Minas Gerais is a state in southeastern Brazil deeply connected to the nation's slave past and home to many traditions related to the African diaspora. Addressing a wide range of traditions helping to define the region, ethnomusicologist Jonathon Grasse examines the complexity of Minas Gerais by exploring the intersections of its history, music, and culture. Instruments, genres, social functions, and historical accounts are woven together to form a tapestry revealing a cultural territory's development. The deep pool of Brazilian scholarship referenced in the book, with original translations by the author, cites over two hundred Portuguese-language publications focusing on Minas Gerais. This research was augmented by fieldwork, observations, and interviews completed over a twenty-five-year period and includes original photographs, many taken by the author. Hearing Brazil: Music and Histories in Minas Gerais surveys the colonial past, the vast hinterland countryside, and the modern, twenty-first-century state capital of Belo Horizonte, the metropolitan region of which is today home to over six million. Diverse legacies are examined, including an Afro-Brazilian heritage, eighteenth- and nineteenth-century liturgical music of the region's "Minas Baroque," the instrument known as the viola, a musical profile of Belo Horizonte, and a study of the regionalist themes developed by the popular music collective the Clube da Esquina (Corner Club) led by Milton Nascimento with roots in the 1960s. Hearing Brazil champions the notion that Brazil's unique role in the world is further illustrated by regionalist studies presenting details of musical culture.

This book presents a collection of archaeological and anthropological writings by Li Chi, the founding father of modern archaeology in China. It is divided into two parts, the first of which traces back the rise of Chinese civilization, as well as the origins of the Chinese people; in turn, the second part reviews the rise of archaeology in China as a scientific subject that combines fieldwork methods from the West with traditional antiquarian studies. Readers who are interested in Chinese civilization will find fascinating information on the excavations of Yin Hsu (the ruins of the Yin Dynasty), including building foundations, bronzes, chariots, pottery, stone and jade, and thousands of oracle bones, which are vividly shown in historical pictures. These findings transformed the Yin Shang culture from legend into history and thus moved China's history forward by hundreds of years, shocking the world. In turn, the articles on anthropology include Li Chi's reflections on central problems in Chinese anthropology and are both enlightening and thought-provoking.

In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin, and the escalation of suicide bombings and retaliations in the region. During this tumultuous time, numerous collaborations between Israeli and Palestinian musicians coalesced into a significant musical scene informed by these extremes of hope and despair on both national and personal levels. Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, as well as the collaborative projects of Israeli artist Yair Dalal, Playing Across a Divide demonstrates the possibility of musical alternatives to violent conflict and hatred in an intensely contested, multicultural environment. These artists' music drew from Western, Middle Eastern, Central Asian, and Afro-diasporic musical practices, bridging differences and finding innovative solutions to the problems inherent in combining disparate musical styles and sources. Creating this new music brought to the forefront the musicians' contrasting assumptions about sound production, melody, rhythm, hybridity, ensemble interaction, and improvisation. Author Benjamin Brinner traces the tightly interconnected field of musicians and the people and institutions that supported them as they and their music circulated within the region and along international circuits. Brinner argues that the linking of Jewish and Arab musicians' networks, the creation of new musical means of expression, and the repeated enactment of culturally productive musical alliances provide a unique model for mutually respectful and beneficial coexistence in a chronically disputed land.

Time travel, UFOs, mysterious planets, stigmata, rock-throwing poltergeists, huge footprints, bizarre rains of fish and frogs-nearly a century after Charles Fort's Book of the Damned was originally published, the strange phenomenon presented in this book remains largely unexplained by modern science. Through painstaking research and a witty, sarcastic style, Fort captures the imagination while exposing the flaws of popular scientific explanations. Virtually all of his material was compiled and documented from reports published in reputable journals, newspapers and periodicals because he was an avid collector. Charles Fort was somewhat of a recluse who spent most of his spare time researching these strange events and collected these reports from publications sent to him from around the globe. This was the first of a series of books he created on unusual and unexplained events and to this day it remains the most popular. If you agree that truth is often stranger than fiction, then this book is for you.

