Die funfzehnte Folge des Jahrbuchs wird eingeleitet mit einer Darstellung von Gina Weinkauff und Bernd Dolle-Weinkauff zu den Ursprungen und zum Stellenwert des Struwwelpeter von Heinrich Hoffmann in der Geschichte des Bilderbuchs. Ebenfalls dem 19. Jahrhundert verpflichtet ist der Beitrag von Sebastian Schmideler uber das Bild des Komponisten Felix Mendelssohn-Bartholdy (1809-1847), wie es die Jugendliteratur des Biedermeier und der Kaiserzeit entwirft. Mit der Rezeption der Marchen aus Tausendundeine Nacht setzt sich Nazli Hodaie unter interkultureller Perspektive kritisch auseinander, wahrend Sabine Bertholds Untersuchung zum Thema Werbung und Warenasthetik in der Kinder- und Jugendliteratur exemplarisch von den 20er Jahren bis in die Gegenwart fuhrt. In einem weiteren Beitrag leuchtet Klaus Maiwald die Chancen und die Probleme des Lesens und der Lesefoerderung unter den Bedingungen der Medienkonkurrenz aus und die indische Forscherin Suchismita Banerjee skizziert die Lage der Kinder- und Jugendliteraturproduktion und des Verlagswesens in ihrem Land.

Mixed-heritage people are one of the fastest-growing groups in the United States, yet culturally they have been largely invisible, especially in young adult literature. Mixed Heritage in Young Adult Literature is a critical exploration of how mixed-heritage characters (those of mixed race, ethnicity, religion, and/or adoption) and real-life people have been portrayed in young adult fiction and nonfiction. This is the first in-depth, broad-scope critical exploration of this subgenre of multicultural literature. Following an introduction to the topic, author Nancy Thalia Reynolds examines the portrayal of mixed-heritage characters in literary classics by James Fenimore Cooper, Mark Twain, and Zora Neale Hurston staples of today's high school English curriculum along with other important authors. It opens up the discussion of young-adult racial and ethnic identity in literature to recognize and focus on those whose heritage straddles boundaries. In this book teachers will find new tools to approach race, ethnicity, and family heritage in literature and in the classroom. This book also helps librarians find new criteria with which to evaluate young adult fiction and nonfiction with mixed-heritage characters."

Girls series books have been popular since the early 1840s, when books about Cousin Lucy, a young girl who learns about the world around her, first appeared. Since then, scores of series books have followed, several of them highly successful, and featuring some of the most enduring characters in fiction, such as Nancy Drew. In recent decades, series books like The Baby-Sitters Club and Sweet Valley High have become staples for young readers everywhere. In Sisters, Schoolgirls, and Sleuths: Girls' Series Books in America, Carolyn Carpan provides a social history of girls' series fiction published in America from the mid-19th century through the early 21st century. Carpan examines popular series, subgenres, themes, and characters found in approximately 100 series, noting how teenage girls are portrayed in girls' series fiction and how girls' series reflect or subvert the culture of the era in which they are produced. Her study also focuses on the creation, writing, and production of such books. This is the first study of American girls' series books to examine the entire genre from its beginnings in the 1840s to the present day, revealing facts about a sub-genre of children's and young adult literature that has rarely been studied. Appendixes in this volume include a listing of the girls' series covered in the book as well as important books about girls' series fiction.

Known for her commitment to excellence in education, Sharon Draper was named National Teacher of the Year in 1997. In 1994 her first novel, Tears of a Tiger, was published, and since then she has written more than fifteen books for middle and high school readers. Tears of a Tiger received the John Steptoe Award for New Talent, and her novels Forged by Fire and Copper Sun have both won the Coretta Scott King Award. Most of her books have been featured on the American Library Association Best Books list, their Top Ten Quick Pick list, and IRA's Young Adult Choice list. In Sharon M. Draper: Embracing Literacy, author KaaVonia Hinton reveals how Draper became an exceptional teacher and writer, and how she uses her writing to urge young people to embrace literacy. Hinton also explores how Draper has made a lasting contribution to the field of young adult literature. This book-length study examines both her life and work and will benefit all students, teachers, and scholars in the field of young adult literature.

