times Book Review,"

Rene Girard holds up the gospels as mirrors that reveal our broken humanity, and shows that they also reflect a new reality that can make us whole. Like Simone Weil, Girard looks at the Bible as a map of human behavior, and sees Jesus Christ as the turning point leading to new life.

The title echoes Jesus' words: "I saw Satan falling like lightning from heaven". Girard persuades us that even as our world grows increasingly violent the power of the Christ-event is so great that the evils of scapegoating and sacrifice are being defeated even now. A new community, God's nonviolent kingdom, is being realized -- even now.

Originally published in 1969, the aim of this book is to tell the story of the major discoveries which have been made and the attitude of the world at large to these discoveries during the ten decades since Darwin published On the Origin of Species in 1859. For anyone interested in man's past and in understanding the significance of each new discovery relating to human evolution, this reissue will be of great value.

American popular culture is everywhere. All over the world, kids wear Levis, radios blare rap songs, television stations broadcast American programs, and Hollywood movies draw huge audiences. Does this massive "Americanization" of the globe represent some sinister form of cultural imperialism? Alternatively, do audiences and consumers in the importing countries accept American movies, music, and television programs because they match local trends and desires? Do receiving communities transform these products to fit their own needs, to the point where they are no longer "American" but in fact have become indigenous? And who is in charge of all of this, anyway? Is it Wall Street, Madison Avenue, the Pentagon, the CIA, or Hollywood? Is it, at least partly, local economic and political elites in the receiving countries? Or is it simply "the people," nationalities be damned? These are the questions at the heart of the essays collected in "Here, There and Everywhere."
Essays by 23 authors from 14 countries cover topics from Japan to Spain, Nigeria to Russia, and from West Germany to East Germany (a distance that seemed to be further than travelling to the moon, yet was covered by rock 'n' roll most easily, despite the wall). In five sections, they examine the historical background, the impact of Hollywood, the power of American popular music from jazz to rock 'n' roll and rap, and the popularity of as well as resistance to American popular culture in particular countries.

'This vital memoir illuminates the power of being on the autism spectrum' - The Times Diagnosed with Autism Spectrum Disorder at the age of eight, Camilla Pang struggled to understand the world around her and the way people worked. Desperate for a solution, Camilla asked her mother if there was an instruction manual for humans that she could consult. But, without the blueprint to life she was hoping for, Camilla began to create her own. Now armed with a PhD in biochemistry, Camilla dismantles our obscure social customs and identifies what it really means to be human using her unique expertise and a language she knows best: science. Through a set of scientific principles, this book examines life's everyday interactions including: - Decisions and the route we take to make them; - Conflict and how we can avoid it; - Relationships and how we establish them; - Etiquette and how we conform to it. Explaining Humans is an original and incisive exploration of human nature and the strangeness of social norms, written from the outside looking in. Camilla's unique perspective of the world, in turn, tells us so much about ourselves - about who we are and why we do it - and is a fascinating guide on how to lead a more connected, happier life. 'This book is truly exceptional. Applying science to the problems of human relationships, the perils of perfectionism and the pitfalls of social etiquette, Millie has written a joyous, funny and hugely insightful text for all of us - whether neurotypical or neurodiverse. This 'outsiders guide to the human race' is warm, witty and a joy to read.' Prof Gina Rippon, Cognitive neuroscientist/autism researcher and author of The Gendered Brain.

In The Cemeteries of New Orleans, Peter B. Dedek reveals the origins and evolution of the Crescent City's world-famous necropolises, exploring both their distinctive architecture and their cultural impact. Spanning centuries, this fascinating body of research takes readers from muddy fields of crude burial markers to extravagantly designed cities of the dead, illuminating a vital and vulnerable piece of New Orleans's identity. Where many histories of New Orleans cemeteries have revolved around the famous people buried within them, Dedek focuses on the marble cutters, burial society members, journalists, and tourists who shaped these graveyards into internationally recognizable emblems of the city. In addition to these cultural actors, Dedek's exploration of cemetery architecture reveals the impact of ancient and medieval grave traditions and styles, the city's geography, and the arrival of trained European tomb designers, such as the French architect J. N. B. de Pouilly in 1833 and Italian artist and architect Pietro Gualdi in 1851. As Dedek shows, the nineteenth century was a particularly critical era in the city's cemetery design. Notably, the cemeteries embodied traditional French and Spanish precedents, until the first garden cemetery- the Metairie Cemetery- was built on the site of an old racetrack in 1872. Like the older walled cemeteries, this iconic venue served as a lavish expression of fraternal and ethnic unity, a backdrop to exuberant social celebrations, and a destination for sightseeing excursions. During this time, cultural and religious practices, such as the celebration of All Saints' Day and the practice of Voodoo rituals, flourished within the spatial bounds of these resting places. Over the course of the twentieth and twenty-first centuries, however, episodes of neglect and destruction gave rise to groups that aimed to preserve the historic cemeteries of New Orleans- an endeavor, which, according to Dedek, is still wanting for resources and political will. Containing ample primary source material, abundant illustrations, appendices on both tomb styles and the history of each of the city's eighteenth- and nineteenth-century cemeteries, The Cemeteries of New Orleans offers a comprehensive and intriguing resource on these fascinating historic sites.