This book focuses on recent advances in our understanding of wild edible mycorrhizal fungi, truffle and mushrooms and their cultivation. In addition to providing fresh insights into various topics, e.g. taxonomy, ecology, cultivation and environmental impact, it also demonstrates the clear but fragile link between wild edible mushrooms and human societies. Comprising 17 chapters written by 41 experts from 13 countries on four continents, it enables readers to grasp the importance of protecting this unique, invaluable, renewable resource in the context of climate change and unprecedented biodiversity loss. The book inspires professionals and encourages young researchers to enter this field to develop the sustainable use of wild edible mushrooms using modern tools and approaches. It also highlights the importance of protecting forested environments, saving species from extinction and generating a significant income for local populations, while keeping alive and renewing the link between humans and wild edible mushrooms so that in the future, the sustainable farming and use of edible mycorrhizal mushrooms will play a predominant role in the management and preservation of forested lands.

The term 'globalization' generally refers to the homogenization of cultures across the world due to Western encroachment. However, as this book explains, the process is far more subtle, complex and uneven. Taking as its starting point the fundamental question of whether globalization exists, Living with Globalization provides a lively discussion of one of the most used and abused concepts in the twenty-first century. If globalization is a valid construct, it manifests itself in lived experience, not in abstract theories. Examining the ways in which globalization is contributing to patterns of conflict, Living with Globalization explores a variety of case studies, ranging from 9/11 to identity formation. The book reveals the complex ramifications of globalization on society, government and everyday lives.

Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.

A type of folklore, myth is central to all cultures. Myths convey serious truths learned over generations and provide practical advice for living within a society. And while many myths go back to antiquity, they are also an important part of popular culture. Because they are so fundamental to civilization, myths are studied in a range of disciplines and at all levels. This reference is a comprehensive but convenient introduction to the role of myth in world cultures. Written by a leading authority, this handbook is of use to high school students, undergraduates, and general readers. It defines and classifies types of myth and provides numerous examples, many of which illustrate the significance of myth to contemporary society. In addition, it surveys the history of the study of myth and overviews critical approaches. It examines the relation of myths to larger contexts, such as politics, religion, and popular culture. The volume closes with a bibliography of print and electronic resources and a glossary.

This collection of twenty-eight essays presents an up-to-date survey of pre-Islamic Iran, from the earliest dynasty of Illam to the end of Sasanian empire, encompassing a rich diversity of peoples and cultures. Historically, Iran served as a bridge between the earlier Near Eastern cultures and the later classical world of the Mediterranean, and had a profound influence on political, military, economic, and cultural aspects of the ancient world. Written by international scholars and drawing mainly on the field of practical archaeology, which traditionally has shared little in the way of theories and methods, the book provides crucial pieces to the puzzle of the national identity of Iranian cultures from a historical perspective. Revealing the wealth and splendor of ancient Iranian society - its rich archaeological data and sophisticated artistic craftsmanship - most of which has never before been presented outside of Iran, this beautifully illustrated book presents a range of studies addressing specific aspects of Iranian archaeology to show why the artistic masterpieces of ancient Iranians rank among the finest ever produced. Together, the authors analyze how archaeology can inform us about our cultural past, and what remains to still be discovered in this important region.