Much has been written about the state of Black adolescence often from a sociological point of view situating Black teens in an at-risk category. However, through her characters, young adult author Janet McDonald (1954-2007) presents the wide range of adolescent life. McDonald especially presents to readers the multifarious views of society in relation to the self-efficacious drive of urban teens to rise above their circumstances by any means necessary. Janet McDonald: The Original Project Girl is a bio-critical study of McDonald and her work as it relates to the contributions she has made to the genre of teen fiction. It explains McDonald's profoundly realistic fiction, which holds wide appeal for teens in search of answers to the coming of age mystery. Catherine Ross-Stroud, in her study of McDonald's works and interviews with the author, has put together a comprehensive resource that will be a useful research tool."

One of the most revered authors of young adult books, Richard Peck has penned several critical and commercial successes including Dreamland Lake, The Ghost Belonged to Me, and the National Book Award finalist, A Long Way from Chicago. Peck's novels have also received prestigious awards including the Edgar for Are You in the House Alone? and the Newbery Medal for A Year Down Yonder. He is also the recipient of the Margaret A. Edwards Award, the National Humanities Medal, the ALAN Award, and the National Endowment for the Humanities Medallion. In Richard Peck: The Past Is Paramount, authors Donald R. Gallo and Wendy J. Glenn recount the highlights of Peck's life, focusing on his world travels, his accomplishments as a teacher and his renowned writing career. Gallo and Glenn examine Peck's 30 novels, as well as his short stories and children's books, poems, essays and other nonfiction. An additional chapter analyzes themes, characters, and style in his writing. The appendixes list Peck's many honors and prizes, as well as film adaptations of his works. The extensive bibliography cites all of Peck's primary and secondary works, along with sources of interviews, speeches, prayers and credos, articles about him, and sources of reviews of each of his books. For fans and scholars alike, Richard Peck: The Past Is Paramount is the most authoritative resource about the life and work of this beloved author.

In 1945, John H. Johnson published the first issue of Ebony magazine, a monthly periodical aimed at African American readers. In 1973, the Johnson Publishing Company expanded its readership to include children by producing Ebony Jr . Targeting Black children in the five to eleven age-range, the magazine featured stories, comics, puzzles, and cartoons. Its contents combined elements of Black culture, Black history, and elementary school curriculum. The publication remained in print until 1985 and was resurrected online in 2007. In Ebony Jr The Rise, Fall and Return of a Black Children's Magazine, Laretta Henderson charts this unique publication's genesis, history, and impact. She analyzes the structure and literary context of Ebony Jr , revealing how the political climate informed the composition of the magazine. Henderson also profiles the magazine's publisher, John H. Johnson, and examines how his corporate structure facilitated and informed Ebony Jr 's content, success, and its initial demise. This culturally significant milestone in African American culture is given its due deference in this interdisciplinary examination of the environment in which Ebony Jr was produced, assessing what the magazine's existence meant to a generation of young readers.

For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.
Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.
Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of theChronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.

Die Arbeit stellt anhand dreier Fallstudien dar, wie eine nahere Auseinandersetzung mit dem Thema Orient interkulturelle Erziehung foerdern kann. Sie konzentriert sich auf drei fur die Orient-Rezeption in der deutschen Kinder- und Jugendliteratur exemplarische Beispiele: die "Tausendundeine Nacht"-Kinderausgaben, Karl Mays "Orient-Zyklus" und die Migrantenliteratur. An den drei Fallbeispielen werden nicht nur ethno- bzw. eurozentrische Weisen der Fremdwahrnehmung (Exotismus und Selbstverherrlichung) untersucht, sondern auch Sachstrukturen, an denen "interkulturelle Erziehung" ansetzen kann. Darin liegt auch die didaktische Relevanz der drei Fallbeispiele. Die Auseinandersetzung mit dem Orientbild des jeweiligen Fallbeispiels zielt auf den Abbau der stereotypen und vorurteilsbeladenen Weisen der Orientwahrnehmung zugunsten einer differenzierten und zeitgemassen Selbst- und Fremdwahrnehmung.