'With Genesis, Wilson inspires awe ... His message is that selection has shaped a society that is characterized by cooperation and division of labour' Nature Of all species that have ever existed on earth, only one has reached human levels of intelligence and social organisation: us. Why? In Genesis, celebrated biologist Edward O. Wilson traces the great transitions of evolution, from the origin of life to the invention of sexual reproduction to the development of language itself. The only way for us to fully understand human behaviour, Wilson argues, is to study the evolutionary histories of nonhuman species. Of these, he demonstrates that at least seventeen - from the African naked mole rat and the sponge-dwelling shrimp to one of the oldest species on earth, the termite - have been found to have advanced societies based on altruism, cooperation and the division of labour. These rare eusocial species form the prehistory to our human social patterns, even, according to Wilson, suggesting the possible biological benefits of homosexuality and elderly grandmothers. Whether writing about midges who dance about like acrobats, schools of anchovies who protectively huddle to appear like a gigantic fish or well-organised flocks becoming potentially immortal, Genesis is a pathbreaking work of evolutionary theory filled with lyrical observations. It will make us rethink how we became who we are.

He demonstrates that Ashkenazic Jewish culture was profoundly shaped and conditioned by life in an overwhelmingly Christian society. Drawing on diverse Christian documents, he portrays Christian beliefs about medieval Jews and Judaism with a degree of detail seldom found in Jewish historics. Emphasizing social, political, and economic history, but also duscussing religious topics, Glick describes the evolution of a complex, inherently unequal relationship. Because the Ashkenazic Jews of medieval Europe were ancestral to almost the entire Jewish population of eastern Europe, their historical experience played a major role in the heritage of most Jewish Americans.

By 1,800 years ago, speakers of proto-Ch'olan, the ancestor of three present-day Maya languages, had developed a calendar of eighteen twenty-day months plus a set of five days for a total of 365 days. This original Maya calendar, used extensively during the Classic period (200-900 CE), recorded in hieroglyphic inscriptions the dates of dynastic and cosmological importance. Over time, and especially after the Mayas' contact with Europeans, the month names that had originated with these inscriptions developed into fourteen distinct traditions, each connected to a different ethnic group. Today, the glyphs encompass 250 standard forms, variants, and alternates, with about 570 meanings among all the cognates, synonyms, and homonyms. In The Maya Calendar, Weldon Lamb collects, defines, and correlates the month names in every recorded Maya calendrical tradition from the first hieroglyphic inscriptions to the present - an undertaking critical to unlocking and understanding the iconography and cosmology of the ancient Maya world. Mining data from astronomy, ethnography, linguistics, and epigraphy, and working from early and modern dictionaries of the Maya languages, Lamb pieces together accurate definitions of the month names in order to compare them across time and tradition. His exhaustive process reveals unsuspected parallels. Three-fourths of the month names, he shows, still derive from those of the original hieroglyphic inscriptions. Lamb also traces the relationship between month names as cognates, synonyms, or homonyms, and then reconstructs each name's history of development, connecting the Maya month names in several calendars to ancient texts and archaeological finds. In this landmark study, Lamb's investigations afford new insight into the agricultural, astronomical, ritual, and even political motivations behind names and dates in the Maya calendar. A history of descent and diffusion, of unexpected connectedness and longevity, The Maya Calendar offers readers a deep understanding of a foundational aspect of Maya culture.

In what many consider to be his masterwork, Evola contrasts the characteristics of the modern world with those of traditional societies, from politics and institutions to views on life and death.

Comprehensive ethnographic portrait of contemporary rural Barbados focuses on patterns of work, gender relations and life cycle, community, and religion in St. Lucy Parish. Recurring theme throughout work is impact of widening social relations - throughglobalization, tourism, transnationalism, tech

"The Field of Cultural Production" brings together Bourdieu's most important writings on art, literature and aesthetics. Bourdieu develops a highly original approach to the study of literary and artistic works, addressing many of the key issues that have preoccupied literary, art and cultural criticism in the late twentieth century: aesthetic value and judgement, the social contexts of cultural practice, the role of intellectuals and artists, and the structures of literary and artistic authority.

Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation and consumption. He examines the individuals in institutions involved in making products: not only the writers and artists, but also the publishers, critics, dealers, galleries and academies. He analyses the structure of the cultural field itself, as well as its position within the broader social structures of power.

The essays gathered together in this volume examine a variety of substantive topics, including Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. "The Field of Cultural Production" will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art and cultural studies.