Traces the anthropological and ethnological theories of the ancient Greeks and Romans from the creation of the world to the invention of the Americas. In ancient Greek and Roman thinking, whether the world is flat or spherical it will have imaginary boundaries and liminal areas where the norms of nature and culture are thought to break down. Analogies are constantly drawn between 'primitive' peoples at the 'edges of the world' and 'primitive' people in prehistory. Distance, both in time and space, leads to difference, and the idea that strange things happen out there or happened back then dominates Greek and Roman thinking on other cultures. This book examines ancient ideas of the creation of the world, the beginnings of life and origin of species, humans and animals, utopias and blessed islands, and 'barbarian' cultures beyond the Mediterranean world, before going on to trace the influence of ancient anthropological and ethnological thought on the Middle Ages and the Renaissance. We begin with primordial chaos and end with the invention of the Americas, taking in on the way many strange creatures, among them the noble or ignoble savages of Britain, Gaul and Ireland, the Man-faced Ox-creatures of Empedocles, the Dog-heads of India, the Amazons, Centaurs, Columbus, and the Tupinamba of Brazil.

This book presents a collection of ethnomathematical studies of diverse mathematical practices in Afro-Brazilian, indigenous, rural and urban communities in Brazil. Ethnomathematics as a research program aims to investigate the interrelationships of local mathematical knowledge sources with broader universal forms of mathematics to understand ideas, procedures, and practices found in distinct cultural groups. Based on this approach, the studies brought together in this volume show how this research program is applied and practiced in a culturally diverse country such as Brazil, where African, indigenous and European cultures have generated different forms of mathematical practice. These studies present ethnomathematics in action, as a tool to connect the study of mathematics with the students' real life experiences, foster critical thinking and develop a mathematics curriculum which incorporates contributions from different cultural groups to enrich mathematical knowledge. By doing so, this volume shows how ethnomathematics can contribute in practice to the development of a decolonial mathematics education. Ethnomathematics in Action: Mathematical Practices in Brazilian Indigenous, Urban and Afro Communities will be of interest to educators and educational researchers looking for innovative approaches to develop a more inclusive, democratic, critical, multicultural and multiethnic mathematics education.

These case studies explore how competing interests among the keepers of a community's heritage shape how that community both regards itself and reveals itself to others. As editors Celeste Ray and Luke Eric Lassiter note in their introduction, such stakeholders are no longer just of the community itself, but are now often ""outsiders""--tourists, the mass media, and even anthropologists and folklorists. The setting of each study is a different marginalized community in the South. Arranged around three themes that have often surfaced in debates about public folklore and anthropology over the last two decades, the studies consider issues of representation, identity, and practice. One study of representation discusses how Appalachian Pentecostal serpent handlers try to reconcile their exotic popular image with their personal religious beliefs. A case study on identity tells why a segment of the Cajun population has appropriated the term ""coonass,"" once widely considered derogatory. Essays on practice look at an Appalachian Virginia coal town and Snee Farm, a National Heritage Site in lowland South Carolina. Both pieces reveal how dynamic and contradictory views of community life can be silenced in favor of producing a more easily consumable vision of a ""past."" Signifying Serpents and Mardi Gras Runners offers challenging new insights into some of the roles that the media, tourism, and charismatic community members can play when a community compromises its heritage or even denies it.

Recent discussions of self-realization have devolved into unscientific theories of self-help. However, this vague and often misused concept is connected to many important individual and social problems. As long as its meaning remains unclear, it can be abused for social, political, and commercial malpractices. To combat this issue, this book shares perspectives from scholars of various philosophical traditions. Each chapter takes new steps in asking what the meaning of self-realization is-both in terms of what it means to understand who or what one is, and also in terms of how one can, or should, fulfilll oneself. The conceptual elucidations achieved from both theoretical and practical perspectives allow for a more mature awareness of how to deal with discourses on self-realization and, in any case, can help to demystify the subject.