Through the window of multicultural literature, we are allowed to enter worlds not physically open to us-to view, to empathize, and to participate emotionally in ways that may ultimately change the way we see ourselves and the society in which we live. Introducing students to the historical contexts of racism and prejudice through the use of literature promotes active discussions and leads students to think about racial diversity. This book provides a mechanism for teachers-pre-service to veteran-to develop an understanding of multicultural literature and the criteria used to evaluate it. It promotes multicultural education in schools and helps to develop teaching strategies and resources that will benefit all students. Through its discussion of picture books, folklore, fairytales, myth, legends, fantasy, historical fiction, realistic fiction, and nonfiction works appropriate for grades K-8, students are enabled to see the strengths and weaknesses within each literature genre as well as within each culture. Prospective and experienced teachers will gain a deeper understanding of how to use multicultural literature throughout the entire curriculum and not just during designated months or time periods. Examples of unit plans and an extensive annotated bibliography are also included. Cultural Journeys will help teachers and other readers to deepen their knowledge, appreciation, and pedagogical understandings of multicultural literature.

Viele Klassiker der Weltliteratur verdanken ihren Bekanntheitsgrad nicht zuletzt ihrer Rezeption in Form adaptierter Ausgaben fur junge Leser. Die Autorin dieser historisch-deskriptiven UEbersetzungsstudie zeigt am Beispiel einer Analyse von jeweils neun deutschen Kinder- und Jugendbuchausgaben von Gulliver's Travels und The Adventures of Huckleberry Finn aus verschiedenen Jahrhunderten auf, wie zeit- und kulturspezifische Einstellungen der Bearbeiter die Gestaltung der Zieltexte beeinflussen und welche Folgen dies hat. Neben einem historischen UEberblick uber die Rezeptionsgeschichte der beiden Klassiker in Deutschland bietet die Untersuchung einen Einblick in die Besonderheiten des kinderliterarischen UEbersetzens (wie den Umgang mit Tabuthemen und satirischen Elementen) und spricht grundsatzliche UEbersetzungsprobleme (wie die UEbertragung von Dia- und Soziolekten) an.

In den zuruckliegenden zwei Jahrzehnten ist in Deutschland intensive Theoriearbeit zur Gattung des Adoleszenzromans geleistet worden. Was jedoch aussteht, ist eine intensive Auseinandersetzung mit dem in der Forschung haufig diffus verwendeten Begriff des "postmodernen Adoleszenzromans". Deshalb widmet sich diese Arbeit ausfuhrlich der Debatte um Kunst und Literatur der Postmoderne sowie der haufig recht vagen Diskussion uber "postmoderne" Lebenswelten Jugendlicher. Auf der Grundlage einer Gattungstheorie des Adoleszenzromans zwischen 1900 und 2000 wird ein Analyserahmen entwickelt, nach dem ausgewahlte Werke im Kontext der Postmoderne untersucht werden. Ziel ist es, die verschiedenen gattungs- und jugendkulturspezifischen Auspragungen des postmodernen Jugendromans herauszuarbeiten.

In the last few decades, scholars have turned their attention to constructions of masculinity and its influence on expressions of nationality and citizenship. Serialized Citizenships participates in and critiques these ongoing conversations about boyhood by examining works produced between 1840 and the first decade of the twentieth century. American boyhood has often been narrowly defined by nineteenth- and twentieth- century canonical texts, such as Mark Twain's Huckleberry Finn, which represent boyhood as a time of rebellion against society. This book suggests that significant representations of American boyhood can be found elsewhere: in serialized texts published in middle-class magazines such as Youth's Companion and Our Young Folks, and also in less familiar children's periodicals, including Young American's Magazine of Self-Improvement and Boys of New York. Author Lorinda Cohoon argues that through their regular publication, these forms of productions construct citizenships that are then adapted by readers from a wide variety of backgrounds-not just by the white middle-class boy readers for whom many of the serialized representations of boyhood were originally published. Cohoon analyzes serializations of Thomas Bailey Aldrich's Story of a Bad Boy and Mark Twain's Huckleberry Finn, along with serializations published by Jacob Abbott, William Taylor Adams, Louisa May Alcott, and Frances Hodgson Burnett. Challenging the seemingly omnipresent "bad boyhood" that is still used to characterize American masculinity, this text examines cultural and textual evidence that reveals many other versions of boyhood citizenships that have been marginalized and sometimes ignored. The serializations and the surrounding periodical material also provide insights into texts that intervene in the construction of regional and national boyhood citizenships throughout the nineteenth century and continue to shape the ways citizenship is negotiated in the twentieth and twenty-