Pain is an evolutionary and adaptive mechanism to prevent harm to an individual. Beyond this, how it is defined, expressed, and borne is dictated culturally. Thus, the study of pain requires a holistic approach crossing cultures, disciplines, and time. This volume explores how and why pain-inducing behaviors are selected, including their potential to demonstrate individuality, navigate social hierarchies, and express commitment to an ideal. It also explores how power dynamics affect individual choice, at times requiring self-induced suffering. Taking bioanthropological and bioarchaeological approaches, this volume focuses on those who purposefully seek pain to show that, while often viewed as "exotic," the pervasiveness of pain-inducing practices is more normative than expected. Theory and practice are employed to re-conceptualize pain as a strategic path towards achieving broader individual and societal goals. Past and present motivations for self-inflicted pain, its socio-political repercussions, and the physical manifestations of repetitive or long-term pain inducing behaviors are examined. Chapters span geographic and temporal boundaries and a wide variety of activities to illustrate how purposeful pain is used by individuals for personal expression and manipulated by political powers to maintain the status quo. This volume reveals how bioarchaeology illuminates paleopathology, how social theory enhances bioarchaeology, and how ethnography benefits from a longer temporal perspective.

Exploring a hitherto unexamined aspect of San cosmology, Mathias Guenther's two volumes on human-animal relations in San cosmology link "new Animism" with Khoisan Studies, providing valuable insights for Khoisan Studies and San culture, but also for anthropological theory, relational ontology, folklorists, historians, literary critics and art historians. Building from the examinations of San myth and contemporary culture in Volume I, Volume II considers the experiential implications of a cosmology in which ontological mutability-ambiguity and inconstancy-hold sway. As he considers how people experience ontological mutability and deal with profound identity issues mentally and affectively, Guenther explores three primary areas: general receptiveness to ontological ambiguity; the impact of the experience of transformation (both virtual/vicarious and actual/direct); and the intersection of the mythic, spirit world with reality. Through a comparative consideration of animistic cosmology amongst the San, Bantu-speakers and the Inuit of Canada's eastern Arctic, alongside a discussion of animistic currents in Western humanities and ethology, Guenther clearly paints the relative strengths and weaknesses of New Animism discourse, particularly in relation to San ontology and cosmology, but with overarching relevance.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture-the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large. A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

What is depression? An "imagined sun, bright and black at the same time?" A "noonday demon?" In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and innovative representations of a range of experiences that might get called "depression." Texts such as Julia Kristeva's Black Sun: Depression and Melancholia (1989), Andrew Solomon's The Noonday Demon (2000), Allie Brosh's cartoons, "Adventures in Depression" (2011) and "Depression Part Two" (2013), and Lars von Trier's film Melancholia (2011) each offer portraits of depression that deviate from, or altogether reject, the dominant language of depression that has been articulated by and within psychiatry. Most recently, Ann Cvetkovich's Depression: A Public Feeling (2012) has answered the author's own call for a multiplication of discourses on depression by positing crafting as one possible method of working through depression-as-"impasse." Inspired by Cvetkovich's efforts to re-shape the depressive experience itself and the critical ways in which we communicate this experience to others, Re/Imagining Depression: Creative Approaches to "Feeling Bad" harnesses critical theory, gender studies, critical race theory, affect theory, visual art, performance, film, television, poetry, literature, comics, and other media to generate new paradigms for thinking about the depressive experience. Through a combination of academic essays, prose, poetry, and interviews, this anthology aims to destabilize the idea of the mental health "expert" to instead demonstrate the diversity of affects, embodiments, rituals and behaviors that are often collapsed under the singular rubric of "depression."

"Genes, Culture, and Human Evolution: A Synthesis"is a textbook on human evolution that offers students a unique combination of cultural anthropology and genetics.
Written by two geneticists---including a world-renowned scientist and founder of the Human Genome Diversity Project---and a socio-cultural anthropologist.
Based on recent findings in genetics and anthropology that indicate the analysis of human culture and evolution demands an integration of these fields of study.
Focuses on evolution---or, rather, co-evolution---viewed from the standpoint of genes and culture, and their inescapable interactions.
Unifies cultural and genetic concepts rather than rehashing nonempirical sociobiological musings.
Demonstrates that empirical genetic evidence, based on modern DNA analysis and population studies, provides an excellent foundation for understanding human cultural diversity.