Graham Salisbury, winner of the Scott O'Dell and Boston Globe-Horn Book Awards, grew up in Hawaii during the 1950's, and the lion's share of his fiction is set there. He writes about boys of all races trying to carve an identity for themselves and struggling to make moral decisions as they grow into manhood. The first section of this book chronicles the labyrinthine path of Salisbury's life and career: from barefoot island boy to college dropout, from bubblegum pop musician to schoolteacher, and from real estate manager to young adult author. The book then offers a critical context for Salisbury's work, discussing his novels in terms of plot and style: analyzing literary themes and examining critical responses to his work. Salisbury's use of archetypes and the coming of age stories that dominate his work are explored in depth. Fans are also treated to a peek at some of Salisbury's future projects. Librarians, teachers, and teen readers will find this critical biography to be a useful resource for the library, classroom, and reference bookshelf.

Original artwork and materials explore children's literature and its impact in society and culture over time A favorite childhood book can leave a lasting impression, but as adults we tend to shelve such memories. For fourteen months beginning in June 2013, more than half a million visitors to the New York Public Library viewed an exhibition about the role that children's books play in world culture and in our lives. After the exhibition closed, attendees clamored for a catalog of The ABC of It as well as for children's literature historian Leonard S. Marcus's insightful, wry commentary about the objects on display. Now with this book, a collaboration between the University of Minnesota's Kerlan Collection of Children's Literature and Leonard Marcus, the nostalgia and vision of that exhibit can be experienced anywhere. The story of the origins of children's literature is a tale with memorable characters and deeds, from Hans Christian Andersen and Lewis Carroll to E. B. White and Madeleine L'Engle, who safeguarded a place for wonder in a world increasingly dominated by mechanistic styles of thought, to artists like Beatrix Potter and Maurice Sendak who devoted their extraordinary talents to revealing to children not only the exhilarating beauty of life but also its bracing intensity. Philosophers like John Locke and Jean-Jacques Rousseau and educators such as Johann Comenius and John Dewey were path-finding interpreters of the phenomenon of childhood, inspiring major strands of bookmaking and storytelling for the young. Librarians devised rigorous standards for evaluating children's books and effective ways of putting good books into children's hands, and educators proposed radically different ideas about what those books should include. Eventually, publishers came to embrace juvenile publishing as a core activity, and pioneering collectors of children's book art, manuscripts, correspondence, and ephemera appeared-the University of Minnesota's Dr. Irvin Kerlan being a superb example. Without the foresight and persistence of these collectors, much of this story would have been lost forever. Regarding children's literature as both a rich repository of collective memory and a powerful engine of cultural change is more important today than ever.

Diese gattungsgeschichtliche Untersuchung liefert eine Analyse der phantastischen kinderliterarischen Werke aus der DDR einschliesslich der Sowjetisch Besetzten Zone (SBZ). Neben der umfanglichen Darstellung der theoretischen Debatte um die Phantastik verdeutlichen zwoelf exemplarische Analysen programmatische Entwicklungslinien, asthetische Gestaltungsweisen, Motive und Themen dieser Gattung. Zwei Modelltypen der DDR-Kinder- und Jugendliteratur werden entworfen und es wird hinterfragt, welche Funktion diese erfullen und inwieweit von einer Funktionalisierung des Phantastischen gesprochen werden kann. Zwei ausfuhrliche Exkurse verweisen innerhalb der Literaturchronologie auf zwei bedeutende Aussenseiter des DDR-Literatursystems: Peter Hacks und Reiner Kunze. Schliesslich verweist die Untersuchung auf die Bedeutung der Kinder- und Jugendliteratur der DDR im Kontext der Erinnerungskultur und stellt die Frage: Was bleibt?

Utilizing new historicist, feminist, and cultural studies critiques, these essays by leading scholars provide new perspectives on early children's literary texts. The essays are divided into four parts: Part 1 critiques the rise of children's literature throughout the eighteenth-century, Part 2 focuses on the rise of the female educator and the 'rational dames', Part 3 contains three essays on the politics of pedagogy and the child, Part 4 is a detailed examination of the work of children's literature scholar Mitzi Myers (1939-2001). Scholars of children's literature, literary history, and gender studies will find this volume very illuminating.

This book analyzes American Indian characters and themes in young adult literature, outlining plots and evaluating content from a native perspective. Teachers, librarians, parents, and young adult readers will find essential analytical information about a cross-section of literature with American Indian protagonists, narratives, and settings. Reviews of young adult publications with American Indian themes are also examined, demonstrating how too many reviewers reinforce, and even honor, stereotypical works. Divided into three sections centering on a range of fiction and nonfiction featuring richly diverse tribal groups across a variety of settings and time periods, the book begins with contemporary selections, examining young adult fiction by non-Indian authors as well as a growing number of native authors. The next section is devoted to historical fiction, the most popular American Indian-themed novels for young adults. The last section examines nonfiction work, including memoirs, biographies, autobiographies, and poetry. A rich bibliography leads readers to other resources.

Celebrates the accomplishments of YA authors acclaimed for producing high-quality comedies, who have not yet been treated in a book-length bio-critical study. Simultaneously, it reminds readers that no matter how funny an author of fiction may be, if he shows off his wit in ways that fail to play a natural role in advancing his narrative, he is not writing good fiction. To demonstrate this, humorous passages are presented to illustrate the contribution a sense of humor can make to a work of fiction. The book is arranged topically to facilitate a comparison of distinctive treatments by various authors of adolescent life events, such as sibling rivalry, bullies, and first dates.

Anhand konkreter Beispiele wird gezeigt, wie der nationalsozialistische Staat von 1933 bis 1945 bereits Kinder und Jugendliche in seinem Sinn uber die Jugendliteratur, insbesondere durch Buhnenwerke, Zeitschriften, Schulbucher, Kinder- und Jugendbucher sowie Liedertexte, erfolgreich politisch verfuhrte. Ein besonderes Augenmerk gilt der verhangnisvollen Rolle der NS-Liedertexte, dem vielleicht effektivsten Indoktrinations-Instrument des Dritten Reiches, mit dem es seine junge Generation zu glaubigen Nazis erzog: Es benutzte und missbrauchte deren Begeisterungsfahigkeit und Idealismus. Die Autorin, die - 1928 geboren - selbst in ihrer Kindheit und Jugend jene NS-Indoktrination uber alle Kanale der Jugendliteratur erlebt hat, bringt ihre diesbezuglichen Erfahrungen als Zeitzeugin mit ein.

This book examines a wide range of works written by and about child survivors and victims of the Holocaust. The writers analyzed range from Anne Frank and Saul Friedlander to Ida Fink and Louis Begley; topics covered include the Kindertransport experience, exile to Siberia, living in hiding, Jewish children masquerading as Christian, and ghetto diaries. Throughout, the argument is made that these texts use such similar techniques and structures that children's-eye views of the Holocaust constitute a discrete literary genre.

Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of "queer" and "camp," focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of "playing Indian." These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont's Indian Brook, a single-sex girls' camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney's Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson's critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

Virginia Euwer Wolff 's profoundly moving young adult literature includes the explorations of mental slowness in Probably Nick Swansen, musical giftedness in The Mozart Season, racial prejudice against the Japanese in Bat 6, and culminating in her Make Lemonade Trilogy Make Lemonade, True Believer, and a work yet in progress, about the compassionate persistence of a young teen struggling to escape inner city poverty. The first chapter introduces author Virginia Euwer Wolff, an Oregonian by birth, and, after several years on the East Coast to attend Smith College, then following her husband's theatrical career, by choice. Her knowledge of and interest in both music and theater are evident in her writing, as she explores various aspects of language to catch the rhythms and tones of her characters and to present their stories with the immediacy of dramatic performances. Her writing also reflects her literary expertise, honed by years of teaching and critical reading. The five following chapters each provides a literary and/or cultural context for each of Wolff's novels for young people, discusses the characters in terms of the plot and style, analyzes particularly literary elements as appropriate, and summarizes critical response. The point of each chapter is to attract readers and enrich their experience of each work. Reid has not only analyzed each novel and researched salient aspects independently, but also submitted a draft to the critical response of Virginia Euwer Wolff, which results in a more accurate book than many similar critiques. Young readers, teachers, and professionals in the field of young adult literature should find this survey and analysis of Wolff's books useful in their work and valuable as an aid to thoughtful reading. Readers of ALL ages will enjoy Wolff's work and benefit from this literary analysis.